Snøhetta and Heatherwick Studio unveil designs for Sidewalk Labs' Toronto neighbourhood

Quayside at Sidewalk Toronto by Snøhetta and Heatherwick Studio

Alphabet’s Sidewalk Labs has tapped Thomas Heatherwick‘s studio and architecture firm Snøhetta to develop proposals for the smart, mass-timber city that the company is developing on Toronto’s waterfront.

Renderings by Snøhetta and Heatherwick Studio were used to illustrate a document outlining the updated concepts and proposals for Sidewalk Toronto, a project under development by Sidewalk Labs – a subsidiary of Google’s parent company – and partner Waterfront Toronto.

Quayside at Sidewalk Toronto by Snøhetta and Heatherwick Studio
The Sidewalk Toronto update features a visual by Snøhetta that depicts two high-rises linked by a curved structure

Released 14 February 2019, the Project Update focuses on the development of the 12-acre (9.5-hectare) Quayside neighbourhood at Parliament Slip – east of the city’s Downtown area on the edge of Lake Ontario. The site makes up a small portion of the Sidewalk Toronto’s scheme, which was first unveiled last year and billed as a “future city”, and is intended as a test bed for later expansion.

Advancing on Sidewalk’s August 2018 update of the parcel, which revealed plans to construct buildings from local and renewable Canadian timber, Snøhetta and Heatherwick Studio’s designs are all wooden.

Quayside at Sidewalk Toronto by Snøhetta and Heatherwick Studio
Snøhetta has also designed an interior courtyard detailed with a gridded wooden construction

Visuals by Snøhetta include an exterior image of a pair of high-rises linked by a curved structure. While their uses are not explicit, it is likely the buildings could form part of the housing that Sidewalk Labs plans to include in the new town.

These include models of co-living for singles and purpose-built family dwellings, as well as affordable housing totalling 80 per cent of the accommodation – much more than the average 26 per cent provided in Toronto developments. The amount would also be four times that typically offered in a waterfront development.

Quayside at Sidewalk Toronto by Snøhetta and Heatherwick Studio
Heatherwick’s proposals include a design for Google’s Canadian HQ

Snøhetta’s interior view reveals an exposed gridded wooden construction that outlines a courtyard, showcasing one of the many public arenas intended for the site. A large tree grows up the centre, while translucent screens offer glimpses inside the buildings.

Meanwhile, Heatherwick Studio has produced designs for the Google Canadian headquarters at the site, following the firm’s work with BIG on the tech company’s new California campus and London HQ.

The Sidewalk Toronto HQ, which is intended to bring more Google jobs in the eastern waterfront, features a sunken circular courtyard topped with a bubbly roof, and curvilinear wooden balconies and a bubbly roof.

Similar organic forms can be found in Heatherwick’s proposal for another courtyard and a waterfront complex, where buildings are fronted with rounded, slatted balconies. Depicted in snowy conditions, the waterside site also features the “building coats” that would be drawn over to protect the woodwork from harsh weather conditions.

Quayside at Sidewalk Toronto by Snøhetta and Heatherwick Studio
Curvaceous balconies front the proposal by the British studio, which spills onto the waterfront

Heatherwick Studio has also developed the Innovation Centre, which Sidewalk Labs intends as a hub for startups and tech companies.

Sidewalk Toronto, which was first unveiled in October 2017, aims to address many urban issues – like affordable housing, traffic congestion and safety, and environmental problems – with smart designs. Sidewalk Labs urban planner Rohit Aggarwala said it could provide a model for cities to use the latest technologies in urban design, in an interview with Dezeen last year.

Quayside at Sidewalk Toronto by Snøhetta and Heatherwick Studio
Heatherwick Studio has also developed a scheme for the Innovation Centre, intended as an incubator for startups

Following this ethos, the company chose mass timber construction for the neighbourhood to provide an example of an affordable and sustainable built environment. The cradle-to-cradle construction forms part of a wider environmental strategy, along with comprehensive recycling and composting systems, and underground, robotic trash disposal.

