Atari is Opening…a Chain of Hotels?!?

With increasing regularity, the journalist of today must check to see that it isn’t April 1st when reading through press releases. The latest I-bet-I’m-being-punked bit of news that needed a sniff test was: Atari, the video game giant of the ’70s and ’80s, is apparently opening a string of “video-game-themed hotels” in Las Vegas, Denver, Chicago, Austin, Seattle, San Francisco, San Jose and Phoenix.

The once-relevant brand is promising “a unique lodging experience combining the iconic brand with a one-of-a-kind video game-themed destination. Atari Hotels level up hotel entertainment with fully immersive experiences for every age and gaming ability, including the latest in VR and AR (Virtual and Augmented Reality). Select hotels will also feature state-of-the-art venues and studios to accommodate esports events.”

Here’s what I’d expect to see from such a hotel:

– Elevators that move from side-to-side while descending, shaped like Space Invaders

– Doorknobs are replaced with simple black joysticks, locked by pressing a single orange button

– Key cards are replaced with cartridges. (You must blow into the bottom of the cartridge before inserting it into your door)

– If you find centipedes in your room, it’s your job to kill them

– The breakfast special: Pongcakes

– The bellhops are dressed in enormous Pac-Man costumes and must “eat” your luggage to carry it away

Apparently the first hotel is going up in Phoenix, and the company says they’re breaking ground this year.

Design Job: Taco Bout a Great Job – Brand Designer at Dos Toros Taqueria in New York City

Dos Toros seeks a Junior Brand Designer to work on the Marketing team. This person will focus on visual design and creative ideation to ensure the Brand’s tone and style are consistent across all platforms. The ideal candidate will also have strong organizational skills as well as a proven ability to work efficiently in a fast-paced environment across all print and digital media.

WHAT YOU’LL DO:
Create high-quality, compelling visual designs across various areas including in-store communication

View the full design job here

Forbo's Coral flooring collection is made with regenerated fishing nets and plastic bottles

Coral flooring is made with regenerated fishing nets and PET bottles

Dezeen promotion: UK manufacturer Forbo Flooring has created a range of textile entrance flooring from regenerated industrial and post-consumer waste, which can reduce cleaning time for businesses.

The Coral collection is made with Econyl, a high-quality yarn derived from carpet waste, fishing nets and other materials that would otherwise have gone to landfill.

Coral flooring is made with regenerated fishing nets and PET bottles

This yarn is then tufted to create dense rolls, mats and tiles, which are capable of preventing pollutants as well as rain, snow, sand and soil from entering a building.

According to testing by Cleaning Research International, the flooring system is capable of removing up to 95 per cent of dirt and moisture, which in turn reduces the time spent cleaning floors by up to 65 per cent.

Coral flooring is made with regenerated fishing nets and PET bottles

There are eight different Coral lines, which have been designed to suit any interior or environment. The double duty Coral Duo line features reinforced, alternating strips of strong thick yarns, which create a ribbed pattern and help to scrape dirt from passing shoes more effectively.

Recycled PET bottles are used to make the primary backing of the Coral Welcome pieces, which have a rich deep pile and vibrant colours.

The all-rounder Coral Brush range features Memphis speckled and linear designs, and incorporates two other yarns on top of the Econyl, with the space between them helping to hide dirt and grime.

Forbo’s Coral Logo service allows businesses to create a bespoke print for their flooring using logos or graphics, while the off-the-shelf Coral Click range is a modular matting system that can be assembled on site to fit any space.

Coral flooring is made with regenerated fishing nets and PET bottles

Coral flooring is created with 100 per cent renewable electricity and all waste byproducts from the production process are either reused by yarn manufacturers or sent to third party recycling companies.

For more information on the Coral collection, visit the Forbo website.

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Virgil Abloh Creates Streetwear Collection for the Louvre

Le très populaire créateur de mode Virgil Abloh a fait les gros titres de sa nouvelle collection capsule, réalisée en collaboration avec le Musée du Louvre de Paris, qui présente des vêtements conçus avec des peintures du grand Léonard de Vinci.

La collection a été coordonnée pour célébrer la vie de Léonard de Vinci 500 ans après sa mort. Abloh, qui est le génie créatif derrière les collections de vêtements pour hommes de Louis Vuitton ainsi qu’un DJ et un connaisseur du monde des affaires, a développé cette ligne particulière pour sa marque de streetwear qu’il a créée en 2012.

« J’ai été fasciné très tôt par Léonard de Vinci, a déclaré Abloh, et j’ai été très intéressé non seulement par ses œuvres d’art, mais aussi par l’influence qu’il a eue dans de nombreuses disciplines autres que l’art : la science, l’ingénierie, l’architecture… Pour moi, il symbolise tout ce qu’était la Renaissance« .







