La Manufacture is out to prove that design can still survive on the high street

La Manufacture furniture

A lifestyle brand with “a real soul” has launched in Paris, in a boutique that brings fashion together with furniture and homeware.

La Manufacture has opened a venue in the Opéra district of Paris, with a mission to show that design can still survive on the high street.

La Manufacture boutique in Paris
La Manufacture has opened its boutique in the Opéra district of Paris

Company founder Robert Acouri, who also leads contract furniture company Cider, believes that a brand can endure even the most challenging of financial climates when it offers a special experience to the customer.

La Manufacture’s ethos is to combine French style and Italian craftsmanship, creating designs that have a timeless quality rather following the latest trends.

“It is a vision that I have had for such a long time,” Acouri told Dezeen. “The idea was to do something that has a real soul and see what happens.”

La Manufacture boutique in Paris
Studio Blanco designed the visual identity, including a logo that appears throughout

The concept came when Acouri asked Luca Nichetto to work on a design for Cider and the industrial designer turned him down. Nichetto instead encouraged the CEO to develop a second brand with a more editorial rather than commercial approach.

Acouri quickly brought Nichetto on board to be creative director. The pair also enlisted designer Milena Laquale to lead the fashion arm, given her experience across both haute couture and ready-to-wear, while Studio Blanco was given the important task of overseeing brand identity.

“The goal from the very beginning was to set up a platform and then start to fit all the ingredients into that,” explained Nichetto. “To have the right people with the right skills from the start was very, very important.”

La Manufacture boutique in Paris
The logo features in extruded aluminium profiles that frame the shopfront

The boutique, designed by Nichetto, is intended to be more of a shop than a showroom or a concept store.

The brand’s inaugural furniture collection, created by well-known designers like Patrick Norguet and Sebastian Herkner, is to be used rather than simply looked at.

Among the most noticeable pieces are Soufflé, a tall arched mirror designed by Nichetto; Stack, a sofa made up of stacked cushions by Nendo; and Work Extruded, a table with extruded aluminium legs by Ben Gorham.

La Manufacture boutique in Paris
The brand brings together fashion and furniture

Garments and accessories can be found in a dedicated dressing area at the end of the space, but also dotted around the store, displayed against tiled walls in shades of blue and white, and hanging over Nendo’s Perch coat stand.

The launch collection focuses on classic shapes, relaxed tailoring and staple colours. Bold patterns and bright hues are kept to a minimum.

La Manufacture boutique in Paris
The aim is to create timeless designs rather than follow the latest trends

The brand logo can be spotted all over the space. Not only does it feature in signage, it embellishes several of the fashion designs and even features in the extruded aluminium profiles that frame the shopfront.

Another important feature is an eight-metre-long marble-topped counter that serves as a checkout and product display area, but which can also be used as a buffet table when the shop is hosting parties or dinners.

La Manufacture furniture
The inaugural furniture collection includes 21 designs

La Manufacture hosted a series of launch events this month, coinciding with the Maison&Objet furniture fair and Paris Fashion Week Men’s. But Acouri doesn’t want to rush the international expansion.

The brand plans to debut the furniture in Milan in 2021 rather than this year, while an online store is still a while away.

“We take time on every decision we make to be sure that it is the right one,” said Acouri. “We really want to do it perfectly.”

La Manufacture furniture
It includes pieces by creative director Luca Nichetto, Todd Bracher, Patrik Norguet and Nendo

The CEO isn’t fazed by the challenge of establishing the company, at a time when many other brands are struggling.

“When I opened my first company, it was 2012 and it was a really bad time,” he added. “Everyone told me I was crazy to open a showroom in the centre of Paris. I told them, if I survive now, I’ll always go far,” he continued.

“It’s exactly the same this time.”

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Garmin needs an Industrial Design Intern!

Great ideas sometimes come from singular inspiration, but more often they’re a result of a collaborative effort. Inside Garmin, they like to foster an environment of participation and engagement. They support professional development, offer well-designed career paths and adhere to a policy that prioritizes promoting from within the company to maximize the opportunities for their associates. Garmin is also committed to being a good corporate citizen and providing opportunities for associates to contribute toward a healthy, sustainable world. With more than 14,500 associates in 65 offices around the world, Garmin brings GPS navigation and wearable technology to the automotive, aviation, marine, outdoor and fitness markets. Garmin thinks every day is an opportunity to innovate, and a chance to beat yesterday. Apply now to be a part of this innovative environment!

