SHED updates mid-century modern home with "strong bones” in Seattle

Irwin Caplan’s Laurelhurst House by SHED

An early 1950s dwelling in the Pacific Northwest that was originally built for cartoonist Irwin Caplan has received a sensitive refurbishment by American firm SHED.

Irwin Caplan’s Laurelhurst House by SHED

The house sits on a sloped site in Seattle’s Laurelhurst neighbourhood, with quick access to public transportation and the Burke-Gilman Trail. Dating to 1951, the home was possibly designed by architect Sidney Cohn, although records are unclear. Cohn oversaw a remodel of the dwelling in 1959.

The residence was built for Irwin Caplan, an illustrator known for his comic strip Famous Last Words, which appeared in The Saturday Evening Post magazine. Caplan also designed the poster for the 1962 Seattle World’s Fair.

Irwin Caplan’s Laurelhurst House by SHED

The new owners purchased the house directly from Caplan’s estate and embarked on updating it to accommodate the needs of a growing family. Local studio SHED Architecture and Design was commissioned to design the renovation.

“Although the home had strong bones and a clear floor plan, the home showed signs of deferred maintenance, inefficient and outdated systems and had a number of layout deficiencies,” the team said.

Irwin Caplan’s Laurelhurst House by SHED

L-shaped in plan, the residence has a main floor and lower level. The main floor of the original home lacked a proper foyer and mudroom, and certain areas felt cramped and awkward. The lower level contained rooms that were “worn out from years of use and shut off from the outside”.

The architects set out to create a more fluid and open layout while maintaining the home’s original character. The team’s design added about 250 square feet (23 square metres) to the dwelling.

Irwin Caplan’s Laurelhurst House by SHED

A subtle extension was added to the north side of the home, providing more space for a master suite on the main level and a guest room below. On the main floor, walls separating the kitchen from the dining and living rooms were removed to create better flow in the public zone.

In the kitchen, the team installed a white tile backsplash and fir cabinet fronts, along with a Caesarstone-topped peninsula that is lined with bar stools by Danish designer Simon Legald. A skylight was placed overhead to usher in natural light.

The dining area features a streamlined wooden table, Eames shell chairs and a pendant by Andrew Neyer.

The living room is fitted with a tufted grey sofa from Gus Modern, a leather armchair by Brazilian designer Paulo Mendes da Rocha, and a custom steel coffee table. Artwork by the client’s Brazilian friend is hung on the wall, and an Argentine cow-hide rug stretches underfoot.

Irwin Caplan’s Laurelhurst House by SHED

Also on the ground level, an L-shaped deck hugging the eastern corner of the home was widened and reshaped into a rectangle. This modification allowed for the dining room to be extended, while also providing a bit more space for outdoor lounging and taking in views.

“Accessible via a large sliding door, this broad, flexible space extends the main level into an outdoor room,” the team said.

Irwin Caplan’s Laurelhurst House by SHED

A central staircase links the main storey and lower floor. To improve the connection between the two levels, the architects demolished the walls enclosing the stair and inserted an operable skylight, which brings in light while allowing hot air to escape.

A vertical wooden screen was also added to the stairwell.

“The vertical wood screen is another functional and aesthetic element that serves, at once, as guardrail and light filter to heighten the daily experience of light and shadow while moving through the home,” the team said.

Irwin Caplan’s Laurelhurst House by SHED

The team made significant modifications to the lower floor, which was transformed from a series of “utility and work rooms into a multi-purpose level for media, entertaining and hosting guests”.

The updated lower level encompasses a family room and kitchenette, two bedrooms, a shared bathroom and space for laundry and storage. The social area flows onto a generous outdoor terrace.

“Because the families of both partners live abroad, setting up the basement to comfortably accommodate longer stays was paramount,” the team said.

Irwin Caplan’s Laurelhurst House by SHED

In addition to the interior renovations, the team replaced mechanical systems, upgraded the building envelope and enhanced the entryway with a combed-cedar soffit. Wiring for photovoltaic panels was also installed.

The overall result is a modernised home that pays “homage to its rich history while getting ready for a new era of family life”.

