Bureau de Change covers barn-style Cotswolds house with ombré effect charred larch

Long House by Bureau de Change

Architecture studio Bureau de Change has covered a Cotswolds house formed of a pair of interlocking barn-style buildings in brick and larch, which has been charred for a graduated effect.

Long House is comprised of two parallel volumes that appear pushed together so they overlap, merging internally to create a large living space overlooking a patio.

Long House by Bureau de Change

“We took the elongated forms of two 30-metre-long timber chicken sheds as the starting point for the new design,” Bureau de Change co-founder Billy Mavropoulos told Dezeen.

The chicken sheds used to occupy the site where the house now stands.

Long House by Bureau de Change

Both barns have been lent a distinctive character by their contrasting finishes, chosen to blend in with the surrounding landscape of the English countryside.

The materials are complimentary but contrasting – one heavier and with fewer openings, the other lighter and more open.

Long House by Bureau de Change

“The front barn has been built in dry stone wall by a local craftsman, chosen not only for its local relevance but also for its mass and muscularity,” said  Mavropoulos. “This facade is monolithic, with fewer openings to produce a heavier, solid volume at the front,” he added.

“As a counterpoint, the taller barn at the back is clad in a lighter-weight natural larch which has been charred to a deep leathery black at each window recess.”

Long House by Bureau de Change

These charred black strips  blend into the facade with ombré-effect edges, running the full height of Long House. The darker areas frame windows at both the ground and first floor levels.

Inside, simple white interiors frame views of both the patio and the surrounding countryside.

Long House by Bureau de Change

The two barns are loosely divided around their functions, and a small annexe sits alongside the main house.

Facing the road, single-storey brick volume houses a bedroom and studio for the artist who owns the house, giving greater privacy at a slight remove from the centre of the home.

Long House by Bureau de Change

To the south, a two-storey, wood-clad volume is occupied by a large living, dining and kitchen area at ground floor with bedrooms and bathroom above.

Where the two meet, a large cut into the lower barn was made to create space for the patio space with a tree planted at the centre. This terrace also cuts slightly into the taller barn, and is lined internally with copper.

Long House by Bureau de Change

Bureau de Change was founded by Billy Mavropoulos and Katerina Dionysopoulou.

The practice has recently completed several other projects in its home city of London, including a concrete extension to a home in Clapham and a mixed-use building in Fitzrovia with a “twisting” brick facade.

Photography is by Gilbert McCarragher.

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This penny-farthing hoverboard is a pretty old-fashioned piece of new technology!

The penny farthing was a notoriously difficult cycle to ride, given its disproportionate wheel size. The idea behind it was rather elementary, in that if you make the pedaling wheel larger, it covers more of a distance, giving you more speed. This was long before geared bicycles were even a concept. The penny farthing, although a pretty impractical bicycle framework, got memorialized simply for its memorable silhouette… and with Ye Jin Jung and PDF Haus’s latest hoverboard design, the penny farthing is brought back into the limelight!

The three-wheeled hoverboard comes with an old-world antique touch, but houses the latest last-mile transportation tech. A primary larger wheel on the front propels the hoverboard frontwards, while two smaller wheels at the back give it its penny-farthing-inspired aesthetic, while also lending the vehicle its stability. Given the hoverboard’s conceptual nature, there isn’t much information on how one would maneuver this automobile (I suspect it could easily be wireless-remote-controlled), but I do see headlights on the front of the penny farthing hoverboard, right above the front wheel, indicating it could be operated at night too!

Designers: Ye Jin Jung & PDF Haus

Everlane opens minimal Brooklyn store featuring painted brick and pale wood

Everlane Williamsburg store in Brooklyn

A large window punctures white-painted brickwork to reveal fashion brand Everlane‘s store in Brooklyn’s Williamsburg neighbourhood.

The 4,400-square-foot (409-square-metre) Everlane store in Williamsburg is the US clothing brand’s “largest store yet”, and doubles the size of its other New York store on Prince Street in Soho to create more space for shoppers.

Everlane Williamsburg store in Brooklyn

“We love our Soho location, but the lines can sometimes be a bit much,” said Everlane.

Everlane Williamsburg is an existing brick building that is painted white – a characteristic of the brand’s pared-back aesthetic.

Everlane Williamsburg store in Brooklyn

A 20-foot (six-metre) tall glazed facade marks the entrance of Everlane Williamsburg with glass, double doors that bring natural light inside. The interior decor continues Everlane’s “signature minimalist design” with a bright, white space paired with touches of wood and concrete floors.

A series of pale wooden volumes for displaying clothes fill the store, along with matching wood shelves and white racks. Decor includes Alvar Aalto‘s Stool 60 by his furniture brand Artek.