The rugged Fēnix 6 is perfect for the outdoors, allowing you to integrate mapping, music, intelligent pace planning and more to your workouts, enabling you to tackle any challenge in stride!

The Opportunity

A world-class company needs world-class designers. Garmin’s award-winning industrial designers are the aesthetic and ergonomic hands behind their products – nüvi®, echo™, eTrex®, Forerunner®, just to name a few. Garmin’s designers collaborate closely with engineering, marketing, and management teams to explore, innovate and execute the designs you know and love. They create concepts for new designs and improve the form and function of existing products in all of their markets – automotive, OEM, aviation, marine and outdoor/fitness. Garmin also has designers for exhibit/retail and soft goods. If working with your hands, creating sketches on paper and by computer and building prototypes from materials sparks your creativity, then Garmin wants to see your portfolio! They’re is looking for a full-time Industrial Design Intern to lead and execute aesthetic and ergonomic world-class designs at their headquarters in Olathe, Kansas.

Responsibilities

  • In this role, you’ll be responsible for collaborating with Design, Engineering, Marketing, and Management teams to translate project goals into relevant solutions.
  •  Explore a wide variety of compelling design options.
  •  Communicate concepts and ideas through verbal, visual, and written means.

Requirements

  • Completed coursework in Industrial Design, Product Design, or a field relevant to perform the essential functions of this job description.
  • Minimum 3.0 cumulative GPA.
  • Must demonstrate digital proficiency in the use of tools such as SolidWorks, Keyshot, CorelDRAW Graphics Suite, Adobe Creative Suite, and/or Sketchbook Pro.
  • Must demonstrate an interest in designing for one of Garmin’s core markets listed below:
    Automotive (OEM)
    Automotive (Consumer)
    Aviation
    Marine
    Outdoor / Fitness
    Exhibit / Retail / Environmental
  • Demonstrated strong and effective verbal, written and interpersonal communication skills.
  • Ability to provide a portfolio of school projects that demonstrates skills, experience, and training in product design is highly preferred.

Benefits

As part of Garmin’s ongoing commitment to helping associates maintain a healthy balance between work and life, they sponsor company-wide and individual wellness initiatives, as well as world-class sporting events—and even some of the participating athletes. In each of the communities in which they do business, Garmin has a strong philanthropic and civic presence. Garmin’s associates benefit from these connections in many ways, including through discounts on products and services, opportunities to attend sponsored events, and even help with work-life initiatives, such as pilot certification and adoption assistance.

How to Apply

Garmin International is an equal opportunity employer. Qualified applicants will receive consideration for employment without regard to race, religion, color, national origin, citizenship, sex, sexual orientation, gender identity, veteran’s status, age or disability.

Location

Olathe, Kansas.

Click here to Apply Now!


Check out all the latest design openings on Yanko Design Job Board

Patagonia’s guide book is created with the world’s first algae offset ink!

A while ago, the clothing company aka eco enthusiasts Patagonia approached Cast Iron Design with a proposition to create a printed guide to Boulder, Colorado. Cast Iron Design happily accepted, but they had some big plans in mind, or might I say “green” plans in mind. In an attempt to stay true to Patagonia’s eco-friendly philosophy, Cast Iron Design collaborated with Living Ink, procuring a black pigment from them to print the guide with. However, this is no ordinary pigment, it’s been derived from the algae Spirulina.

Designer: Cast Iron Design

The rustic little brown pocket guide is the world’s first use of algae offset ink! Living Ink utilized a subtle thermal procedure to convert the algae into a dark pigment. The algae act as a sustainable alternative to the usual petroleum-based pigments present in ink. After undergoing purification and milling, the algae pigment is combined with vegetable oil and other additives to create the black colored ink.

Via offset printing, the ink is used to imprint the contents of the guide onto the paper. Did we mention that the paper used to create the booklet is 100% PCW recycled? The carbon-neutral guide comprises of chlorine-free recycled fibers, so not only is the ink sustainable but so are the pages!