Founded in 1998, SHED Architecture and Design has completed a number of renovation projects in Seattle, including the overhaul of a 1957 home for a young family, and the conversion of a horse stable into an art studio and guest house.

Photography is by Rafael Soldi.


Project credits:

Architect: SHED Architecture & Design
Contractor: YS Development
Structural engineer: Todd Perbix

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Beautiful Lifestyle Photos by Gabriel Bascou

Gabriel Bascou est un artiste photographe âgé de 28 ans originaire de Montpellier. Il allie la création de contenu pour des enseignes basées à Paris et la photo de voyages et d’aventures autour de la culture outdoor. 

Après des études en médecine et en institut de formation aux soins infirmiers, Gabriel a finalement travaillé en tant que responsable communication et marketing pour le restaurant Shaka Pok à Paris, établissement dirigé par l’un de ses amis qui aimait ses photographies. « Je n’avais jamais shooté de culinaire et j’ignorais tout de la communication et du marketing. Je ne savais pas dans quoi je m’embarquais. (…) Je ne regrette rien. Mon travail pour le restaurant m’a servi de vitrine. J’ai eu l’occasion de travailler avec de nombreuses enseignes food par la suite ! » dit-il.

En parallèle, Gabriel a découvert la photographie outdoor à la suite d’un instameet organisé par The French Outdoors. « J’y ai rencontré Nathan Saillet (@nathan.saillet), Mattéo Belotti (@mattbelotti) et plus tard Nathanaël Sapey-Triomphe (@n.sapey). Ensemble nous avons fondé il y a un an « The French Way » (@thefrenchway.co) et enchaîné les road trips. » nous explique-t-il.

Cet intérêt pour la photographie, Gabriel le porte depuis son adolescence. « Adolescent, je n’étais pas à l’aise avec mon image. Pour éviter d’apparaître sur les photos, j’étais toujours celui qui se proposait pour immortaliser le reste du groupe. J’aimais également l’appareil photo en tant qu’objet. Mais je ne réalisais pas encore que ma sensibilité et mon sens de l’observation prendrait autant de place dans ma vie… » nous explique-t-il.

C’est à la suite d’un grave accident en faisant du surf que Gabriel, privé de toute pratique sportive, apprit les bases de la photographie. « Pendant 6 ans, je vivais l’apprentissage de la photo au travers du matériel et de la technique. Cela avait pour conséquence de souvent me faire baisser les bras, car les résultats que j’obtenais ne me plaisaient pas. J’essayais alors de combler cette déception en achetant de nouveaux objectifs, ou en changeant de boîtiers.  Ce n’est qu’en 2017 que, sur un coup de tête, j’ai décidé de tout revendre et de garder le minimum : un boîtier et un objectif. C’est alors que j’ai compris que plus on a de contraintes, plus on devient créatif. C’est ce minimalisme combiné à un voyage à la Réunion, là où j’ai vécu jusqu’à mes 19 ans, qui m’a permis de m’épanouir dans ma pratique. Notamment grâce à l’élaboration d’une chromie que je reportais sur chacune de mes photos et qui rendait mon travail homogène. » poursuit-il.

Depuis, Gabriel ne cesse de poster ses instants de vie sur son compte Instagram intitulé « eperdumence ». « Mes photographies sont un journal de bord. J’aime à penser qu’elles mettent en lumière l’importance des rencontres, la beauté du naturel et de moments simples, le caractère éphémère et fragile de la vie, de l’importance d’en profiter et de l’urgence de ne pas y passer à côté. » précise-t-il. Pari réussi !

 










 

NeueHouse to launch Bradbury Building location with LA Futures conversations

Dezeen Promotion: NeueHouse is hosting a series of conversations with prominent members of LA’s creative community, including philanthropist Nicolas Berggruen, architect Kulapat Yantrasast, author Josh Kun and futurist Liam Young, to mark the opening of its latest location in Downtown Los Angeles.

This month Neuehouse will open a new workspace within the city’s iconic Bradbury Building. It will have collaborative creative spaces and private studios, with an atrium and cocktail bar that will play host to a programme of workshops, Q&As and talks.

