This versatile pen-tool lets you cut, engrave, drill, etch, solder, and even 3D print

They say the pen is mightier than the sword, and the 3Dsimo MultiPro is living proof of that. This pen-shaped tool is literally a designer’s best friend, helping them prototype, and create in ways never envisioned before. The 3Dsimo MultiPro is basically a pen-tool with interchangeable heads. What do these heads allow you to do? Well, they let you drill, engrave, burn-etch, solder, 3D print, screw-unscrew, and even cut (like a hand-held jigsaw blade). The 3Dsimo MultiPro was designed to be the smallest workshop ever made. No more power tools, clunky gadgets, wires, and plug-points. 3Dsimo’s interchangeable heads let that one hand-held tool practically do everything you’d do at a workshop. From drilling to dremel-ing, from soldering to foam-cutting, and from 3D printing to repairing, 3Dsimo MultiPro and its extensive kit of interchangeable heads allows you to do it all.

The 3Dsimo MultiPro is the wet dream of every designer/creator who just wants to go wild with creating and not be limited by the availability of prototyping or workshop tools. Designed to cut down on expensive gadgets that otherwise collect dust in your workshop, 3Dsimo MultiPro helps democratize creation, with its pen-shaped tool and detachable head system that works much like a hand-held power tool. Its detachable heads let it instantly transform into a drill machine, an electric screw-driver, a jigsaw, a foam-cutter, soldering iron, heat-etcher/engraver, and even a 3D printing pen (like the 3Doodler).

Each element has its own internal flexibility too. The 3D printing pen works with practically any plastic filament, and can be temperature-adjusted too, while the drill-extension can be used with a wide variety of bits, letting you drill, engrave, carve, or even grind materials like wood, plastic, carbon fibre, fiberglass, aluminum, brass or even copper. The burning/heat tool lets you work with materials like wood, leather, and even your 3D printed parts, letting you alter and modify them with your own artwork. Similarly, the jigsaw and foam-cutter tool let you achieve absolutely new possibilities with your designs, all in the same device, and if you’re working with circuit boards and electronics, the soldering and screwdriver tools come in handy.

Everything is centered around the 3Dsimo MultiPro base, which fits right in your hand. The handheld device is practically designed to be a veritable workshop, letting you snap on and snap off components based on your need, and the fact that the entire Pro kit is affordable, means you can literally set up your own assembly line, or your prototyping station in one go! And it’s portable too!

Designer: Petr Duba

Click Here to Buy Now: $169 $289 (41% off). Hurry, for a limited time only!

3Dsimo Multipro – The Most Versatile Mobile Workshop

The Multipro fits in your pocket and is able to substitute 3Dprinter, soldering station, plastic welder, resistance wire cutter, jigsaw, small drill, and electric screwdriver. All of them included in one 3Dsimo Multipro – 7 in 1.

3D Drawing

3D drawing tool works using the same technology as FDM 3D printers, so you can create 3D objects without any knowledge of 3D modeling. Just start creating or repairing.

Create – phone covers, models of buildings, cosplay parts, jewelry, statues, action figures, household items, toys and much more.
Repair – 3D printed objects, toys, delaminated cables, electronic devices and much more.

You can start creating using any 3D printing filament currently on the market (ABS, PLA, HiPS, Flexi, Fluorescent, Wood, Metalic, Thermochrome, Conductive, e.t.c.) thanks to easy to set temperature and feeding speed.

Burning Tool

Using the Burning tool, you can burn-in designs into wood, leather, plastic, and repair damaged plastic objects (chargers, phone covers, e.t.c.).

Leather Burning – customize your leather wallet, belt, shoes or your pet’s collar with the Burning tool.

Wood Burning – customize wood jewelry, cutting board or even desk of your table. And if you are a skilled artist, you can try even more exotic wood.

Repair and Finishing Touches – Whatever you create with the 3D Drawing tool, you can finalize with the Burning tool. Also, you can easily repair your 3D printed objects, cracked phone cover or any other plastic device. There is no easier way to repair damaged things than by heating up the broken pieces and connecting them back together.

Soldering Tool

For the electrical engineer in you. There is no need for the purchase of an expensive soldering station anymore. 3Dsimo Multipro can substitute it fully. The soldering tip can heat up to 490°C within 20 seconds, while your hand will stay the same.