The wooden construction would also support the Canada’s timber industry.

The first visuals for the Quayside project were completed by Michael Green Architecture – the firm behind the largest mass-timber building in United States. These explored two types of engineered wood: cross-laminated timber (CLT) and glue-laminated timber, also known as Glulam, which are both significantly stronger than standard wood.

The proposal includes public spaces that are built “modular kit of parts” so that they could easily be rearranged for different uses. Other forward-thinking details in the proposed neighbourhood are the integration of autonomous vehicles and the introduction of larger curbs.

Quayside at Sidewalk Toronto by Snøhetta and Heatherwick Studio
The duo’s designs focus on the development of the 12-acre (9.5-hectare) Quayside neighbourhood at Parliament Slip

In the latest update, the team developed plans for sourcing data from residents living in the neighbourhood. This had formed a point of contention for many, particularly after the Facebook–Cambridge Analytica data scandal, which saw data allegedly used to influence voters in political campaigns.

However, the revised scheme suggests the establishment of an independent Civic Data Trust, which will de-identify all personal markers before using the data.

The post Snøhetta and Heatherwick Studio unveil designs for Sidewalk Labs’ Toronto neighbourhood appeared first on Dezeen.

B-School Bonuses

UPPERCASE magazine issues and book projects that featured B-Schoolers from 2018.

UPPERCASE magazine issues and book projects that featured B-Schoolers from 2018.

When you use my affiliate link to register, you’ll also receive these UPPERCASE B-School Bonuses:

  • A one-year subscription/renewal to UPPERCASE, the quarterly print magazine.

  • Jot down your a-ha moments in a custom planner created by 2018 B-School alumnus Crystal Ink for UPPERCASE.

  • Complimentary membership to the UPPERCASE Circle, a gathering place for the creative & curious subscribers of UPPERCASE magazine.

  • Access to the private UPPERCASE + B-School community and discussion board for focussed conversation and support from Janine and your fellow B-Schoolers and Alumni.

  • Online group video calls and weekly B-School chats with Janine to ask questions and share your progress with the encouraging UPPERCASE B-School community.

  • The opportunity to pitch your ideas or business concept to be published in UPPERCASE magazine and books.

  • Access to UPPERCASE e-courses to be released in 2019.

UPPERCASE + B-School private discussion and learning space.

UPPERCASE + B-School private discussion and learning space.

Get an UPPERCASE subscription or renewal when you sign up for B-School through my  affiliate link !

Get an UPPERCASE subscription or renewal when you sign up for B-School through my affiliate link!

Join B-School

B-School Bonuses

UPPERCASE magazine issues and book projects that featured B-Schoolers from 2018.

UPPERCASE magazine issues and book projects that featured B-Schoolers from 2018.

When you use my affiliate link to register, you’ll also receive these UPPERCASE B-School Bonuses:

  • A one-year subscription/renewal to UPPERCASE, the quarterly print magazine.

  • Jot down your a-ha moments in a custom planner created by 2018 B-School alumnus Crystal Ink for UPPERCASE.

  • Complimentary membership to the UPPERCASE Circle, a gathering place for the creative & curious subscribers of UPPERCASE magazine.

  • Access to the private UPPERCASE + B-School community and discussion board for focussed conversation and support from Janine and your fellow B-Schoolers and Alumni.

  • Online group video calls and weekly B-School chats with Janine to ask questions and share your progress with the encouraging UPPERCASE B-School community.

  • The opportunity to pitch your ideas or business concept to be published in UPPERCASE magazine and books.

  • Access to UPPERCASE e-courses to be released in 2019.

UPPERCASE + B-School private discussion and learning space.

UPPERCASE + B-School private discussion and learning space.

Get an UPPERCASE subscription or renewal when you sign up for B-School through my  affiliate link !

Get an UPPERCASE subscription or renewal when you sign up for B-School through my affiliate link!