Everlane Williamsburg store in Brooklyn

At the heart of the store on the ground floor are 12 fitting rooms concealed behind pale grey curtains. A slatted wood wall flanks a corridor for the changing area, and a series of round, wood stools provide seating nearby.

The design of the store is intended to alleviate the congestion caused by people queueing to try on clothes, as well as those visiting and purchasing.

Everlane Williamsburg store in Brooklyn

With the text-to-try-on system, Everlane holds the products customers want to try on and sends messages via devices to signal when the changing room is ready. It works similar to a restaurant reservation system.

“We’re doubling the number of fitting rooms in our Williamsburg store, adding more checkouts, and introducing a brand new fitting room system: Save My Spot (Everlane SMS),” the brand said.

Everlane Williamsburg store in Brooklyn

At the rear of the store, on the main level, is an area dedicated to denim with three large graphics on the expansive wall overhead. A tree scales the double-height space and is surrounded by a blue cushion bench.

A staircase leads to the first floor, which is occupied by the brand’s first space dedicated solely to menswear. Smaller than the ground floor, it features glass balustrades on two of sides that overlook the front and black of the store below. Four changing rooms are also located on this level.

Everlane Williamsburg store in Brooklyn

Rounding out Everlane Williamsburg is a wooden check-out counter, placed near the stairs.

Everlane was founded in 2010 in San Francisco, where it also has a small showroom to accompany its headquarters and another store located in a historic building.

Everlane Williamsburg store in Brooklyn

The brand is striving to create more sustainable pieces, including Tread sneakers made from leather, recycled rubber and plastic bottles and coats and fleece sweaters also made from plastic bottles.

These initiatives form part of Everlane’s goal to eliminate virgin plastic from its supply chain by 2021.

Williamsburg is gaining traction as a shopping hub in New York City, and several other stores have locations here including Lunya, Supreme, Le Labo and Levi’s.

Photography is by Guillermo Cano.

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The Tipi snack dish is a playful way to serve up your finger-foods!

Bringing a bit of rustic and indigenous to your next dinner party, the Tipi is OTOTO’s take on a toothpick holding finger-foods plate. The plate resembles a plot of land, with a teepee tent right in its center, and the toothpicks sit right inside the tent’s open top, looking like the exposed wooden pieces that you’d often see at the top of a traditional teepee tent. The toothpicks are fanned out in a way that makes them easy to grab onto, and pick up the food around the tent with.

Designed by the ever-playful OTOTO, the Tipi snack dish is a part of their new collection, and can be pre-ordered from their website.

Designers: OTOTO & Lilach Eytan

Sutro’s floating pool-monitor lets you measure your pool’s alkalinity and chlorine levels

I imagine having a backyard pool is much more complicated than just pouring water into a pit. It needs to be periodically cleaned, chlorine-regulated, pH moderated, etc. Sutro’s Pool Monitor floats around your pool like a miniature buoy, keeping track of the water’s composition. It beams all this data right to your phone, allowing you to manage your pool efficiently. The floating monitor comes with a month-long battery life, and shares data to your phone, letting you know your pool’s pH level, chlorine level, and even the water’s temperature should you choose to use the Pool Monitor in a hot-tub. The Pool Monitor works even with pool-covers on, allowing you to use it throughout the year, and its partnership with a network of pool-maintenance companies lets you simply take charge of your pool by clicking a button to order the right materials and tools for your pools!

Designer: Sutro

Slatted stone encloses glass extension for Edmonton Symphony Orchestra by Andrew Bromberg

Winspear Project by Andrew Bromberg

Architect Andrew Bromberg at Aedas has revealed the design for an extension to the home of Edmonton Symphony Orchestra in Canada, featuring rounded glass walls wrapped by a slatted stone, and an elevated garden.

Winspear Project by Andrew Bromberg

Andrew Bromberg at international architecture firm Aedas designed the renovation for the home of the orchestra called Winspear Centre for Music, located in downtown Edmonton.

Winspear Project by Andrew Bromberg

The project will add a 30-metre high addition to house amenities and new spaces next to the existing cultural hub, which was built in 1997.

Bromberg’s design will measure 4,500 square metres and comprise three storeys complete with underground parking. It will feature a rectangular base and a glazed, square portion on top that meets with an elevated garden.

Winspear Project by Andrew Bromberg

A slatted roof will project outwards from the glass-enclosed main atrium, which features operable glass walls that open to the elevated gardens. The roof’s overhanging eaves will be used to shade the garden and naturally cool the foyer inside.

Winspear Project by Andrew Bromberg

The building will expand Edmonton’s music offerings to include a new, 550-seat music venue called the “Music Box”. The theatre will be on the second floor, and comprise a dark room with automated retractable seating.

Winspear Project by Andrew Bromberg

A childcare centre, music library and additional rooms for the concert hall, along with parking, will also be located at ground level.

