Mater uses recycled plastic and rattan for latest furniture designs

Mater uses recycled plastic and rattan for latest sustainable furniture designs

Ethical design brand Mater has launched a chair with a woven rattan seat inspired by Bauhaus founder Walter Gropius, and a stool featuring a seat made from recycled materials, both designed by architect Eva Karlou.

The Earth Stool and the He and She dining chairs are manufactured by the Copenhagen-based brand, and designed by Karlou, who is CEO and co-founder of interior design practice Earth Studio.

Earth Studio is a partnership between Karlou and Mater, with its offices located next to the Mater Earth Gallery, a shared concept store and showroom in Copenhagen’s Nordvest district.

Mater uses recycled plastic and rattan for latest sustainable furniture designs

In addition to its sustainably focused interiors projects, Earth Studio develops furniture, lighting and products that are manufactured by Mater using working methods that support people, local craft traditions and the environment.

The philosophies that guide both brands are evident in the latest designs, which use recycled or sustainably sourced materials to create products with a distinctly Scandinavian aesthetic.

Mater uses recycled plastic and rattan for latest sustainable furniture designs

The Earth stools feature a simple frame made from bent steel-tubing that supports a seat produced from either recycled plastic-packaging waste or FSC-certified oak.

According to the manufacturer, Karlou designed the stool as a reinvention of a classic bar stool that offers users a choice between an organic or industrial look.

“The steel pipe frame is reusable, and the light yet solid stool represents timeless classic Scandinavian design created in an elegant composition that matches every indoor interior,” said the company.

Mater uses recycled plastic and rattan for latest sustainable furniture designs

Karlou also developed the He and She Chairs to coincide with the 100th anniversary of influential German architect Walter Gropius founding the Bauhaus art school in Weimar.

Both chairs feature a tubular steel frame that is reminiscent of furniture designed by Bauhaus faculty members Marcel Breuer and Ludwig Mies van der Rohe.

The flexible metal frames support seats that combine certified-oak and woven rattan. The choice of fast-growing and naturally harvested rattan for the cane surfaces enhances the chairs’ sustainable credentials.

“The cane work is applied to the wooden oak frame in a proud third-generation Danish wicker workshop, thereby translating an old craft tradition into the new modern design age,” Mater added.

Mater uses recycled plastic and rattan for latest sustainable furniture designs

Mater was founded in Copenhagen in 2006 by Henrik Marstrand. The brand seeks to create high-end furniture and lighting based on three key principles: design, craftsmanship and ethics.

Sustainability in design has gained significant momentum in recent years, with Mater featuring on Dezeen’s recent list of eight brands tackling key issues such as climate change and plastic pollution.

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Classic Blue is Pantone's colour of the year for 2020

Pantone colour of the year 2020 is Classic Blue

American colour company Pantone has chosen “universal favourite” Classic Blue, or Pantone 19-4052, as its colour of the year for 2020.

Announced 4 December, the Classic Blue colour is described by Pantone as “a reassuring presence instilling calm, confidence and connection”.

“Associated with the return of another day, this universal favourite is comfortably embraced,” it added.

While this year’s colour Living Coral was an “animating and life-affirming”, 2020’s shade “brings a sense of peace and tranquillity to the human spirit, offering refuge,” according to the company.

Pantone colour of the year 2020 is Classic Blue

The cobalt blue hue is also said to be associated with communication, introspection and clarity. Other benefits of the hue include aiding concentration and helping to re-centre thoughts, particularly in light of technology’s accelerating developments.

“A boundless blue evocative of the vast and infinite evening sky, Pantone 19-4052 Classic Blue encourages us to look beyond the obvious to expand our thinking; challenging us to think more deeply, increase our perspective and open the flow of communication,” said Leatrice Eiseman, executive director of Pantone Color Institute.

“We are living in a time that requires trust and faith,” she added. “It is this kind of constancy and confidence that is expressed by Pantone 19-4052 Classic Blue, a solid and dependable blue hue we can always rely on.”

Pantone was founded in the 1950s as the printing company in New York but is now based in Carlstadt, New Jersey. Since 2000, it has chosen a colour of the year decided from trend-forecasting research performed by the Pantone Color Institute.

