Storing Fragile Christmas Ornaments

As a professional organizer, I’ve seen clients open boxes of fragile ornaments only to find a number of them were broken. End users with precious delicate ornaments are going to be well served by using some sort of protective ornament box. I’m going to (mostly) skip over the hard-plastic boxes; these can trap moisture and they sometimes contain chemicals which can damage the ornaments. But there are plenty of other boxes out there, and some of them have notable features.

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Award-winning studio stilform’s magnetic Arc Pen is simple, luxurious, delightful and lasts a lifetime

Perhaps the most appropriate way to describe the Arc Pen is to use the phrase “What if a pen was somehow a combination of simple and advanced?” With a form, interaction, and experience that makes it the Apple of pen-design, the Arc Pen comes from Germany-based multiple-award-winning design studio stilform. Known for working with simple shapes and subtly beautiful magnetic interactions, the Arc Pen follows suit with a magnetic click-to-lock pen cap that automatically aligns in place as soon as you hold it near either end of the pen.

However, it isn’t simply the use of magnets which makes the Arc Pen delightful, but rather a combination of design and engineering. The pen comes with a deceptively simple form, machined out of aerospace-grade aluminum. Its cylindrical design is punctuated by a chamfer, running along the length of the pen on both sides. The two chamfers prevent the pen from rolling on flat surfaces, as well as a visual indication of the pen/cap alignment. The pen’s internal magnet follows this chamfer, snapping into place perfectly every time. In order to open the pen too, one must simply break the alignment by twisting the cap ever so slightly, and the internal magnets push the pen and cap apart. The cap fits on the rear of the pen too, aligning magically every time so as to never visually break character.

The Arc Pen ships fitted with a Pilot Juice Up gel refill which provides crisp, confident, unbreaking lines, making it ideal for sketching concepts, creating schematics, or even noting down ideas and penning proses. The refills come in a choice of 3 colors and 3 line-widths, while the Arc Pen remains compatible with all Pilot-style G2 refills. Equipped with a lifetime warranty, each Arc Pen comes with an all-metal construction without using any glue or plastic parts in its assembly. A variant of the Arc Pen comes with a full-body ruler cap for artists, engineers, and architects… and for true haute-stationery aficionados, the Arc Pen even has a robust all-titanium variant, lasting you not one, but multiple lifetimes!

Designer: stilform

Click Here to Buy Now: $55 $78 (29% off). Hurry, only 7/855 left! Over $135,00 raised.

Arc Pen – World’s First 2-Sided Magnetically Aligning Pen

A Minimalist gel ink pen with a magnetic self-aligning mechanism and an innovative ruler cap.

The gel pen has a magnetic mechanism on both ends of the pen. Its anti-roll chamfered surfaces along the pen body get aligned perfectly all by itself.

What is Special About the Arc Pen

It clicks, it attracts, it aligns – A minimalist gel pen that always presents its best self. The magical precise alignment is realized through strong 4-pole neodymium magnets on both ends of the pen. There are no visible threads! Simply twist the cap open and start your creative journey.

Innovative Ruler Cap – Upgrade the stilform Arc to the alternative version with an integrated ruler cap and declutter your desk space!

The inch and centimeter scales are perfect for quick sketches, technical drawings and precise measurements.

See the alternative Ruler Version in action below:

Unique anti-roll surface – The chamfered surface along the pen body works as an effective anti-roll design. It guarantees a good grip, when you are holding the pen and writing with it.

Titanium & Aluminum – All parts are precision-machined from high-grade titanium or aluminum. These superb materials are well known for the extremely high durability and exceptional light weight. The matte surface of the Arc in Titanium is especially resistant against scratches due to a special PVD-coating and delivers a fine satin feeling.

Quality made in Germany – The all-metal construction functions without any glue or plastic parts. The team works closely with the advanced assembly facility in Germany to ensure a long-lasting product and smooth production schedule.