Cast Iron Design believes that though this may look like “a seemingly inconsequential achievement on its own, small victories like this push the industry towards a more sustainable future.” And I wholeheartedly agree! Algae ink pigment could be a renewable and significant alternative to other petroleum-based options. With 8000 copies of Patagonia’s Boulder Guide Book being printed and circulated, we are one small step closer to a sustainable world. Kudos to Cast Iron Design, Living Ink and Patagonia for doing their bit!

Staircase swing and material details add flair to Highgate house

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

A swing suspended from a floating stair and a spiral staircase of polished plaster are some of the details included by architecture studio Cousins & Cousins in a London house.

Designed for a builder who also acted as the main contractor on the project, Kenwood Lee House is defined by a range of materials and textures including brick, concrete, oak, marble and metal.

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

Located in a conservation area, the front elevation’s dimensions and appearance reflect its more traditional neighbours.

In contrast, the rear elevation faces the garden and adjacent woodland with full-height glazing and slim black hardwood shutters.

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

“In keeping with the Arts and Crafts heritage of the area, we wanted to celebrate the joy of making and an attention to detail and craft which extends throughout,  said Cousins & Cousins director Ben Cousins.

“From the visceral delight of the concrete walls, the alignment of shadow gaps, to the individually crafted bespoke strike plates on the doors.”

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

Kenwood Lee House’s four floors are arranged around a triple-height skylit concrete core.

A central floating staircase of oak treads is complete with an indoor swing that hangs underneath.

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

The front door is reached through a large forecourt, and a short corridor leads past a drawing room and storage space into an L-shaped living, kitchen and dining area.

Here, a full-height glazed wall slides open to the garden.

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

Stepped back the upper levels make space for the large skylights that illuminate the kitchen.

In the living room, a full-height corner window looks out to the home’s forecourt and the street beyond.

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

Dividing the dining area and living room is a large, double-sided marble fireplace.

A spiral staircase of polished plaster with oak treads leads to the basement.

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

Downstairs the cinema, swimming pool, guest room and gym are illuminated by natural daylight from a lightwell courtyard planted with a tree.

At first floor level, the landing of the central staircase becomes a mezzanine overlooking the kitchen.

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

A symmetrical layout has two bedrooms arranged around a central bathroom on either side of the central core.

Above, two linking bridges connect the master bedroom on the second story of Kenwood Lee House northern side with a large dressing room and en suite bathroom to the south.

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

Walls are finished in white to provide a contrast to the rough, boardmarked concrete of the core.

Three mansard windows protruding from the metal roof draw light into this upper level in another reference to the formal language of the neighbouring homes.

Kenwood Lee House by Cousins & Cousins (RIBA house of the year longslist)

Kenwood Lee House was longlisted for the 2019 RIBA House of the Year award, which was won by a house built on a tight budget in Northern Island.

Based in London, Cousins & Cousins has previously completed several residential and extension projects in the city including a timber-framed extension in Hackney and a brick extension to a Victorian house featuring a large corner window.

Photography is by Jack Hobhouse.

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Toyi’s creative toy-making toolkit lets kids turn everyday objects into cartoon characters

Remember Forky from Toy Story? Remember how a child saw life in a mundane piece of disposable cutlery, turning it into a toy with the power of their imagination? Think of Toyi as a toy-making kit that encourages that imagination and creativity.

Labeled as a Creative Play Kit, the Toyi isn’t like conventional play-sets. Rather, it comes with a set of parts and modules that let you turn objects around you into toys. You could turn an egg carton into a plane, a water bottle into a hilarious character, or a slipper into a renegade automobile. Toyi’s objective is to enable kids to see potential in objects around them, helping exercise their creativity to look at their surroundings differently!

The idea for Toyi came to Istanbul-based designers Ögeday Uçurum and Elif Atmaca from their childhood which involved a lot of traveling and living relatively difficult lives without the luxury of fancy toys. Ögeday and Elif did, as kids, what most kids would do. They began turning scrap into toys, securing plastic rulers to pencils to turn them into airplanes, drawing faces on milk cartons, using broomsticks as swords… basically, taking everyday objects and turning them into entertaining toys.

