Brooklyn Museum to stage Studio 54 exhibit exploring club's "groundbreaking aesthetics"

Studio 54: Night Magic Brooklyn Museum

Brooklyn Museum has revealed its plans to stage a major showcase focused on the history and influence of legendary New York nightclub Studio 54 next year.

Studio 54: Night Magic Brooklyn Museum
Photography exhibited includes this image of Pat Cleveland on the dance floor during Halston’s disco bash at Studio 54 captured by Guy Marineau in 1977

Studio 54: Night Magic will open at the art museum next Spring, comprising hundreds of objects, never released photographs, drawings, films and set pieces from the historic New York club.

Hoteliers Ian Schrager and the late Steve Rubell created Studio 54 inside an old opera house in Manhattan in 1977, turning the old stage into the dance floor.

Studio 54: Night Magic Brooklyn Museum
Red Balloons, a photo taken by Dustin Pittman in 1979, is also is among the collection’s showcase of the club’s extravagant fashions

The club’s extravagant parties became internationally renowned for their creative set design, lighting, and famous guest lists that included artists, actors and writers such as Andy Warhol, Truman Capote, Elizabeth Taylor and Yves St. Laurent . It closed in 1980 but has remained an “icon” of disco since.

“Studio 54 has come to represent the visual height of disco-era America: glamorous people in glamorous fashions, surrounded by gleaming lights and glitter, dancing ‘The Hustle’ in an opera house,” said exhibition curator Matthew Yokobosky.

Studio 54: Night Magic Brooklyn Museum
The Andy Warhol Foundation for the Visual Arts, Inc contributed these tickets, designed by Andy Warhol for Studio 54, that use acrylic and silkscreen on linen, to the exhibit

“At a time of economic crisis, Studio 54 helped New York City to rebrand its image, and set the new gold standard for a dynamic night out,” he added. “Today the nightclub continues to be a model for social revolution, gender fluidity, and sexual freedom.”

Yokobosky has arranged the exhibition chronologically with showcases of original blueprints, sketches and models of the venue.

Fifty costume designs, created by Antonio Lopez, devised for Studio 54’s opening night will be displayed alongside unrealised set designs created by Tony Walton and Mark Ravitz. Brooklyn Museum will also use the club’s original lighting and feature audio of chart topping songs of the era to recreate its visual and auditory experience.

Studio 54: Night Magic Brooklyn Museum
The Estate of Richard Bernstein has given the museum this drawing that Richard Bernstein created of club owner Steve Rubell in 1979

Images of Studio 54’s extravagant themed parties and the over the top fashion that attended them will also be on display in addition to promotional content used to advertise the club.

Studio 54 was featured in an exhibition in Germany’s Vitra Museum called Night Fever, alongside other prominent night clubs such as Hacienda and Tresor, however this exhibit will be the first showcase solely focused on the club.

Studio 54: Night Magic Brooklyn Museum
Also on display will be this Chinese-inspired sketch dedicated to founder “Steve” by Yves Saint Laurent from Foundation Pierre Bergé

“Studio 54: Night Magic is the first exhibition to trace the groundbreaking aesthetics and social politics of the historic nightclub, and its lasting influence on nightclub design, cinema, and fashion,” said Brooklyn Museum.

The exhibition opens to the public 13 March 202o and will run up until 5 July 2020.

Studio 54: Night Magic Brooklyn Museum
Also featured will be this advertisement poster donated from the Museum of the City of New York, photographed by Gordon Munro

Anne Pasternak, the Shelby White and Leon Levy Director of the Brooklyn Museum, adds that the staging of the showcase comes at an important time in contemporary culture.

“At this current moment in history, when struggles for liberation often collide with restrictive social norms, we are excited to present Studio 54: Night Magic,” said Pasternak.

“The exhibition encourages visitors to reflect on a significant era in our shared history and challenges us to consider the future and the many ways we can create a freer and more just world.”

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Amazon adds wearables to voice-controlled Alexa collection

Amazon Echo product launch

A ring, glasses and earbuds are among Amazon’s latest voice-controlled devices to offer “even more ways to add Alexa to your daily life”.

Released last week, several of the products are grouped under Amazon’s Echo smart speaker range. They include differently sized Echo speakers and wearables, and depend on the company’s voice-activated, artificially intelligent assistant Alexa.

Amazon Echo product launch
Echo Loop ring accesses Alexa with a button and microphones       

The broad range is intended to “make your home smarter and safer, keep family and friends connected, and bring your favourite entertainment to you, wherever you are”,  according to Amazon.