The Tanuki Pocket Ninja fly-fishing rod brings the ancient Japanese art to the mainstream

Since launching the Tanuki series of Japanese fly-fishing rods at the beginning of 2019, Designer and Engineer Luong Tam has spent the first half of his year delivering on the first edition of the Tanuki Ninja fly-fishing rod, and the second half of the year making the rod fundamentally better. Now even smaller than before, yet just as powerful, the Tanuki Pocket Ninja is a culmination of Tam’s life’s work. Designed to go even smaller when folded, the telescopic rod measures a mere 13 inches in its folded avatar, and expands to a whopping 11 feet when fully opened. In keeping with the art of fly-fishing, the rods are designed to be incredibly flexible and don’t come with a traditional reel. You rely purely on physics, mechanics, handwork, and an understanding of your fishing rod to catch fish.

Tam’s devoted a significant part of his life to developing some of the most sophisticated fly-fishing equipment to his patrons. Relying on tradition as well as advanced material sciences, the Tanuki Pocket Ninja pushes boundaries by being the most portable fly-fishing rod on the market. The Pocket Ninja is also incredibly resilient, bending as much as 180° effortlessly, with incredibly precise casting, high-tolerance parts that withstand tugging against water currents and the fly. The rod comes constructed out of a composite of fiberglass and Japanese Toray high-modulus carbon-fiber, giving it its flexibility and strength while keeping the entire rod weighing not more than 2.5 ounces. Engineered to perfection, the rod’s telescopic design allows it to collapse to a size that’s small enough to slip right into a backpack or the glove compartment of your car, giving you the freedom to fly-fish wherever and whenever. Each Pocket Ninja rod has an anti-slip paint coating around the grip, and comes with an 11ft. long custom-made floating line, a semi-conical line-spool (that prevents free-rolling), traditional Japanese fly-fishing fly, and a lifetime warranty! Now that should definitely get you ‘hooked’!

Designer: Luong Tam

Click Here to Buy Now: $149 $240 (37% off). Hurry, less than 48 hours left!

Tanuki Pocket Ninja – Compact, Lightweight & Flexible Fly-Fishing Rod

The Tanuki Pocket Ninja is designed and built for fly fishers who love outdoor adventure and traveling. The Pocket Ninja is an 11’0″/335 cm long telescopic fly rod when it is fully extended from a 13″ / 33 cm collapsed length. It weighs 2.3 oz/ 65 grams. It is based on the Japanese ancient art of fly fishing, called tenkara (requires just a rod line and a fly).

Flexibility is the Name of the Game

Shorter the sections are, the stiffer the rod becomes. For decades, fishing rod makers have been struggling to make a flexible rod with decent rod actions/flex with shorter collapsed sections that are less than 17”. Designer Luong Tam, thought the solution is in the materials. The team used fiberglass and carbon fiber to solve the problem.

The Result: Easy to Cast

Easy to cast and fun to fish with.

The Pocket Ninja is a fantastic rod fishing with Japanese fly pattern Kebari and dry fly. It is also an excellent rod for Contact Nymphing, Euro-Nymphing or Highstick Nymphing, and here are the reasons:

– It is a very high SENSITIVITY rod which would help fisher to feel fly contact with objects in deep water.
– Designed to cast with a very fine line. The fine line would sink faster because it is less friction.
– It is better ergonomics than Nymphing fly rod because Pocket Ninja weight only 2.2 oz vs about 38 oz of nymphing fly rod.

Click Here to Buy Now: $149 $240 (37% off). Hurry, less than 48 hours left!

Bomber Ski + Bentley’s Exclusive Partnership

High-quality, luxurious and exciting skis and experiences created by the two brands

In every elite athlete’s career, there comes a time when they must retire from competition. For Bode Miller, that came at 38 years old, after more than two decades of professional ski racing. But instead of fully retiring, Miller decided to capitalize on his unique expertise as one of the greatest skiers of all time and remain active in the world of snow sport. Today, alongside real estate developer Robert Siegel, Miller co-owns Bomber Ski, a company that aims to become one of the world’s highest quality and most sought-after ski brands. In a market where many ski companies mass-produce their products, Bomber sets itself apart with a vertically integrated solution: all of their skis are painstakingly handmade at the brand’s wholly-owned and operated factory in Biella, Italy—located in the foothills of the Alps. Each pair takes 30+ hours to craft. They feature beautiful, high-quality all-wood cores, pre-bonded ABS sidewalls and a durable carbon-steel finish.