Access to the existing Winspear building, which includes a 1,932-seater music hall, will be provided via a pathway on the first floor of the new structure. Areas for coat check, a bar, restrooms, lockers and offices for administration will also be located on this level.

Winspear Project by Andrew Bromberg

Bromberg designed the Winspear Project to make the most of local materials. The roof will be made from local stone, while walls inside the theatre will be constructed with local timber.

Winspear Project by Andrew Bromberg

Pale pillars will fill the airy atrium, as well as an elevated walkway that leads to the “Music Box”. Renderings white walls and curvilinear floors that are a combination of pale stone and wood.

Winspear Project by Andrew Bromberg

Canada’s government has contributed $48.6 million CAD (£29.9 million) to the project, while several million dollars are expected to be fundraised to meet the proposed cost of $65.5-million CAD (£39.9 million).

The building is expected to complete in 2022, as part the 25th anniversary of Edmonton’s Winspear Centre for Music.

Winspear Project by Andrew Bromberg

Bromberg designed the project on behalf of Aedas, one of the world’s largest architecture practices. The firm has designed several projects in China, including a skyscraper in Shanghai and an apartment building in Hong Kong.

In 2014, Aedas split its business into two to focus on “high-rise, high-density” projects, with its 13 offices in Asia, the US and Middle East under the Aedas brand, while its outposts in the UK, Russia, Poland and Kazakhstan relaunched under AHR.

Winspear Project by Andrew Bromberg

Other projects by Bromberg at Aedas are a jagged, plant-covered train station in Hong Kong, a Beijing shopping centre designed to be topped with fake snow, Singapore’s performing arts centre The Star and Nanfung complex in Guangzhou, China.

Renderings are by Aedas.


Project credits:

Client: The Francis Winspear Centre for Music
Design architect: Andrew Bromberg at Aedas
Executive architect: Stantec
Structural engineer: Stantec
Mechanical engineer: Arrow Engineering
Electrical engineer: ECCOM consulting Inc
Civil engineer: Invistec Consulting Ltd
Acoustical consultant: Arup
Theatre consultant: Arup
Landscape: Design North Landscape Architecture Inc

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Origami-inspired product designs that will simply transform your lifestyle!

You have to love origami for the creative freedom and empowerment it gives to humble materials like paper and leather. Using simple, intuitive yet strengthening techniques, origami is like a shot of superhero juice that transforms these products into super-products that fold, hold heavy weights and basically challenge your perception of the capability of that material! And let’s not forget, all this is happening under the beautiful and minimal approach ushered in by the nation that designed origami in the first place, Japan. So get ready to watch and be awed by this collection of designs that will surely transform and find a place in your everyday lives!

With the Imagiro, the carpet isn’t just a carpet anymore, but instead is an imagination-fueled origami art-installation that decorates your home (or even a hotel/retail space) in all three dimensions, displayed as a part of the Wayon showcase by EINA University of Design, Barcelona.

When packaged, the Fold wallet comes as an open, unfolded piece of leather, secured to a packaging board that also contains the instructions to assemble the wallet together. With two simple fasteners, the Fold wallet comes together, transforming from a flat piece of leather to an incredibly useful, classy, zero-compromise wallet that’s sure to spark conversation by Lemur Design.

The Polygons is the origami-like measuring spoon that lays flat and folds to 4 different sizes to fit your cooking and baking needs by Rahul Agarwal.

Crafted from environmentally friendly PVC and PP, the FODI is a nifty little stand for your tablet and smartphone. When flat, it measures a cool 1mm thick and uses the powers of Origami to fold open into a convenient stand that lets you dock your smartphone or tablet onto it at a convenient angle for watching videos, movies, or just regular video-chatting by Kade Chan & Kiho Satoshi.

This technique takes a spin on the everyday mechanism of contracting and stretching an origami structure to turn on the light! Designed by Yael Akirav, this ‘conductive origami’ came to life by 3D printing the conducting filament on fabrics.

The Bone Aid is a simple flat-packed board with a printed folding guide. The guide allows it to be folded in three different ways, making it an effective cast for elbows, legs or ankles by Yu-Chi Wang.

The Omotenasino Otomo employ an Origami-esque pattern, and their innovation lies in the treatment of the paper, which makes these dishes infinitely washable and reusable.

The pop-up booster for Bombol is the first fold and store away booster seat for toddlers. The pop-up is comprised of an origami structure which is incredibly strong and safe. How strong? The pop-up met both the international safety standard for boosters and even the standard for adult furniture, which meant pounding it with a 75kg weight over 20,000 times – and it still didn’t break, designed by Frederic Gooris for Bombol.

3box is a series of foldable boxes, which size and function can be adjusted by scaling the triangular 2d mesh by King Kong Design.

