Artwork by 🌸Layana
Posted in: UncategorizedArtwork by 🌸Layana
Before Nicole Kwon founded her multi-vendor boutique in Dallas‘ West Village, aptly named the Nicole Kwon Concept Store, she spent time working in fashion design between London and NYC. To meet a need she’s observed in the market, Kwon has now released her own line of luxury handbags, taking into consideration honest sustainability. Crafted in NYC from non-woven Japanese fabrics, KWONN bags are both PVC- and toxin-free and made from plant-based polymers. They’re also beautiful, lightweight and hand-washable.
“I always dreamed of designing an innovative product one day, but it didn’t come to me until about five years ago when I became much more aware of the seriousness of climate change and how it will affect humans, animals, and Mother Nature alike,” Kwon shares with us. “I did some research and realized that output from luxury leather goods accounts for 800,000 tons of toxic waste from chrome-tanning facilities. That waste ends up in our planet’s landfills and waterways every year.” When she’d go to markets to acquire products for her store, Kwon noticed a void in the authentic, sustainable handbag sector and sought to fill it.
“It was imperative to me that the bag I designed was ethically sourced, washable, and durable so people could wear them for life,” she continues, acknowledging many of the ways that handbags end up as waste. Then, sourcing material became a process of trial and error. “I started by going to textile shows in Paris and Italy and ordered sample yardage from many different vegan suede mills while simultaneously explaining my mission to them,” she says. “I carefully dissected how each material was made. I tested washing and wearing the samples for several years over and over again before finding the perfect material in Japan, which was finally up to standard.” As Kwon notes, the fabric is also very soft and luxuriant to the touch.
Kwon has found herself in the position of educator as well as designer. “It is challenging because many vegan leather handbag brands are promoting their brand as ethically made when they are actually not,” she says. “Most of those bags are made with PVC and phthalates which are harmful to humans and to the environment. I do feel the need to explicitly make clear that my collection is both toxin-free and PVC-free so the consumer can make the differentiation.”
With all of these ethical decisions guiding the brand, Kwon admits that the design process that follows is quite personal. “I sketch what I would want in a handbag from an aesthetic and functional standpoint and then I quickly jump into pattern-making and make the samples myself,” she explains. “I personally love a handbag that isn’t too structured and has a bit of a natural drape which I think works well, visually speaking, on a sustainable and Earth-conscious bag. I value the hand and silhouette when it comes to design, so it usually takes several samples before I get it right.”
The colors in KWONN’s debut collection—which range from camel, copper and peach to mint and blue—feel earthy and appropriate. “Last year, I went to Palm Springs and the towering canyons that you always seem to be driving into never cease to move me,” Kwon says. “I created a color palette for this collection inspired by that desert. I love to explore and find myself getting ideas by my surroundings in new places.” Beyond the development of her natural color palette, Kwon’s inspirations grow even more personal. “I have a baby boy and a golden retriever at home,” she says. “They are both a huge inspiration for me on the sustainability front. For me, childlike and animal innocence inspire a drive for environmental preservation.” This sentiment will undeniably resound with many.
Images courtesy of KWONN
102 plants and eight fungi were officially named by the experts at the Royal Botanic Gardens, Kew in 2019 (roughly 2,000 new species are named worldwide every year). Among the roster of the recently identified are a few additions with remarkable attributes, including a bamboo fungus from Yunnan that can fight cancer; a “miracle” berry, from the Chimanimani Mountains, that tricks tastebuds; and a rubbery shrub, found along a single waterfall at the Bafing River, that oozes a type of superglue. This year’s rarest find was a zonozono tree, in the ylang-ylang family—only seven of these trees are known to exist. Plants account for 82% of all life on Earth and their importance cannot be diminished. The new discoveries are exciting but as with all other flora, they must be protected. Read more at The Guardian.
While climate change is on the rise, plenty of designers, inventors, companies and even industrialists are fighting to reverse that. Here are the stories on sustainability that stuck out this year:
As so-called “Eco-Friendly, 100% Compostable” takeout containers have been found to contain harmful cancer-linked chemicals, there’s actually a massive design opportunity presenting itself.
A Japanese consortium produced a concept car to show that they can make interior and exterior automotive panels out of wood–at 1/5th the weight of steel, but five times stronger.
Aluminum can be recycled infinitely, and creating new aluminum is bad for the planet. So if you’re going to design something new, useful and desirable, please make it out of recycled aluminum cans.
Thanks to Bill Gates’ deep pockets, a company called CarbonCure has figured out novel way to make concrete more green.