The annual colour, which is announced each December, is chosen based on “what is taking place in our global culture at a moment in time”.

Pantone colour of the year 2020 is Classic Blue

According to Pantone, Classic Blue is already being used in fashion, interior design, textiles and graphic design.

Interiors making the most of its soothing benefits are a Paris home by Anne-Laure Dubois, a Los Angeles nail salon, and an apartment in Porto, Portugal by Fala Atelier.

Last year, the peachy shade called Living Coral was chosen and offered a striking addition to bathrooms, kitchens and lounges. A zesty shade of green called Greenery was selected in 2017, while in 2016 Pantone picked two soft colours – a baby blue and dusty pink.

Other annual colours include the purply pink Radiant Orchid announced for 2014, and the bright orange Tangerine Tango in 2012.

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The Caleta Wall Lamp transforms a plain wall into a spectacular light-show

Styled almost like a table-fan’s grille, David Pompa’s Caleta Wall Lamp comes with a hand-woven PVC shade… if one can call it that. The PVC weaving rests on a powder-coated metal frame, available in black and in white, and with a bulb placed inside its socket, turns into ‘a game of light and shade’ by casting multiple concentric rays on the wall. Interesting to look at both when on or off, the Caleta Wall Lamp can be either used as a singular unit, or as an installation with multiple units casting a series of rays to help truly uplift a blank wall into an illuminating art-piece! A lamp with flair and flare, if you know what I mean!

Designer: David Pompa

Elmgreen and Dragset builds a bent swimming pool in Miami

Bent Pool by Elmgreen and Dragset

German designers Elmgreen and Dragset have installed a sculpture that looks like an U-shaped swimming pool outside the Miami Beach Convention Center.

Bent Pool by Elmgreen and Dragset

Unveiled as part of this year’s Miami design week events, the 20-foot-high (six-metre-high) Bent Pool comprises a matte-white lacquered rim that resembles a pool’s edge and a turquoise interior meant to convey the basin.

With Miami and Miami Beach among a number of coastal cities threatened by rising sea levels caused by the climate crisis and already prone to flooding, Elmgreen and Dragset created the surreal sculpture to raise awareness about the region’s changing landscape in the face of the climate crisis.

Bent Pool by Elmgreen and Dragset

“Miami Beach is an area that has seen a rise in extreme weather and flooding; its landscape is in flux,” Elmgreen and Dragset said.

“Bent Pool encourages us to think about how we normally interact with our surroundings: how accessible or inaccessible they appear.”

Other elements that aid a realistic appearance, despite the warped shape, are circular lights that glow at night, a stainless steel ladder and a turquoise diving board.

“Identified by details such as its ladder, its diving board and pool lamps, the abstracted object can easily be recognised as a swimming pool even though its bowed shape prevents it from carrying water,” the studio added.

Curved pieces of aluminium were used to create the unusual structure, with the two ends resting atop a concrete plinth. “Bent Pool is shaped like an inverted “U” and stands upright on a two-tier plinth,” the studio said. “The pool seems to have somehow been lifted out of the ground and stretched into a curved form.”

Bent Pool by Elmgreen and Dragset

The archway at the sculpture’s centre also forms a narrow opening designed to accommodate only one individual at a time.

Simple geometric forms, prefabricated objects and vibrant imagery taken from Pop Art and conceptualism informed the design, however, the studio constructed all of the sculpture’s individual pieces.

Bent Pool by Elmgreen and Dragset

“The work draws on the minimalist reductive tradition and use of geometric forms, as much as it does on Pop Art and conceptualism’s use of ready-made objects and imagery,” the designers added. “Yet, on closer inspection, one will discover that this is not an altered ready-made, but a carefully crafted object.”

Bent Pool is the final piece in a series of permanent site-specific works of public art commissioned by Miami’s Art in Public Places Program to be installed on the grounds of the city’s convention centre. Collectively the six permanent installations comprise the largest public art project placed on a single site in the United States.

Bent Pool by Elmgreen and Dragset

The permanent installation was unveiled to coincide with Miami art week, which comprises Art Basel and Design Miami events. As part of the activities, artist Leandro Erlich created a sand-covered traffic jam on Miami beach to similarly raise awareness about climate change.

