China building 1,000-bed hospital in ten days to treat coronavirus

1,000-bed hospital being built in Wuhan, China, to treat coronavirus

The government of China is rapidly building a 1,000-bed hospital in Wuhan as part of its efforts to contain and treat patients suspected of contracting coronavirus.

Named Wuhan Huoshenshan Hospital, the 25,000-square-metre facility is being built in the Caidian District in the west of the city of Wuhan to treat coronavirus patients.

At the time of writing the virus had infected almost 3,000 people in China and killed 81 people. The virus has spread across the region, with cases reported in Thailand, Vietnam, Hong Kong, Taiwan, Nepal, Malaysia, Singapore, Australia, Japan and South Korea.

Cases have also been reported in the United States and France. At present there have been no deaths outside China.

Prefabricated hospital to open on 3 February

Aerial photography taken at the end of last week showed around 60 diggers clearing the site, while state-owned broadcaster CGTN is showing live footage of the work progressing day and night to build the hospital.

The quarantine hospital is being built using prefabricated elements and is expected to open on 3 February, ten days after construction began.

Its design is reportedly based on the Xiaotangshan Hospital that was built within a week in Beijing during the SARS outbreak in 2003.

“China has a record of getting things done fast even for monumental projects like this,” Yanzhong Huang, a senior fellow for global health at the Council on Foreign Relations, told the BBC.

“This authoritarian country relies on this top down mobilisation approach. They can overcome bureaucratic nature and financial constraints and are able to mobilise all of the resources.”

The local government is also building a second larger facility in Wuhan, which will be called the Leishenshan Hospital, reported China Daily. This hospital is expected to open in 15 days.

The city of Wuhan, which is in the central province of Hubei, is at the centre of the coronavirus outbreak. To restrict the spread of the virus the Chinese government has locked down Hubei’s population of 60 million – enacting full or partial travel restrictions across the province.

Photograph is of Wuhan by Andrew Horne.

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Charismatic Portraits by Laura Zalenga

Laura Zalenga fait partie de ces photographes qui aiment créer des images qui font ressentir quelque chose aux gens. Elle a rencontré Jozef Wright, un photographe de 22 ans et a passé une demi-heure à se promener dans la ville de Den Haag pour capturer des portraits de ce modèle charismatique. Une rencontre entre deux grands artistes qui donne naissance à une série inspirante.

« […] Je pense que ce que je veux vraiment, c’est simplement être libre d’être qui je suis et de créer sans avoir à me soucier de quoi que ce soit d’autre. Nous pouvons tous être différents tout en vivant notre vie et en évitant de nous discriminer ou de nous haïr », explique Jozef Wright.









Jade Vert Candle

From the three-piece Love Collection by Boy Smells (founded by Matthew Herman and David Kien), the Jade Vert all-natural coconut and beeswax candle comes housed in a jade-green glass tumbler. As for the fragrance, it’s refreshing but soft; boasting notes of mint, fig, daffodil and mediterranean cypress, as well as juniper berry, tarragon and basil. While herbaceous, it’s a delicate and elegant scent that gently permeates, but doesn’t intrude, as it burns.

2019 was record-breaking year for supertall skyscrapers

Lakhta Centre by RMJM

A record 26 towers over 300 metres were completed in 2019 according to the Council on Tall Buildings and Urban Habitat, while there was a drop in the number of 200-metre-tall buildings completed.

Of the 26 new supertall towers the 530-metre-high Tianjin CTF Finance Centre by SOM is the tallest. It is the seventh tallest skyscraper in the world, along with its sister tower the Guangzhou CTF Finance Centre.

Records broken around the world

The record-number of supertall skyscrapers in 2019 beat the previous year’s 18 supertall towers, which was also a record at the time.

Following the Tianjin CTF Finance Centre, the second tallest building completed in 2019 was the RMJM-designed Lakhta Centre in Russia. At 462 metres high it is currently the tallest building in Europe.

Algeria set the record for the tallest building on the African continent with the 265-metre-high Great Mosque of Algiers, or Djamaa el Djazaïr. Designed by China State Construction Engineering, the mosque also has the world’s tallest minaret.