In a major collaboration serving as a stamp of approval for Bomber’s credentials, the brand recently partnered with Bentley on an even more exclusive range of skis. In honor of Bentley’s 100th year in 2019, the limited edition Centenary Skis take inspiration from the diamond motifs found in the EXP 100 GT concept car launched and are finished with 24-karat gold-plated diamond-shape inserts. The Black Diamond Edition Skis also feature the same shapes but with an all-black gloss finish. Both make for eye-catching, luxurious skis.

“I think after this collaboration, Bomber will make even better skis and Bentley will make even better products,” says Miller. “Industries tend to stay in their own silos, so when you get a partnership like this, both parties walk away with something different than they came into it with.”

Take those diamond inserts, for instance. They began as a design proposition from Chris Cooke (Bentley’s head of product design ) who, admittedly had never designed skis before embarking on this project. So although his proposed diamond-shaped inserts where a nod to Bentley’s aesthetic identity, Miller interpreted them to serve a function. They act as pressure points to increase the skis’ torsional flex. When you carve a turn on these skis, they really, really carve and will hold a turn. “Because of the design Bentley brought to the table, we were able to do something we wouldn’t have normally done,” Miller continues. “It produced a ski that’s super substantial underfoot. It’s even more stable and predictable than usual, through any type of conditions.”

Outside of product, Bomber and Bentley are also offering a Ski and Drive Experience with Bode Miller himself. The first edition—coming up in March—is a six-day, five-night adventure beginning at Telluride’s exclusive Lumière with Inspirato property before a private air transfer to the luxurious Montage Deer Valley in Park City, Utah. Bomber’s full line-up of skis will be available for demo runs, and Bentley will also have cars available for guests to drive.

During the day, Miller will provide guests with his expert guiding and coaching on the slopes. By night, guests will indulge in fine wines and cuisine at some of those resorts’ respected restaurants, such as Telluride’s Alpino Vino—the highest elevation fine-dining restaurant in North America.

This is an incredibly exclusive way to experience skiing. It’s not every day you’re able to carve turns next to Bode Miller (as he offers you tips) on some of the world’s finest skis, which he designed himself.

Images courtesy of Bomber Ski + Bentley

Japanese Product Designs that showcase why they are the ultimate design inspiration

The Japanese style of design has taken over the world by storm, ever since it was discovered by the rest of us! There’s something surreal and relaxing about Japanese-inspired products and architecture, that just makes us want to introduce some minimalism into our lives. Whether it comes to the architecture of homes, furniture, kitchen appliances or even shoes we’ve got you covered with a collection of innovative Japanese designs!

Product designer Yoh Komiyama collaborated with Tokyo-based Rinn to create the NEKO Cat Tree.  Wood sourced from the forests in the Hida region of Japan was used to craft the series of dowels that make up the majority of the column. The ancient Japanese technique Dabo was used to create this piece!

Made from a single board of bamboo plywood, the OO stool is CNC machine-cut in a way that integrates every single aspect of the stool into its design. Everything you need to build the OO Stool sits within that flat-packed jigsaw-puzzle of bamboo pieces, minimizing waste by using as much negative space as possible.

Opening up like a Japanese fan, this chair by Raw-Edges uses angled “blades” to turn the fan into a chair. A zip on the back, and an elegant clasp on the front lock the chair in seating-mode. Once done, you can immediately collapse it back into a closed fan.

Teaming up with the renowned Japanese Architect Kengo Kuma, ASICS unveiled an edition of the Metaride, an all-white running shoe with a pattern inspired by Japanese Yatara bamboo-weaving, on the shoe’s body. Kuma relied on the age-old technique of Yatara to provide aesthetic dynamism as well as a comfortable fit.

The Magemono Tumbler comes made with a Hasamiyaki porcelain inner vessel, and a Magemono Japanese cedar wood sleeve around the outside, in signature fashion. The Magemono Bread Tray, a fir tree crafted thin tray (available in two sizes) is perfect for meals, especially for the breakfast sandwich, paired with a nicely brewed cup of coffee.

Japanese brand INAX created this collection of bathroom fixtures including sinks, showers, toilets, bath taps, and tiles as an ode to Japanese designs, culture, and traditions. This is as minimal and visually pleasing as it gets!

The Low Table IV by Kai Takeshima has a little secret! Once you lift the tabletop, you can easily access a compact storage space, add its wooden Japanese-inspired aesthetics to the mix, and it could be the perfect minimal addition to your living space.

These Japanese bed joiners by Todo Wood are the perfect combination of cool stone and warm wood and will add an ideal touch of minimalism to your bedroom. However, be careful not to stub your toe against them!