This programme is being kicked off with the LA Futures conversations series. Over the course of three salon-style conversations the series will explore the role of architecture and technology in the development of the city, and ask why we must look to the past to create a vision for the future.

The first conversation, which took place at the start of December, saw Kulapat Yantrasast, the director of architecture firm wHY, speak to MacArthur Fellow and University of Southern California professor Josh Kun about the significance of the Bradbury Building.

The Bradbury building is one of LA’s oldest landmarked building, with an unassuming red brick facade that gives way to a bright central atrium with circular stairwells and wrought iron elevators.

Since it opened in 1893, its distinctive, art nouveau features have graced more than 83 films and TV shows, most notably Citizen Kane, Chinatown and the original Blade Runner.

In their conversation, Yantrasast and Kun discussed how buildings of such historical and cultural importance are able to serve as a source of inspiration and connection for the local community.

“Residents of cities need places to come together, places that function as fertile ground for ideas, information, emotions that are going to transcend the walls of the building themselves,” said Yantrasast.

“Design has become a way of rethinking the lived world – with buildings as just one part of the flow of energy and the flow of ideas that connect individuals to companies, to independent practices, to art makers and community activists.”

The talk with Yantrasast will be followed up with a series of discussions with other creative thought-leaders from the local LA community, including Liam Young and Nicholas Berggruen.

NeueHouse has a track record of choosing historically significant buildings for its locations, with its New York outpost occupying the former Tepper Galleries auction house and a second LA branch situated in Hollywood’s historic CBS Radio Tower.

“We believe the shape, heritage and story of our environment impacts the way we work and live,” explained NeueHouse’s CEO Josh Watt.

In the Bradbury Building, this ethos manifests itself in the preservation of original design elements like exposed brick, wood rafters and fireplaces, contrasted with soft, feminine touches in the form of plush upholstery and warm, muted colours.

Find out more about NeueHouse Bradbury on NeueHouse.com or by contacting MembershipBradbury@NeueHouse.com.

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Gift Guide: Winter Nesting

Embrace the colder months with these products for relaxation and escape

When the weather dissuades you from leaving the house, it’s important not to stare at a screen or spiral into a seasonal slump. Staying home needn’t be defeatist, and could be replenishing. The following products encourage nesting and all the comforts and pleasure that can come from it. Rather than feel glum or dejected, embrace the colder months and take some well-deserved time for relaxation and perhaps a little escapism.

Mythos Two Wool Blanket

With a design by Bristol-based artist George Greaves, this Mythos blanket ($206) by ZigZag Zurich comes in two colorways—this rich teal being our pick. Woven in Europe from 100% New Zealand wool, it measures 55 by 79 inches and is certified STANDARD 100 by OEKO-TEX, which means no harmful chemicals or synthetics have been used during the manufacturing process.

JGV: A Life in 12 Recipes

Composed around 12 recipes that define his career thus far, celebrated chef Jean-Georges Vongerichten’s memoir-cookbook hybrid, JGV: A Life in 12 Recipes ($27), traces his steps from trainee to world-renowned restaurateur. Insightful, humorous and delightfully warm, the book—which includes personal photography and hand-drawn sketches—caters to fans of Vongerichten’s cuisine, and anyone curious about his imagination and Michelin-starred ascent.

Herbal Cold and Flu Soak

Made to relieve congestion and illness-related aches and pains, C.O. Bigelow’s herbal soak ($20) is packed with willow bark, ginger, eucalyptus and peppermint—a combination that boosts the immune system and clears sinuses. Simply add four to six capfuls to bathwater and settle in. Made with all-natural ingredients, this soak is especially soothing in the colder months.

Packable Slippers

In Japanese households it’s customary to remove your shoes upon entering the home. These comfortable and durable house slippers ($79) by SUBU—a Tokyo brand making such slippers—are also packable. With a cushioned sole and a poly fill, they’ll keep your feet comfortable and warm. Available in sizes 5.5 to 12, they’re also available in three colors: gloss black, foil silver and neon yellow.