Foam Cutting Tool

Resistance wire cutting tool is an awesome tool for model builders, architects, designers and makers. Now you can create building models, RC models (cars, boats, planes), art pieces and much more.

Thanks to the high temperature of the wire, you can cut polystyrene, plastic boards, plexiglass, balsa wood and cork with ease. Another great feature is the angle platform, which allows you to set desired angle of cutting for a precise and clean cut.

Jigsaw Tool

Jigsaw tool is used to cut wood, fiberglass and other materials. This tool in its standard form if big, heavy and expensive. The tool in this kit is small, light and powerful for a great price. Thanks to the fine teeth, it makes clean and precise cut. The saw can be used to cut into wood, fiberglass, carbon, plastic or even aluminum. Make yourself a wooden butterfly, glasses or quadcopter frame.

Drill Tool

Thanks to microclamps of the Drill attachment, you can use drill bits (0,3 – 3,2mm diameter), engraving bits or grinding bits.

Engraving – engrave glass or metal, create custom designs into glass as a present, or a custom ring
Drilling – drill into wood, plastic, carbon fibre, fiberglass, aluminum, brass or copper
Grinding – choose correct grinding wheel to grind any material, the Drilling attachment can reach upto 20 000 RPM
Cutting – by using circular saw blade, you can cut thin wood or glass

Screwdriver Tool

The screwdriver is small and very capable. Its peak torque is 4,5 Nm at 200 RPM. It is a great tool for precise work, for screwing in self-tapping screws into wood, plastic or soft metal.


3Dsimo Kit2 – World’s First Open Source Multifunctional Tool

All its plastic parts are 3D printed out of PLA, which is ecologically recyclable material made out of corn starch. All of the hardware and software is Open Source, available on their Github here.

 

3Dsimo Kit 2 capabilities:

– 3D drawing – user friendly temperature and feeding speed settings
– Soldering – soldering electronics and creation of 3Dsimo Kit 2 upgrades with ease
– Burning – burn into wood and leather or finalize 3D printed parts
– Foam cutting – great tool for cutting 3D printing supports, for cutting plastic or polystyrene

Click Here to Buy Now: $59 $99 (40% off). Hurry, Super Early Bird Offer!

Lucy McRae creates hugging machine as an antidote to the "touch crisis"

Compression Carpet by Lucy McRaea

Los Angeles-based artist Lucy McRae has created a machine she calls the Compression Carpet, which offers a hug to a person craving intimacy.

McRae, who refers to herself as a body architect, imagines a future where the growing influx of technology starts to have a big impact on people’s mental wellbeing.

She wonders whether mechanical touch, rather than physical contact with other humans, will become the solution.

Compression Carpet by Lucy McRaea

Her Compression Carpet is a machine that offers its user a full-body embrace, by sandwiching them between cushions.

“We’re moving towards a touch crisis where we’re inundated with technology, to the point of anxiety,” said McRae. Her question is: “In the future, will technology vie for our affection because of our obsession with digital?”

Compression Carpet by Lucy McRaea

The machine is coloured with pink and brown tones, reminiscent of skin tones, which emphasise the illusion of human touch.

To use the device, you simply lie down inside it. Another person – likely a stranger – will then turn a handle, which causes the machine to slowly close up around you.

This other person has full control over the firmness of the hug. McRae describes the experience as being “lulled to surrender”.

Compression Carpet by Lucy McRaea

Compression Carpet was unveiled at Festival of the Impossible, a San Francisco exhibition that explored the future relationship between humans and machines. Guests were invited to try the machine out for themselves.

“Most left with a glazed look in their eyes, after a few minutes of being squeezed,” McRae told Dezeen.

One user likened the experience to the “reassuring feeling” she got from hugging a friend twice her size, said McRae, while another was able to use and enjoy the device despite suffering from claustrophobia.

“During the first moments she felt the triggers of claustrophobia, but overcame them by laying there and staying calm,” added the artist. “My guess is if we added sound and guided audio, the experience would expand the senses one step further.”

Compression Carpet by Lucy McRaea

McRae’s work centres around the idea of using the body to speculate on the future. Past projects include The Institute of Isolation, which explores how humans can prepare their bodies for life in outer space.

