Imagine if the Google Home smart-speaker charged your phone, and had audio drivers from Devialet

The future is truly in multitasking. It isn’t enough that your wireless charger charges only one device. It needs to charge three at a time… and your wristwatch? It should tell you the time, indicate your health, and also let you send and receive calls. In a world where all our products are designed to multitask, it seems like the smart-speaker is capable of a lot more than playing audio from the web on command. Meet the Soundform Elite. It’s a smart-speaker enabled with Google Assistant (and it looks a bit like the Google Nest Home too), as well as a wireless charging dock equipped with Belkin’s charging technology, and incredibly powerful audio drivers by none other than Devialet.

The partnership between Belkin and Devialet is interesting for a number of reasons. Belkin is famed for making some of the best charging cables, hubs, adapters, and extension boxes on the market, while Devialet still reigns as the most awarded audio company in the world. The companies announced their collaboration at CES this year, with the Soundform Elite, which happens to be Devialet’s second smart-speaker after its collab with Huawei. The Soundform Elite works just like any smart-speaker, albeit with a docking area for your phone. Equipped with a fast-charging 10W Qi charger, the Soundform Elite has the unique feature of being able to charge a wide variety of compatible Android phones as well as iPhones, making it a worthy pick for Apple enthusiasts too. Moreover, fitted with Devialet’s incredibly capable driver and woofer technology, the Soundform should easily outperform other speakers in its price category of $299.

The Soundform Elite comes in the classic Black and White color-schemes (much like the HomePod), and has a neat fabric clad around the outside which is practically a standard for smart-speakers now. It ships in Spring 2020, although it’s up for preorder on Belkin’s site.

Designers: Belkin & Devialet

Inside HGTV's 2020 Dream Home, Which They're Giving Away for Free

Discovery, Inc.’s successful HGTV (Home & Garden Television) channel is one of the most-watched in America; four out of five households with a TV receive it, which translates to nearly 100 million households.

One of HGTV’s more popular shows is Dream Home, which has been on the air since 1997. The program showcases the build of HGTV’s annual sweepstakes house, which is in a different location each year; what doesn’t change is that the fully-furnished house is typically worth more than $1 million, and comes with both $250,000 in cash and a new car from the automotive sponsor. Roughly 130 million entries were received for the 2018 house, the most recent year for which figures were available. (If you’re wondering why the entries exceed the viewership, it’s because you can enter the sweepstakes twice a day, every day, until the drawing. This year’s drawing is on February 19th.)

This year’s house is located on Hilton Head Island, South Carolina. Core77 and a handful of other publications and people were invited down to tour the house by Honda, the program’s automotive sponsor; this year’s giveaway includes a 2020 Honda Passport Elite SUV.

The house is, in a word, bananas. Located on the coast, it’s beautifully sited such that the view from the rear of the house perfectly frames the sun setting over the water each day. Two stories, three bedrooms, 3.5 bathrooms, 3,500 square feet, gigantic open-plan kitchen, massive Great Room, huge mudroom with a dog-washing station and built-in under-cabinet dog crates, gigantic outdoor kitchen, multiple porches, a detached two-car garage with an attached sub-garage for ATVs or a golf cart, you get the idea. From a design standpoint, the bedrooms and their attendant bathrooms are all sited as far away from each other as possible within the house for maximum privacy.

A lot of the house’s features are things that we ordinary Joes might like in a home, but practically speaking, probably wouldn’t be willing to pay for–hence their inclusion; this is, after all, a giveaway “dream” home.

As for the actual aesthetics, the interior–which combines modern elements with local tastes, as is the style of the show–isn’t to my personal tastes. Which I get; HGTV isn’t trying to produce a house that a design blogger will sign up to win, they’re reaching for the 130-million-plus entries that creates ratings hits.

And as interior designer Brian Patrick Flynn led us through the house, it occurred to me what an impossible job he has: To design an interior not to appeal to one client, or even a family, but to those tens of millions of viewers, all of whom might have conflicting ideas.

Flynn was besieged by the Influencers invited to the tour, but I spoke with his handler to see if I could snag a ten-minute chat with him. I had to know how one person could possibly design an interior for that many theoretical clients; where does one even begin?

You can enter the Dream Home sweepstakes here.

Our Q&A with Flynn is up next.