“Amazon introduced an all-new line-up of Echo devices that give you even more ways to add Alexa to your daily life – whether at home or on-the-go,” it added.

Amazon Echo product launch
Amazon glasses are also voice-controlled to use the assistant

A black titanium ring, called Echo Loop, accesses Alexa with a button and two microphones. It can vibrate when you receive notifications or calls, and is water-resistant.

Wearers of the ring can ask Alexa to conduct a range of tasks, including calculating a tip for dinner, setting up phone calls and confirming whether the front door is locked.

Amazon Echo product launch
The collection also includes wireless earbuds that are integrated with Alexa

Another Amazon product is glasses called Echo Frames. Compatible with prescription lenses, the frames feature speakers on their sides and use the cloud-based service to make phone calls and set reminders.

Wireless Alexa-compatible earbuds have Bose noise reduction technology so “Alexa can hear you”. The pods can be used to ask to play a song, book an Uber or find a restaurant nearby, as recommended by Amazon.

Also included in the launch are updated Echo speakers, including the standard and smaller Echo Dot size with new fabric colours. The Echo Show 8 is a tablet with a front camera and a speaker placed on its back.

Another speaker, Echo Studio, has a hollow slit at its base. According to Amazon, it is the “best-sounding Echo ever and the first smart speaker to deliver an immersive, three-dimensional audio experience with Dolby Atmos.”

Amazon Echo product launch
Amazon’s camera system called Ring listens, reports and send notifications to home owners

Rounding out the Echo products are a small, multi-colour light called Echo Glow and a plug-in smart speaker, Echo Flex, that fits into a socket or wall outlet.

A “smart” voice-controlled oven is designed to be synced to Echo to preheat, start or stop cooking. It resembles a microwave but also works like a convection oven and air fryer.

Amazon Echo product launch
Amazon created this microwave to scan packaging labels from Whole Foods

The scan-to-cook feature scans a barcode on packaged foods, including those from Amazon-owned Whole Foods, and the oven cooks them “just right”, or according to the labelled instructions.

A camera system for home security, called Ring, is also included in the Amazon product launch. Security alarm kit Alexa Guard works when an Echo device detects certain sounds, such as footsteps, coughing, a smoke alarm or glass breaking, and triggers Alexa to send a phone notification.

Amazon Echo product launch
Other released include wireless speaker Echo Flex, which plugs into a wall outlet

Amazon is one of the world’s top tech companies, in addition to Google, Facebook and Apple, and is led by American entrepreneur Jeff Bezos. It focuses on e-commerce and digital streaming and also owns grocery store chain Whole Foods Market.

It other ventures include plans to create prefabricated homes with Alexa built into them.

The company’s headquarters are located in Seattle and feature plant-filled orbs called The Spheres, a speakeasy by Graham Baba and a sun-lit cafe called Willmott’s Ghost.

Photography is courtesy of Amazon.

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MASS Design Group builds glass memorial for victims of gun violence at Chicago Architecture Biennial

Gun Violence Memorial Project by MASS Design Group

The Gun Violence Memorial Project at this year’s Chicago Architecture Biennial is an installation of houses filled with items belonging to victims of gun violence.

Architecture and design collective MASS Design Group created the exhibit with conceptual artist Hank Willis Thomas, Chicago advocacy group Purpose Over Plain and Everytown for Gun Safety, a nonprofit that advocates against gun violence.

Gun Violence Memorial Project by MASS Design Group

Located in the Chicago Cultural Center, the installation is intended to visualise statistics from a recent study by Everytown for Gun Safety, which calculated 100 gun-related deaths take place each day and an average of 36,383 take place each year.

The Gun Violence Memorial Project comprises four glass houses made of 700 white bricks, representing the amount of gun violence victims in America each week.

Gun Violence Memorial Project by MASS Design Group

The hollow white bricks also form cabinets for objects owned by victims, alongside a plaque that details their name, birthday and year they died.

“Gun violence is a national epidemic, the sheer enormity of which is impossible for us to truly comprehend,” said MASS Design Group founding principal Michael Murphy. “These numbers increase every day, but mere statistics don’t share individual stories or provide the dignity that each of these lives deserves.”

Gun Violence Memorial Project by MASS Design Group

“We need to showcase the names and stories of the lives lost in order to understand a path forward,” Murphy added. “The goal of this memorial is to recognise and honour those who have been affected by gun violence and to change our national narrative around gun violence through a participatory process.”