In a recent interview with Dezeen, the designer said she was “interested in giving science fiction an overdue sex change”.

This latest project is a followup on from Compression Cradle, a project McRae created for Broken Nature: Design Takes on Human Survival, the Triennale di Milano curated by Paola Antonelli.

Compression Carpet by Lucy McRaea

In this previous iteration of the design, the hug is created by an inflatable device. Users control the intensity of their own experience with buttons.

“Both works consume the body with affection and a heavy-duty hug,” added McRae.

“The big picture is to exhibit the family of hugs under the one roof, like a sort of intimacy-circuit-training for the future sensitive human.”

The post Lucy McRae creates hugging machine as an antidote to the “touch crisis” appeared first on Dezeen.

Kapsimalis Architects converts caves for summer houses on Greek island

Two holiday residences in Fira by Kapsimalis Architects

The vaulted forms and underground caves of an old house on the Greek island of Santorini have been converted into a holiday home complex by Kapsimalis Architects.

Located in the town of Fira, the components of the existing compound –  including walled courtyards, a donkey barn and three small caves for storage  – have been integrated into the new structures.

Two holiday residences in Fira caves by Kapsimalis Architects

There are two separate entrances, leading out onto cobbled streets.

One of the new summer houses occupies the footprint of the original house, while the other sits within the converted caves.

Two holiday residences in Fira caves by Kapsimalis Architects

To maintain the original feel of the home, the outer appearance of the structures, as well as their arrangement around two walled courtyards has been retained.

“The outer shell of both houses, bright and white, is preserved as it was, in a way that is integrated with its surroundings and the cubistic, traditional architecture of the village,” said the studio.

Two holiday residences in Fira caves by Kapsimalis Architects

Entry to the first home is via a wedge-shaped courtyard, partially covered by a mezzanine seating area above the entrance and a long, thin pool.

This courtyard forms a common space for two separate bedrooms, arranged around a living, kitchen and dining area.

Two holiday residences in Fira caves by Kapsimalis Architects

The dining room is at the centre, beneath a high vaulted ceiling.

In the caves, the second holiday home has its own access via a second, rectangular courtyard. This  patio area includes space for sunbathing, a vaulted pool.

Two holiday residences in Fira caves by Kapsimalis Architects

A staircase leads up to a terrace dining area with dramatic views of a nearby volcano.

Colour palettes and fittings were chosen to reflect the two distinct conditions in the former house and the caves, with furniture made by local craftsmen.

Two holiday residences in Fira caves by Kapsimalis Architects

The rough, vaulted interiors of the caves have been smoothed out and finished with plaster in earthy tones, with minimalist light fittings and discreet built-in storage.

Doorways and niches in the cave all adopt an arch-like form, recalling the vaults of ceilings.

Two holiday residences in Fira caves by Kapsimalis Architects

Kapsimalis Architects have completed several other holiday homes on the island of Santorini.

One also has a series of subterranean spaces, while a new-build was designed as a “contemporary translation” of the island’s crisp white buildings.

Photography is by Yiorgos Kordakis.

The post Kapsimalis Architects converts caves for summer houses on Greek island appeared first on Dezeen.

10 architecture and design studios to visit during Open House New York 2019

Open House New York 2019 kicks off today, with designer and architects’ studios across the city opening their doors to offer a glimpse inside. We roundup 10 not to miss.


Photograph by Robb Williamson

Aecom Landscape Architecture + Urban Design Studio, Sunset Park, Brooklyn

International firm Aecom‘s warehouse-like offices, located in Brooklyn’s Industry City campus, feature large windows and wood floors.

Aecom moved into the space last year, providing a home for its Landscape Architecture and Urban Design Studio.


Photograph by Tom Powel Imaging

Architecture in Formation, West Chelsea, Manhattan

Twelve-person studio Architecture in Formation occupies a 1500-square-foot (139-square-metre) loft space in Manhattan’s West Chelsea Arts Building, using an all-white decor as a backdrop for project presentations.

The firm is expected to present tours that offer visitors an insight into its working process, however sightings of the jumper-wearing dog are not guaranteed.


