Gensler, HDR and Luis Vidal propose wave-shaped terminal for Pittsburgh Airport

Pittsburg Airport Terminal by Gensler, HDR and Luis Vidal

Architecture firms Gensler, HDR and Luis Vidal have revealed a proposal for a new terminal at Pittsburgh International Airport, featuring an undulating rooftop and curved windows.

Billed as a “new gateway for the region”, the 635,000-square-foot (58,993-square-metre) terminal will encompass ticketing, baggage claim, a meet-and-greet area, security checkpoint, along with retail and various concessions.

Renderings of the trio’s proposed design show a T-shaped building, covered by a roof formed from undulating sections offset from one another. Windows are slotted in the gaps between to fill the terminal with natural light.

Pittsburg Airport Terminal by Gensler, HDR and Luis Vidal

Each of these portions of the roof extend over the sides of the building to rest on tree-like structures. This formation creates covered areas for the terminal drop-off points, with the building underneath completely glazed.

The update planned for Pittsburgh International Airport forms part of Allegheny County Airport Authority’s Terminal Modernization Program, which aims to offer better travel experiences in the region.

Gensler, HDR and Luis Vidal win contest for project

Gensler – which has a total of 48 offices across the world – has a host of experience in airport design. Past projects including new terminals at Wyoming’s Jackson Hole Airport, San Francisco International Airport and New York’s John F Kennedy Airport (JFK).

Madrid-based Luis Vidal + Architects, meanwhile, is behind London’s Heathrow Terminal 2 building and Zaragoza Airport in Spain.

Teaming with Omaha’s HDR, the firms were awarded the Pittsburgh project ahead of 10 others, after submitting to a request for proposals, issued by the airport last year. This is the first time the trio have revealed their concept for the new Pittsburgh International Airport terminal.

The scheme aims to offer a seamless passenger experience. The structure is intended to celebrate “technological advances”, as well as its surroundings in the city’s suburbs, according to Gensler.

“The design philosophy – NaTeCo – combines nature, technology, and community, as a nod to Pittsburgh’s location, its local residents, and their commitment to innovation,” said the firm. “The result will be a more modern, adaptable facility that truly reflects Pittsburgh and belongs to the local area.”

US cities make major upgrades to airports

Pittsburgh, Pennsylvania, is among a number of US cities that are making major updates to their airports.

Chicago is currently on the hunt for an architecture firm to design a new terminal at O’Hare International Airport, with Foster + Partners and Santiago Calatrava among the list of firms on the shortlist.

New York has plans for a new $1.4 billion terminal at Newark Airport and is in the process of completely replacing LaGuardia.

The city also recently updated the masterplan for the major overhaul of JFK, where the iconic Eero Saarinen-designed terminal has been transformed into a hotel. Gensler has also designed an animal terminal and a Jet Blue Terminal at the airport.

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A mini-backpack for your Mac!

The Fillit Pocket adds a tiny bit of extra functionality to your state-of-the-art laptop. It gives it a backpack of sorts to carry things like pens, pen-drives, power banks, or even hard disks. The Fillit pocket sticks to your laptop’s lid using repositionable glue (which means it can also be easily removed) and gives it a 7 x 3.5 inch pocket to store pretty much anything you want. A mouse, a stylus, a pair of airpods, anything you may need to carry around separately.

The Fillit Pocket helps bring convenience to your life if you’re the laptop-using kind. It gives your items a dedicated space, turns an empty patch of estate on your laptop’s lid into a useful pocket, and even allows you to have all your items attached to your work-machine all the time, even on the go!

Designer: Fillit Pocket

Click Here to Buy Now

Click Here to Buy Now

"Extreme architecture for other architects"

Comments update

In this week’s comments update, readers are questioning the thinking behind Gus Wüstemann’s concrete-heavy housing block.

Material matters: Zurich studio Gus Wüstemann has divided readers with its low-cost housing block, designed for the Baechi Foundation that boasts an abundance of concrete.