Six bright young French designers showcased in Rising Talents exhibition at Maison&Objet

Laureline Galliot is among the Rising Talents at Maison&Objet 2020

The work of six up-and-coming French designers is on show at the Maison&Objet furniture fair in Paris, revealing an emerging trend for handmade rather than mass-produced objects.

The Rising Talents exhibition shines a light on six home-grown designers and studios: Natacha & Sacha, Laureline Galliot, Mathieu Peyroulet Ghilini, Wendy Andreu, Julie Richoz and Adrien Garcia.

Among the exhibits are various experiments with craft processes in ceramics, furniture and electronics.

Return to craftsmanship

According to the judges, who included prolific designers Pierre Charpin and Pierre Yovanovitch, the showcase reveals that industrial design is falling out of favour in France.

“There are currently two main trends in the young French design scene,” said Ecole Camondo director René-Jacques Mayer, who was also on the judging panel.

“The first is that designers are developing stronger links with craftsmanship. They are distinguishing themselves less with industrial products than with objects produced in limited quantities using traditional savoir-faire.”

More than just a chair

“Secondly, they are no longer interested in simply designing a chair, but develop projects that are much more societal,” Mayer added. “Their overriding aim is to solve problems and come up with new uses.”

Rising Talents is a regular fixture at Maison&Objet, always with a focus on one country. Organisers chose France for the January 2020 edition, to coincide with the biannual fair’s 25th anniversary.

The exhibition opened on 17 January and continues until 21 January.

Here’s a look at all six designers and studios featured:


Natacha & Sacha are among the Rising Talents at Maison&Objet 2020

Natacha & Sacha

Paris-based duo Natacha Poutoux and Sacha Hourcade try to bring a softer aesthetic to domestic products that are not typically seen as design objects, like a kettle or the cable of a light fitting.

Their designs include an air humidifier that looks more like a glass vase, a ceramic data server designed to be on display and a radiator made up of suspended columns.

“We want to bring design to fields where it’s not necessarily expected today,” said Poutoux.


Laureline Galliot is among French designers at the Rising Talents at Maison&Objet 2020

Laureline Galliot

Unusual forms and bold colours characterise the work of Laureline Galliot, who trained as both a dancer and a colourist before moving into design.

Either drawing with her fingers on an iPad or working with virtual reality devices, Galliot develops designs for objects that are completely unique, from patterned rugs to ceramics.

“My works reflects my exploration of merging color with structure, integrating it into design instead of layering it over the top at the end,” she explained.


Mathieu Peyroulet Ghilini is among French designers at the Rising Talents at Maison&Objet 2020

Mathieu Peyroulet Ghilini

Mathieu Peyroulet Ghilini plays with different geometries in his designs. Projects include a hanging partition made of rope and ceramics, called Mur de Sèvres, and the Elephant Mirror he produced for Galerie Kreo.

Alongside his design process, Ghilini often produces large-scale artworks showing his creations.

“I’m a designer, but I do a lot of paintings,” he told Dezeen. “They feed one another.”


Wendy Andreu is among French designers in the Rising Talents at Maison&Objet 2020

Wendy Andreu

Materials are the central focus of Wendy Andreu‘s work. Objects she is presenting at Rising Talents include a rough-textured bookshelf, a stool comprising eight steel tubes, and seats made out of cotton rope and silicone.

“At the end of the day, what I do is for human beings with senses, who want to see something, feel something, touch something,” she said. “My work expresses a sort of reality and humanity.”


Julie Richoz is among French designers at the Rising Talents at Maison&Objet 2020

Julie Richoz

The most established of the Rising Ralents, Paris-based designer Julie Richoz has created designs for brands including Tectona, Alessi, Louis Poulsen and Louis Vuitton.

She typically works with a single material at a time, whether that’s coloured glass or a textile. Examples include her Oreilles vases and the raffia Binaire rug she designed for Manufacture de Cogolin.

“I like the idea of repetition, but with subtile variations,” she said.


Adrien Garcia is among French designers in the Rising Talents at Maison&Objet 2020

Adrien Garcia

Studio Adret founder Adrien Garcia divides his time between Paris and a 17th-century castle near Nantes. This grand setting inspires his designs, which are typically also grand in scale and ambition.

“I need its empty, rundown spaces in order to imagine new creations,” he said.