Photograph courtesy of Cortney Walleston

C Wall Architecture, Greenpoint, Brooklyn

Potted plants decorate this storefront studio in Brooklyn’s trendy Greenpoint neighbourhood, which is the office of C Wall Architecture.

Led by Courtney Walleston, C Wall Architecture has worked on a number of projects across New York city – including brownstone renovations, apartment overhauls and the design of a plant shop.


Photograph courtesy of Camber Studio

Camber Studio, Red Hook, Brooklyn

Travel down to Red Hook to find the workspace of multidisciplinary practice Camber Studio, whose work encompasses architecture, fabrication and documentation.

It combines a small design office, a CNC-equipped fabrication shop and a split-level caretaker apartment all within a 4,000-square-foot (372-square-metre) footprint in a converted brick warehouse.


Photograph by Eric Laignel

INC Architecture and Design, Hudson Square, Manhattan

Greenery offsets the concrete interior of INC Architecture and Design’s self-designed Manhattan office, which is filled with a mix and match of furniture that offer various work and relaxation areas.


Photograph by Alexa Hoyer

Sage and Coombe Architects, Tribeca, Manhattan

Take a trip to Manhattan’s Tribeca neighbourhood to visit Sage and Coombe Architects, with its studio decorated with exposed wooden structure and bold pops of colour.

The practice, which was founded by Jennifer Sage and Peter Coombe, has worked on a number of projects in the city including the redesign of its public phone booths.


Photograph courtesy of Selldorf Architects

Selldorf Architects, Union Square, Manhattan

A rippled, weathered ceiling, exposed ductwork and white columns punctuate the workspace of architect Annabelle Selldorf’s firm. Expect to see it overflowing with architectural models.


Stickbulb, Long Island City, Queens

Lighting design studio Stickbulb is opening its expansive workspace in Long Island City, which includes its studio, workshop and showroom all one level.

Interiors were designed by RUX, the creative parent of Stickbulb, and include dramatic floor-to-ceiling curtains and weathered wooden floors.


Photograph courtesy of Tacklebox Architecture

Tacklebox Architecture, Greenpoint, Brooklyn

Visitors to Tacklebox Architecture‘s studio in Greenpoint will get to see 1:1 scale mock-ups for elements from its projects.

Among these are a number of Aesop stores it has created across the US, including the Aesop Georgetown, which is covered in tobacco sticks, and Aesop Nolita, which has a kiosk made from copies of the New York Times.


Photograph by Chieh Huang

W Architecture and Landscape Architecture, Downtown Brooklyn, Brooklyn

Finally, be sure to drop in on W Architecture, which has created a home-like studio for itself across two floors of a townhouse in Downtown Brooklyn.

One space is more office conventional, while the other resembles a cosy living room.

The post 10 architecture and design studios to visit during Open House New York 2019 appeared first on Dezeen.

Watch our talk about architecture and the circular economy for Dutch Design Week

Dutch Design Week 2019 talk

Dezeen’s founder and editor-in-chief Marcus Fairs will speak to a panel of experts today in Eindhoven about the circular economy and architecture, as part of Dutch Design Week 2019.

You can watch our livestream here from 5:00pm Eindhoven time.

The panel will include Overtreders W‘s co-founder Hester van Dijk, architect and author Thomas Rau and architect Marco Vermeulen.

A circular economy is an economic model that minimises consumption, the waste of finite resources and the destruction of ecosystems, by instead continually reusing materials.

The talk will explore the ways in which built environment practitioners can reconcile this alternative economic system with their designs, processes and business models.

Hester van Dijk
Hester van Dijk of Overtreders W will be joining the panel

Van Dijk is the co-founder of Amsterdam design agency Overtreders W, which often employs the principles of the circular economy in it projects.

Examples include a temporary, zero-waste barn and restaurant made from borrowed materials, and a pavilion for Dutch Design Week last year that had almost no ecological footprint.

Thomas Rau
Architect and author Thomas Rau will be on the panel

Rau is the founder of Amsterdam-based firm RAU Architects. Earlier this year, the practice built a thatched observatory for bird watching, which can be deconstructed and rebuilt in a different location.

With Sabine Oberhuber, he is also the co-author of Material Matters. The book explores sustainable methods of consumption and production.