Join B-School

This USB-C To Lightning Cable Gives Your Apple Device Superpowers

Unless you’ve been living under a rock, you’d know that the USB-C standard is one of the biggest and best things to happen to consumer gadgets. The port is universal and is capable of doing quite a lot, including both power and data transfer. USB-C can power anything from a smartphone to a laptop, is capable of much higher data transfer speeds, and probably the most important feature yet… fast charging.

Companies are eager to jump onto the USB-C bandwagon, with big players like Griffin, Belkin, and Anker making announcements at CES of their future plans to release their own cables, but I see no point in waiting for them, because the Cascade USB-C Cable to Lightning Cable is Apple MFI approved, and more significantly, it’s here.

The Cascade Cable is a conveniently long, rugged, woven cable with a Lightning connector at one end and a Type C connector at the other. It may seem like quite a simple cable, but it’s capable of a lot. For starters, unlike the USB cable that comes in the box along with the iPhone, the Cascade Cable lets you connect your phone directly to your MacBook by plugging it into the Type-C port. This allows you to charge your iPhone without having to look for a spare plug point (a legitimately difficult thing in my household), and also lets you perform data transfers between your MacBook and your iPhone. However, if you’re intent on looking for a plug point, and you will want to at some point, the Cascade Cable comes with an optional adapter that lets you conventionally plug the iPhone into a power outlet and harness the cable’s fast-charging property that promises to top off your entire phone in just above an hour. That’s twice as fast as the out-of-the-box charger you get with the iPhone.

The Cascade Cable’s USB-C connector gives it a rather interesting third advantage. You can now plug your iPhone directly into the new iPad Pro. The iPad Pro 2018 boasts of a ‘charge your iPhone’ feature, allowing your phone to draw power from your iPad, so whether you’re at a coffee shop, a bus, or anywhere without a power outlet, your iPad Pro, in its infinite uses and capabilities, also serves as a power bank for your iPhone.

Designed to serve its purpose to the best of its ability, the Cascade Cable is a whopping 6 feet in length and has a rugged woven exterior that promises to last MUCH longer than most Apple cables. The woven design also prevents the Cascade Cable from getting tangled up, a problem smartphone users are all too familiar with. To ensure they’re the kind of cables that aren’t just about function, the Cascade Cable come in a variety of eye-catching colors, making them vibrant, great to look at, and incredibly easy to spot in a crowded backpack. And with that, I rest my case.

Designer: Eastern Collective

Click Here to Buy Now: $22 $29.99 (26% off). Hurry, less than 24 hours left!

Cascade Cable – fast charge your Apple Devices with Apple MFI Lightning to USB C Cables. They make dongles redundant!

The Cascade Cable features Apple’s brand new c94 Chip, which allows third party manufacturers to now produce Lightning to USB C cables. The new chip c94 also now enables Fast Charging through USB C for select iPhones and iPads. This means you will be able to charge your device up to twice as fast when using a Cascade Cable and 18w charger compared to the cable and charger that comes with your iPhone.

cascade_cables_for_apple_02

Whether you are heading out the door in 15 minutes or you have an hour to grab a charge, get more out of your battery with the Cascade Cable.

Since Apple switched their Macbook line to strictly USB C ports, thousands of Apple users were forced to use dongles to connect their iPhone when using the cable that came in the box. It’s time to ditch the dongles!

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The Cascade Cable withstands more bending as you use it with your devices. The wear and tear during your daily routine is minimal and they remain tangle free unlike the white plastic chargers!

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The Cascade Cable features the signature rugged woven design. Each cable is wrapped in a tough nylon fabric material to add additional durability.

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The Cascade Cable is 6-feet long, which is two times longer than the Lightning Cable that comes with your iPhone.

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Whether you are on the go, charging at home, or powering up at the office – always have the perfect size cable for any situation!

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Protect your iPhone with your favorite case and still fit your Cascade Cable without having to remove it to keep charging!

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The Cascade Cable features four vibrant colorways with unique patterns. Pick the colorway (Admiral, Galaxy, Anchor and Black Magic) that best fits your style or simply get one of each.

Click Here to Buy Now: $22 $29.99 (26% off). Hurry, less than 24 hours left!

