The Missing CAD Link for Furniture Designers Working With Wood and Composites: Woodwork for Inventor

“The furniture industry is quickly evolving, fashion trends are changing almost daily, and customers are demanding evermore complex solutions. Meanwhile, project implementation deadlines are shortening. To keep pace with these trends, design tools must be highly tailored to meet the needs of the designer.” 

–Celi Automated Design Systems

If you design furniture, case goods or interiors, chances are you’re working with wood. Whether it’s for a home, hotel, hospital, office, shop or retail chain, clients often want the warmth and natural look of the ages-old material, whether as a design accent or the main ingredient. And in applications where the finished surface will be painted, wood still remains an affordable and desirable substrate.

However, cost and manufacturing constraints mean wood materials have evolved heavily in the past few decades. A seemingly simple cabinet door is now much more than a surfaced board, and can contain a complex assembly of multiple materials: A honeycomb core encased in an MDF frame, backed with particle board, faced with veneers, finished off with edge banding, mated to its sibling pieces with a variety of unseen hardware. This yields cost-effective and repeatable furniture systems, but can provide a headache for designers during those crucial non-design phases of the project.

When designing with wood composites, slowdowns arise because CAD systems have not kept pace with the materials. Studies done by software company and Autodesk reseller Celi Automated Design Systems reveal that just a third of project time is spent on design, with the bulk of you or your design team’s hours spent on the non-design technical aspects: Preparing manufacturing drawings, calculating the BOM, working out the CNC/CAM files. (It’s enough to make a designer wish the client requested everything be done in sheet metal, as a lot of those non-design tasks have been automated for sheet metal in mainstay CAD program Autodesk Inventor.)

To illustrate this with simple math, let’s say you’ve got a wood-based design project with a two-and-a-half-week deadline. In other words, you’ve got 100 hours to execute it. By Celi’s math, in order to hit the deadline you can only spend 35 of those 100 hours on the modeling and design. The rest of the time is burned up on non-design essentials: You’ll need 25 hours to generate the manufacturing drawings, 20 hours to accurately calculate the BOM, and a further 20 hours to ready the CNC files.

Celi’s answer to this is Woodwork for Inventor, a software package that integrates with Inventor to makes designers’ lives easier. “Although Autodesk Inventor is a very powerful design engine, it doesn’t provide certain tools specific to the furniture design industry,” the company says. “We understand the specific needs of those working with wood and wood-based composites, and we understand which aspects of the regular modeling workflow would take them the most time to do.”

Thus Woodwork for Inventor, developed after closely observing the workflow of furniture designers, was designed to automate much of the tedious, non-creative parts. WFI’s built-in unified hardware library allows for automated hardware attachment and component placement, with hole fittings and connection joints added automatically. And once you’ve defined your assemblies with conditions you’ve set, you can stretch and shrink them without needing to go back in and manually adjust all of the component placements, fittings and joinery.

“Woodwork for Inventor’s functionality is perfect for us,” says Stephane Reneux, Designer-Builder for French laboratory furniture firm Equiplabo. “The Skeleton Dress-Up, Automatic Drawings Generator, precise BOM Generator, Assembly Copier, automatic sculpting of mortises and tenons are all things that we need in our line of work. We can’t imagine working without them.”

And WFI really shines during the non-design tasks. The BOM, manufacturing drawings and CNC files are all generated accurately and automatically. Material optimization algorithms will automatically nest profiles for cutting (while accounting for the all-important grain direction). If you’re overseeing production yourself, the CAM module allows you to drive the CNC router directly.

Auto-generated, accurate BOMs

Auto-generated manufacturing drawings

Automated profile nesting for CNC

These features, as well as others listed below, generate a tremendous time savings: Celi reckons that you can accomplish the same results as in the example above–the 100-hour project–in just 45 to 50 hours, even with an additional 5 hours of your time spent on modeling.

Learn more about Woodwork for Inventor’s specific functions:

Dressing up the skeleton body with boards. Section, board, assembly, etc.

Material assignment. Fillings, coatings, multi-layer boards, composite parts, etc.

Multiplication arrangement of furniture hardware. Components, axes defining the hardware position, component database, etc.