WXAXRXP SESSIONS Box Set

Warp Records celebrates its 30th anniversary this year, and the “post-genre” label unveiled the epic WXAXRXP SESSIONS box set ($150) in celebration. This hinged box comes filled with 10 sessions recorded for radio (each on 12-inch vinyl) spanning the brand’s vast history—from the Peel Sessions of the ’90s right up to this year’s broadcast on NTS. There are also eight prints by Synchrodogs, and a sticker set. Settle in for hours of music by Flying Lotus, Bibio, Aphex Twin and others.

Breu Resin Incense

Made from raw and wild plant ingredients, these breu resin incense sticks last for 50 minutes each, but are effective enough to burn a little at a time. Available with different botanical options blended in, our favorite is Palo Santo. The combination offers healing, cleansing and protective qualities with a scent that invokes Southwest US vibes. They come in a set of nine ($18).

Neo Tarot

This book and deck of cards by Jerico Mandybur offers a unique, contemporary and thoughtful guide to tarot. With Neo Tarot: A Fresh Approach to Self-Care, Healing and Empowerment ($23) users can put the ancient practice to use via insights, wisdom and exercises—all of which are crafted to heal and also explore. The book and 78-card deck are also gorgeously designed. 

Muse S Meditation Headband

The latest iteration of Muse’s meditation-assisting technology, the Muse S multi-sensor headband ($350) offers real-time feedback on brain activity, body movement, heart rate and breathing as one meditates. Gone are the rubbery cushions of previous versions, replaced by comfortable plush fabric. This redesign takes into account users who’d like to meditate before sleep (or simply listen to soothing sounds), but all of the original value is here in the form of guided meditation and diagnostics on how you were feeling and when.

Bat-Shaped Sleep Mask

A little darker than most sleep masks, this bat-shaped version ($98) by Morgan Lane is playful but not twee. Made from 100% silk, it’s incredibly soft and comfortable on the eyes, and sets into place with an elastic band. The embroidered mask comes with a carry pouch—to keep it clean and safe—and will surely help your next snooze.

Images courtesy of respective brands

 

Bence Mulchay adds glass extension to historic Tasmanian villa

Bence Mulcahy

Architecture studio Bence Mulcahy has added a black steel-framed glass extension to a 19th-century villa in Mount Stuart, Tasmania.

Replacing a former 1987 glass house, the new extension, named the Mount Stuart Greenhouse, was designed to meet the client’s desire to live surrounded by the garden.

Mount Stuart Greenhouse by Bence Mulcahy

The red brick house was built in Federation-era style and has a timber veranda overlooking the lush gardens that surround it.

Bence Mulcahy created bright new living spaces that look out to the trees that line the site boundary through the expanse of glazing.

Mount Stuart Greenhouse by Bence Mulcahy

Located at the southeastern corner of the original home, the two-storey extension continues the axis through from the entrance towards a large terrace at the rear of the house.

The extension includes a kitchen and dining area at ground floor and a dressing room and viewing area above.

Mount Stuart Greenhouse by Bence Mulcahy

While the original home features a sandstone base, redbrick walls and a timber veranda finished with metal filigree, Bence Mulcahy chose contemporary finishes that are gradually introduced throughout the interior.

“As one moves through the home, traces of the new present themselves by degrees, culminating in the kitchen dining are where the full extent reveals itself,” said the studio.

Mount Stuart Greenhouse by Bence Mulcahy

Despite this visual difference, the extension was kept “subserviently” below the soffit of the existing home to minimise the impact on its historic fabric.

Directly abutting the villa’s brick walls, the black steel supports of the extension mimic the black timber of the veranda.

Mount Stuart Greenhouse by Bence Mulcahy

Shelving connects to the external steel structure, wrapping around the new kitchen and dining area

Large counter-tops and tables with built-in storage units are made of dark timber.

Mount Stuart Greenhouse by Bence Mulcahy

Upstairs, the dressing room sits set-back from the glazed envelope of the greenhouse, creating a wrap-around viewing area that also creates a buffer for privacy in the bedroom.

In the adjacent tiled bathroom, this notion of privacy is reversed by a freestanding bath positioned directly against the window, providing dramatic views out to the garden.