Another notable supertall was the Exchange 106 Tower in Kuala Lumpar. The £7.6 billion project stalled during the Malaysia Development Berhad embezzlement scandal. At just over 445 metres it was the fourth tallest to complete last year.

Drop in skyscrapers attributed to lag from crash

Overall there was over a 13 per cent drop in the number of buildings completed that were over 200 metres.

In 2019 there were 126 of these skyscrapers built compared to 146 in 2018.

The CTBUH report suggested this was due to the lag from projects cancelled during the 2008 financial crash, and not a result of more recent global events.

China and India set skyscraper records 

China built the most skyscrapers over 200 metres in 2019, accounting for 45 per cent of the global total. It’s the fifth year in a row that China has built the tallest building as the country continues to be in the midst of a construction boom.

Shenzhen had the most new skyscrapers of any city, with 15 completions that accounted for almost 10 per cent of the world total alone. It’s the fourth time in a row the city has broken its own record.

Second to China was the US, which completed 14 skyscrapers over 200 metres. India shot up to third place with seven completions over 200 metres, having finished none in 2018.

The Council on Tall Buildings and Urban Habitat (CTBUH) noted that there are several more under construction in the country that are yet to meet its completion criteria.

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On Creativity and Madness

Is there any truth to the idea that creativity and mental illness may be interlinked? Richard Holman examines the question here, looking at examples from art and literary history as well as science to shed light on the matter

The post On Creativity and Madness appeared first on Creative Review.

Louis Vuitton’s Pre-Fall campaign is a sincere embrace of vintage sci-fi

Louis Vuitton Pre-Fall 2020 by Collier Schorr
All images by Collier Schorr for Louis Vuitton Pre-Fall 2020

If Louis Vuitton’s Pre-Fall 2020 collection gave a nod to Nicolas Ghesquière’s penchant for sci-fi, then the accompanying lookbook is a wholehearted embrace. The campaign was shot by repeat collaborator Collier Schorr, who is known for her blend of fantasy and realism.

Sci-fi and fantasy references are scattered throughout the list of stars, which includes Game of Thrones actress Sophie Turner, Cody Fern and Billie Lourd of American Horror Story, and Léa Seydoux, who recently appeared in blockbuster Hideo Kojima game Death Stranding. It also stars Chloë Grace Moretz, who figured in the 2018 remake of Suspiria, with Ghesquière having previously revealed his love of Dario Argento’s original. 

The campaign also features Gugu Mbatha-Raw – star of the standout Black Mirror episode San Junipero which was famously imbued with 80s references – and cult singer-songwriter Robyn, whose brand of synth pop feels suitably nostalgic.

 

The lookbook lovingly riffs on vintage book covers, each with its own retro font, rich clashes of colours and suitably kitsch titles like The Devil’s Mansion, Secret Sister, The Night Chaser, and Starbound. Ghesquière’s previous collections for Louis Vuitton have included references to sci-fi, such as SS18’s nod to Stranger Things, while here it seems The Exorcist played a central role.

“William Peter Blatty, who wrote The Exorcist, gave us the rights to print the cover of the book [to be used in the collection]. It started there,” Ghesquière told American Vogue. “It’s such a great symbol for me to use a fiction and incorporate it into an outfit. I thought, what’s the reverse? To use the fiction as the illustration of the fashion. It’s a kind of a mirror effect in this action of representing them all in these different characters.”

While the fashion industry has long had an on-off love affair with retro aesthetics, the crossover between sci-fi, gaming and fashion has become increasingly close-knit of late (coinciding with fashion’s embrace of Stranger Things stars like Millie Bobby Brown and Finn Wolfhard).

Gucci’s AW17 campaign film, directed by Glen Luchford, borrowed cues from sci-fi B-movies – right down to its theme tune – a natural fit given Alessandro Michele’s contemporary interpretation of geek chic. For AW18, Kenzo threw its hat in the ring with a 30-minute sci-fi film about group of teens with supernatural powers.