Elmgreen and Dragset was establised by Michael Elmgreen and Ingar Dragset in 1995. Its offices are located in Berlin. The duo has previously installed commissioned art in notable locations around the world, including Powerless Structures Fig. 101 located in London’s Trafalgar Square and Van Gogh’s Ear in New York’s Rockefeller Plaza.

Photography is by Robin Hill.

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Miami Art Week 2019: Gagosian + Jeffrey Deitch’s Must-See “The Extreme Present” Exhibition

The fifth installment of an annual series at the iconic Moore Building in the Miami Design District

Click to view slideshow.

Long before visitors to The Extreme Present reach Carsten Höller‘s psychedelic, spinning mushroom sculpture, they’ve confronted numerous broken, bound and downtrodden figures. Höller’s work acts—one some level—like a clever reprieve from the gravity elsewhere, as the exhibition, running amidst the chaos of Miami Art Week, lets its acclaimed artists speak to the anxieties of contemporary life. And their messages (often direct) collide against and bolster one another in one of Miami‘s most beautiful spaces: the iconic Moore Building.

This is the fifth annual collaborative installation by Gagosian and Jeffrey Deitch in the landmark within the Miami Design District—and it’s their strongest to date. Sculptures beg to be challenged. Paintings adopt new meaning when looked at from different levels. The bright, four-story atrium never lets viewers get too far from an experience or its aftershocks. Thematically, the powerhouse gallerists tackle the increasingly troubling conditions in our everyday lives and how we all grapple with it all. But from an experiential standpoint, they’ve curated an exhibition of world-class art.

The Extreme Present is open to the public today through 8 December (10AM to 10PM on Wednesday, 10AM to 8PM Thursday to Saturday, and 10AM to 6PM on Sunday) at the Moore Building, 191 NE 40th Street, Miami.

Images by David Graver

IRIS: A Space Opera VHS Collectors Set

Justice’s IRIS: A Space Opera is a filmic transformation of their adored live performances of Woman Worldwide. This unique performance series was conceptualized explicitly for cinema, using special access, angles, and effects for a more expansive experience. While it was originally shown to a limited number of audiences in select cities, the cinematic release now hits DVD, streaming, and, in this set, VHS. It comes complete with a tape, hoodie, USB card that carries the movie, an enamel badge, and an IRIS poster. The package is available for pre-order now but ships starting 10 January. Price is in Euros.

Test Drive: 2019 Maserati Levante Trofeo

We drive the luxurious SUV through historic Fredericksburg, Virginia

It seems like a small thing: a lefthand turn at a lightless intersection in Fredericksburg, Virginia. But in many respects, this moment defines the capabilities of the 2019 Maserati Levante Trofeo SUV. The Trofeo is a new version of the Levante SUV, with side air-intakes that hint at a powerful twin-turbo V8-engine with 590 horsepower built by Ferrari. The Trofeo accelerates like a cannon: zero to 60mph in just 3.9 seconds. And in that moment in Fredericksburg, it’s as if the Trofeo instinctively understands the need for speed and agility, delivering a quick roar of acknowledgement before taking the corner with ease—and speed.

Courtesy of Maserati

No matter where in the world you’re driving, you may feel like you’re in Italy when behind the wheel of the opulent Levante Trofeo. The exterior styling is distinctly Italian, with a silhouette that flows from an imposing Trident-sporting grille and front feline headlights, to frameless doors and a muscular rear haunch for an overall look that evokes a coupe.

Once in the driver’s seat, the start/stop button isn’t where some may expect, as it’s low and left of the steering wheel. And when you reach for the shifter, you’ll soon realize that “Corso” is Italian for sport-mode. A Sport Skyhook button on the center console makes the suspension stiffer for a sportier ride that can be used in conjunction with the Corso mode. The Trofeo is an all-wheel-drive SUV but, most of the time, engine power is geared toward the rear wheels until slippery roads or hard cornering and acceleration prompt an instantaneous shift of torque to the front wheels. That rear wheel bias is one reason the Trofeo is so quick.