Setting out to design a motorbike that is indicative of Japan’s culture, spirit, and aesthetic, Artem and Vladimir designed the Motorbike for Great Japan. The motorbike’s design makes use of planar surfaces, reminiscent of samurai uniforms, and a body with an origami-inspired form.

Wendell Castle's First Posthumous Show Connects His Early and Late Works

The first posthumous exhibition dedicated to Wendell Castle opened at Friedman Benda last week, offering a rare opportunity to see the sculptural masterworks in person. Wendell Castle: A New Vocabulary is comprised of rarely seen work from the first and last decades of Castle’s 60-year career, a curatorial focus that creates fascinating connections between his earliest and final works.

The show brings together formative examples such as Walnut Sculpture (1958-59), seminal works such as Environment for Contemplation (1970), and new works that have never been shown before. The selections highlight his stack lamination process, a technique he was first introduced to as a teenager. Notably, Wendell never shied away from new technologies, and he embraced the possibilities of more efficient and accurate production through 3D scanning and CNC milling in the latter part of his career. He even affectionately nicknamed the six-axis CNC milling robot in his Scottsville, New York studio “Mr. Chips.”

“My vocabulary has always been organic; sometimes I think of it as actually growing from a seed or idea,” he reflected in 2017. This constant reinvention allowed him to continuously “produce furniture that makes life an adventure.” As design critic and contributor to the Wendell Castle Catalogue Raisonne Glenn Adamson says, his ability to invent new formal vocabularies and find ways of actually bringing them to life “in the seemingly restrictive context of furniture design makes his achievement all the more remarkable.”

A New Seeing, 2015

By focusing on the early and late work, the show juxtaposes “the two extended moments in Wendell’s career where he’s employing essentially the same techniques and essentially the same methods of making, but the outcomes are very different philosophically, technically, and formally,” gallerist Marc Benda explained to Architectural Digest. “Showing the vastness of Wendell’s thinking from two very specific periods should make everyone pause and realize just how big a contribution he made over 60 years.”

Wendell Castle: A New Vocabulary” will be on view through October 12, 2019.

Design Job: Put your best foot forward as a Senior Design for Lacrosse Footwear in Portland, OR

LaCrosse Footwear, Inc. is looking for a Senior Designer to join our creative team to produce and oversee digital and print creative projects. This person will need experience creating all forms of graphic design: digital/online, print and in-store, creative concept and campaign ideation, and the ability to move from big ideas down to detailed production executions. Part of this role will be to ensure that high quality creative pieces are on-brand and delivered on-schedule.

Candidates should ha

See the full job details or check out all design jobs at Coroflot.

Chinese ink paintings come alive in Apiwat Chitapanya's wax-cast furniture

Apiwat Chitapanya for Masaya ink furniture collection stools

Bangkok designer Apiwat Chitapanya has created a collection for specialist brass furniture brand Masaya that emulates Chinese ink paintings through the process of lost-wax casting.

Each piece in the Ink Collection – which consists of a dining chair, stool and bench – was first cast in a steel-backed wax mould in one of Masaya‘s workshops in Thailand.

Apiwat Chitapanya for Masaya Ink Collection chairs

In a process that dates back around five thousand years, these prototype moulds were then filled with molten brass and left to cool before the surrounding wax model is melted away.

To iron out any unevenness from the contraction of the cooling metal, each item in the Ink Collection goes through four to five rounds of prototype testing.

Apiwat Chitapanya for Masaya Ink Collection stools

Once the desired shape is achieved, the final pieces are scrubbed, patinated and polished to create the colours, which vary from gold to soft matte black or a combination of the two.

Chitapanya was originally fascinated by the free-flowing lines and the feeling of movement in Chinese painting, which is one of the oldest continuous artistic traditions in the world.

Apiwat Chitapanya for Masaya Ink Collection benches and stools in different colours and finishes

According to the designer, lost-wax casting was the perfect process to complement this: “The lines and structures are meant to resemble brush strokes, and wax casting makes it possible to create these moving lines.”

The results are sculptural – with the chair poised precariously on pointed stilts, and the stool and bench held up by sloping legs that seem almost fluid like the ink strokes created by a brush.

Apiwat Chitapanya for Masaya Ink Collection stools

For the chair and bench, upholstery was added in a range of contrasting colours and textures from velvet in teal blue to brown satin.

Just as Chinese ink paintings are distinguished by their harmonious rhythm and composition, Chitapanya hopes that users will be able to derive both sensory and aesthetic pleasure from the collection.

Apiwat Chitapanya for Masaya ink furniture collection bench

Other projects created using lost-wax casting include The Last Wax a series of 12 bronze objects by Anton Alvarez as well as Nicolas Erauw’s Chair T-006 from the Wax On Wax Off series, which is entirely dedicated to experimenting with the method.

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