Garcia is working on his first furniture collection, which will reference the work of land artists like Andy Goldsworthy. At Maison&Objet, he presented a modular furniture system contained within a huge pink cuboid.

The post Six bright young French designers showcased in Rising Talents exhibition at Maison&Objet appeared first on Dezeen.

Pivoting red metal panels form walls of neighbourhood pavilion in Tblisi

8-23-VI Pavilion by Medium

Design collective Medium has completed 8-23-VI, a pavilion with moving walls that is a new public place for residents of Gldani neighbourhood.

Made of red corrugated metal panels raised on a base of breeze blocks, the pavilion is a sheltered spot for neighbours to gather that can be opened and closed as they like.

8-23-VI Pavilion by Medium

Medium started working on the pavilion as part of the first Tblisi Architecture Biennial in 2018, an event that invited architects to explore how residents of Gldani have built their own extensions and conversions from scrap materials.

Other, temporary, pavilions included a corrugated metal shack in a truck park, a wooden treehouse-style hide in a bridge, and an abandoned-looking house filled with thorn bushes.

8-23-VI Pavilion by Medium

Construction began on Medium’s pavilion during the beinnial, but delays lead to it only being finished this winter.

Sitting in front of a residential tower called Block 23, 8-23-VI is now a permanent fixture in the neighbourhood.

“The project took much longer than expected, but from this arose many opportunities to engage with the residents of Block 23,” founding member of Medium Benjamin Wells told Dezeen.

“There was certainly some skepticism to begin with, in part because most new structures in Gldani’s public space are state-sponsored and built just before elections, but the project’s gradual emergence has given it time to become accepted and appreciated.”

8-23-VI Pavilion by Medium

Medium looked at the resident’s own additions to their homes when designing the rectangular pavilion.

“8-23-VI takes its cues from Gldani’s many self-built garages and extensions, which each take a selection of everyday, affordable materials and transforms them into a striking variety of architectural expressions,” said Wells.

8-23-VI Pavilion by Medium

Medium also used inexpensive materials, tying them together thematically with the palette of red.

“The monochromatic theme emerged in reaction to the perpetual grey of the surrounding tower blocks, as well as from the limited colour options of the cheapest proprietary cladding material we could find – corrugated sheet roofing,” said Wells.

“We intensified the pavilion’s abstraction with red-hued blocks and mortar, but the colour also has emotive qualities – reminding visitors of everything from the Soviet Union flag to the rich culture of Georgian wine.”

8-23-VI Pavilion by Medium

The lower part of the pavilion is a stepped plinth made of breeze blocks sandwiched together with the reddish mortar and topped by slats of timber that turns the top into bench-style seating.

Red metal columns extend from the plinth and a ball bearing mechanism allows the panels to rotate around them so they can open and shut like doors and windows.

8-23-VI Pavilion by Medium

A red canopy of corrugated metal extends towards the centre of the pavilion but doesn’t meet in the middle.

Instead, a rectangular gap leaves it open to the sky so it is ventilated even with all the panels closed around the exterior.

8-23-VI Pavilion by Medium

“The rotating panels have already proved popular with local children, but we’re excited to see what other uses spring brings for 8-23-VI,” said Wells.

“The shifting plinth and rotating panels allow the space to be continually transformed, setting the stage for a multiplicity of activities, be it gathering, sitting, sharing or playing.”

8-23-VI Pavilion by Medium

Architectural educationalists Matt+Fiona also used pivoting walls for an outdoor classroom they built in UK, and a team from Tsinghua University School of Architecture created a visitor centre in China that has doors that open and close automatically when they sense a change in temperature.

Photography is by Benjamin Wells.


Project credits:

Support from: Creative Europe Programme of the European Union and the Royal Danish Academy of Fine Arts (KADK) / Political
Architecture: Critical Sustainability​​​​​​​
Commission: Tbilisi Architecture Biennial
Construction: ALL-P Metal / Zviad Chachanidze
Local coordination: Nikusha Lomidze

The post Pivoting red metal panels form walls of neighbourhood pavilion in Tblisi appeared first on Dezeen.

Empress Of: Call Me

LA-based singer/producer Empress Of (aka Lorely Rodriguez) has contributed the ’90s-tinted song “Call Me” to Floria Sigismondi’s The Turning soundtrack. Rodriguez wrote the tune with Lawrence and Yves Rothman (who produced the soundtrack, which also includes music by Courtney Love, Mitski, Kali Uchis and others). She says that the lustrous piece of dream-pop was created to be the film’s swan song.