The M-Wall is probably the first wall with a user experience

The M-Wall combines technology, beauty, and a user experience. Taking wall paneling and turning them into products/experiences, the M-Wall actually makes the wall a series of services, rather than a blank canvas. The soft, rounded paneling looks incredibly friendly, and hosts everything from clocks, thermostats, televisions, cabinets, lighting, speakers, and soft-boards, helping the wall transition from space to form.

The M-Wall conceptually isn’t completely new. Kitchens have for a long time come with products built flush into walls, allowing the entire cooking space to look clean, rather than be a cornucopia of appliances. The M-Wall takes that idea, bringing it outside the kitchen and into the living room, arguably in a way that’s absolutely refreshingly new. Its aesthetic interpretation is completely different from the silver metallic panels of integrated kitchen appliances. The M-Wall looks soft, calming, organized, functional, and I’m quoting Marie Kondo here, sparks joy!

The M-Wall is a winner of the Red Dot Design Concept Award for the year 2018.

Designers: Lin Chengyou, Tong Zhiqiang & Wang Fuyang.

Sphero's BB-8 Rolled into Robot Fame. Their RVR Prototypes Open Up a Much Wider Universe of Possibilities.

Sphero’s RVR prototypes expand on the functionality that made their BB-8 bot a household name.

Late one night in 2015, the Sphero team gathered in their Boulder, Colorado, offices to watch Star Wars Celebration Live, a 30-hour live stream hyping the first new Star Wars movie to come out in 10 years.

The team knew something other fans didn’t: this would be fans’ first look at BB-8, a lovable new droid character. Disney had licensed their team to make it, but no one had spoken publicly about it. To their surprise, Star Wars producer Kathleen Kennedy jumped the gun and hinted at the toy release in the broadcast.

“Our Twitter started blowing up right away,” Sphero cofounder Adam Wilson recalls. “We were like, ‘Um, this is gonna be much bigger than we thought.'”

It was. They went on to sell hundreds of thousands of units in just a few days, and the BB-8 toy became the coveted holiday gift of 2015. Wilson estimates that no other company, aside from iRobot, the maker of the Roomba, has made more robots.

The BB-8 bot made Sphero famous.

The explosion of interest proved to be a crash course in how to make indestructible robots that connect to just about any smartphone. But when Wilson looks back at his first product, he concedes that “all you can really do is turn it a color and then drive it around.”

Today, as his team shares a first look at their new RVR prototypes on Kickstarter, Wilson is excited to show how much more his latest robot can do. Newbies can still easily set up straightforward commands, but as they get more advanced, they can also attach and run third-party hardware like a Raspberry Pi, micro:bit, or Arduino, using RVR’s durable, reliable engine for creative applications like autonomous metal detection, battle bots, environmental sensors, or place-based musical instruments. “Chances are, if you can hack it, RVR can do it,” they say on their project page.

RVR is designed to host a wider range of creative uses.

Born of open-source principles, simplified to be classroom-friendly

When Wilson and his cofounder Ian Bernstein first started work on Sphero in 2010, they knew they wanted to make robots that kids and experts alike could take apart and make their own. “We had this rule that no matter what we did, we would make this product hackable. It had to have an open API. Nintendo and Microsoft, with XBox, they keep everything so locked up. We always wanted to make hackable robots that you could really program.”

The problem, they realized, was that not very many people cared to do that hacking. Or maybe the problem was that not many knew how to do that hacking. “So we decided that the best place to start was educational robots,” Wilson says.

Smartphones were becoming ubiquitous, and all kinds of “Internet of Things” inventors were experimenting with connecting physical devices to apps. Their concept for the original Sphero bot was a small rolling light-up ball that you could program and direct from your phone. They positioned it as an educational tool and sold it to classrooms in sets of 12.

“There’s something really satisfying about that instant gratification where on the screen you say, ‘Go forward, then stop, then turn red,’ and the robot does that in real life. We saw kids change from saying, ‘I don’t like technology,’ or ‘I don’t like robots or computers,’ to ‘I might want to be a programmer.'”