Marco Vermeulen
Amsterdam-based architect Marco Vermeulen will join the panel

Vermeulen is the founder of Studio Marco Vermeulen, a design office working within and outside the field of architecture to explore alternative design strategies.

The studio has previously designed an energy-efficient museum situated within a wetland area in Rotterdam.

The discussion will add to the conversation about the unprecedented push by the architecture and design industry to combat runaway climate change.

Examples of recent events exploring sustainability include the Architecture of Emergency climate summit at the Barbican and the Oslo Architecture Triennale, which took de-growth as its central theme.

The post Watch our talk about architecture and the circular economy for Dutch Design Week appeared first on Dezeen.

This week, we announced Dezeen Awards winners

This week on Dezeen, we revealed the winning architecture, interior and design projects for Dezeen Awards 2019.

Ten category winners were announced in each sector, including a shelter built by students for archaeologists in Peru in architecture, a 17.6-square-metre micro flat in Taipei in interiors, and a self-cleaning water bottle in design.

One of the ten category winners will be given the overall architecture, interiors and design project of the year prizes at the Dezeen Awards 2019 party, which is taking place in London on 30 October.

Atelier Liu Yuyang reuses old farmhouses to create boutique hotel in rural China

Other successful projects include a digitally designed and robotically fabricated structure in the design sector, and a black, 55-square-metre house in the Netherlands designed to look like a minimalist sculpture in interiors.

In the architecture sector, a boutique eco-resort situated among the rocky pinnacles of the Li River valley in China won hospitality building of the year, while a former locomotive shed that now serves as a public library won rebirth project of the year.

Modular boxes used by Extinction Rebellion are “protest architecture”

Elsewhere in architecture news, modular, plywood boxes were assembled by climate change activists Extinction Rebellion this week, to act as lock-on sites, towers and stages for the protests taking place across London.

The blocks were adapted from Studio Bark’s U-Build system, which were re-designed to be simple enough that complete novices can build them, with just one shape of box and an easier bolt system.

Mikhail Riches will “aim for zero carbon” in all projects after Stirling Prize win

London-based architect Mikhail Riches also fought for the planet this week, as co-founder Annalie Riches told Dezeen that they will only work on zero-carbon projects from now on.

The Stirling Prize-winner said that the practice was committed to improving the environmental performance of its projects after winning the UK’s top architecture prize for the low-energy social housing scheme, called Goldsmith Street.

“To end plastic pollution, we first need to eliminate language pollution”

Dezeen founder and editor-in-chief Marcus Fairs also drew attention to climate change, as he discussed how a lack of clear terminology is muddying the waters when it comes to sustainable projects, and hindering the real efforts of designers.

Terms like “sustainable”, “biodegradable”, “compostable” and “circular” are increasingly used as selling points without being fully understood, argued Fairs.

Therefore, in the absence of internationally agreed standards or laws, “to end plastic pollution, we first need to eliminate language pollution”, he said.

MoMA reopens following major renovation by Diller Scofidio + Renfro

Over in the US, New York’s Museum of Modern Art is set to reopen to the public after a major renovation by architecture firms Diller Scofidio + Renfro and Gensler.

The museum now features a new lobby, bookstore, cafe and several gallery spaces, expanding its layout by one-third.

MVRDV, Studio Gang and Henning Larsen unveil towers for San Francisco’s Mission Rock development

On the west coast, MVRDV, Studio Gang, Henning Larsen and WORKac announced this week that they have teamed up to design buildings for a San Francisco development called Mission Rock.

The new neighbourhood will span a 28-acre waterfront site on San Francisco Bay that is currently used as a car park, and will host a canyon-like tower by MVRDV and a twisting structure by Studio Gang.

Twisting brick columns support London terrace extension by Urban Mesh

Other projects that were popular with our readers this week include a Japanese timber-clad bungalow with hidden courtyards by Osaka-based practice Arbol, a London terrace extension supported by twisting brick columns, and an eRosary wearable-technology bracelet from the Vatican that tracks the user’s worship.

The post This week, we announced Dezeen Awards winners appeared first on Dezeen.

Daisy Newdick makes coffee from dandelions to promote biodiversity

Dandelion coffee Daisy Newdick

Central Saint Martins graduate designer Daisy Newdick has created an alternative to coffee using the roots of the dandelion plant.