“I love concrete and this is wonderful,” praised Aigoual.

Duckusucker agreed: “Beautiful, textured, functional simplicity: well done!”

However, others thought it was self-indulgent, with Beartoe saying: “This is classic, extreme architecture for other architects. How, um, does one hang a picture on the wall?”

Blackout also raised a question: “Truly affordable, or affordable for young professionals and assorted hipsters who can already afford rents in city centres, but would prefer to spend a bit less?”

Regardless, this reader was impressed by at least one of the flats’ features:



What do you think of the apartment block? Join the discussion ›


Moncler Genius Pierpaolo Piccioli

Sleep wear: Milan Fashion Week saw Moncler unveil a polarising collection of padded full-length evening dresses, designed by Valentino creative director Pierpaolo Piccioli.

“Everyday would be a duvet day. Bliss,” wrote a delighted Interior Addict.

Sim was also complimentary: “A welcome change I guess for female stars. Finally clothes that will keep them warm on the red carpet.”

“Why are so many ‘creative’ designs totally incompatible with reality? It’s like designing a great car with no wheels,” said Hikoo, in contrast.

The Resistance was even less impressed: “Modern fashion is ugly and out of touch.”

One word was all this commenter needed to summarise their thoughts:



Would you wear a padded dress? Join the discussion ›


University of Toronto by Diller Scofidio + Renfro

Supersized: readers are horrified by the scale of Diller Scofidio + Renfro’s new campus building at the University of Toronto, which towers over neighbouring buildings.

“The gargantuan and completely inappropriate scale of this behemoth is frankly ridiculous. It’s like one of Terry Gilliam’s Monty Python cartoons – Bigfoot terrorises university campus!” argued Alfredhitchcock.

Jon agreed: “Scale is quite aggressive and the formal articulation is dated – would not be out of place in the portfolio of a less-talented studio.”

“If anything is worthy of erosion, it’s this fad of effing gimmicks,” continued Colonel Pancake.

Rob Swain added: “Everything about this is wrong, and it appears everyone on here agrees!”

At least this person was stunned:



Is “everything about this wrong?” Join the discussion ›


Saks staircase by OMA

Time to reflect: the decision to update Saks Fifth Avenue department store in Manhattan with an OMA-designed, multicoloured glass escalator, hasn’t gone down well with readers.

“They couldn’t afford to do anything more than iridescent film? Why even hire a firm like OMA if this all you are going to fund?” quizzed Davvid.

Idracula responded: “Iridescence – the solution to retail”.

“The 1960s are calling… they want their iridescence back,” continued Frank sarcastically.

Slime thought the design was particularly hilarious: “LMAO”

Whether this comment was ironic is up for debate:



Does the design elevate you? Join the discussion ›

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Foster + Partners' Red Hoek Point office development cancelled

Foster + Partners' waterfront office development for Red Hook, Brooklyn

A proposed office complex by Foster + Partners on Brooklyn’s waterfront has reportedly bitten the dust, and is to be replaced with industrial warehouses.

New York developer Thor Equities has pulled the plug on the 800,000-square-foot (74,000-square-metre) Red Hoek Point project, which British architecture firm Foster + Partners unveiled designs for in 2016.

The site close to IKEA was due to receive a pair of timber-framed buildings, and a landscaped waterfront public space by SCAPE, but is now earmarked for distribution warehouses according to The Real Deal.

What would have been Fosters’ first project in Brooklyn also included green roofs that employees could utilise, restaurants and retail at ground level, and a courtyard between the two linear structures.

Open floor plans and high ceilings were intended to entice tech companies and creative studios, in an area that was expected to rapidly transform with similar developments over recent years.

Construction had already begun on Fosters’ complex, but little progress was made. It remains unclear why Thor Equities has cancelled the work – the website for the development is still live – or how the revised proposal will be carried forward.

Dezeen contacted Foster + Partners and Thor Equities for comment, but is yet to receive a response from either.