Objects, which include photographs, a hat and a shoe, were collected during events hosted in Washington DC and Chicago.

Additional items will also be collected during the Chicago Architecture Biennial, which runs from 19 September 2019 to 5 January 2020.

Following the Chicago event, the team intend to tour the installation across other cities in the US, including Washington DC.

The Gun Violence Memorial Project was among artistic director Yesomi Umolu’s top five picks from this year’s Chicago Architecture Biennial.

Gun Violence Memorial Project by MASS Design Group

Titled …And Other Stories, the event tasked participants to explore a wide-range of social issues under one of four themes: No Land Beyond, Appearances and Erasures, Rights and Reclamations, and Common Ground.

Forensic Architecture and Invisible Institute’s response to the theme also focused on gun violence in America, with a video investigation into the police’s killing of African American barber Harith Augustus.

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Missing the detachable joy-cons? 8BitDo’s Lite controllers give you a near-Switch experience!

It’s barely been a month since the Switch Lite’s release and 8BitDo is already pushing out accessories that make it a great gaming console. In case you’ve been living under a rock for the past few weeks, Nintendo released the Switch Lite, a smaller, more economical, monolithic gaming console that allows more people to join Nintendo’s gaming ecosystem. However, its one-piece design may seem like a compromise for some. That’s where 8BitDo’s Lite comes in to fill the gap.

Designed to match the Switch Lite’s aesthetic perfectly, the Lite controller allows you to use a separate, detached joy-con with your Switch Lite. The Lite, however, doesn’t just stop there… the Bluetooth gaming controller even works across other platforms like Windows, Android, MacOS, and Steam, making it one adorable-yet-capable controller to rule them all. Plus, it even packs two D-Pads for NES and SNES games!

Designer: 8BitDo

Click Here to Buy Now

Click Here to Buy Now

Plevo’s first connected Backpack and Duffle Bag with Face ID for complete security

Having come back from my recent trip to London and China, I realized how dangerous it can be to catch a few winks at the airport. For example, I fell asleep at the Dubai airport and almost missed my connection. Luckily, I was woken up by a friendly staff, and I made it to my flight on time. However, this incident got me thinking – in my deep-jet lagged-slumber, anyone could have opened my backpack and cabin bag, and tampered with the contents.

Thankfully, I’m back home safe and sound, but the next time around, I definitely don’t want to become a statistic of airport theft. Bags like the B-One & D-One Series, seem to a wise investment in the name of secure travels. As the first connected Backpack and Duffle Bag in the world, the duo are fitted with a Smart Lock – Face ID, Touch ID, Morse Code – and a removable battery pack. Needless to say, a Travel Companion App completes the whole deal. This one App connects all of the Plevo bags (old and new).

I like the fact that you can check on your flight status through the Travel Assistant App and ensure that you get to your gate on time. The removable battery backpack ensures you can juice-up your devices on the go.

Available in two sizes each, both the backpack and duffle bag are stylish and complement the latest ‘travel look.’ If you happen to move too far away from the bags, they will alert you via the app, ensuring you stay close to them. The B-One & D-One Series are intelligent bags that are spacious and secure.

Designers: Mauro Manzo, Ivan Nieto, Franco Di Pietro & Federico Pelatti

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B-One Backpack & D-One Duffle Bag with Smart Lock Technology

The world’s first connected backpack and duffle bag. And with their Smark Lock technology (Face ID, Touch ID, Morse Code), your belonging has never been so secure.

Features

Travel Assistant App

Check your flight information at a glance. And let their travel assistant APP be your smart partner during your trips.

B-One Backpack

The first connected and most secure backpack ever utilizing Smart Lock (Face ID, Touch ID, Morse Code). Also, always stay charged while on the go thanks to the removable battery pack. Available in two sizes (B-Urban 19.5L and B-Travel 27L).

Smart Lock (Face ID, Touch ID, Morse Code)

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Their removable battery pack is compatible with all their Plevo products.

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When your backpack moves apart from you it will lock itself and send you notifications about you leaving it behind.

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"We live in a finite world with finite resources"

Oslo Architecture Triennale Architecture of degrowth

In this week’s comments update, readers are discussing Phineas Harper’s claims that the pursuit of infinite economic growth is driving climate breakdown. 

Deadly sinsPhineas Harper, one of the chief curators of the Oslo Architecture Triennale, has sparked debate by arguing that the pursuit of infinite economic growth is driving climate breakdown and producing ecologically toxic architecture.