Called Make Weeds Great Again, Newdick’s project aims to highlight the overlooked qualities of the common dandelion plant, which is often seen as an “unsightly weed that spoils the nation’s lawns”.

After discovering that, in the UK alone, people consume around 95 million cups of coffee per day, the designer was driven to find a local alternative source to the beverage in Britain.

As a result, Newdick created an alternative to coffee – that doesn’t require beans to be shipped from overseas – by roasting, grinding, and brewing the roots of dandelions.

Dandelion coffee Daisy Newdick

“In the West, and especially in cities, we take for granted the immense distances and complex supply-chains foodstuffs travel before they reach us,” the designer told Dezeen.

“Often, the social and environmental costs of mass-produced dietary staples are enveloped by convenience,” she continued.

“This is particularly true of coffee – a drink so embedded within western culture that the exploitation of workers, contamination of water supplies, and widespread deforestation accompanying the cultivation of it, are overlooked.”

“With increasing demand driving environmentally degrading practices, together with the impacts of the climate emergency, the future of this highly esteemed commodity is uncertain,” added Newdick.

Dandelion coffee Daisy Newdick

Newdick stumbled upon dandelions when researching edible weeds that could grow easily in the UK.

She found that the chemical inulin that is present in the thin skin around the surface of the root contains certain aromatic compounds that give a similar bitterness and chocolatey smell to coffee.

During this research she discovered that chicory – which is botanically related to dandelions – and burdock root can also be used as a substitute to coffee. She plans to use these to develop her project in the future.

According to the designer, the process of making dandelion coffee is very similar to conventional coffee, involving roasting, grinding, and brewing. The only vast difference is the cultivation.

She foraged for dandelions in gardens and fields, ensuring that no weedkillers were used, and that part of the root was left in the soil, so that more would grow the following year.

The best time to collect the plants is in autumn, when the roots have the highest concentration of inulin, granting more of a characteristic coffee taste and aroma when roasted.

After collecting, the dandelions are washed, chopped, and dried. Once dried, the roots need to be roasted, while the leafy tops can be used as compost.

Dandelion coffee Daisy Newdick

Newdick designed a roaster based on a rocket stove, with a hand-cranked rotating drum on top so that little fuel is needed to reach a high enough temperature.

An additional tray that slots over the roaster allows excess heat from the stove to be used to dry later batches of roots. Once roasted, the roots can be ground up and made into coffee.

By showing the different purposes that the dandelion can be used for, Newdick wants to encourage biodiversity in the UK, where there has been a 56 per cent decline in plant species populations since 1970.

The designer hopes that her hand-operated root-to-cup system will invite people to make their own coffee alternative from dandelion roots.

Northumbia university student Jamie Pybus also focused on the use of coffee in his graduate project. The designer developed a household kit that allows users to cultivate edible mushrooms using leftover coffee grounds.

Called Fungi Factory, the system encourages coffee drinkers to repurpose the grounds as a bed for growing oyster mushrooms in just one month, rather than throwing them away.

The post Daisy Newdick makes coffee from dandelions to promote biodiversity appeared first on Dezeen.

The quirky calendar designs of 20 A’ Design Gold Award-winning Katsumi Tamura

Lauded as the most awarded designer on the A’ Design Award roster, and even sitting on top of the World Designer Ranking with 13 Platinum Awards, 20 Golden Awards and as many as 44 awarded designs bringing his total to 218 points, Katsumi Tamura is a multiple award-winning Professional Designer from Tokyo / Japan specialized in Graphic Design. Tamura’s design awards go to his quirky calendars that don’t just sit on your desk, they adorn it. With a playful demeanor and an eye-catching appeal, Tamura’s calendars are functional works of art. Styled as everything from furniture to animals, to even buildings, Tamura’s calendars are designed to be interactive. They don’t just sit on your table for an entire year before being replaced with a new calendar. They add beauty and fun to your workspace, they encourage you to engage with them, examine them from all angles, and even show them off to other people.