Mount Stuart Greenhouse by Bence Mulcahy

All of these interior spaces make use of details and materials that will patinate and weather over time, such as brass and sandstone.

As the extension naturally weathers it will start to match the more lived-in look of the main villa.

“Hand crafted details and materials blur the distinction between the existing and new, and provide continuity of pattern and texture through the space,” said the studio.

Based in Hobart, Tasmania, Bence Mulcahy was founded in 2014 by Sophie Bence and Shamus Mulcahy.

Mount Stuart Greenhouse by Bence Mulcahy

Also in Tasmania, John Wardle Architects has restored an original cottage on a remote bay, and Andrew Burns Architecture has designed a series of lodges along a hiking trail on the island’s southeastern coast.

Photography is by Adam Gibson.

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Staircase designs that will uplift any space: Part 3

A sprawling, beautifully designed staircase can add manifolds of character to any space. Whether it is simple or elaborate, whether placed at home or in a public setting, a well thought out staircase is bound to catch everybody’s eyes! So, we’ve curated a collection of staircases that immediately grab attention, either through their intricate detailing, impressive size or simply through the attention to detail put into designing them!

VG Studio’s Band Rail looks like a typical wooden handrail accompanying an ordinary staircase at first glance, providing you with support as you amass your expansive home. However look a little deeper, and you realize it functions as a bookcase as well! Wooden ‘gills’ mimicking the gills of a fish adorn the entire length of the handrail. The gills provide little nooks and crannies to subtly store your books. It’s a staircase with a storage unit for books!

The Minimal Staircase by Terajima Architects is one of my favorites! Composed of wooden blocks, with a sleek metal handrail piercing through one lone block, the Minimal Staircase is simple and sophisticated.

Part of a house project, this illuminating staircase by Dipiugi Luxury Interior Design & Architecture is sure to brighten up any living space! With tubular lighting fixtures attached at the bottom of each stair, the orangish-yellow lighting against the matte black structure creates an ethereal halo-ish glow! One side of the staircase extends into several levels of shelves, where one could store their everyday items.

This floating spiral staircase by Sam Pellissier takes us back to a time where architecture was designed to be art. The intricate woodwork and the engineering may have taken time, but we must say the end result is no less than a piece of art.

Walking through the Tube Stairs by EeStairs must feel like, well, walking through a tube. Cocoon-like in appearance, the staircase gives the illusion of moving through a tunnel, an elevated one though!

Designed by the Mint Tiny House Company, this super cool staircase also doubles up as a storage unit! Each individual step functions as some form of storage area. The staircase smoothly integrates with the kitchen, forming kitchen cabinets and a spot for a mini-fridge!

This staircase at Villa MQ, designed by Office O Architects, features white metal treads encompassed by cables. The entire affair has a very sleek and futuristic appeal to it.

Architecture for London integrated a floating staircase and a kitchen bench to create one intriguing structure. Concrete and wood were used to create a beautiful contrast.

Designed by Sebastian Gilardoni, this staircase is one spiral wonder! Accentuated by blues and whites, the structure has a hypnotic effect to it. I don’t know about you, but this is one staircase I wouldn’t want to peek down from.

This fire escape on the side of a house in Marseille, France is worthy of being called a sculptural piece! Designed by Fernand Boukobza, the staircase looks like a never-ending column.

For more such impressive and intriguing staircase designs, check out Part 1 and 2 of this series!

Bouquet Candle

Handmade in Oaxaca from local beeswax and natural dyes, Aesa’s opulent bouquet candles all vary slightly. Each unique piece has been produced by a family that’s been crafting religious candles for three generations. The items measure approximately 12 inches tall before burning.

Predictions for the new decade: Perry Nightingale

To mark the start of the 2020s, we’ve asked a selection of our regular columnists to offer up some predictions of what lies ahead for the creative industries. Here, creative technologist Perry Nightingale outlines some wildcard moments in tech that may happen this decade

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Mercedes-Benz unveils scale-covered concept car inspired by Avatar movie

Mercedes-Benz unveils scale-covered concept car inspired by Avatar movie

Mercedes-Benz has revealed its take on the vehicle as a “living creature” with the Vision AVTR concept, which takes design cues from the sci-fi fantasy film Avatar.