Best Gel Ink Refill – The stilform Arc is armed with the renowned Pilot Juice Up refill (LP3RF) that writes extra smoothly and offers great water and fade resistance. Combined with the Ruler Upgrade, the refill makes the stilform Arc the perfect companion for creatives, architects and illustrators.

You are provided the Pilot Juice Up refill (LP3RF) in 3 different colors and 3 line widths (0.3mm, 0.4mm & 0.5mm). You can also equip the stilform Arc with any other Pilot-style G2 refill.

Detachable clip – Equip the Arc with the exclusively designed metal clip by simply sliding it on. The clip has a 1mm robust arm but a soft heart – it is added with a textile layer to protect metal exterior of the pen body.

The Durability Test

Durability tested by dropping the Arc 85 times! Watch the video above. Spoiler: The magnetic mechanism still works perfectly afterwards.

Watch Review from Superbacker Tim Chuon @brollandboardgames:

Look Book

The Arc comes with a Ruler Version, the Titanium Arc sports a natural matte PVD and when encased in a new pouch made from genuine leather, it stays protected. The colors include Rose Moon, Comet Grey, Night Sky and Warp Black.

Click Here to Buy Now: $55 $78 (29% off). Hurry, only 7/855 left! Over $135,00 raised.

The Samsung Mobile Design Competition aimed to "shape the next wave of Galaxy experiences"

Samsung Mobile Design Competition 2019

In this movie, we look back at this year’s Samsung Mobile Design Competition, a collaboration between Samsung and Dezeen, which challenged designers to come up with innovative new mobile accessory and wallpaper designs for Galaxy devices.

Launched in June 2019, the Samsung Mobile Design Competition was a global contest that sought ideas for how Galaxy mobile devices – including smartphones, tablets and wearables – could be used in future.

“Whether it’s through product design or user-experience design, we’re constantly exploring ways to take users’ experiences with our Galaxy devices to the next level and to shape the next wave of Galaxy experiences,” said Samsung.

There were two categories to enter in the competition. The Next Mobile + category was to design mobile accessories that created new ways to experience Galaxy devices. The Next Mobile Wallpaper Paradigm category looked for new wallpaper designs that went beyond simply being an attractive image.

Five finalists were selected in the mobile accessories category

Five finalists in each category were selected to travel to London to present their designs in front of a jury featuring designers Stefan Scholten and Paul Austin, executives from Samsung’s IT and mobile communications division, and Dezeen editor-at-large Amy Frearson.

The jury selected the top three winners in each category, who travelled to the Samsung Developer Conference in San Jose, California, in October 2019.

Each of the designers had the opportunity to present their concepts to visitors at the conference, an annual event that provides exclusive access to Samsung’s latest ideas, spanning mobile devices and smart technologies.

Next Mobile + category called for new mobile accessory designs

Designers from Germany, Portugal, Turkey and the UK were selected to present their concepts to the jury in the mobile accessory design category.

They presented a wide variety of different designs, ranging from a simple belt to prevent users from dropping their device to a concept that transformed a Galaxy smartwatch into an interactive children’s toy.

Star of Galaxy won the mobile accessories category

The judges selected Alexander Rehn and Tobias Saller’s Belt of Galaxy, Ece and Cagatay Demirpence’s Fellas of Galaxy, and André Gouveia, Nuno Pires and João Pereira’s Star of Galaxy as the top three designs in the mobile accessories category.

Star of Galaxy claimed top prize in this category, which was announced at the Samsung Developer Conference on 29 October.

The concept is a robotic stand that turns a Samsung Galaxy device into a collaborative smart assistant, which can follow a user around a space by automatically adjusting the position of the device depending on where they are located.

Jury member Paul Austin described the design as “a really interesting solution because it added to the possibilities of what a mobile accessory could mean.”

Next Mobile Wallpaper Paradigm category sought new wallpaper designs

The five finalists in the wallpaper category included young designers from Cambodia, Finland, Ivory Coast, Portugal and Malaysia.