With 44 A’ Design Awards among many other prestigious awards (including Red Dot, iF, and IDA Awards) under their belt, Tamura’s body of work really speaks for itself. His explorations with paper and the ability to turn something as mundane as a calendar into an objet d’art is remarkable. Tamura’s company good morning inc. has seen its fair share of exposure, courtesy these multiple awards. Scroll down as we dip into Tamura’s take on how to reimagine looking at dates on a piece of paper. Whether it’s Tamura’s laser-like focus in his domain, or Dr. Hakan Gursu‘s ability to span different design categories, A’ Design Awards provides a brilliant amount of diversity, catching projects from all walks of life, across countries, cultures, and design backgrounds. You can read more publications on the A’ Design Award by clicking here.

Click Here to submit your entries for the A’ Design Awards 2019-20 program! Last day to submit your work is the 28th of February!

Designer: Katsumi Tamura


The 2018 Tri-Leg Calendar by Tamura involves interlocking triangles that form a tripod-esque design that can either stack into one another, sit independently, or be propped vertically like a tall tower. The choice is yours!


The 2013 Town Calendar looks at architecture for inspiration, turning your days into a literal diorama.


The 2013 Rocking Chair calendar is one of my favorites! It uses the month-cards in a unique way where the passive cards sit where your cushion would be, while the active card rests against the structure to form the backrest, and face you as you look at it. You could try giving the rocking chair a push too!


The 2018 Puzzle Calendar uses various cuts in circular, triangular, and square-shaped cards to create a game where you can go wild by creating your own structural calendar. Just like each month is different, and your year is different from someone else’s, your calendar is unique too!


The 2012 Zoo Calendar takes your favorite animals from the zoo and transforms them into months on a calendar, turning your desktop into an urban attraction! We won’t judge you if you play with them while no one’s looking. We promise.


The 2013 Module Calendar is both fun and self-explanatory. It provides a framework for building your own vertical towers, much like LEGO. Create blocks or skyscrapers… the choice is yours.


The 2015 Arc Calendar was created for the YUPO corporation using their environmentally friendly synthetic YUPO paper, which is known for its remarkable color-representation properties. The calendar is printed on a single sheet and folded (no glue required) to form an arc-shaped design that introduces depth to create a foreground, middle-ground, and a background, making each month look like a 3D landscape.


The 2013 Farm Calendar builds on the success and the cute-appeal of the 2012 Zoo Calendar. It takes inspiration from various farm animals, realizing them into standing 3D prototypes with the month information etched on each animal’s torso. Don’t miss the adorable barn that comes with the set!


The 2018 Swing Calendar is perhaps the most inventive of the set, featuring an actual swing made out of paper. It relies on the same format as the 2013 Rocking Chair Calendar, but explores a type of furniture that is truly more eye-catching. And yes, you can interact with and push this one too!


The 2018 Windmill Calendar requires a bit of periodic assembly, with four fan blades that have the months printed on each of them. Rotate the windmill’s fan to make sure the active month’s blade is upright and easy to read. Give the fan a 90° rotation every month, and at the end of 4 months, just replace the fan element with another one that has the next set of months printed on it. It would make for a great desktop showpiece, wouldn’t it??

Click Here to submit your entries for the A’ Design Awards 2019-20 program! Last day to submit your work is the 28th of February!

Mexico City studios redesign 1940s house for Design Week Mexico

Mexico City architects and design studios have transformed a run-down villa into a design hub for this year’s Design Week Mexico.

Organised by México Territorio Creativo (MXTC), the Design House is a three-storey residence with rooms curated by local studios to showcase a range of talent and materials.

Design Week Mexico 2019

“Professionals in architecture, design and interior design are divided between the building’s spaces to turn them into a sample of different styles and trends, as well as a dialogue for creative cohabitation among firms,” said MXTC.

Renovation work was needed to update the home, as many of its rooms had been abandoned long ago and were falling apart. Its rear garden was replanted by Jardín Sustentable and the exterior of the house was painted a fresh coat of green, reflecting the Colour of the Year for 2020 as chosen by many paint companies including Dulux and Behr.

Design Week Mexico 2019

C Cúbica Arquitectos overhauled the central space on the ground floor with a hollow marbled pit and large light overhead. The studio is also the founders of the city’s design festival, and led by architects Andrea Cesarman, Emilio Cabrero and Marco Coello.

Also on the main level is a kitchen and living room designed by Lorena Vieyra of Vieyra Arquitectos, with several designs by Italian brand Cassina. These include upholstered, angular red chairs are by Gerrit Rietveld, a Veliero bookshelf and a leather Scighera sofa.