Surrounded by water on three sides, location at 280 Richards Street was formerly occupied by a sugar factory – one of many industrial sites in the neighbourhood on the western edge of Brooklyn.

Elsewhere in the borough, where jobs in the creative industries are booming, locations like the Navy Yard and Industry City are offering similar workspaces to those initially touted by Red Hoek Point.

Foster + Partners might still be waiting for its first built project in Brooklyn, but the firm has plenty going on in Manhattan.

Work is almost complete on the skinny One Hundred East Fifty Third skyscraper in Midtown, and the firm has designed an office tower as part of the huge Hudson Yards development.

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YD Design Storm #15

The YD Design Storm takes a look at products, services, and spaces that are storming the internet. The idea? To turn internet-storming material into brainstorming material! Scroll down for our collection of handpicked works from design websites, portfolios, and social media. Get inspired, save projects, pin images, or share links with fellow design enthusiasts!

Watch this space for your digest of design brain-fodder… and an ever-evolving map of design trends!

Cage Archibird by Grégoire de Lafforest.

Perch Light by Umut Yamac.

PUMP table lamp by Kutarq for Woud Design.

Precarious series at MASA by Vissio.

Vases with stone by Martín Azúa.

Amble Hanging Seat by Tom Raffield.

 

Ferm Living releases "gender neutral" Toro play kitchen for small spaces

Ferm Living children's kitchen

Danish brand Ferm Living has created a minimalist play kitchen for children, which is designed to fit into small spaces.

Called Toro Play Kitchen, the children’s toy cooking station features a “gender-neutral” wooden colour palette with a cooking stove, a sink and space to store utensils.

The neutral-toned kitchen is designed to fit into the colour scheme of an adult home and not take up too much space in small dwellings.

Ferm Living children's kitchen

“We live in increasingly small homes, which poses new challenges and exciting opportunities that we must adapt our design-thinking to. Small spaces simply require new solutions and this goes for children’s accessories as well,” said Trine Anderson, founding partner and creative director at Ferm Living.

“We have designed a contemporary play kitchen that can be placed anywhere in the home. It takes up little space, allows for the childish imagination to run free, and with its neutral colour-palette it blends in,” she explained.

The minimalist kitchen is made from natural plywood and has a sink with a tap, two hot plates for “cooking”, three hooks on which to hang kitchen utensils and storage shelves below the “sink” and above the countertop.

Wooden detailing such as the nobs, tap and stove are made using lightly toned solid beech wood, intended to “make them stand out from the rest of the kitchen”.

Ferm Living children's kitchen

“The Nordic-inspired Toro Play Kitchen’s many utilities and gender-neutral colour palette invite both boys and girls to practice their cooking skills and to make up new, fanciful recipes,” said Ferm Living.

Kids’ toys and accessories are notoriously known for taking up a lot of space in the home. They are colourful, they are many, and they don’t always fit the overall apartment look,” explained the brand.

Many designers are creating products for compact dwellings, whether for children or grown-ups.

Last year, graduate Yu Li designed a portable kitchen aimed at kitchenless millennials, while Yesul Jang built a bed with storage capacity for people with limited space in urban dwellings.

The post Ferm Living releases “gender neutral” Toro play kitchen for small spaces appeared first on Dezeen.

Designers, this is how you make a backpack refreshingly different and beautiful

I write a lot about bags. It’s the nature of my job. It’s also the nature of my job to find the best in each bag and highlight it, making sure the reader who’s looking for that exact feature finds a bag that they’ll end up owning and loving. Every now and then I come across a bag with a nice feature. It’s either anti-theft, or it’s modular, or trackable, or just darn stylish, but the Wings bag by Wool & Oak is different.