This private residence by architecture firm 07BEACH incorporates a double-height living room with an indoor tree growing at its center. Built for a family of five, the house is designed as one big space so that the parents can keep an eye on their three little children as they constantly move around. It’s the perfect integration of the outdoors with the indoors!

The Foldable Gas Stove Cover Tower by Yamazaki Home converts your stove into a storage or work space! You can simply fit it on top of your stove, and carry on with your cooking prep while creating extra kitchen space!

Mitsubishi’s Bread Oven is in a league of its own with a promise to serve you ‘the perfect toast’ in true Japanese style! Mimicking a waffle maker, the toaster looks like it’s come straight out of the ’80s with its retro-esque veneer brown look. Built with a sealed thermal-insulated structure, it can toast your bread without releasing any moisture, ensuring the bread is soft, fluffy and far from being dry.

Check out more such satisfying and minimal Japanese Designs here!

Shona Heath's design for Tim Walker show reflects their decades-long collaboration

Shona Heath Tim Walker exhibition design

Set designer Shona Heath’s exhibition design for the Tim Walker exhibition at London’s V&A reflects the many outlandish sets she has created for the fashion photographer.

Each of the eight spaces in the exhibition, called Tim Walker: Wonderful Things, has been designed in wildly varying styles by set designer and collaborator Shona Heath, from a clinical white box to a chintzy pink bedroom complete with TV.

Shona Heath Tim Walker exhibition design

Visitors enter the exhibition under plastic bubbles that spell out its name, with coloured lights illuminating the dark entrance space. A swirly blue and brown carpet marks the way.

The first room is a long white space with a shiny white floor and a bright-white lightbox running the length of the ceiling. Stylised white paint appears to be dripping from the corners of the room.

The adjoining room at the end of the space, the Chapel of Nudes, is finished with peach-coloured plaster walls, brown curtains and wall-sconces with fabric lampshades.

An upholstered pink sofa and wood sofa stands at the centre of the space.

Shona Heath Tim Walker exhibition design

Walker has themed the exhibition around certain objects from the museum’s collection which have inspired his work over the years. These pieces are dotted throughout, providing a foil to the photography and Heath’s designs.

The pair have worked together on fashion shoots for titles such as Vogue, Love and W for more than two decades, before collaborating on the exhibition.

Shona Heath Tim Walker exhibition design

“Designing an exhibition is so different – I had no idea,” Heath told Dezeen. “Working with the public and visitors throws up all sorts of health and safety challenges that in the end effect the creative.”

“I was having to fight for more creative solutions to each dead-end, and I suppose that in the end has made for more deeper problem solving of a different kind,” she continued.

“The best bit for me on a shoot is when we jumble it all up, change our minds in real time and start to freestyle, this can’t happen in an exhibition.”

Shona Heath Tim Walker exhibition design

The next room in the exhibition, called Illuminations, features a gothic-style embossed wall.

Vaulted buttresses and stained glass windows reference medieval illuminated manuscripts and glass found in the museum’s collections.

One corner of the room features a green-suede-covered undulating cabinet that houses a small display on illustrator Aubrey Beardsley, an influence on Walker’s work.

The following room is a clinical, off-white, lacquered box with a lightbox ceiling set slightly away from the walls to allow a small shadow around its perimeter.

Shona Heath Tim Walker exhibition design

The chintzy pink lounge follows, with 1970s floral wallpaper, a baby-pink staircase in one corner and framed photographs illuminated by picture lights.

The room also features a plush bright-pink carpet and a TV enclosed in a box papered with the same wallpaper.

“To wrap up the pictures that I have worked on and love with another layer of storytelling, it has made me dig deeper for inspiration and meanings,” said Heath. “I have challenged myself more.”

Shona Heath Tim Walker exhibition design

The lounge leads to a dark, high-ceiled space decorated with fantastical creatures, such as a twisting illuminated tree and a dragon that looms down from the ceiling.

The adjacent corner is papered with wallpaper that depicts clouds, with one wall punctured with convex peepholes.

Shona Heath Tim Walker exhibition design

The next space celebrates curators and conservators. The fabric coverings that protect clothes in museum stores are hung from the ceiling like sculptures.

A neon yellow, classical pediment doorway provides the next niche, with yellow and blue silk tasselled curtains held with tiebacks, and a fireplace adorned with ceramics.

Shona Heath Tim Walker exhibition design

Before exiting the exhibition, visitors walk past a padded semi-circular structure which functions as a gallery for Walker’s photographs of models posing in a similar padded set, and some two-metre-high scrapbooks.