Robots themselves aren’t as exciting as all the things you can do with them

The team had a hypothesis that their earliest models quickly confirmed: most kids don’t care about the hardware or software, they want to see what they can do with the thing.

The Sphero Edu app lets users code in JavaScript or drag and drop different functions with block programming, but maybe more importantly, it includes a “community” tab where anyone can share projects and experiments they’ve run, from lesson plans that teach geography to games built around the colored lights. Teachers have uploaded more than 2 million programs on everything from coding to circulatory systems to color theory to buoyancy.

“We see our robots as a canvas,” explains product manager Ryan Burnett. “We’re not selling you hammers and saws, we’re showing you how cool it is to build your own deck. ‘It transforms your backyard! You can do this yourself! And you’ll need a couple of skills and tools along the way, but you’re building a deck, isn’t that cool?’ At the end you feel so accomplished.”

Gender-neutral toys are important, but a sparkling Star Wars personality proved irresistible

The Sphero team originally liked the idea of creating a gender-neutral robot that all kids could relate to, explains Wilson. Seeing how most robots are tailored to appeal to boys, he thought it was important to be inclusive. But testing Sphero with kids, the team quickly realized that those who played the longest all had one thing in common: they named their robots.

Luckily, the team didn’t have to chew on this challenge for too long. Sphero was part of the Techstars accelerator, a prestigious startup support system that had recently penned a deal with Disney. “We had no idea that when we showed up the first week, we would meet Bob Iger,” Wilson says. “He pulled up a picture on his iPhone—he had a model no one had seen before because he’s on Apple’s board—and he pulls up this picture of BB-8 and J.J. Abrams on set. He was like, ‘Could you guys make one of these?’ We were like, ‘Uh, yes. That’s what we do. Robot balls.’ We made one that night.”

Making millions of Disney bots: a crash course in building for everyone

The Disney deal gave Sphero an adorable—and conveniently androgynous—personality to play with. It also forced them to scale up their production faster than they ever thought they’d need to.

After Disney surprised them with the early announcement of the forthcoming BB-8 toy, Wilson called their account manager and asked how many they should expect to sell. “They were like, ‘Well, this is unprecedented, there’s never been anything like this… Millions?’

The word ‘millions’ had not been in the plan for us. It was a quick panic, like, ‘Dude, we need to start fundraising this week. How are we gonna buy all the materials to make these?'”

They needed more material, more factories, and more test units for all those factories. They got some fast venture capital funding, and expanded their team of about 40 people to about 160.

Their next concern was quality control for all those units. Fortunately, they had always built the Sphero bots to be durable and simple enough for classroom setup. “A lot of teachers who are now assigned to teach code never learned code in school themselves. When they have a whole classroom of students to guide through lessons, it’s disruptive to deal with malfunctions or reassembling broken parts,” Wilson points out. They kept the unit simple to set up to accommodate instructors and parents who might not have any robotics experience.

But still, scaling production from a few thousand units to several million forced them to tighten up the product and make it compatible with more smartphone models; even a low rate of error would now mean a tsunami of customer support tickets. “Star Wars forced us to be universal,” Wilson says. “We made millions of robots, and we got really confident in our ability to make robots that won’t break.”

Rolling forward with a new product and hardier hardware

Wilson is glad he started with a relatively simple product. “The crappiest thing about robots is the mechanics part of it, in almost everybody’s opinion,” he says. “So much of the time, you build something, but once you tell it to move forward, it doesn’t go in a straight line.”

By the time he made millions of BB-8 robots, he finally felt he had the mechanics down—and he was ready to get more ambitious with a new model.

The team started prototyping the RVR as a more adaptable open-source tool that could let users dream up wilder robot missions, “without getting stuck in the weeds of Kalman filters and loops and all this funky stuff,” Wilson says. “RVR just goes right where you say, and it’s very simple to deal with.”