Arguably none of these brands has brought the world of sci-fi, fantasy and gaming into the fashion world as convincingly – and lovingly – as Louis Vuitton though. The luxury fashion house famously collaborated with League of Legends for the 2019 World Championship, creating in-game apparel, clothing for a band launched at the tournament, and the all-important trophy carry case.

Ghesquière then posted a photo of himself with League of Legends champion Senna, revealing her new custom Louis Vuitton ‘skin’.

Rather than merely capitalising on cheap nostalgia or lifting aesthetics with little thought, Ghesquiere’s affinity for retrofuturism evidently runs deep – adding a welcome point of difference in the industry.

louisvuitton.com

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New Bruce Davidson show captures Britain on the cusp of modernisation

A new exhibition at Huxley-Parlour Gallery in London is bringing together some of Bruce Davidson’s most iconic photographs as well as lesser-known work tracing 1960s Britain.

Bruce Davidson: A United Kingdom includes photographs taken on his two-month trip around Britain for a commission from The Queen magazine in 1960. During the project, the Magnum photographer initially spent time capturing London and the south-east of England, before travelling north to Scotland, focusing on the variances between city and country life as each approached modernisation at different paces.

A photograph of couples in the beach included in a new Bruce Davidson exhibition
Couples on beach, Brighton, 1960. All images © Bruce Davidson / Magnum Photos, courtesy Howard Greenberg Gallery / Huxley-Parlour Gallery
An iconic portrait taken in Wales and included in included in a new Bruce Davidson exhibition
Wales, 1965

Also included in the show are images from his photo essay of Wales taken several years later. The American photographer was originally on an assignment to capture Caernarfon Castle in north-west Wales, near the island of Anglesey.

On the same trip, he travelled to the southern mining village of Cwmcarn, after a Welsh sergeant told him it was where he would send his worst enemy. It was in nearby Ebbw Vale that he captured his iconic portrait of a young girl (often mistaken for a boy) pushing a pram up a lane against an industrial backdrop.

“A lot of people think it’s a boy but it’s actually a girl. I don’t think you’d find many boys in a mining town pushing a baby carriage like that. They wouldn’t stand a chance,” he said in a 2010 interview.

Girl holding kitten, London, 1960

His career as a photographer has been defined by his ability to go into insular communities and produce revealing portraits for the world to see. The instinct was evidently always there for Davidson – a man who launched his photography career in the late 50s with an intimate photo series that saw him rub shoulders with Brooklyn gangs.

“I start off as an outsider, usually photographing other outsiders, then, at some point, I step over a line and become an insider,” he told the Guardian in 2011. “I don’t do detached observation.”

A portrait taken in London and included in a new Bruce Davidson exhibition
England, 1956
Wales, 1965
Wales, 1965
Wales, 1965
Couple kissing on the street, London, 1960

Bruce Davidson: A United Kingdom is on display at Huxley-Parlour Gallery, London until 14 March; huxleyparlour.com

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Creative Leaders on… confidence

There’s few among us that haven’t experienced feelings of insecurity, especially when it comes to our own work. So how do you deal with a crisis in confidence? Designer Kate Moross, Director Max Siedentopf and former head of 4Creative Alice Tonge share their thoughts

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When the vintage Volvo 240 merged with a winter family cabin…

Attention all automobile fanatics…and design enthusiasts! If your love for automobiles and architecture have never met before, well they have now in Chris Labrooy’s Winter Cabin. Labrooy wedged the classic Volvo 240 into a quintessential cabin. The Volvo 240 was a vintage wonder, though long and slow, it was considered the ideal family car. Honest and dependable, the 1974’s car became a member of a number of households.

Hence it’s no surprise that Labrooy merged it with an adorable little red and white cabin, perfect for those family getaways during the winter vacations. However, Labrooy’s version of the car comprises of two Volvo 240s combined together, creating an inverted mirror image. Slide the structure into a cabin, and you have a quirky architectural concept perfect for all those vintage automobile lovers, who want to take a trip down memory lane!

To be honest, the car merges effortlessly with the cabin, like a match made in heaven, there’s something intriguing about it no doubt, but also something very natural. This is one concept that could transform into an exciting yet simple architectural reality!

Designer: Chris Labrooy

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