Grey Suede Desert Trek NBD

Born from a collaboration between heritage shoemaker Clarks and Japanese streetwear brand Neighborhood, this stylish take on the Desert Trek silhouette features a contrasting “shark tooth” print and a co-branded heel patch. A Vibram outsole contributes ruggedness to the boot, but the suede exterior steers it toward a more sophisticated look.

The Award-winning Guilin Lamp reflects the tranquility of staring at sun-kissed mountains

Is it a lamp? Or a sculpture? Or both? The Guilin is most appropriately described as a ‘lampscape’. With etched acrylic mountains that sit on an illuminated base, the multiple award-winning Guilin lamp lights up your room with an ambient glow, while also adding sculptural beauty to one’s space.

The Guilin lampscape is a good example of how design awards can catalyze a business. After securing an A’ Design Award, a Red Dot Design Award, and a Lexus Design Award, designer Kevin Chu took the idea from concept to prototype and finally brought it to Kickstarter. Principally, the Guilin lampscape comes with a base that uses edge-lit acrylic mountains to disperse light around the room. The abstractly designed edge-lit mountains come made from glass-reinforced acrylic and sit within slots in a metallic base fitted with a low-voltage 2700K warm LED light. The light shines through the base and the clear mountains, bouncing off the lines etched into the acrylic. You can shift and orient the mountains to create a landscape that gives you calm or complements your space. You can even cleverly add more mountains to diffuse more light, much like a physical, interactive dimmer mechanism. Designed as an ode to nature and the tranquility of mother earth, the Guilin lamp’s base comes coated in environmentally friendly paint, while the acrylic mountains themselves are made from 40% recycled plastic. Place the Guilin lampscape on a glossy reflective surface and it mimics the feeling of staring at the mountains sitting right behind a lake!

Designer: Kevin Chu

Click Here to Buy Now: $193 $320 (40% off). Hurry, only 27/40 left!

Guilin Lamp – Customizable By You Anytime You Want

A new category in lighting design. With etched acrylic mountains that sit on an illuminated base, the Guilin lamp lights up your room with an ambient glow while also adding sculptural beauty to one’s space. Designed as an ode to nature, Guilin is a living design and lighting element and you can transform it infinitely. You give shape to your own glowing landscape.

You can slot as many mountains as you like in the 3 grooves located at the base and change their position whenever you like. Thus, the lamp puts you into the role of a creator.

The number of mountains you slot and their position can create different lighting effects:

– The more mountains that are placed on the lamp the brighter it becomes.
– The reflection between the layering of mountains will increase the brightness.

Unleash your creativity and Combine, Layer or Joint Horizontally several Guilin into an ever-changing rolling Lampscape.

The Guilin Dawn uses their World Exclusive Italian nano-tech acrylic material that changes to a beautiful orange/yellow tint when the lamp is on and magically becomes near transparent when the lamp is off.

Inspiration & Story

When you think of China and its fabled mountains in ancient mythology, you are thinking of the famous Guilin Mountains.

Founders Kevin Chu and Giulia Di Bonaventura went on an adventure trip to Guilin Mountains and there they were mesmerized by the mythical scenery and always thought one day on using the mist-filled mountainous elements to create a design paying tribute to this region. In the beginning Kevin drew up a few criteria for the design to create a lamp that is:

– Unique and Revolutionary
– A Functional Illuminating sculpture
– With Infinite Customization Possibilities to extend its design longevity made with Sustainable Materials
– Simple and Elegant as abstracted visualization of the inspired elements and after 883 days of hard work, Guilin Lamp was born:

Sustainable Materials

Made of Sustainable High Quality Materials and Components, GUILIN consists of a rectangular steel base that is embedded with low voltage warm white (2700K) LED lighting. 5mm thick Glass Fiber Reinforced Acrylic Panels can be placed inside the 3 slots in the base. When the light is switched on the acrylic mountains will absorb the vertical illumination into its Surgical Grade laser engraved lines.

Click Here to Buy Now: $193 $320 (40% off). Hurry, only 27/40 left!