“For me, beauty is everything,” said Walker. “I’m interested in breaking down the boundaries that society has created, to enable more varied types of beauty and the wonderful diversity of humanity to be celebrated,” he added.

“The V&A has always been a palace of dreams – it’s the most inspiring place in the world. The museum’s collection is so wide and eclectic, and I think that’s why it resonates with me so much.”

Shona Heath Tim Walker exhibition design

Last year, designer Yinka Ilori applied his graphic, colourful style to the exhibition design of Get Up, Stand Up Now, a show at London’s Somerset House that celebrated 50 years of black creativity in the UK.

Tim Walker: Wonderful Things is on show at the V&A until 8 March 2020.

Photography courtesy of the V&A.

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Fosbury & Sons sets up Amsterdam co-working space inside 19th-century hospital

Fosbury & Sons Amsterdam, designed by Going East

A Dutch hospital that dates back to 1845 is the unconventional setting for co-working company Fosbury & Sons’ first international branch, which features interiors by Going East.

Spanning 6,000 square-metres, Fosbury & Sons’ Amsterdam space borders the waters of the city’s Prinsengracht canal. Until now the co-working company had exclusively operated out of Belgium, with existing branches in Antwerp and Brussels.

Fosbury & Sons Amsterdam, designed by Going East

The latest location takes over a 19th-century hospital called Prinsengrachtziekenhuis that only closed its doors to patients in 2014.

Local practice MVSA Architects has been renovating the building over the past five years, but Belgian studio Going East were bought on board to make its interiors co-working ready.

Fosbury & Sons Amsterdam, designed by Going East

Claiming that it was “too easy” to go with the classic office aesthetic, the studio set out to create a more upscale ambience for the companies and young professionals using the space.

“It was one of our first feelings when we entered the building – to break the connection with the hospital and to bring a new, grandeur luxury to it,” the Going East founders, Anais Torfs and Michiel Mertens, told Dezeen.

The ground floor now accommodates an expansive lobby where members can lounge and mingle throughout the day.

Plush sectional sofas upholstered in thick boucle fabric have been used to dress the space, as well as a selection of contemporary artworks that were specially curated by local galleries.

Stairways topped by the hospital’s original stained-glass skylights lead to the upper floors, which offer an assortment of workspaces.

Fosbury & Sons Amsterdam, designed by Going East

As well as a number of communal areas where guests can sit and work amongst the general hubbub, there are also several meeting rooms that can be closed off by floor-to-ceiling linen curtains and more intimate high-backed booths.

Leather chairs and wooden desks with flecked-stone bases appear throughout, a tactile contrast to the steel-framed doors and sleek metal cabinetry which feature in the kitchens.

Fosbury & Sons Amsterdam, designed by Going East

“It’s an important mix for us as a design studio: custom, hand-made versus classics and unknown designers,” explained the studio, “the most important thing was contrast.”

“I love it when I find the most beautiful piece with a little mark on the back. It fills me with great joy to give them a centrepiece role,” continued Torfs.

Fosbury & Sons Amsterdam, designed by Going East

One of the building’s former operating theatres has been transformed into a dramatic boardroom, at the centre of which is a marble-topped table surrounded by puffy, tan-coloured chairs.

The room’s window has also been expanded to offer sweeping views across the rooftops of Amsterdam’s townhouses.

A quiet corridor that once contained the nurses’ sleeping quarters now plays host to a sequence of private offices. Each one boasts new herringbone parquet floors, a decor detail the studio reinstated after seeing the same style of flooring feature in vintage photographs of the hospital.

There is also a healthy cafe, drinks bar and a library-style space that overlooks the building’s central garden.

Fosbury & Sons Amsterdam, designed by Going East

Fosbury & Son’s Amsterdam space is meant to slightly differ in style from the company’s Belgium branches, which were also designed by Going East.

The Antwerp location has a relaxed layout inspired by The High Line in New York, where guests are encouraged to amble through workrooms and “discover something new each time”.

Meanwhile, the Brussels office contains a series of homely work areas that juxtapose its host building’s concrete shell.

Fosbury & Sons Amsterdam, designed by Going East

“The great thing about working more than once with a client is that they start to trust you more and more,” Torfs and Mertens explained.

“The fun is in the difference and trying to develop new things of course – otherwise there would be no adventure anymore for us as designers.”

Photography is by Francisco Noguiera.

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Green Signet Ring

Meticulously made to order from nine karat gold and differently shaped pieces of tourmaline, hydrothermal emerald and tsavorite garnet, Seb Brown’s Green Signet ring can be crafted in any size necessary. The Melbourne-based designer’s delightfully off-kilter take on the traditional signet ring can be worn by all genders. Price is in AUD.