Automatic generation of mortises and tenons. Components, holes, joints, etc.

iBox components. Multi-body Skeleton design, kitchen design, etc.

Size calculations of part and blank. Texture direction, overlaps, added coating, sunk coating, etc.

Export to cutting optimisation program. List of cutting parts, cutrite, etc.

Bill of materials generator. Product structure, list of cutting parts, erp, etc.

Automatic generation of drawings. Drawings, templates, annotations, projections, scaling, etc.

Use of prototype and assembly copying. Renaming of files, connections between components, hierarchical encoding, etc.

CNC preparation. CNC machine tool, drilling, milling, mortising, cutting, etc.

Data integration with the autodesk vault program. Dimensions, materials, data, specification, etc.

Testimonials

With feature sets like these, it’s no wonder that WFI has attracted a worldwide following. Here’s what working designers and firms who have integrated Woodwork for Inventor into their workflows have to say about it:

Time Savings

“Woodwork for Inventor gives us the tools that the woodworking industry has been missing in 3-D software,” says Dale Erb, Director of Engineering for Canada’s Artco International, an outfitter of hotels. “Auto plan making, auto hole drilling, auto programming with their CAM module, to name just a few of the tools, has increased our production by up to 40%.”

“By using Woodwork for Inventor we’ve shortened the pre-production, information-preparation process from 12 to 14 days down to just 4 to 5 days,” says Audrius Gabrenas, CEO of Lithuanian office furniture company Ergolain Baldai.

Estonia-based plywood products manufacturer Klavis Ou has seen even more dramatic results. “Woodwork for Inventor has allowed us to speed up the design process, and the preparation of information necessary to start the production process, by 80% in comparison to the software we used before,” says Production Manager Mikk Taliaru.

Design Flexibility

The time savings engendered by the automation of repeatable tasks also offers flexibility in design work. “Woodwork for Inventor allows us to design a lot of different furniture models with the same structure–but in different materials and configurations–in the quickest possible way,” Daniel Malama, Founder of Romania-based furniture design firm Mobila Sa Slobozia reports.

Accuracy and Ease of Use

“Woodwork for Inventor is an excellent instrument with a very friendly interface and extremely precise BOM generation,” Mobila Sa Slobozia’s Malama says.

Designer Menti Fabio of Italian interiors firm Mattec S.R.L. says that “Woodwork for Inventor’s ease of use, together with its data delivery to the production department in the shortest possible time, means every interior designer must have this tool.”

“It gives us a very precise BOM not only in the production stage,” says Ergolain Baldai’s Gabrenas, “but also in the supply and bookkeeping stages. As a result, the entire lead time as been shortened dramatically.”

Diversity of Application

“We’re a custom sheet metal fabrication shop with a full custom woodshop,” says Brad Vanwingerden, a designer for U.S.-based Great Lakes Stainless. “We produce primarily for the food service industry with a good mix of other types of work: Airline, job shop, residential, and OEM.

“Autodesk Inventor is a great tool for the sheet metal side of our business as well as communicating our design intent. However, when it comes to the wood side, Inventor doesn’t have the tools built in to design efficiently. Woodwork for Inventor helps dramatically with this. The Assembly Copier functionality alone is a valuable tool which works for any assembly, not just wood. If you’re a custom wood shop and are looking to utilize 3-D modeling I would highly recommend Woodwork for Inventor.”

Customer Support

“The Woodwork for Inventor team is reliable and has never let me down when I have questions or need personal assistance,” reports Laurens Geldtmeijer, Manufacturing Engineer for Dutch furniture manufacturer Meubelmakerij Het Woud.

Eases Bookkeeping

“Woodwork for Inventor is our first choice for fit-out design, from design to production. The integration to SAP and Vault works very well, and all BOMs are getting pushed directly,” says Jens Otterstedt, Director of Operations for U.A.E.-based interiors firm FDC Interiors.

What Will You Do with the Time Savings?

“Since integrating Woodwork for Inventor, we have become more efficient and work with far greater precision,” says Valter Lisboa, IT & Administrative Manager of Switzerland’s Raboud Group interiors firm. “We have also seen time savings across our entire process. The time saved allows us to work on our innovation and creativity.”