Many of the designers incorporated elements of nature and colour into their wallpaper designs, which ranged from simple graphic designs to interactive concepts.

Five finalists were selected in the wallpaper category

Judges selected Kalle Järvenpää’s Garden of Galaxy, Guan Hong Yeoh’s Blossom of Galaxy and André Cardoso’s Approachability of Galaxy as the three best designs in this category.

Garden of Galaxy was selected as the winner in that category, which was also announced at the Samsung Developer Conference in San Jose.

The concept is an algorithmically generated design, which would give every Samsung Galaxy user the chance to grow a virtual flower, unique to their device, on their screen.

“It’s a very complex idea, executed with simplicity and grace,” Austin said of the winning design.

Garden of Galaxy won the wallpaper category

“The contest attracted a lot of young millennial designers and creators from a wide range of backgrounds,” said Samsung

“Through this competition, Samsung also sought to learn how to communicate with the world and to gain an insight into how our product is perceived, which was very important for us as well.”

The Samsung Mobile Design Competition was a collaboration between Samsung and Dezeen. The video was filmed by Dezeen for Samsung in London and San Jose.

The post The Samsung Mobile Design Competition aimed to “shape the next wave of Galaxy experiences” appeared first on Dezeen.

Vans Duct Tape Festival Keeps Longboarding Alive

Two-time ASP Longboard World Champion Joel Tudor spearheads the annual Hawaiian event

In the longboard community, the money’s not the primary concern. This is according to someone who should know better than just about anyone else: Joel Tudor, a two-time ASP Longboard World Champion. “There’s not a lot of opportunity and a lot of the kids that you see will be riding the same board for a year or two years and it’ll be beaten to shit and often covered in duct tape, so that was where the name came from,” he explains, when asked about the impulse to create the Vans Duct Tape Festival in 2010.

What is the duct festival? “Eh, we kinda started as a tag-along event,” Tudor says, referencing the Duct Tape Invitational, which has contestants competing to create the best longboard. “So many of the guys and girls are making their own boards because if you want a surfboard and you don’t have sponsors, it’s cheaper to make it yourself—especially longboards because they’re so big and so costly.” According to Tudor, they can run from a couple of hundred bucks up to $1,200. “So you ask yourself, ‘Okay, pay all of this money or pay $250 and do it all myself?”

The Festival itself, held in O’ahu’s North Shore on the Pua’ena Point Beach Park, features internationally renowned surfers/shapers like Michael February and Nathan Fletcher who were on site to present their own-hand shaped, custom surfboards that will live on—and be available to rent—at the local surf shop. The event, which is open to the public, invites attendees to take these boards out on the water in an effort to remove the barriers between athlete and spectator. Iterations of the event have sprung up in other nations, including Portugal, France, Japan and more.

“To me, the Duct Tape Festival is the grassroots of grassroots, the heart of surfing, because Joel Tudor is to me a surf God,” says Steve Van Doren, whose father co-founded Vans in 1966. “He molded himself after the forefathers. It was put together to give a platform to longboard surfing,” a sport that faces “near extinction” according to the Vans website. The idea, according to Van Doren is simple: Pop up some tents, get a barbecue going, and get people to try out boards. What better way to fall in love with longboarding than to try it out on some of the best boards out there, crafted by those those who know the waves best.

For Tudor, who’s pleasantly interrupted for handshakes and high fives every few sentences, surfing is not a sport, but rather a lifestyle, an ethos he feels strongly about instilling in others. “There’s a million different sports, but none of them are quite like this. There’s something nomadic about having a life that chases the waves and the ocean and the wind. Snow is close to it, right, but snow’s a pretty snooty, rich thing. You gotta have all this shit like lift tickets just to get you up. Surfing you can kinda come from nothing and find your way to it and get your first board at a thrift store and start toward that infectious lifestyle. It’s an attraction beyond athletic.”