Around 15 seconds into the video above, I knew I was looking at something simply different. The guys behind the Wings bag stumbled upon a model that just clicks. The bag’s a cross between a backpack and a duffle, and that makes it ambidextrous. This means the bag can easily be accessed by you from either side without you needing to take your backpack off just to unzip and access your belongings. Slide it off one arm and the backpack becomes almost like a duffle or a handbag, allowing you to access your belongings through zips on either side. The bag also has a vertical flap like traditional bags, letting you access your belongings the old-fashioned way too. This layout gives the Wings bag its appeal and also its name (because the bag’s side flaps open to form wings)

The Wings backpack comes with an incredibly lightweight design (it weighs less than a kilo) and sports an Italian leather construction all around, with a breathable fabric at the back that lets your skin breathe as you carry the bag around the city with you. The bag’s lined on the insides with a water-resistant and stain-resistant PU coated fabric and is spacious enough to carry all your gear, including but not limited to photography equipment. In fact it’s actually perfect for photography equipment, given how the side-access zips make it so easy to whip out your camera while on the go. The bag also comes with magnetic side pockets and a secret front pocket for your necessary belongings, and if all of that wasn’t enough, it also flattens out to make it easy to store and carry around with you.

Wool & Oak’s Wings backpack is refreshingly different just for the way it’s designed to be used. I’ve owned backpacks for decades now and each one has the same problem. You want a pen, you need to take the bag off your back, open the zip or the flap, and dig your head in as you search for a pen. The Wings backpack’s UX is much more elegant. Designed to be a backpack that can be used as a duffle when you need to instantly access your belongings, the Wings alters the unquestioned, virtually canonical blueprint of bag design… for the better.

Designers: Gizem Mut-Webster & Johnathan Webster of Wool & Oak

Click Here To Buy Now: $195 $345 (45% off). Hurry, Super Early Bird Special with Limited Stock.

Wings is ‘The World’s First Technical Leather Backpack’ with 12-in-1 versatility: Providing the functionality of a technical outdoor backpack and the premium style of a classic leather backpack. The bag can easily be accessed by you from either side without you needing to take your backpack off just to unzip and access your belongings.

Sling the bag to the side, open and access the contents.

Securely carry your drinks and other things, in the side-pockets that hold together magnetically.

Go from work to play!

Features of The Wings Bag:

Wings is the only everyday bag you need: It is super light, weighing only 0.9kg (that’s less than 2lbs and considered the lightest leather backpack in the market), versatile, accessible, and super comfortable.

The Wings features two full zip side panels, which allow you to access any of your items within seconds. It has 2 external magnetic pockets and 1 zippered front pocket that can safely hold your water bottle or phone and wallet. Inside, there are 4 dedicated pockets for meticulous organization.

The 20l capacity can generously hold an extra sweater, pair of sneaker or whatever you fancy throughout your day. The Climate Control Mesh on the back panel lets your back breath for those extra long days. The 3D Nylon Weave shoulder straps add comfort.

Colors Options:

Click Here To Buy Now: $195 $345 (45% off). Hurry, Super Early Bird Special with Limited Stock.

A Walk in Europe with Derek Beck

Après New York City, c’est l’Europe, que le photographe et réalisateur Texan Derek Beck a exploré. À la manière d’un documentaire, sa série toujours en cours « Walk_ », (démarrée en 2016), offre à voir différents pays tels que l’Italie, l’Espagne, la France, l’Autriche ou encore l’Allemagne. À voir, certes, mais aussi à entendre ! Lors de ses déambulations, la rue et l’environnement deviennent alors protagonistes et Derek nous propose une plongée dans l’atmosphère qu’il a pu y expérimenter. Une découverte sensorielle multimédia pour appréhender les photographies autrement. Dans son livre publié en janvier 2019, chaque photographie est accompagnée de son fichier audio, disponible en visitant le site internet dédié. Derek n’est pas prêt de s’arrêter à marcher puisque la Houston Art Alliance lui a octroyé une subvention pour poursuivre la série cet été au Texas et au Mexique. 

 









Organizing light bulbs

Good lighting in our homes is essential. We need light to read books, work on projects, and perform basic household tasks. The brightness and hue of the lighting we choose can change the look and feel of our home.