<i id="c3082a_6241">WaPo's </i>Hilarious "Illustrated Encyclopedia of Sleeping Positions on a Plane"

I really shouldn’t be cut-and-pasting another publication’s images, but I did want to urge you to click their link, so figure I can get away with a few. The Washington Post has commissioned a hilarious series of illustrations to create their “Illustrated encyclopedia of sleeping positions on a plane.”

“These contortions have been carried out by actual travelers ?— seriously,” states writer Natalie B. Compton.

Credits: Editing by Dayana Sarkisova. Illustrations by Anthony Calvert for The Washington Post. Design editing by Rachel Orr. Art direction by Kat Rudell-Brooks. Design and development by Christine Ashack. Written by Natalie B. Compton.

Credits: Editing by Dayana Sarkisova. Illustrations by Anthony Calvert for The Washington Post. Design editing by Rachel Orr. Art direction by Kat Rudell-Brooks. Design and development by Christine Ashack. Written by Natalie B. Compton.

Credits: Editing by Dayana Sarkisova. Illustrations by Anthony Calvert for The Washington Post. Design editing by Rachel Orr. Art direction by Kat Rudell-Brooks. Design and development by Christine Ashack. Written by Natalie B. Compton.

Credits: Editing by Dayana Sarkisova. Illustrations by Anthony Calvert for The Washington Post. Design editing by Rachel Orr. Art direction by Kat Rudell-Brooks. Design and development by Christine Ashack. Written by Natalie B. Compton.

Check out all 18 of them here.

Radiohead Public Library’s Huge Online Archive

Opened today, the Radiohead Public Library is a huge online archive of the beloved British band’s albums, music videos, live concert footage, television clips, merch, artwork and more. Members can even create (and print out) their membership cards. The Twitter announcement reads, “Radiohead.com has always been infuriatingly uninformative and unpredictable. We have now, predictably, made it incredibly informative.” Every day this week, a band member will take users on a curated (albeit personal) tour through some of their favorite pieces of ephemera. Today, bassist Colin Greenwood shows viewers various videos, one being a performance in Ireland, which he captions: “Dublin 2000. It was in tents. I think I bounced on top of it during the day. A big blue bouncy castle. Think I broke some working at height rules.” See more at the new Radiohead.com.

Self-Healing Bricks That are Grown From Bacteria

As we saw earlier, Hempcrete is amazing stuff. The concrete alternative is sustainable, lightweight, fireproof, acts as a natural insulator, and sequesters CO2.

Hempcrete’s properties are passive; the material is not alive. But Wil Srubar, an assistant professor in the Department of Civil, Environmental and Architectural Engineering at Colorado University Boulder, has been wondering: If we used building materials that are still alive, could we yield additional benefits from them?

Wil Srubar and CU Boulder graduate student Sarah Williams in the lab. (Image credit: CU Boulder College of Engineering and Applied Science)

So far, Srubar and his research team’s answer is “Yes.” Their most recent project, published this month in scientific journal Matter, uses bacteria from the ocean to essentially grow bricks. Fortuitously for the environment, the bacteria does this by absorbing CO2 from the environment, rather than producing CO2, as happens in standard concrete production.

A mold for shaping bricks made out of living materials. (Image credit: CU Boulder College of Engineering and Applied Science)

Using these bricks yields not only an environmental benefit, but also a potential a boon to manufacturers. “We know that bacteria grow at an exponential rate,” Srubar told CU Boulder Today. “That’s different than how we, say, 3D-print a block or cast a brick. If we can grow our materials biologically, then we can manufacture at an exponential scale.”

The possibilities are big. Srubar imagines a future in which suppliers could mail out sacks filled with the desiccated ingredients for making living building materials. Just add water, and people on site could begin to grow and shape their own microbial homes.

A bacteria-grown truss. (Image credit: CU Boulder College of Engineering and Applied Science)

Not all of the bacteria dies in the process of growing into a brick; the team’s research showed that the bacteria survived and spawned three generations of itself after 30 days, with its overall population reduced to about 9-14% of the original. And that plucky percentage of survivors yielded a surprising benefit:

The researchers also discovered that they could make their materials reproduce. Chop one of these bricks in half, and each of half is capable of growing into a new brick.

If only the dilapidated front stoop on our farmhouse (pictured below) was made from these bricks. As it stands, I’m going to have to learn some basic masonry skills. With any luck, in the future this will be obviated by bacterial workers.