Another key feature of the festival is the presence of grommets, commonly referred to as groms, which are surfers under the age of 16—most of them with more surfing experience than many of the attendees twice their age. If you don’t have that younger group, then there’s no future for what you’re doing, says Tudor. “All of these guys are worth celebrating. They’re cool as shit. And within the world of surfing, there’s not a lot of people original like that. And they’ve inspired the kids underneath them. They’ve put a lot of legwork in and it’s nice to see that that work will carry on. It’s not a monetary thing, you see. Money’s not the goal at all. It’s the inspiration of a next generation that’s picking it up. That’s the goal.”

Images courtesy of Vans

Remote Places to Stay

For any traveler—or dreamer—who yearns for the furthest reaches of our planet, Debbie Pappyn and David De Vleeschauwer’s Remote Places to Stay: The Most Unique Hotels at the End of the World details 22 out-of-the-way destinations. From a reprieve in the Arctic to an African desert escape and even a retreat in the Himalayas, the book chronicles places people can actually stay—though some are only accessibly by foot, small boat or bush plane. To complement the book, Pappyn and Vleeschauwer have also launched their own remote travel platform to help readers get to these places, too.

James Blake: I’ll Come Too

Pulled from James Blake’s Grammy nominated 2019 album Assume Form, “I’ll Come Too” details love and its boundlessness. From following a lover to a new city to promising to be better for the sake of the relationship, the repetition of lyricism—sometimes metaphoric and other times literal—reinforces a familiar plot. But, rather than pair the song with an expected music video, Blake tapped Matt Meech, an editor for the award-winning shows Planet Earth and Blue Planet, to direct. Meech tells the tale of unrequited love using footage of a real penguin and albatross. It becomes utterly moving—and nearly tear-jerking when the lonesome penguin stands by as the albatross takes flight.

A New Type of Design Degree Program Now Available: Master of Arts in Design in Health

Living on a farm is like having a free gym membership. And while I don’t mind doing the physical labor–even the shit-shoveling part is tolerable with my trusty respirator on–I’ve sustained persistent shoulder and back injuries that are slowing me down, and I now attend a physical therapy facility twice a week.

This has given me the opportunity to observe the design of a type of facility I’d never been in before. And it’s pretty good: The space is spacious, cheerful, well-sunlit without admitting glare, and overall resembles a tidy gym without the smell and the bro vibe.

My wife has accompanied an elderly neighbor to two different local hospitals. Even in these rural parts, she reports, the hospitals are designed like resorts: Sunlit central atria, clean modern furniture, expensive-looking surfaces (marble and wood, possibly simulated) that are spotless without appearing antiseptic or institutional.

These things don’t happen by accident; they happen because the healthcare industry is now paying a lot more attention to design than they were twenty years ago. It makes sense, then, that some design schools should start offering healthcare-specific programs. Startlingly, none do–except the University of Texas at Austin, which has just created a Master of Arts in Design in Health program, the first of its kind in the nation.

The one-year degree program focusing on the application of human-centered design in health is offered jointly through the School of Design and Creative Technologies in the College of Fine Arts and Dell Medical School‘s Design Institute for Health. Applications are now open until May 2020. The program will start August 2020.

“The Design in Health Master’s degree was uniquely constructed so that Dell Med students and innovative professionals could work collaboratively to solve real-world problems that impact the health and health care of millions of Americans every day,” said Doreen Lorenzo, assistant dean of the School of Design and Creative Technologies. “Learners explore the many facets of design to creatively design solutions that revolutionize the way people get and stay healthy.”

I am encouraged to learn that they’re not focusing purely on the design of healthcare facilities which, while important, are not where the end user spends all of their time interacting with the system. In other words:

As Dell Med charts a revolutionary path to health—one that shifts the focus beyond clinical care to include all the ways people get and stay healthy within their communities—it presents the unique opportunity to reshape the U.S. health system through human-centered design. The Design Institute for Health is leading the charge by addressing critically important health factors across the spectrum of conditions in which people are born, grow, live, work and age, and taking a systems design approach to encouraging collaborations across sectors that were not designed to work together.