The prototypes they’re putting on Kickstarter have Sphero’s impeccable location and movement accuracy, but also add all-terrain tank treads that can navigate arcs, climb inclines, and make precise starts and stops. A color sensor on the bottom lets the robot read and respond to the world around it. And a port hooks up to more advanced hardware like Raspberry Pi, micro:bit, or Arduino boards.

“We intentionally made it look pretty neutral, even though it does have this cute little face, and we put a restrained but diverse suite of sensors in it just to get you started. But we wanted to make a platform that gave the community the freedom to tell us what the robot should be,” explains product manager Burnett. “If we’re doing our job right, the robot disappears into the background. It’s all about what you’re accomplishing, what you’re creating, or the problem you’re solving.”

He’s started testing it out with Sphero engineers and kids in Boulder, and he’s already seen RVR put towards an impressive range of uses: a solar power monitoring device that scouts out the sunniest spot in your classroom or home, a musical instrument programmed to play particular notes as it rolls over different colors of construction paper, a mobile weather station, a safe-box that delivers notes to friends who know the secret code to receive them, a companion who goes to sleep when it senses it’s on the color programmed to be its “bed.”

RVR‘s color sensors allow for creative applications like playing a particular note every time it rolls over a certain color. 

RVR will use the same app as Sphero, which has a community tab where users can share all these ideas. And the programs made for Sphero, while simpler than what can be done with RVR, will already be there to get new users started.

“We see people doing crazy stuff with just a robotic ball,” says Burnett, “so we’re really excited to see what they’ll do with this whole world of open hardware.”

—Katheryn Thayer

Sphero is live on Kickstarter through March 21, 2019.

California's Desert X returns with colourful and provocative installations

Sterling Ruby's installation for Desert X 2019

Installations set against the arid landscape of California‘s Coachella Valley for the Desert X biennial art festival include a huge orange block and a rainbow-like arch.

Artists including Sterling Ruby, John Gerrard and Pia Camil have participated in the second edition of Desert X, which opened earlier this month, following the inaugural event in 2017.

Sterling Ruby's installation for Desert X 2019
Sterling Ruby’s Specter (also main image) is one of several dotted around the Coachella Valley as part of this year’s Desert X

Spread across the valley east of Los Angeles, famed for the annual Coachella music festival, the installations and sculptures offer moments of colour, pause and reflection in remote locations – from Palm Springs to the Salton Sea.

One of the boldest statements is American artist Ruby’s monolithic fluorescent orange block, titled Specter. The cuboid volume creates a gap in the mountain vistas, alluding to an edifice or an apparition, and is coloured like a safety warning.

“The bright, geometric sculpture creates a jarring optical illusion, resembling a Photoshopped composite or collage, as if something has been removed or erased from the landscape,” said a project description.

Superflex's installation for Desert X 2019
Dive-In by Superflex comprises blocks with a coral-like texture and colour

Also using coloured blocks, Danish collective Superflex’s Dive-In sculpture is a reminder that the valley was once underwater. Four cuboids are arranged in a Stonehenge-like fashion, with surfaces akin to marine coral in both texture and tone, and the structure occasionally acts as a venue for film screenings.

“Dive-In merges the recognition that global warming will drastically reshape the habitat of our planet with another more recent extinction: the outdoor movie theatre,” a project description said.

Pia Camil's installation for Desert X 2019
Lover’s Rainbow by Pia Camil has a twin on the other side of the US-Mexico border

Mexican artist Camil has installed one of two arches, formed from rebar and painted in rainbow hues, close to Rancho Mirage. The other is located on the other side of the US-Mexico border, in Baja, and the Lover’s Rainbow project is intended to shed light on current immigration policies.

A giant video screen erected by Irish artist Gerrard plays footage of his black-smoke flag – a digital simulation he produced in 2017 to highlight the threat of carbon dioxide levels in the earth’s atmosphere.

John Gerrard's installation for Desert X 2019
Footage of John Gerrard’s digital simulation Western Flag mirrors the real time of day

The Western Flag footage is set against a barren oil field in Spindletop, Texas, and is aligned with the times of the day so it plays sunset at the same time as the real surroundings.