The Toyi Creative Play Kit just enables kids to more effectively transform mundane objects into toys. The kit comprises a set of flexible connectors, legs, heads, eyes, and joints. It doesn’t come with a rule-book because the Toyi doesn’t believe in imposing constraints on a child’s creativity. All you need to do is imagine, explore, build, and play. Toyi’s quirky design language helps kids (or even adults, if you’re up for it) build everything from characters to props, sets, and entire worlds for their toys to exist in. Additionally, it helps kids see potential and purpose in objects that may one day end up in the bin. Channeling the very same spirit that helped a single-use plastic fork turn into an adorable character in a Pixar movie, Toyi exercises the imaginative part of a child’s brain, helping them see the world not as objects that you use and throw, but rather as objects that can be transformed into toys that help kids play, learn, and grow!

Designers: Ögeday Uçurum & Elif Atmaca

AIA announces best buildings by American architects in 2020 Honor Awards

Glenstone Museum by Thomas Phifer

The American Institute of Architects has announced the winners of its 2020 Honor Awards, which include Snøhetta’s Calgary library and the Glenstone Museum in Maryland.

The 2020 AIA Institute Honor Awards aims to recognise projects designed by architects licensed in the USA that best demonstrate how buildings can improve everyday life.

Announced yesterday, the eight winners selected this year by a nine-member jury range from historic restorations to new constructions.

Buildings can be anywhere in the world and must have been completed within a five-years of 1 January 2014. Three are in the US – with two located in the country’s Midwest region. Other international projects are located in India, Denmark and the UK.

Read on for a list of the 2020 Honor Award Architecture winners:


Glenstone Museum by Thomas Phifer and Partners
Photograph by Iwan Baan

Glenstone Museum, Maryland, by Thomas Phifer and Partners

New York architecture firm Thomas Phifer and Partners expanded the Glenstone Museum northwest of Washington DC with concrete volumes, outdoor patios and reflection pools.

The addition joins a building by Gwathmey Siegel & Associates Architects from 2006, and expands the offerings of the private institution’s modern and contemporary art collections.

Find out more about Glenstone Museum ›


Calgary Public Library by Snohetta
Photograph by Michael Grimm

Calgary New Central Library, Canada, by Snøhetta and Dialog

The Calgary New Central Libray by local studio Dialog and Snøhetta is a public building with a crystalline exterior and an atrium inside clad in timber slats.

The structure is nestled into the heart of the downtown’s growing cultural hub that includes galleries, theatres and Allied Works’ National Music Centre.

Find out more about Calgary New Central Library ›


Atelier FCJZ's Jishou Art Museum doubles as a pedestrian bridge
Photograph by Tian Fangfang

Jishou Art Museum, China, by Atelier FCJZ

American-Chinese architect Yung Ho Chang of Atelier FCJZ created a pedestrian bridge in Jishou, China that doubles as an art museum with the intention to encourage locals to engage with art as they pass through the city.

Jishou Art Museum is covered in roof tiles that can be seen across town, helping the structure blend in with its surroundings, while its lower portion resembles a covered street with open steel trusses.

Find out more about Jishou Art Museum ›


Kaplan Institute at IIT by John Ronan
Photograph by Steve Hall

Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship, Indiana, by John Ronan Architects

This academic building is located at the Illinois Institute of Technology, whose campus was master-planned in the 1940s by Mies van der Rohe.

Designed by local firm John Ronan Architects, the structure features glass walls and other portions wrapped in cushions made of ethylene tetrafluoroethylene (ETFE).

Find out more about Ed Kaplan Family Insititute ›


Floral Court by Kohn Pederson Fox
Photograph by Philip Durrant

Floral Court, London, by Kohn Pedersen Fox Associates

New York practice Kohn Pedersen Fox Associates re-imagined a historic property in London’s Covent Garden neighbourhood on Floral Street as a residential development with a public courtyard.

Called Floral Court, the involved turning a former boardroom of the Westminster Fire Office into an entrance for tenants.


Minnesota State Capitol Restoration by HGA
Photograph by Paul Crosby

Minnesota State Capitol Restoration, St Paul, by HGA

The Minnesota State Capitol Restoration was designed by US firm HGA for the existing building in St Paul, which dates back to the 1900s.

It maintained and restore stone exteriors and a glass elevator, and added in modern upgrades.


Tivoli Corner by Pei Cobb Freed Partners
Photograph by Hufton+Crow

Tivoli Hjørnet, Copenhagen, by Pei Cobb Freed & Partners

New York firm Pei Cobb Freed & Partners built this centre for the public to enjoy Copenhagen’s Tivoli Garden.