Courtesy of Maserati

Driving from Fredericksburg to Chancellorsville—a 30 minute drive with usual traffic—gave us a lot of seat time in the Trofeo, and it remained a comfortable experience. The headroom in the Trofeo is extraordinarily generous: if you’re tall, this is an appealing SUV. Interior styling is attractive and the new Pieno Fiore leather is buttery to the touch—plus there’s a variety of trims to choose from.  The Trofeo comfortably seats five and the rear cargo space is more than ample.

The infotainment system is managed via an eight-inch touchscreen that’s simple to use. Music-lovers will appreciate the optional Bang & Olufsen sound system not only for its deserved reputation for musicality but for its technical ability to scan compressed music files and restore sonic details for improved high-fidelity.

by Frank Vizard

Another great option is a soft door-close mechanism that quietly and automatically does the job without the need for slamming, while ensuring those in the backseats haven’t inadvertently left a door ajar.

The Maserati Levante Trofeo starts at $169,980 and is available for purchase.

Natural Wool Cap

Handmade in Japan by a master milliner that studied hat-making under legendary designer Jean Barthet, this natural-hued wool cap comes equipped with antimicrobial features and a unique softness—afforded by a process that uses untreated material exclusively. The resulting fit is looser and more unstructured but far more comfortable. FEIT worked closely with the milliner through each step of the process.

This Rain-Catching Panel Could be a Solution for Drought-Stricken Urban Areas

With a shifting climate, it’s going to become increasingly important for architecture to evolve to have a more symbiotic relationship with nature (some have started referring to this as the forthcoming Symbiocene era). Designer, researcher, and recent Design Academy Eindhoven grad Shaakira Jassat has been exploring how urban design can create opportunities to harvest water sustainably. As part of her graduate project exhibited earlier this year, Jassat developed a rain-catching panel designed to integrate with architecture in dense urban populations.

Made of stainless steel in order to resist rust, the panels that make up Jassat’s Aquatecture project feature a pattern of funnel-shaped perforations that catch rainwater and condensation and divert it to a building’s grey-water system. Jassat tested various forms and designs before she settled on this one for its efficiency. The next step for the young designer, who recently founded Studio Sway, will be to test the design on a building facade.

The project is driven by aesthetics as much as functionality. “Aquatecture makes water conservation both visible and engaging,” she says.

These gel-filled casts are breathable, waterproof, and look incredibly cool!

Shattering the archaic approach to plaster/fiberglass cast-building for fractures, Cast21 believes it has a much better alternative to traditional casts. Practically a standard for decades now, plaster-casts are required to sit on your body for months at an end, and considering they aren’t really water-resistant (and your limbs remain 100% enclosed), they begin working up a stench over the months of not being able to wash them. Given their impenetrable nature, casts cause great discomfort over the weeks and anyone who’s worn one will tell you what a pain it is when your skin begins itching and there’s no way to reach in there for a satisfying scratch.

Chicago-based startup Cast21, however, has a much more elegant solution. Designed as a sleeve that fits over any hand, Cast21’s cast takes shape around your hand once it’s filled with a patented gel that hardens over time. Doctors select a sleeve-size based on whether the patient is a child or a fully-grown adult. The sleeve is slipped on, and filled with a patented mixture of resins that become a malleable gel after a while. The doctor can then adjust the gel to perfectly hug the limb, giving it the support it needs. Patients can even choose between gel-colors, opting for combinations and gradients, breaking the stigma that casts need to look horribly clinical. The resins harden through an exothermic reaction, providing soothing heat to the limb as the cast begins to take shape. The outer sleeve itself has a crisscrossed design (almost resembling a pear protector) that allows it to remain breathable while still providing a robust structure around the broken limb. Cast21’s casts are completely waterproof, which means you can shower or even swim in them and their partially-open design even allows you to satisfy an itch, were you to have one! Plus, it provides a decent canvas for scrawling messages on too!

Cast21’s gel-casts are currently limited only to ‘distal radial fractures’ or DR fractures that occur around the wrist. They’re working to develop different sleeves for other parts of the body, while they hope that the technology replaces traditional casts that look, feel, and smell atrocious. The Cast21’s solution has widespread applications, especially for military, outdoor, and first-aid use, since the resin and sleeve are relatively easy to carry around and administer on-site, rather than having to travel to a nearby hospital.

Designer: Cast21