“Incredibly well written and clear,” said Christopher Gon De Leeuw. “Unfortunately it just serves to make more clear the enormity of the obstacles we as a global society need to overcome. I wish the solution was as easy as a new concrete mixture – sadly the real difficulty will be overcoming greed.”

“The desire to understand and make the world a better place and the anxiety of it becoming worse have underpinned human development throughout history,” continued Ade Oshodi. “These now need to be focused on the challenge at hand. Greed and fear will remain as the formidable forces. Better to harness them than to deny they exist.”

Eugene Ely went on: “We live in a finite world with finite resources. The only economic systems we’ve ever considered assume growth is an unquestioned given. That’s not going to work much longer. It’s not working now. Listen to Greta.”

“Nature has a way of dealing with all of this… it won’t be long now,” concluded Marmite.

This reader was distracted by the story’s visuals:

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Do you agree with Harper? Join the discussion ›


Not ready for take off: commenters are criticising the recently completed terminal building at Beijing Daxing International Airport, designed by Zaha Hadid Architects.

“Looks like a lot of ideas packed into one space,” said Marc Sicard. “But kind of works I think? Except for the floors. The floors are screwed up. Too much texture and reflection.”

“Not as offensive as your typical ZHA project, but still way too much architecture packed in there,” agreed Heywood Floyd.

Spadestick was less forgiving: “No, no, no, no, no! Looks completely sterile – best suited for military scientific operations. Not for humans.”

“This just looks like a self-indulgent exercise in how to squeeze as many different design ideas into one project as possible,” added Alfred Hitchcock. “Trying to find your departure gate in this mess will not be a calm, relaxed or pleasant experience.”

This commenter compared the shape of the building to a weapon:



What do you think of the airport terminal? Join the discussion ›


Keep the faith: David Adjaye has revealed visuals for an interfaith complex in Abu Dhabi that will aim to encourage “peaceful co-existence and acceptance” of the three Abrahamic faiths – Christianity, Islam and Judaism – but readers aren’t convinced.

“Could have been more interesting to see one structure house all three monotheistic faiths,” said Archi Guru.

Patrick B also had advice: “The dominant unifying factor and the most relevant aspect of the project, the garden, is sadly unrealised, under researched and generally misunderstood. The great opportunity for symbolic unity has been missed.”

“I love that the convergence point of the whole project is the gift shop! Where they all can pray to our true god, consumerism!” added A.Gil.

“Always a struggle to work with a client with budget constraints,” joked Christopher Gon De Leeuw.

Consumerism was on this reader’s mind too:



Are you impressed by The Abrahamic Family House complex? Join the discussion ›


RIBA debates Boris Johnson

Sign of the timesreaders are divided after members of the Royal Institute of British Architects signed a letter calling for UK prime minister Boris Johnson’s honorary fellowship to be taken away.

“Why does he get credit for the bike sharing scheme anyway?” asked HHGeek. “And what did he actually contribute to London’s architecture, rather than attempting to destroy it or impose his own pathetic idea of ‘legacy’? The number of projects he called in to override local council decisions was appalling just on its own – I’m bewildered that the RIBA saw fit to appoint him in the first place.”

“Isn’t it better to strip off the RIBA honorary fellowship from the person who awarded this to Mr Boris?” suggested Mr A.

Le Ego went on: “Are there not bigger things than a meaningless award to be worrying about at the moment, you know, like the hollowing out of our democratic institutions?”

Bored Millennial was annoyed: “So because you don’t like someone, they should be removed/stripped of something they were honored with. Yeah, that makes total sense.”

This commenter was also supportive of the prime minister:



Should Johnson have his honorary fellowship taken away? Join the discussion ›

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Design Job: Current job all work and no play?

Do you want to work for the world’s leader in play design and equipment manufacturing?
Are you a person with a passion for designing a unique play experience for all ages?

Here in our Lewisburg PA location, we’re not just in the business of making playground equipment. We’re in the kid-empowering, confidence-building, health-promoting, community-strengthening business—the business of saving play. We believe The World Needs Play.

If this is you or someone you know, let’s talk

View the full design job here

London's Bala Baya restaurant is a "poem to Tel Aviv"

Bala Baya restaurant designed by Afroditi Krassa

Dezeen promotion: Design studio AfroditiKrassa looked to the streets of Tel Aviv to create the interiors of central London’s Bala Baya restaurant, which was the venue for the 2019 Dezeen Awards judges dinner.

Taking over a disused railway arch in London’s Southwark neighbourhood, Bala Baya has been designed by AfroditiKrassa to be “a poem to Tel Aviv and its countless cultures meeting in the city’s bustling street life”.