The complex features two curving walls that cantilever over the sidewalk and are designed like waves. A restaurant, hotel and retail space are also included.


Chhatrapati Shivaji International Airport Terminal 2 by SOM
Photograph by Lucas Blair Simpson courtesy of SOM

Chhatrapati Shivaji International Airport Terminal 2, India, by Skidmore Owings & Merrill

Last up is this terminal building at Mumbai’s Chhatrapati Shivaji International Airport designed by Skidmore Owings & Merrill (SOM).

The X-shape, four-storey structure features a dynamic ceiling inside, with a coffered pattern supported by large, matching pillars.

Find out more about Chhatrapati Shivaji International Airport Terminal 2 ›

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Royal Salute Scotch Whisky’s Liquid Developments

Global ambassadors Malcolm Borwick and Barnabé Fillion guide us through two new expressions

Through a combination of tactile experiences, Royal Salute‘s new whisky is brought to life in rarified and unique ways that tell the history of the house, and also allude to its future. Recently, we joined members of the Royal Salute team in Jodhpur, India, for the launch of two new permanent portfolio expressions: The Malt Blend and The Lost Distilleries Blend. There, we met with both of the brand’s global ambassadors—world-class perfumer (and CH favorite) Barnabé Fillion and distinguished polo player Malcolm Borwick—to learn about the new liquids and how Royal Salute is breaking down stereotypes associated with drinking whisky.

Can you tell us why the two new expressions are so special?

Malcolm Borwick: It was a global launch of two new signature, continuant, 21-year-old blends that we are doing. One is called the Malt Blend, which is a unique, 21-year-old single malt blended in a Royal Salute style. The other one is called the Lost Distilleries Blend, or the Lost Blend, which is a blend using some casks of whisky that we have had in stock for many years, from the odd off-distilleries that now cease to exist. So, it’s taking the odd cask of distilleries that no longer exist and creating a blend using what was in stock. They’re both very different in tasting notes.

Barnabé Fillion: The signature [product, already on the market for decades] is about legacy, heritage, and tradition because it has the same taste [as the one] that was given to the Queen in 1953. The work of the team today is to make sure that you’re tasting that same whisky. The second one is the Malt Blend, which is the first time that we launch a pure malt blend, meaning there is no grain whisky in it. The third one is the Lost Blend, which is a whisky that has a bit more peat than we have in normal Royal Salute whisky.

What do you think people’s biggest misconception is about whisky prior to trying Royal Salute?

MB: The accessibility of the whisky. Most people’s assumption about whisky is related to a bad experience they had when they were young, when they piled into a bad whisky and it gave them a negative experience. That’s put them off whisky as a whole category. What we do with Royal Salute is try and introduce people to the whisky very gently. So, I would say, primarily it being a signature, it being a blend, it’s really smooth and really soft.

When you add water to it and you open the blend up, it makes it so much more accessible and it takes away the alcohol burden that people associate with whisky. One of the major things we’ve always tried to do is to break the cycle of whisky being “the old man at the bar” drink. We have an amazing range of cocktails that we’ve developed with Barnabé, who has created tasting notes using tea and rose petals and really nice, delicate flavors that people look at, [and] go, “Wow, there’s no spirit note in it but all the flavors of the whisky still come through.”

What would be one thing that you want people to take away from the Royal Salute brand?

BF: I think what we are doing now is building a community of people that love the finest things in life and love sharing it. We are continuing the same experience that was created in 1953. It is the best gift because it was given as a gift to the Queen by the godfather of the whisky industry, a brilliant mind. We are going to create the most memorable experiences for whisky lovers.

MB: We want to make memories, right? We want it to be something personal, because a memory is always personal, but something that you can open and share and say, I tried this in this environment, and it was truly memorable.

This is a special launch. Can you explain why the brand would debut their products in India, first? 

BF: To make you have a strong experience in terms of synesthesia during the launch that we have here in Jodhpur, I wanted you to imagine for example, the malt blend is about geographies, about the extension of the brand, the exploration of the best ingredients, the best single malt that we can use in this blend from Scotland. But imagine it being a little bit more dreamy.