Albert Schlegel, CEO of Germany-based retail, hotel, office and restaurant design firm Schlegel Deutschland says that WFI has enable them to increase their business. “Both the number of projects we can take on, and our productivity as a whole, have increased significantly since we started using Woodwork for Inventor.”

If you’re ready to dive in, you can download a free trial of Woodwork for Inventor.

Magway's Underground System is Like Hyperloop for Packages

Since moving from New York City down to the rural South, I’ve learned a lot. In general service is slow, and unlike in New York, people waiting in line will talk to each other. Recently, at the DMV I was in line with a young man who had just earned his CDL (Commercial Driver’s License), and an older man who had had his CDL for years, and I got pieces of their stories.

For lots of young men (and increasingly women) without much education, earning a CDL is a path to a better life. The hours are long and the work can be hard, but “put in some years,” the older man said, “and you can be making 80 grand.” I also learned that the most sought-after truck driving gig is for Walmart–they make about $100,000 a year! And according to the older man, one of the most stressful gigs is driving a car carrier (they’re super heavy, loading/unloading the cars is a PITA, plus the driver is responsible for the condition of the cars over the course of the journey).

As the older man continued giving advice and sharing his experiences with the younger man, I kept my mouth shut. Because I know something they might not be aware of, which is just how many people in technology are working to make their jobs obsolete.

Driverless trucks are on the way.

Drone delivery is on the way.

And now it looks like underground delivery might become a thing.

Magway is a UK-based company that aims to utilize an existing technology–the ability to lay pipelines–and fill those pipelines with package-carrying sleds riding on mag-lev tracks.

It makes good sense on paper, if you get the power from an eco-friendly source. It would reduce traffic and emissions from trucks.

What happens to the truck drivers?

The younger man in front of me at the DMV had saved money earned from mowing lawns to enroll in a CDL program. He’d just passed his exam the day before and was about to get married, he said. And his plan, as discussed with the older gentleman, was to quit doing lawncare, get a driving job, save up for his own rig, start making real money.

“Put in the work and you’ll get there,” the older man said.

I said nothing.

New categories revealed for Dezeen Awards 2020

Dezeen Awards 2020 entries open 4 February

Dezeen Awards 2020 opens for entries next week, with eight new architecture, interiors and design categories to enter.

New architecture categories for this year include landscape project and infrastructure project. There are also new architectural lighting design and exhibition design categories.

Two of last year’s most popular interiors categories have been split. There are now two retail interiors categories – one for spaces that are over 250 square metres in size and another for smaller spaces. Individual bar interior and restaurant interior categories also replace last year’s combined category.

This increases the total number of categories to 42 for Dezeen Awards 2020, which opens for entries on 4 February 2020.

Bar Lotus by Office AIO in Shanghai
Bar Lotus was named restaurant and bar interior of the year at Dezeen Awards 2019

All of the last year’s categories will be available to enter again, with the chance to get your work in front of a stellar lineup of judges and compete for a coveted Dezeen Awards trophy.

The architecture categories include urban house, rural house, housing project, civic building, cultural building, rebirth project and small building.

Interiors designers have 12 categories to choose from, including house interior, apartment interior and hotel and short-stay interior.

Design categories include furniture design, lighting design, homeware design, product design, sustainable design and graphic design.

17,000 by Skaparkollektivet Forma
17,000 by Skaparkollektivet Forma was last year’s installation design winner

You can also enter one of the six studio categories for a chance to be named the best established or emerging architecture, interior design or design studio of the year.

Entrants will have the chance to join the illustrious list of previous winners, which includes Sevil Peach, Studio Drift, Atelier NL, Christ & Gantenbein and Vo Trong Nghia Architects.

See the full list of categories here.

The standard entry deadline for Dezeen Awards 2020 is 2 June. To get a discount on the entry fees, submit your project before  31 March.

This year, we are also introducing a late entry period, with an extended deadline of 9 June, but a higher entry fee.

Viettel Offsite Studio by Vo Trong Nghia VTN Architects
Vo Trong Nghia Architects was named architect of the year at Dezeen Awards 2019

Dezeen Awards celebrates the world’s best architecture, interiors and design projects, and the studios and individual architects and designers producing the most outstanding work.