While there’s a ravenous global demand for concrete, there are alternatives. One eco-friendly breakthrough comes in the form of these fireproof, Lego-like Hempcrete blocks.
Israeli company UBQ Materials has figured out how to turn household garbage into injection-moldable thermoplastic. Just incredible.
A team of Canadian students invented the Hoola One, a machine that can harvest microplastic from beaches.
Plastic bags are recyclable, so why can’t we throw them in recycling bins? PBS explains.
In Southeast Asia, some supermarkets have developed an eco-friendly, plastics-free way for supermarkets to package vegetables
It would incentivize people to stop using plastic utensils if there was a well-designed, portable and desirable alternative. Well, now there is, and it’s called Magware
The Unocup is a folding-top takeout coffee cup that needs no plastic lid. We also covered its (successful) launch on Kickstarter.
While we’re busy screwing up the Earth, at least people are recycling in space. Astronauts on the ISS will use a “Space Recycler” machine that turns waste into 3D printer feedstock.
Lastly, a clever move by a small-town newspaper: Printing a full-page pattern, to ensure it’s upcycled as wrapping paper.
The Ocean Cleanup has revealed plans to turn the plastic it has collected from the Great Pacific Garbage Patch into “beautiful, sustainable products”.
The Ocean Cleanup‘s founder and CEO Boyan Slat made the announcement last week that plastic collected by the project will be used to make useful products.
“We’re going to turn it into beautiful, sustainable products,” Slat said at the event on 12 December in Vancouver. “These are not going to be gimmicks. These are going to be products that you will actually want.”
Slat revealed the news standing alongside 60 large white bags filled with plastic the organisation has collected.
The ocean waste is the first material that the Dutch nonprofit has collected from the so-called Great Pacific Garbage Patch – an area located between Hawaii and California that contains an estimated 1.8 trillion pieces of plastic, most of which are just a few millimetres in size.
Products will be entirely made of collected waste
Several other organisations are also making products from recycled plastic retrieved from the world’s oceans and rivers. This includes Parley for the Oceans which has created trainers, swimwear and football shirts with brands such as Adidas and Stella McCartney.
All the products will be produced under the Ocean Plastic brand, which was trademarked by company founder Cyrill Gutsch.
However, while these items are predominantly made from plastic that has been intercepted on its way into the ocean, The Ocean Cleanup’s items will be entirely made of waste sourced from the waters.
“I believe we can use this trash to turn a problem into a solution by transforming this unique material into a beautiful product,” said Slat, who added that he intends the products to raise awareness about The Ocean Cleanup project.
“As most people will never go to the Great Pacific Garbage Patch, through these products, we aim to give everyone the opportunity to take part in the cleanup,” he said.
The Ocean Cleanup encounters “several ups and downs”
The Ocean Cleanup will next try to create a method of verifying that plastic is collected from the ocean and not elsewhere, and will launch a new public standard to verify such ocean plastic. It will work with Norwegian company DNV GL to develop and employ the blockchain to analyse collection processes.
The nonprofit intends to launch the plastic products in September 2020, with all proceeds used to support The Ocean Cleanup project.
Slat founded the Ocean Cleanup in 2013 with the ambition of clearing 90 per cent of plastic waste from the world’s oceans, using fleets of 600-metre-long floating rigs.
The recent announcement followed what the company describes “several ups and downs” with the project. These include its first sea-trial being abandoned late last year following a fracture in the tube.
Engineers discovered that as the rig was moving slower than the plastic in the ocean, much of the waste it collected was floating back into the sea.
Experts skeptical of The Ocean Cleanup
The mission was relaunched in June with a new, improved tech called System 001/B. The company revealed in the following October that it had started to successfully collect plastic waste.
Critics, however, are skeptical of The Ocean Cleanup’s approach to ridding the plastic from waters.
Speaking to Dezeen earlier this year, architect and plastic recycling expert Arthur Huang said that The Ocean Cleanup “cannot be a plausible solution”, and Italian environmental journalist Cristina Gabetti called it “a dream that seduced many people”.
Designers and environmentalists also questioned its recent decision to start burning collected plastic in waste-to-power plants, saying the move “makes no sense” and could be more harmful for the environment than good.
The post The Ocean Cleanup to make products from collected marine plastic appeared first on Dezeen.