Dubbed the Vision AVTR, the design takes its name not only from the Avatar film it was inspired by, but also stands for “Advanced Vehicle Transformation”.

Unveiled at this year’s Consumer Electronics Show (CES) in Las Vegas, the concept car embodies the German car brand‘s vision of what mobility will look like in the distant future, with scales and a crab-like movement.

Mercedes-Benz unveils scale-covered concept car inspired by Avatar movie

The Vision AVTR is a more imaginative version of Mercedes’ Vision EQS luxury saloon car unveiled in September 2019 at the Frankfurt Motor Show, which is set to reach production in 2021.

Both models feature the same structure that Mercedes-Benz calls a “one bow” proportion, which centres on a stretched profile with a long cabin, short bonnet and trunk, and expansive doors.

Mercedes-Benz unveils scale-covered concept car inspired by Avatar movie

The AVTR, however, boasts a design inspired by the world of Pandora – the fictional universe where director James Cameron’s Avatar film is set – and its blue humanoid creatures, in a bid to demonstrate a new way that people, machines and nature can interact.

A total of 33 “bionic flaps” are embedded into the back of the vehicle to emulate the scales of reptiles. These scales can communicate information to the driver and to the car’s surrounding environment via subtle “flowing” gestures.

Mercedes-Benz unveils scale-covered concept car inspired by Avatar movie

The front and rear axles of the car can be driven in the same or opposite direction, enabling the car to move sideways by around 30 degrees “like a crab”, as well as forwards and backwards, giving the vehicle an animal-like presence.

“We didn’t want to create a car, we wanted to create something like a living organism,” said Mercedes-Benz chief design officer Gordon Wagener in the keynote speech at CES 2020.

Mercedes-Benz unveils scale-covered concept car inspired by Avatar movie

“We created a futuristic vehicle that had to authentically look like it came out of this amazing sustainable [Avatar] world,” he added.

“It is a vehicle that is able to enhance the capabilities of your own body – like the idea of an Avatar in the movie.”

Mercedes-Benz unveils scale-covered concept car inspired by Avatar movie

A multifunctional control element running through the centre of the car’s interior acts in place of a conventional steering wheel, and allows the car and driver to connect via biometric readings.

The vehicle is able to recognise the passenger’s heartbeat and breathing after placing their hand on the control unit.

If the passenger lifts their hand, a menu selection is projected onto their palm, which they can use to select different driving functions.

Mercedes-Benz unveils scale-covered concept car inspired by Avatar movie

In a bid to create 100 per cent recyclable batteries, Mercedes-Benz’s Vision AVTR concept also incorporates battery technology centred on a graphene-based organic cell chemistry that is free of “rare earths” and metals such as nickel and cobalt.

The materials used to make the battery are compostable and fully recyclable, making the car free from fossil resources.

Mercedes-Benz unveils scale-covered concept car inspired by Avatar movie

The Vision AVTR interiors are also made from sustainable materials such as vegan leather seats, with a floor made of rattan.

“The definition of the luxury of the future is about the fusion of beauty and intelligence,” said Wagener. “The AVTR vision embodies that redefinition of luxury by combining the beauty of nature with the responsibility of sustainable luxury for our planet.”

Mercedes-Benz unveils scale-covered concept car inspired by Avatar movie

Head of Mercedes-Benz Cars, Ola Källenius, presented the Vision AVTR concept in a keynote speech at the electronics event, together with director and Avatar creator James Cameron – who was also behind the 2019 sci-fi blockbuster Alita: Battle Angel.

Elsewhere at CES 2020, Sony revealed a driverless, electric concept sedan called Vision-S as a way of flaunting its advanced electronics technologies that aim to contribute to safer and more reliable driverless mobility.

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Six contemporary Chinese furniture designers leading the industry

Contemporary Chinese Furniture Design Charlotte and Peter Fiell

Chinese furniture design is looking back to its cultural roots and reinvigorating past techniques, materials and forms, say authors Charlotte and Peter Fiell. Here they pick six items from their latest book that show how.