Receiving more than 4,500 entries from 87 countries last year, Dezeen Awards has grown rapidly into one of the most popular awards programmes in the industry, becoming the benchmark for design excellence and the ultimate accolade for architects and designers.

To stay updated with all Dezeen Awards 2020 news, sign up to the newsletter at www.dezeen.com/awards/subscribe.

Once entries open on 4 February, you can log in or create an account to start your entry at www.dezeen.com/awards/signup.

The post New categories revealed for Dezeen Awards 2020 appeared first on Dezeen.

An Update on China's "Six-Day Hospital Build" to Tackle Coronavirus in Wuhan

It’s remarkable that you can speed up footage of humans building things in a group, and it totally resembles insect behavior:

That’s footage of construction workers in Wuhan, racing to build a 25,000-square-meter (270,000-square-foot) hospital to handle the sudden rise in Coronavirus-infected patients. The South China Morning Post and others reported on January 24th that the hospital would be built in just six days, but an update from the Chinese government says it will be ready by February 2nd.

That’s a lot of excavators. (Photo: Xinhua)

Either way, putting up an enclosed building with the floorspace of nearly five football fields in under two weeks is insane. China can do it because they’ve got the manpower and the money; workers are reportedly being paid up to 1,200 yuan (USD $173) per day, which is triple their usual wages.

On top of that, they’re using prefabricated buildings to speed construction, and this has gotten them into a bit of online trouble. Yesterday a Chinese government account Tweeted an image of what was supposedly the first completed building for the new complex, which news outlets then circulated. However, Buzzfeed discovered that the image was actually of a prefabricated apartment building some 600 miles away.

Which doesn’t mean the whole thing is fake. CGTN, the (government-funded) China Global Television Network, has set up a live feed of the construction site, where you can see that there’s a lot of activity going on:

By the bye, if you’re having a slow day at work, click on the vid’s YouTube page to see the live comment feed coming in on the right side of the page. It’s alternatingly hilarious and offensive.

Huoshenshan Hospital, as the new edifice will be called, will provide 700 to 1,000 beds. It will open its doors on February 2nd and be managed by the Chinese military.

Kengo Kuma completes first building in Australia

The Exchange in Sydney by Kengo Kuma

Ribbons of wood wrap around The Exchange by Kengo Kuma, which has opened in Darling Square, Sydney, Australia.

The photos captured by Martin Mischkulnig reveal the spiralling form of the six-storey civic centre, which is Japanese architect Kuma‘s first building in Australia.

Now open to the public, the building is wrapped in 20,000 metres of light-coloured wood that Kuma has arranged in “a dynamic and exciting manner” to offer passersby glimpses of activity inside.

The Exchange in Sydney by Kengo Kuma

Kuma first revealed plans for The Exchange in 2016 as the focal point of Darling Square, a neighbourhood located on western outskirts of the Sydney central business district in Darling Harbour.

At the time of its reveal, he said the building was designed as a landmark that would be recognisable from all angles.

The Exchange in Sydney by Kengo Kuma

“Our aim is to achieve architecture that is as open and tangible as possible to the community, and this is reflected in the circular geometry that creates a building that is accessible and recognisable from multiple directions,” said Kuma.

“The wooden screen wraps the exterior of the building in a dynamic and exciting manner, a historical reference to Darling Harbour originally being a hive of business activity and a focal point as a market exchange.”

The Exchange in Sydney by Kengo Kuma

The characterful form of The Exchange is created by the staggering of its six curved floorplates, enveloped by angled walkways.

Though the photos do not reveal the interior of the building, it contains a library, childcare centre, market hall and a “makerspace” to support creative and technology start-ups. There is also a rooftop bar and restaurant with views over Tumbalong Park, the Chinese Gardens and Cockle Bay.

Darling Square and The Exchange are being developed by property company and contractor Lendlease as part of the revitalisation of Darling Harbour that is being overseen by architecture studios OMA, Hassell and Populous.

The redevelopment will provide housing for 4,200 people and is hoped to create 2,500 jobs, while also attracting more visitors and activity to the area.

The Exchange in Sydney by Kengo Kuma

Japanese architect Kuma founded Kengo Kuma and Associates in 1990. His studio, which has offices in Tokyo and Paris, is known for his playful use of timber.