Bala Baya restaurant designed by Afroditi Krassa

The two-storey restaurant serves a seasonal menu of dishes inspired by Israeli cuisine and created by head chef and founder Eran Tibi.

On the ground floor is a casual dining space that’s meant to evoke the atmosphere of Tel Aviv’s busy cafes, complete with a huge bespoke oven that can cook-up 1,000 pita breads per hour.

Bala Baya restaurant designed by Afroditi Krassa

Pink and black-flecked terrazzo tiles have been laid across the floor, offset by a bright-white service counter that winds around the room’s rear – it’s curved form mimics the shape of the 4,000 Bauhaus-style buildings seen in Tel Aviv’s UNESCO-listed White City.

Pale stool seats have been slotted underneath, allowing diners to see chefs at work in the open kitchen.

There is also a drinks bar dedicated to serving unique blends of gazoz – a soda-like beverage made from fruit, syrup and carbonated water that has become popular in the Israeli capital over several years.

Bala Baya restaurant designed by Afroditi Krassa

A black-frame staircase leads visitors up to the first floor, where there is a more formal 76-cover restaurant.

Slate tables have been dotted throughout, surrounded by metal-framed chairs with pale pink backrests. The colour was selected by the studio so that the furnishings looked slightly bleached by the sun, nodding to Tel Aviv’s Meditteranean climate.

Burgundy leather banquettes offer a place for larger groups to sit and enjoy their meals.

Bala Baya restaurant designed by Afroditi Krassa

An exposed-bulb chandelier dangles above the double-height entrance area and leafy potted plants are backlit to create “dancing shadows”.

“As the afternoon draws to a close and the light of the setting sun shines through the glass-fronted restaurant, the space slowly transforms to an evening setting,” explained the studio.

Toilets are placed behind a patterned breeze-block partition that slots underneath the building’s vaulted ceiling.

Bala Baya restaurant designed by Afroditi Krassa

Bala Baya is one of several London restaurants that AfroditiKrassa has designed. Back in July the studio completed the interiors of opulent Asian eatery Lucky Cat, which is decked out in moody tones to emulate the aesthetic of the underground jazz cafes that appeared throughout Tokyo in the 1930s.

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Yves Behar opens third Canopy co-working location in historic San Francisco building

Canopy Workspace by Yves Behar and Amir Mortazavi

Northern California’s coastal landscape and foggy weather influenced the design of the latest office by Canopy, a co-working company founded by designer Yves Behar, developer Amir Mortazavi and entrepreneur Steve Mohebi.

Canopy Workspace by Yves Behar and Amir Mortazavi

Located in the San Francisco‘s Financial District, the new Canopy office occupies a five-storey building dating back to 1890. The ground floor contains commercial space, while the upper levels offer a total of 32 private offices of varying sizes. Tenants have access to communal amenities such as conference rooms, lounges and kitchens.

This is the third location for Canopy, described as a “forward-thinking, elevated workspace for accomplished professionals and entrepreneurs”. The company’s first location opened in 2016 in Pacific Heights, and the second debuted last year in Jackson Square.

Canopy Workspace by Yves Behar and Amir Mortazavi

All of the projects have been created as a collaboration between Canopy’s three founders – Yves Behar, head of design studio Fuseproject; Amir Mortazavi, who leads the development company M-Projects; and entrepreneur Steve Mohebi.

In Canopy Financial District, each floor has a different layout to accommodate a range of member needs. Floors three and five are full-floor offices, which have already been rented by Intertrust and Bond Capital.

Canopy Workspace by Yves Behar and Amir Mortazavi

The interior design is meant to respect the original architecture and offer a “serene, distraction-free environment for members to concentrate, connect, and do their best work”. The team intentionally avoided trendy elements like foosball tables and neon signs.

“Centred on the premise that where you work affects what you do and who you are, Canopy is void of trivial distractions and is focused on innovative features, anticipatory services, and access to iconic neighbourhoods,” the team said.

Drawing upon the city’s iconic fog and coastal terrain, the designers incorporated shades of silver, blue and tan. Ample use of Douglas fir – for flooring, wall siding and cabinetry – adds lightness and warmth. Daylight flows in through large windows on three sides of the building.

Original brick walls were painted pale grey to help create a calming atmosphere. A slate-blue glaze was added to walls, evoking “the colour of the water after a wave has broken and the foam has subsided, when the sun shines upon the Pacific Ocean”.