When I was growing up, most homes had incandescent light bulbs sometimes kitchens and workshops had fluorescent ones. Our choice of light bulbs was fairly limited. Today, however, there are many options including LEDs, compact fluorescent (CFL), halogen, and ‘smart’ bulbs that can change colors and turn on and off with voice commands.

Lowes Hardware has a great explanation of wattage, light output (lumens), and temperature (Kelvin) of light bulbs and a guide for choosing the correct lighting in your home. We encourage you to read their articles if you are unsure of what type of lighting and lightbulbs you need.

Personally, I prefer LED bulbs. They are energy efficient and are cool to touch. They do not contain mercury like fluorescent/CFL bulbs so they are easier to dispose of. With LED smart bulbs, you can dim or change the colour/hue. This is helpful because with the smart bulbs, one lamp can serve many purposes. You can increase the brightness and change the colour to cool white to easily see your sewing project then turn the brightness down and the colour to warm enjoy a relaxed ambience.

LED bulbs are expensive (especially the smart bulbs) compared to many other options however, if you gradually replace your regular bulbs with LED bulbs over time, the financial impact will be reduced. Because LED bulbs last for many years, you won’t need to replace them very often!

Unclutter light bulbs

Go around the house and collect all of the light bulbs you may have stashed in various closets and cupboards. Dispose of any lightbulbs that are broken, damaged, or no longer work. You may need to test some of them in a lamp. Remember that fluorescent and CFL bulbs contain mercury so you cannot throw them in the trash. The Environmental Protection Agency has advice on how to dispose of them responsibly and where to find local disposal facilities.

Separate the remaining light bulbs into categories. For bulbs of all the same size and shape, you could separate them by brightness and hue (wattage, lumens, temperature). You may have specific bulbs for specific fixtures so they could be in a separate category.

Store light bulbs

Light bulbs can be easily stored in the package they come in. If they ship from the warehouse to the consumer without breaking, that package is sturdy enough. Be sure to label the box with the type of light bulb and where it is used, for example, LED 60W soft white for ceiling fixtures in living room, hallways, bedrooms.

If you have uniquely shaped bulbs, such as those for outdoor floodlights or chandeliers, you could wrap them in packing paper and write on the paper the type of bulb and what it is for.

You can create your own lightbulb storage by gluing plastic or foam cups to cardboard sheets and stacking them in a bin. Professional organizer Linda Chu from Vancouver demonstrated this technique for storing Christmas ornaments but it would work equally well for lightbulbs. Re-purposing a cardboard bottle tote is an option too.

We store light bulbs in a small Rubbermaid tote, either in the original packaging so it is easy to see what the bulb is, or we wrap the bulbs in fruit net wrap that the local grocery store was going to throw in the garbage anyway.

Designate one spot in your home for light bulb storage. It could be in a basement or linen closet. When you remove the last bulb of a specific type from your storage box, remember to add that type of light bulb to your shopping list.

If you have any light bulb organizing tips to share with our readers, please feel free to leave a comment below.

Post written by Jacki Hollywood Brown

Lomography's Focus? Blurring the Line Between Professional and Casual Photography  

The Lomogon lens fits DSLR and SLR cameras and is suitable for wide-angle or portrait photography.

Daniel Schaefer was the youngest member of Los Angeles’s Magic Castle, a private magicians’ club with an exclusive guest list and a strict dress code. He knew some sleight of hand, but he spent more of his time there taking photographs, mostly using affordable vintage cameras instead of expensive new equipment. “I was 15, 16 years old, shooting a bunch of the other young magicians backstage getting ready for their performances, on really gritty Delta 3200 high-speed film, in these beautiful black-and-white noir scenes; the reality was that they were a bunch of goofy Santa Clarita kids playing cards.”

The pictures didn’t turn out perfectly, but that was kind of the point. The aberrations and imperfections forced him to understand his equipment and make artistic choices.