Other timber projects by the studio include a Tokyo cake shop encased in intricate timber latticework, a Starbucks cafe with walls covered in criss-crossing beams, and a computing facility covered in hundreds of wooden strips.

The studio will also shortly open its latticed-timber stadium for the 2020 Tokyo Olympics, which featured in our roundup of buildings due to open this year.

Photography is by Martin Mischkulnig.

The post Kengo Kuma completes first building in Australia appeared first on Dezeen.

Through the Lense of Olivier Darock

Originellement connu comme DJ, c’est aujourd’hui en qualité de photographe que nous découvrons Olivier Darock. Dans sa série « Humanitaire », il partage avec son public des instants de vie saisis sur le vif, lors de trois différents voyages à Madagascar, en Inde et au Vietnam. Un véritable partage des émotions de l’artiste, transmises ici par l’image.  

Comment êtes-vous arrivé à la photographie ?

Mon père étant passionné de photographie, j’ai pris le virus depuis mon plus jeune âge. J’ai d’abord commencé par réaliser des clichés de mes amis, de ma famille puis je me suis professionnalisé avec les mariages, events, culinaire, immobilier, corporate…

Comment en êtes-vous venu à la création de cette série ?

À la base, j’ai démarché une association malgache afin de leur offrir mon expérience de photographe et de leur donner les photographies prises, pour leur communication (réseaux sociaux, magasine, site…). J’affectionne tout particulièrement le portrait, j’ai donc essayé au mieux de faire ressortir les émotions, toujours positives, que je ressentais lors de mes voyages…

Pourquoi avoir choisi ces trois pays ?

Madagascar me tenait à cœur, car les parents de mon meilleur ami y sont nés. Le choix du Vietnam est, quant à lui, le résultat d’un concours de circonstances. Deux montpelliérains que j’ai rencontré par connaissance m’ont proposé le sujet et j’ai dit oui sans hésiter. Pour ce qui est de l’Inde, c’est la suite de mon voyage à Madagascar, car mon meilleur ami est indien.

Y-a-t-il un message que vous voulez transmettre, au travers de votre travail ?

Oui, celui de sortir de sa zone de confort. Bien que cela puisse être effrayant de prime abord, une fois ce stade franchi, ça n’est que bénéfique. On se découvre, on prend de l’assurance et on croque la vie à pleines dents. J’incite également à voyager, que ce soit à côté de chez soi ou à l’autre bout du monde.

Avez-vous déjà un futur projet ?

J’ai un futur projet, qui prendra place en mars 2020, au Togo.  J’ai rencontré une ancienne bénévole de l’Inde qui part sur un projet à Tsévié à 30 km de la capitale Lomé. À côté de cela, j’aimerais également faire le tour du monde en tant que photographe et faire découvrir toutes ces belles cultures à mon public. 




Deep Blue Cosmos

Vous êtes-vous déjà demandé ce que c’est que de plonger sous la mer d’un bleu profond et de nager côte à côte avec la vie marine exotique? Eh bien, maintenant vous pouvez par procuration grâce à la photographe Laura Emerson. Sa nouvelle série, «Deep Blue Cosmos» est la première partie de ce qui sera de multiples collections de photos de son passe-temps de plongée libre.

«Vaincre la peur des inconnus et des insondables», a-t-elle déclaré dans une introduction à son projet. Vous découvrirez un nouveau monde sous la mer, un «mystère profond et merveilleux».





Non-Profit Contemporary Art Space SculptureCenter’s Winter Programming

Two shows that explore disbelief and reference the institution’s past

SculptureCenter has had many locations and transformations in its time, but has always made an incomparable impact on the NYC arts community. Originally founded in 1928, as The Clay Club by sculptor Dorothea Denslow, its intention has always been focused on artists both established and emerging that refuse to play it safe. In 2001, the organization purchased a former trolley repair shop in New York’s Long Island City, and it was renovated into their current exhibition space.