Canopy Workspace by Yves Behar and Amir Mortazavi

Glass walls delineate the individual offices, which can seat anywhere from one to 10 workers. The Modernus partitions are made of high-tech glass that helps block noise. For those who need extra privacy, the building has sound-proof phone booths by Room.

The work areas are furnished with pieces from Herman Miller, including sit-to-stand desks by Brian Alexander and Sayl office chairs by Behar.

Canopy Workspace by Yves Behar and Amir Mortazavi

Each floor has communal tables made of aluminium and blue calcite marble, which were designed M-Projects. Suspended above the tables are bespoke lighting fixtures that also were created by M-Projects, in collaboration with local studio MaryMar Ceramics.

Other furnishings in the communal areas include whimsical, Smile lounge chairs by New York’s Studio Giancarlo Valle and chunky, Roly Poly chairs by British artist Faye Toogood. Planters and waste bins made of distressed stone add a rustic touch.

Canopy Workspace by Yves Behar and Amir Mortazavi

The kitchens feature blue marble and ceramics by Year & Day, a Canopy member. Bathrooms are adorned with blue terrazzo tiles, Japanese bidet toilets and watercolours by Joe Ferris that were inspired by the sea.

On the building’s ground level, the company has opened a shop that sells office, travel and lifestyle products curated by Monocle. Several of the offerings were created by Canopy members.

Canopy Workspace by Yves Behar and Amir Mortazavi

Membership at Canopy Financial District starts at $2,000 per month (£1,616).

Canopy is part of Global Collective, an alliance of workspace operators that “share a passion for thoughtful design, upscale amenities and curated programming.” Members of Canopy can get free access to other Global Collective spaces, including Fosbury & Sons in Brussels, which occupies a 1970s concrete building that was designed by architect Constantin Brodzki.

Photography is by Ben Kist.

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EU recognises "right to repair" in push to make appliances last longer

The European Commission has ratified “right to repair” regulations, which will require manufacturers to design longer-lasting products and make spare parts readily available in a push to reduce waste.

The regulations mark the first time that requirements around repairability have been included in the EU’s Ecodesign Framework, which mainly includes energy and water efficiency standards.

As of 2021, the revised standards will apply to electric items including televisions, lighting, fridges, washing machines and dishwashers.

Spare parts must be available for 10 years

The rules mean that the companies will have to make available spare parts to independent professional repairers for up to 10 years after the purchase date.

The regulations also set out that these parts will need to be replaceable using common tools and without damaging the product.

According to EU estimates, the measures together with stricter energy labelling will amount to annual a reduction of more than 46 million tonnes of CO2 per year.

“Figures speak for themselves: these measures can save European households on average €150 per year and contribute to energy savings equal to annual energy consumption of Denmark by 2030,” said Jyrki Katainen, European Commission vice-president for jobs, growth, investment and competitiveness.

“It is with concrete steps such as these that Europe as a whole is embracing the circular economy to the benefit of citizens, our environment and European businesses.”

Eventually, this should see a reduction of machines ending up in landfill, as well as fewer natural resources and greenhouse gases needed to produce more, newer appliances.

The resolution acknowledges that decisions made at the design stage of a product have a knock on effect on whether a product can later be repaired, maintained and reused.

Legislation a “big thing”

Going forward, this could pressure manufacturers – including from post-Brexit Britain – that want to sell to the EU, to design and re-design products with reassembly and repairability in mind.

The potential of such far-reaching implications led the Financial Times’ architecture and design critic Edwin Heathcote to declare the legislation to be a “big thing”.

Not included in the EU right to repair rules are devices such as smart phones and laptops, whose irreplaceable batteries and performance-hampering software updates are most often accused of encouraging throwaway culture.

The regulations also do not give consumers the right to repair machines themselves.

Right to repair regulations being considered in USA

Around 20 US states including California, home of Silicon Valley, are also currently considering similar legislation.

Also under mounting pressure from consumers, some technology companies are starting to take action.

Apple, which has consistently lobbied against right to repair legislation in the US and even taken legal actions against unauthorised repair companies, this August announced that it is rolling out an independent repair programme in the States.

This will allow a broader range of companies access to the parts, tools and training needed to fix out of warranty iPhones.

Unlike the current system of Apple Authorized Service Providers, small repair shops would not need to pay to access the programme, with the aim of making repair options more readily available to users.

Miles ahead of this is the Fairphone 3, an “ethical smartphone” which has six removable and replaceable modules, labelled to assist with re-assembly.

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