Design Week Mexico 2019

Adjoining it is a room that Verónica González of VGZ Arquitectura designed like a botanical library. Wood beams and shelves are filled with over 40 species of native Mexican plants.

A spiral stair leads upstairs, in addition to another stairwell painted with bright green steps.

Design Week Mexico 2019

On this level is a bathroom by Lucía and Andrea of Comité de Proyectos, with an oval terrazzo sink at in the middle, and rounded mirrors. Walls are textured cream and made of an ancient stucco from Mayans, called chukum.

Another room on the first storey also has earthen walls and chrome bars by Bernardi + Peschard Arquitectura. A terrace nearby has wood sculptures and sitting areas in a grey palette, created by Olga Hanono.

Design Week Mexico 2019

Another bedroom and living area were designed by GG Arquitectura, while MarqCó by Covadonga Hernandez took over a sitting room next to a rooftop patio with wooden pegs attached to a wall. Another room is coloured in mauve with spikey chandeliers by Studio Panebianco with Studio KAST and Thierry Jeannot.

On the second floor is a room without windows, designed like a courtyard with shimmery orange walls by Raúl de la Cerda Studio. The studio also created a gin lab next to it inspired in the Lost Generation of American writers who lived in Paris in the 1920s.

The room features teal walls painted by local artist Diego Beauroyre, custom velvet seating, marble, glass vessels and mirrors.

“It seeks to create a sensory experience for visitors, where the senses guide you through the aromas of the botanists, music, and the game of finishes, colours and textures taking them to a warm, calm and relaxed environment,” said de la Cerda.

Design Week Mexico 2019

A glass cabinet full of greenery was created by Mexican landscaper Pedro Sanchez and Polen Atelier de Flores florist.

On the top level of the house is a rooftop patio filled with outdoor couches, dining areas and two bars, designed by VA Studio, Legorreta and Alonso Arquitectos.

Design Week Mexico 2019

In addition to these studios, others to partake in Design House include Aplenosol, Ducolab, Anuar Layón, Foam, Grid, Luis Ramírez, Rhyzoma, Studioroca, Taller Maya, Uribekrayer, VFO Arquitectos and VGZ Arquitectura.

Major brands like Kohler, LG, Porcelanosa, Crest, Saint-Gobain, Chukum and Arauco were also involved.

In its 11th edition, Design Week Mexico (DWM) is a celebration of local designers, architects and artists in Mexico City, with several events held for their craft to be presented to the public.

Design Week Mexico 2019

This year’s design festival kicked off on 3 October with a party inside Design House, which is located at Aguiar y Seijas 140 in Mexico City’s Lomas de Chapultepec neighbourhood. It will remain open to the public until 27 October.

Other activities at this Design Week Mexico 2019 included two-day festival called Diseño Contenido, or Design Content, where designers showcased new works in shipping containers. Local studio Davidpompa unveiled a slender floor lamp and a small table lamp during the event.

Photography is by Alfonso De Bejar.

The post Mexico City studios redesign 1940s house for Design Week Mexico appeared first on Dezeen.

What if a specialized medical gadget could guide you through CPR?

Slightly more than half of the American population claims to know how to perform CPR. That means there’s roughly a 50% chance that a bystander would know how to resuscitate you. CPR First Aider aims at being able to increase those chances. Not only does it help people who don’t know CPR, it helps people who do know CPR to perform it efficiently. The CPR First Aider is an extensive kit that includes a breathing mask that automatically delivers oxygen while assisting the patient to breathe along with a CPR module that has 4 legs and chest straps to ensure stable, sustained and effective pressure to the patient. An LCD screen on the top guides you through the procedure, while also displaying the patient’s stats blood oxygen concentration and electrocardiogram in real time. Designed to fold into a compact device, the CPR First Aider could easily be stored anywhere a fire extinguisher could be placed. If used correctly and on time, the CPR method could help save lives and prevent trauma from hypoxia. The award-winning CPR First Aider concept helps pave a way to that future.

The CPR First Aider is a winner of the Red Dot Design Concept Award for the year 2019.

Designers: Fang Di, Li Pengcheng & Yu Yuanyi