Now overseen by director Christian Rattemeyer (former associate curator at MoMA’s drawings department), the institution is currently showing two winter exhibitions: Rafael Domenech: Model to exhaust this place and the group show, In Practice: Total Disbelief. Running concurrently, these exhibitions work in concert together and are comprised of newly commissioned works by the non-collecting museum. These shows push the boundaries of reality and standards while exploring memory and the possibilities for change. In both cases, the work presented is intrinsic to the space, provided a breeding ground for innovation.

Cuban-born Rafael Domenech (who featured in SculptureCenter’s past group show Searching the Sky For Rain) has built on his ongoing exploration of the space for his current installation. He created a movable artwork that divides the space with a series of blue mesh partition screens with oval cut-outs. These 12-feet-tall screened walls are accompanied by multi-functional interlocking plywood boards, both of which Domenech inscribes with phrases from two poems by the Cuban writer Severo Sarduy (1937-1993), who worked in exile in Paris.

SculptureCenter’s curator Sohrab Mohebbi explains, “One of the main ideas in this show is a commitment to a certain critical dislocation and I think it’s translated through the architectural project that has completely transformed the space into a tool to also make the work. Rafael’s manner to use the possibilities of this space and in particular, the gantry that has been here since 1905 since this building was built as a trolley repair shop. You can see the building is a component for the work itself.”

The artist explains his work in context to standardization and a study of metrics. Domench describes these metrics as “a system for conditioned living in architecture that is relatable to mathematical infrastructure.” He furthers this, saying “For me, it’s an understanding of the metrics and how they perform in daily life to translate it into the exhibition. What that does is create a relatability to the architecture, the human, and body.” Mohebbi adds, “Standardization on one hand is, let’s say, a form of oppression; especially when it’s imposed on a global scale. It displaces a lot of indigenous aesthetics and ways of being in the world. On the other hand, once it is implemented globally Rafael is really interested in how you can use this to almost infiltrate that process of standardization to create different results.”

Since 2003, In Practice has remained a highly anticipated annual show and is often viewed as a place to chart the work of emerging artists. In Practice has supported nearly 200 artists with the essential resources of space, funding, time, and administrative support. This year’s program was curated by Kyle Dancewicz, SculptureCenter’s director of exhibitions and programs. Dancewicz breaks down the selection process and tells us that every spring they start an open call to artists. “We get about 800 applications annually,” he says, “and go through a long process of narrowing down to ultimately 10 to 15 artists. It’s often artists’ first engagement with a commissioning institution, with a non-profit institution, or with showing in New York galleries.”

Introducing the first work in the show, Dancewicz highlights Devin Kenny and Andrea Solstad’s piece “Untitled (Purves Sr.)” in which a 33-year-old Chevy Montecarlo has been parked outside the space, and “has been treated to make it look like about 1,000 years old and covered in dust.” The piece will remain outside indefinitely, as Dancewicz says, “It will be there as long as we can afford to pay for tickets, basically.”

Another standout work is Emilie Louise Gossiaux’s “E.L.G Familial Archives (Outerspace).” After the artist lost her sight 10 years ago, she developed an adaptive practice for drawing and sculpting. These ceramic sculptures and drawings are made from the artist’s memory of tattoos on parts of her body and the bodies of her family members. Dancewicz says, “These are sort of surrealist sculptures but also work haptically and with memory to make an archive of body parts that connect her family. There is a lot of humor in them too.”

Andrew Cannon’s “In Gertrude Fireplace” addresses architectural and sculptural questions. The piece is a reproduction of a fireplace that Gertrude Vanderbilt Whitney commissioned in 1918, and currently sits inside the New York Studio School. The work is handmade with a combination of plasters, while the bricks are actually cast from those on SculptureCenter’s facade. The “flames” and other elements are painted with watercolor and sketched on.

Both Rafael Domenech: Model to exhaust this place and In Practice: Total Disbelief are on view now through 23 March. A round-table talk about In Practice will occur on 4 February at 7PM. More exhibition-related special events programming will unfold in the following months.

SculptureCenter is located at 44–19 Purves Street, Long Island City, NY 11101

Images courtesy of respective artists and SculptureCenter 

Creative Storage solutions designed to declutter your life!

Good storage units are essential in any and every living space! Unless you want a mess all around you, incorporating clever storage areas into your home or even office space is the way to go. Just like this snug shelving system by Juz Interior, we have gathered some interesting storage designs that are sure to declutter your cluttered lives!