“The simulation has no beginning or end and runs by software that calculates each frame of the animation in real time as it is needed,” said a description.

Julian Hoeber's installation for Desert X 2019
Julian Hoeber built his Going Nowhere Pavilion #1 using concrete breeze blocks laid out as a Möbius strip

Terracotta-toned breeze blocks – some punched with circular holes – form a pair of oval-shaped paddocks that Julian Hoeber has built side by side.

Katie Ryan has made an industrial-looking palm tree with translucent fronds that move in the breeze, while Ivan Argote has placed sets of concrete steps to provide elevated views of the landscape.

Katie Ryan's installation for Desert X 2019
Katie Ryan’s Ghost Palm echoes the natural flora in an ethereal interpretation

A total of 18 artists and groups have contributed to the biennial. The others include Armando Lerma, Steve Badgett and Chris Taylor, Cara Romero, Cecilia Bengolea, Eric Mack, Gary Simmons, Iman Issa, Mary Kelly, Nancy Baker Cahill, and Postcommodity.

The Desert X installations are on view from 9 February to 21 April 2019. Visitor information is available from hubs in Palm Springs, Palm Desert and Indio, as well as online.

Ivan Argote's installation for Desert X 2019
With Ivan Argote’s A Point of View staircases, visitors gain an elevated vantage of the Salton Sea

Last year’s participants included Phillip K Smith III, who placed reflective poles in an arc, and Doug Aitken – whose mirrored cabin for Desert X was recently reinstalled in the Alps.

Photography is by Lance Gerber, courtesy of Desert X.

The post California’s Desert X returns with colourful and provocative installations appeared first on Dezeen.

By the numbers

Proof that B-School worked for me—and how returning to my roots as a solo entrepreneur was the best decision I could have made.

Since taking B-School in 2014, I’ve taken a personal approach to my communications and marketing and I’ve embraced a forthright and honest style in my writing. I share quite a bit with my readers and go into detail about how and why I make decisions (like this: “When You’re Supposed to Say Yes“). I’ve talked about the struggles I’ve faced in my business. This is an approach that Marie Forleo teaches in B-School: communicating with one’s customers should be a service to them. And so I offer my own perspectives, realizations, trials and errors with you so that you might also benefit from my failures and join me in celebrating the successes. I’m transparent with my business.

But I don’t often share the numbers.

I’ve generated a sales graph from Shopify, from when I started selling online (October 2007) until the end of last year (December 2018). From the very early days of e-commerce, selling artwork, greeting cards and handmade paper goods online, to the release of the first issue, the birth of my son… the graph tells the story of UPPERCASE’s growth as a company and me as an entrepreneur.

You can see that there was an immediate positive effect on sales once I started taking B-School. Click the image to enlarge. (To view even more annotations and detail, click  here .)

You can see that there was an immediate positive effect on sales once I started taking B-School. Click the image to enlarge. (To view even more annotations and detail, click here.)

The magazine had modest growth in the early years. I had help in my retail space for a number of years, and with being a new mom and trying to grow my publishing company, I assumed the logical thing would be to hire more help for the magazine. As online sales were steadily increasing month over month and I was closing the retail location to concentrate on publishing, I brought on some employees specifically to manage orders and subscriptions. In 2012, I had a marketing manager, too. We were a nice little team for a while, but as you can see on the graph, there was no growth. Monthly sales were stagnating and the team and I weren’t meeting the minimum monthly sales quota required to keep the ship afloat.

Desperate for a solution to keep my beloved publishing business alive, I used my credit card and enrolled in B-School. I started implementing what I was learning right away. I was scraping the bottom of my line of credit and faced running out of funds to pay my considerable print bills. As the sole earner in the family, UPPERCASE was the only thing supporting my family. I had to lay everyone off and forego my salary. I call it my big “reboot.” I pulled the plug on my expectations of what a “real” publishing company looked like and returned to my roots: just me. (A few years later, with our son in school, my husband Glen took on customer support part time.)