Essentially a modified reissue of their self-titled debut album from earlier in 2019, Injury Reserve (Taylor Skye Remixes) serves up beloved tracks like “Koruna & Lime” and “Jailbreak the Tesla” with unexpected twists. The raucous, energetic album becomes surprisingly ambient and, at times, nearly unrecognizable, aside from the track’s lyrics. Listening to both versions back-to-back proves entertaining thanks to London-based producer Taylor Skye and Injury Reserve’s innate ability to produce tracks with the potential for reinterpretation.
Creatives generally like to compile image libraries on a particular topic, whether for inspiration, research or just plain ol’ obsession. Here are some of the more interesting collections we came across this year, whether in books or online:
Architect Chad Oppenheim and writer/editor Andrea Gollin put together “Lair: Radical Homes and Hideouts of Movie Villains,” a 296-page book with over 200 photographs, illustrations and renderings.
The Spitalfields Life blog compiled a book called “The Creeping Plague of Ghastly Facadism,” documenting when architects are forced to design new buildings behind old, preserved facades.
In her book “Arcatecture – Swiss Cat Ladders,” designer Brigitte Schuster documents the Swiss phenomenon of allowing people to build crazy multi-story cat-climbing structures. Think of them as pet doors for people who live on upper floors.
McMansion Hell’s Kate Wagner kept going strong this year. We were particularly tickled when she tackled the wealthy suburbs of Washington, D.C.
In “The Art of Looking Up,” art historian and curator Catherine McCormack documented 40 of the world’s most spectacular ceilings.
Toshi Omagari put together a visual history of arcade game typography from the ’70s, ’80s and ’90s.
A bit of Cold War product design: Not quite a collection per se, but we found that vintage Soviet hotline phones are surprisingly affordable on eBay.
Like vintage logos? So does designer Reagan Ray, who put together an online vintage logo database.
Photographer Austin Hodges documented a haunting series of ruined standalone homes.
Educator Matt baker created a series of cool charts depicting the evolution of the alphabet, and the writing systems of the world
Lastly, at the intersection of music and design appreciation, audiophile Gideon Schwartz put together a book called “Hi-Fi: The History of High-End Audio Design.”
The time has come! The 2019 Core77 Ultimate Gift Guide winners have officially been selected. This year we’re excited to be giving away two fantastic prizes to two lucky readers, all thanks to Sonos. The Community Choice Winner (aka the guide that received the most votes from the Core77 audience) is taking home a Sonos Move portable speaker. The Editor’s Pick, one guide selected by the Core77 editorial team, will be gifted a new Sonos One SL home speaker!
This year’s grand prizes, provided by Sonos!
*Drumroll please…*
Our 2019 winners are as follows:
The Core77 audience has spoken—Kelly Custer’s “Gifts That Will Move ‘Em” was a clear favorite that got readers moving and motivated to vote! This guide has a fun range of transportation-related gift options for adults and children alike.
There were a number of wonderfully curated guides with products we actually would want to receive this holiday season, but we really got a kick out of Tiffany Do’s “Little Big Things” article for its funny captions, clever theme, and seriously covetable (and reasonably priced!) gift options.
A big thanks to our readers for submitting such thoughtful guides year after year, and happy holidays from the Core77 team!
If you want to check out the full list of 2019 gift guides from our editors and readers, you can find them here.
From a one inch wad of birch pitch, chewed and spat out by a hunter-gatherer referred to as Lola around the year 3,700 BC, scientists were able to piece together an entire genetic snapshot—which goes so far as to include the meal she ate that day. The findings were published in the journal Nature Communications and represent the first time researchers “have been able to reconstruct a complete human genome [and oral microbiome] from the deep past via ‘non-human material’ rather than from physical remains,” according to National Geographic. Excavated at the Syltholm site, on the Danish island of Lolland, the Stone Age “chewing gum” acts as a reminder that even unremarkable artifacts should be preserved for the seemingly invisible records they keep. Read more at National Geographic.
To make things more convenient for cyclists, in Denmark they have these tilted trash cans next to bike paths:
If we zoom in and lighten the photo, we can get a better look at the mounting bracket:
I was surprised to see the nut; I’d thought there might be a tool-less locking handle there, so that the city workers could lower the can for emptying, but I suppose there are cost constraints.
GIving it further thought, I guess the container can never get truly full. And while this is great UX for cyclists, it might be inconvenient for the workers to empty, as they either have to carry a wrench or empty the can at an angle.
Hmm–since they’re already using existing cans, might it have been better to leave the can flat, and add some sort of directional lid? Or is this the best (or easiest, or cheapest, or quickest) way to achieve this result?