The Becky Corner Shelf by Noook comprises of a selection of stackable shelves, that turn even pointless little corners into useful storage spaces. This one’s been crafted just for your bathroom!

This shelf design by Soheil Yousefi is truly one-of-a-kind.  What starts off as a proper shelving unit at the top, slowly shrinks away to create an intriguing design that still manages to hold your little items for you!

The Cesar and Fanny Collection by Désormeaux and Carrette consists of pretty pastel storage units that add a hint of softness and warmth to any living space. Not to mention they look like little picket fences!

The Conch by Wei He comes with a molded-plywood inner body and a dual-density foam outer body, giving it structure as well as supple softness. However, what caught our eye is the storage unit that is right under you for everything from books to a cushion to other bric-a-brac!

Onda by Schneid Studio is a modular shelving unit featuring curved lines and soft contours. It is delicate and subtle, suitable for all the lovely ladies and their precious belongings!

The Creative Chair Storage by FLORES Taller de Arquitectura doubles up as, well, a storage system as well as a chair to sit upon! Its quirky geometric structure makes it pretty amusing to have around. I would love to fold and unfold this design…just for fun!

VG Studio’s Band Rail looks like a typical wooden handrail accompanying an ordinary staircase at first glance, providing you with support as you amass your expansive home. However look a little deeper, and you realize it functions as a bookcase as well! Wooden ‘gills’ mimicking the gills of a fish adorn the entire length of the handrail. The gills provide little nooks and crannies to subtly store your books. It’s a staircase with a storage unit for books!

This bunk bed by Amber Lewis doubles up as the perfect storage unit! With shelves for your books, plants, and other miscellaneous items, as well as under bed drawers, it’s the ideal multifunctional design.

Designed by the Mint Tiny House Company, this super cool staircase also doubles up as a storage unit! Each individual step functions as some form of storage area. The staircase smoothly integrates with the kitchen, forming kitchen cabinets and a spot for a mini-fridge!

Bookshop in paddy field sandwiched between walls of abandoned house

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO

Trace Architecture Office has inserted a bookshop and cafe into old rammed earth gables of a long-abandoned house in rural China.

Called Paddy Field Bookstore after its location, the shop on the outskirts of Xiadi Village, Fuijian province, is all but invisible from the exterior.

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO
Photo is by Zhuo Yuxing.

“The remnants serve as a container that wraps around the new construction, which is made of concrete and steel, forming a dialogue between the contemporary and the traditional,” said the practice.

“Most of the new construction is hidden inside the remnants of the old house, so it seems as though nothing happened from the outside.”

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO

A cantilevering cafe space projecting from the building is the only outward sign of its transformation.

The floor-to-ceiling glazing provides views across the paddy fields back towards the village.

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO

The shop will be operated by Librairie Avant-Garde, an independent book shop launched in 1996 in Nanjing that has since expanded across China.

Angled concrete walls in the centre of the old building form the core of the new structure.

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO

The three-storey Paddy Field Bookstore includes a ground floor display area, a first floor reading room and a rooftop viewing terrace.

Around the plan’s edge, these concrete walls face the untreated walls of the original structure.

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO

In the centre, they enclose a more insular theatre space.

Here, stepped wooden seating areas for impromptu performances double as shelving.

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO

Supported by these central walls, Paddy Field Bookstore’s two concrete floorplates are cut back in areas to create thin gaps between the old and new structures.

These gaps are glazed and act as skylights.

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO

To the west, the new building breaks out of the original footprint to extend into the cantilevering glazed cafe space.

The pitched roof has been designed with an umbrella-like structure.

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO

It’s held up by a central steel column visible throughout the building.

Four supports that connect to the corners of the building provide lateral stability.

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO

Underneath this roof, seating areas look out at panoramic views of the landscape.

Based in Beijing, Trace Architecture Office has previously worked to renovate existing structures in China.

Xiadi Paddy Field Bookstore of Librairie Avant-Garde by TAO

Last year, the practice turned a series of old brick buildings with a coffee processing facility and hotel, and in 2018 the firm converted a warehouse in Beijing into an office for a magazine publisher.

Photography is by Chen Hao unless otherwise stated.

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