The Lost Blend is made from rare, oak casks, which are very important for creating peated whisky in general. The Lost Blend is about rarity and preciousness. It’s about a blend of single malts from distilleries that no longer exist. They are closed distilleries, so nobody else will have any of these tastes once we finish the batches.

MB: The expression of what we do here, over this week, is such an incredible experience for all the people that come from all over the world to enjoy it that we thought it was a brilliant reflection of what we would like Royal Salute to be and how we would like people to remember exactly this moment in time.

Images courtesy of Royal Salute

Carolina Vago transforms horse stables into country home in Argentina

The Stables by Carolina Vago

Argentinan studio Carolina Vago Arquitectura has added a metal and glass volume on top of old horse stables to create this rural holiday home.

The Stables, or Las Caballerizas, is a remote property nestled into a mountainside in Salta in northwest Argentina. The project was formerly a ranch where the owner grew up.

The Stables by Carolina Vago

Carolina Vago Arquitectura was tasked by the client to turn the existing stables into a home for the owner’s grandchildren to enjoy.

“Build a ranch where you can spend a weekend with all your children and grandchildren was the client’s request,” studio founder Carolina Vago said. “To recover this place where he had spent his childhood.”

The Stables by Carolina Vago

The local studio retained many of the original details, including the central courtyard, outdoor lamps, stable windows and drinking fountains of the horses. It then transformed the existing stone wall structure by building a rectangular, dark-grey volume on top.

“Past and present coexist in harmony, together with the landscape and the family of three generations that fill all spaces with laughter and encounters,” Vago said.

The Stables by Carolina Vago

“The premise was to restore the original stone construction and maintain it, despite the poor condition it was in,” she added. “Recycle and re-functionalise, while maintaining its essence and spirit was the goal.”

The studio chose metallic cladding to cover the addition because it is durable and easy to maintain. Matching grey metal doors also slide open to cover up and reveal sliding glass doors around the upstairs portion.

The Stables by Carolina Vago

“This new volume built with metal structure and glass rests on the original construction marking two different functions and two very different times of construction,” Vago continued.

The residents can open the unit up to the outdoors in many different combinations, or close off the whole home when it is not in use.

Inside, the top level contains an open-plan kitchen, dining and living room. The finishes are paired back and rustic, including an exposed wooden ceiling and flooring, wooden furnishings and weathered kitchen cabinets.

Doors from this level open onto a covered outdoor patio for additional dining space.  The patio is placed to take advantage of the uneven terrain surrounding the home, so it can be also accessed via steps that lead from the garden.

“It is linked to the land by means of a painted sheet bridge, which is integrated with a stone terrace with a grill and clay oven under the shade of trees,” said Vago.

The Stables by Carolina Vago

On the lower level, five bedrooms are arranged in a U-shape around a courtyard on the ground floor where horses were once kept, along with a bathroom and a small living room.

The Stables join a number of rural houses in Argentina like a Z-shape house by Alarciaferrer Arquitectos very close to a nature trail and a concrete home on the Argentinian coast by Luciano Kruk.

Photography is by Gonzalo Viramonte.


Project credits:

Design team: Camila Cornejo, Lucia Spatafora
Metal construction: Engineer Santiago Esquiu
Structural calculation: Engineer Maria Marta Alemán

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Inside Cruise’s Fully Autonomous Vehicle

With similar measurements as most SUVs, a new vehicle by Cruise (a subsidiary of GM) requires passengers to forfeit all control of the car. Without a steering wheel or pedals, the interior design references subway cars, rather than buses or vans. Officially named Origin, the first model is most obviously different from competitors’ autonomous rides in the absence of the option to take control should something go awry with the software. Engineers at Cruise stand by the belief that by the time Origin hits production (and roads) the technology will be at a “superhuman level of performance” and the likelihood of an accident, incident or malfunction will be near zero. Read more at The Verge.

Supreme Models: Black Women Who Revolutionized Fashion

Stylist and journalist Marcellas Reynolds’ Supreme Models: Black Women Who Revolutionized Fashion comprises 256 pages of black models and their accomplishments over the past 70 years—including magazine covers, editorials, catwalk images and more. Beginning with Iman, Beverly Johnson and Donyale Luna and ending with Adwoa Aboah, Jourdan Dunn and Joan Smalls, the book celebrates not only beauty, but also boldness and strength. It also touches on the ways that these voices and their visibility made, and continue to make, a difference.