Since the mid-1990s a definable movement in contemporary Chinese furniture design has been growing with a “snowballing momentum”, argue Charlotte and Peter Fiell.

In their recently published book, Contemporary Chinese Furniture Design, the authors introduce the work and ideas of the leading protagonists of what has become known as “New Chinese Design”.

They believe that the quality and innovation of the furniture will force a reappraisal of contemporary Chinese design, tipping the balance of international influence from west to east.

“Over the last couple years, we have been on the most remarkable design adventure while researching this book,” said Peter and Charlotte Fiell.

“Our various research trips took us to nine different Chinese mega-cities as well as countless towns and villages, where we visited not only various designers’ studios, but aligned craft workshops, factories, showrooms, dedicated museums and even a number of private homes.”

The Fiells met and interviewed the key pioneers of New Chinese Design, to better understand what was going on in China’s contemporary design scene.

“What we discovered was an extraordinary pool of design talent, which completely redefines the west’s concept of what Made in China really means,” they said.

New Chinese Design is a design reform movement born out of a craft revival, which they describe as “21st-century Sinocentric national romanticism”.

“That is super important because today, in our increasingly interconnected world, what happens in China in terms of design and manufacturing has an impact not only within its borders, but elsewhere, too,” they explained.

The movement looks to the remarkable legacy of the Song and Ming dynasties, reimagining them to make the most of modern techniques and materials.

Here the Fiells introduce six designers and studios that demonstrate New Chinese Design:


Jerry Chen: “Chaise, Work No. 32” from the “Zan Zhi – In Praise of Rectitude” series by Jerry Chen for Chunzai, 2012

Jerry Chen’s design journey is an extremely unusual one, in that he has been able to transform his well-honed connoisseurial appreciation of Chinese art and antiques into a rare creative force that has resulted in his producing some of the most accomplished examples of New Chinese Design to date.

Born in Taipei, Chen inherited his love of collecting from his mother, and as a child collected antique textiles, before moving into archaeological finds as a teenager. He initially studied ballet dancing and stage design, but abandoned these to follow his real passion: collecting antiques.

As he notes: “Collecting fuels the desire to learn, enriching life. Over and above that, collecting inspires cultivation and rumination.” But what it also does is help the collector to acquire an exacting “eye”, which can then be applied to the design of contemporary objects.

And that is exactly what Chen has done through a remarkable series of furniture designs, which have been painstakingly handmade by skilled craftsmen using complex Ming-era joinery techniques.

Inspired by the elegant sweeping lines of calligraphy, Chen’s seating designs are intended to convey the fluidity and transparency of space and time, while rekindling the ancient Chinese scholarly spirit and formal aesthetics of Ming-style furniture.


Shang Xia: “Da tian di” chair and table by Gan Erke for Shang Xia, 2017

In 2009, the designer Jiang Qiong Er established, with backing from the Hermès Group, the exclusive lifestyle brand Shang Xia, with the aim of preserving and revitalising traditional Chinese craftsmanship by expressing it through an exciting new language of contemporary design.

One of Shang Xia’s most impressive feats to date has been the execution of a series of furniture pieces created for it by the renowned lacquer master, Gan Erke.

These are made from a high-tech, lightweight yet strong carbon-fibre composite material that has been painstakingly coated with multiple layers of lacquer and carefully polished to reveal a distinctive nodular pattern.

This ancient lacquering technique, known as bo luo (rhinoceros skin) because of its distinctive patterning, was rediscovered by Gan from old treatises and took him many years to perfect.

The spectacular Da Tian Di table and matching chair, with their shimmering brown and gold lacquered surfaces, are quite simply masterpieces of Chinese contemporary design-craft. They also represent an innovative and graceful evolution of Ming furniture forms achieved by combining traditional handicraft skills with state-of-the-art modern materials.


Studio MVW: “BlooMing ceiling light #1” by Studio MVW (self-production), 2017

In the vanguard of contemporary Chinese design, Xu Ming and Virgine Moriette of Studio MVW playfully mix ancient Chinese forms and motifs with a more modern, western sensibility in order to create furniture pieces that have an undeniably Sino-French élan.