That last bit is perhaps the most encouraging. I think our average non-American reader would be shocked at what we go through here just to pursue basic health insurance needs. I started to type out one of my personal examples, but it became too depressing and is detracting from the positive point of this entry, which is the new program.

The Master of Arts in Design in Health aims to educate students in these four areas:

– Design research methods to better understand the needs of people who are seeking health, receiving care and delivering care.

– Ideation and creation skills to generate new approaches for better care systems.

– How to prototype, test and iterate solutions based on measuring impact and results that matter to patients.

– Techniques to craft compelling and persuasive experiences, stories and systems that can be used widely distribute innovations across systems of health.

Knowing what I know now, if I had to do my career over again, I might’ve pursued this particular Masters rather than spending over a decade designing plastic things that undoubtedly wound up in the ocean. The design opportunities in health are not only manifold, but have a much more clear impact on the wellbeing of society. I hope that this program becomes a success, and one that’s emulated.

You can learn more about the 10-month program here.

Transformable Play Mat Teepee

This non-toxic play mat from Cream Haus folds up into a teepee for hours of fun. The soft construction means you don’t have to worry about the sharp edges found on similar items designed for wee ones. And it can lay flat for tumbling or other play before folding up to slip behind a couch or under a bed when not in use.

World’s Longest Art Exhibit

David Altrath présente « The Metro Series » qui met en valeur le réseau souterrain unique de Stockholm, en Suède, qui présente des installations d’artistes locaux et non locaux depuis 1957. Elle est devenue si décorée qu’elle est aujourd’hui considérée comme la plus longue exposition d’art au monde.

Des peintures murales, des statues et d’autres installations habillent la totalité du réseau du métro et dans certains cas, les stations ont été construites en fonction des idées des artistes.







Danish Design vs. Swedish Design of Bicyclist Resting Points at Stoplights

Following our post on this bicyclist-friendly resting point at stoplights in Sweden…

Image credit: Ryder

…several of our readers sounded off with opinions. Designer Jason Livingston wrote “In discussing this same photo with some bike commuting design colleagues, we concluded that this object was likely placed here not to allow people this comfort, but to prevent them from performing the same maneuver using the pole in front (which would put much of the bike, in not the rider, into traffic).”

I hadn’t considered that that might be its origin (and I suppose, sadly, we’ll never know) but it surely seems possible. You can picture a designer seeing a cyclist hanging onto a pole with his front wheel in traffic, and thinking “What would be a better solution?”

Reader Björn Bengtsson brought up another benefit of the object: It “Actually helps you take off quicker when green. Making more people able to cross before it’s red again.”

Reader Hans Marvell provided a helpful photo of an alternative, larger, potentially multi-person design found in Denmark:

Image credit: Hans Marvell

“They make a big difference when you have a load on your bike such as a child in a seat or cargo bags on both sides of the rear wheel,” he writes.

On top of that, I assumed another benefit would be that this could accommodate more than a single rider, but Marvell points out that human behavior obviates that. “The longer ‘bench-like’ design can be used by up to three cyclists, but usually the first cyclist who arrives at the stand takes up the whole space by parking in the middle.”

An idea for a design modification to fix this? “Maybe three smaller stands are better than one big long rail,” Marvell suggests. “Either way, this is a really good idea as it also prevents pedestrians stepping out on the bike path to cut a shortcut across the road at a junction.”

That last one sounds like a potential lifesaver; when I was still living in NYC and Citibiking everywhere, you’d constantly see pedestrians–faces in their phones, of course–stepping directly into a bike lane without looking.

Which do you all prefer, the Danish or Swedish design? I think both have their merits, but I feel certain that the Swedish design wouldn’t work in NYC; for one thing, I can see skateboarders constantly grinding on this thing–and groups of them using it as a bench on breaks, their boards and legs sticking out into the bike lane.