Regular readers will know I’m a hard worker, but I never worked harder than that year following the reboot. The spikes in the graph are a testament to the extreme effort I put into kicking UPPERCASE into a profitable company. Without the burden of other people’s salaries, plus monthly growth in online sales, I was very quickly out of the financial hole. And soon, UPPERCASE was turning a profit. And it continues to do so.

Taking B-School—and more importantly, taking B-School to heart—was the catalyst that I needed to put my company on the path to profitability.

Making a profit has never been my primary business goal. My goal all along has been to create a business that can sustain itself, that can fund my creative ideas and contribute to a global community of kindred spirit creatives while supporting me and my family. 

“RUNNING A PROFITABLE, VALUES-DRIVEN BUSINESS CAN PROFOUNDLY CHANGE THE QUALITY OF YOUR LIFE.”

When the stress of basic survival is gone, there is space for joyful creating and innovating within your business.

B-School encourages an approach to business that is big-hearted and socially conscious. You can see that exemplified in UPPERCASE. Since B-School, I’ve given away hundreds of free subscriptions to folks who need a creative boost and can’t otherwise afford to subscribe. I’m donating 10% of proceeds from sales of Little U magazine to UNICEF ($4,800 was donated in 2018) and with every subscription or renewal, I plant a tree. (We’re at 4,766 saplings and counting!)

say yes to b-school

Meeting with Agathe & Lorraine Sorlet, Illustrators

Jumelles et illustratrices, on retrouve chez Agathe et Lorraine Sorlet une similarité tant dans leurs traits physiques que graphiques. Passionnées par le dessin depuis leur enfance, les soeurs Sorlet croquent quotidiennement l’Amour, les Femmes, Paris (les bisous, les câlins et les chats !), avec humour et bienveillance. Un regard tendre, un style naïf et coloré qu’elles développent ensemble, toujours plus fortes à deux.

Agathe et Lorraine vivent de leur passion et revendiquent fièrement cette liberté de pouvoir faire ce qui leur plaît. Sur Instagram, elles ont chacune conquis une communauté qui trouve un peu de douceur et de tendresse dans leurs univers artistiques.


Bottines Minelli

D’où venez-vous ?
Paris

Vers quoi courez-vous ?
Nous courons vers les belles rencontres, les voyages, les nouvelles expériences !

Avec qui marchez-vous jour après jour ?
Nous marchons toutes les deux main dans la main.


Sandales et derby Minelli

Comment décririez-vous votre démarche en 3 adjectifs ?
Affirmée, joyeuse et colorée

Qu’est ce qui fait que vous vous activez le matin ?
L’odeur des tartines grillées.

À quel moment de votre vie avez-vous eu le sentiment que vous vous affirmiez ?
Le moment où nous avons fait de notre passion notre metier.

Qu’est-ce qui fait accélérer votre cœur ?
Un nouveau projet excitant ! Et l’amour bien sur.

Sur quel terrain encore inconnu aimeriez-vous vous aventurer ?
Un projet de livre en commun !

Que soutenez-vous ?
La cause des femmes.

Où aimez-vous le plus déambuler ?
Dans les rues de Paris au printemps.








Exploring Corals’ Beauty with Aude Bourgine

Initiée en 2014, la vibrante série «Poumons des Océans» de l’artiste visuelle française Aude Bourgine met en lumière la poésie du corail à travers des sculptures étincelantes.

Façonnées à l’aide de matériaux récupérés (textiles, perles, paillettes), ces oeuvres souhaitent venir susciter «le sentiment d’émerveillement pour la nature qui nous entoure et le désir de la protéger», souligne l’artiste qui explique se sentir coupable depuis toujours de la manière dont l’humain traite son habitat naturel.

Consciente de notre empreinte néfaste sur l’environnement, l’artiste décline ici la beauté des coraux, essentiels à la survie de l’écosystème océanique. Une série aussi épatante qu’engagée, qui nous rappelle que l’art réfléchit de plus en plus à notre responsabilité écologique.

Crédit photos: Fred Margueron.