Their sculptural design-art pieces are stylistically diverse, ranging from their solid Xiangsheng patinated bronze side tables, which channel the core Chinese philosophy that the balancing of opposites achieves harmony, to stunning neo-deco boudoir pieces that feature pink Burmese jade in gravity defying constructions.

It is, however, their BlooMing series that perhaps expresses the studio’s ability to transform age-old Chinese forms into something refreshingly original.

As playful Neo-Postmodern re-imaginings of the classical Ming vase, each of the designs in the series features this well-known, archetypal Chinese form, which opens up or “blooms” to reveal its intended function as a cabinet, console or suspended ceiling light.

Strikingly contrasting straight lines with soft curves, these pieces provide a rare element of surprise and performance. This series also reveals Xu Ming and Virgine Moriette’s skilful cross-cultural interpretation of forms, which playfully subvert their historic cultural associations.


Song Tao: “Osseus” bench from “Modern Fossils” series by Song Tao for Self-Made Company, 2014

Song Tao is a legendary figure in Chinese design circles, having been the first director of Beijing Design Week, as well as an important pioneer of the New Chinese Design. His design-art furniture pieces often combine age-ravaged wood with gleaming metal to create a dynamic tension between old and new, ancient and modern.

Song’s Modern Fossils series, which includes his Osseus bench, is likewise inspired by China’s dynamic and changeable environment, and seeks to question the concept of time and the significance of history.

The acrylic-encased “denaturalised” wood, which looks like slabs of amber, is a metaphor for modern urban society, while the bronze bamboo elements represent youthful vitality growing out of the past, which is symbolised by the use of ancient “fossilised” wood.

Throughout his career as a designer, Song’s work has blended ancient Chinese philosophy with a western contemporary mindset, and his furniture cleverly juxtaposes Oriental craft culture against Occidental minimalism. His goal has always been to revive the “Chinese spirit” but in a very contemporary way.


Zhang Zhoujie: “Object # sqn1-f2 a” chair by Zhang Zhoujie (self-production), 2011

One of the young rising stars of contemporary Chinese design, Zhang Zhoujie is at the very forefront of professional practice, using revolutionary and disruptive computer algorithms to create furniture unlike anything ever seen before.

Indeed, his furniture is not actually designed by him per se, but by the generative computer algorithms that he and his team create.

For over a decade Zhang has been working on his evolving Digital Object/ Triangulation Series, which is inspired as much by the Taoist philosophy of spontaneity as it is by the parametricism movement, which he first encountered in 2009 as a visiting researcher at London’s Architectural Association.

The irony is that the designs of one of his origami-like chairs and tables are created in just a couple of seconds of digital processing, but are then painstakingly constructed using traditional hand-welding and polishing technique over a couple of months.

Through this on-going series, Zhang’s aim is to perfectly combine design function with a naturalistic growth process using computer algorithms, as he puts it, expose “the natural beauty of digital logic.”


Yuan Yuan: “Light Fan” screen with “Stone Vision” chaise longue, “Stone Vision” armchair and “Water Lily” coffee table by Yuan Yuan for Ruyi, 2015

Yuan Yuan thinks the obsession with historic Song and Ming furniture forms is a mistake because they tend to reflect a combination of Confucianism and Manchu imperial power, and therefore represent only a very small element of Chinese culture.

In terms of her own highly sculptural designs, Yuan prefers to draw inspiration from a wider cultural landscape in order to create work that references ancient and traditional Chinese themes, while also being perfectly suited to today’s lifestyles.

Her goal is to build a more internationally appealing language of contemporary Chinese design that will enrich people’s lives.

Her Light Fan screen cleverly incorporates traditional rigid, scallop-shaped fans into its construction, while her Stone Vision chaise-longue references literati culture, in that interestingly shaped rocks, known as gonshi, were traditionally used for contemplative purposes by scholars and were considered essential items in their study rooms.

Many of her designs are inspired by the strong connection between Chinese culture and the natural world. As Yuan explains, “I believe nature is an enduring theme that serves as a bridge between the past and the future, the East and the West.”

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