Schaefer didn’t follow the magician career track very far, but he’s carried the moody narrative approach and appreciation for vintage cameras into his professional photography practice and his work with Lomography, a company that makes vintage-inspired cameras. Their latest Kickstarter project, the Lomogon 2.5/32 Art Lens, promises a 32 mm focal length and a minimum focusing distance of 0.4 m, which allows for a healthy mix of cinematic close-ups and wide-shot scene setting, plus a rotating, round aperture for soft bokeh.

A portrait Schaefer shot with a Lomogon lens.

A chance encounter with vintage cameras starts a movement

Lomography was born in the early ’90s, when a group of Viennese students discovered LOMO LC-A cameras, and the delightfully saturated, vignette-like photos they produced, while traveling. Two of those students, Sally Bibawy and Matthias Fiegl, started casually importing them for friends, and eventually bought the former Soviet factory that made them to scale up their operations.

Lomography evolved from a nonprofit photography collective, exhibiting works and championing the “10 golden rules” of casual point-and-shoot photography, into an independent business that revives vintage-style lenses in original new designs.

Ten successful Kickstarter campaigns have kept them going strong, but their real lasting power comes from their products’ durability and distinct character. You can count on your Lomography equipment, but you don’t really know just how your shot will come out—and photographers love that.

“Most of the lenses on the market now have perfected image quality,” says Lomography marketing and PR manager Birgit Buchart. “We saw there was an opportunity to bring people back into embracing the aberrations you get in historic lenses.”

“I think the big difference is that we’re not trying to figure out the market fit, we’re just passionate film photographers,” adds Lomography USA’s general manager Frank Dautant. “We go with whatever we feel is fun, we release what we think will be most exciting for photographers.”

Now that anyone can take a perfect picture, photographers look for happy accidents

“I tend to shy away from the tradition of modern photography to have this sort of crisp cleanliness to it,” Schaefer explains. “I like to dirty it up a little bit, I like to have a cinematic element, I like to frame things wide and show the scene and the subject, and make all of those pieces come together to show a little bit more story, make it more cinematic. The vintage optic designs Lomo brought back feel more naturalistic and loose; there’s more attitude and more flavor.”

A Lomogon photo by Julia Grandperret.

The Lomography team hears this from many of the photographers they work with: The oppressive sameness of the polished shots on Instagram and in product photography drives them to play with imperfections.

“Back before photography, people would paint super naturalistic depictions of reality,” Buchart says. “Then, once photography was invented, all of a sudden you didn’t have to do that, and impressionist and surrealist painting emerged. I think that is what we are seeing in photography now. Everyone gets sharp, perfect photos on their phone every day. For people who are actually interested in photos, that gets boring. And when people move over to film, we want to encourage them to feel that it doesn’t have to be the perfect photo, it’s more about working through trial and error and embracing the emotion of the medium.”

Amateurs are welcome

Lomography’s products have always fallen somewhere between casual and professional use. On the one hand, their “golden rules” encourage people to experiment and see what happens. But Lomography also speaks to enthusiasts who want to explore the medium more deeply.

The Lomogon, Lomography’s first wide-angle lens for SLR cameras, fits comfortably in that in-between space. “It’s exciting because it combines the professional world and the original Lomography community,” says Dautant. “It’s a revival of the LCA lens that was on the Soviet cameras that started the whole Lomography movement. We’re bringing the lens from this fun, tiny camera to the art lens world. So we have professional photographers who want to try out a new lens for their camera and also the normal community of old-fashioned film photographers who can now have the aesthetic of that camera on a professional level.”

The Lomogon lens

“The Lomogon is a really nice balance,” adds Schaefer. “If you want to be a better photographer, shoot with a wider lens than you expect. Something like a 35 or a 28 forces you to get a little bit closer to your subject; it forces you to have more of an intimate relationship between the camera, the lens, the subject, and the space. You inherently have to be closer to fill the frame. It really feels like the human eye, the space the eye can see. The 32 range gives this immediate sense of the balance between the scene and the subject that I really like.”

The Lomogon 2.5/32 Art Lens is live on Kickstarter through March 22, 2019.