Trio of post-communist countries on Mies van der Rohe Award shortlist for first time

Mies van der Rohe 2019 Shortlist

Buildings in Albania, Serbia and Slovakia have been shortlisted for the prestigious Mies van der Rohe Award for the first time.

The presence of buildings in new countries with the potential to win Europe’s most prestigious prize is proof of the “new agenda” of architecture in Europe said the jury.

Re-centring discussion “keeps architecture alive”

Awarded biannually, the prize is given to the best example of European architecture completed in the last two years by a European architect. It is named after Ludvig Mies van der Rohe, the German-American who was at the vanguard of modernist architecture in the 20th century.

Mies van der Rohe 2019 Shortlist
Skanderbeg Square, by 51N4E. Photo by Filip Dujardin

“The 40 works highlight a new agenda that asks for new ways of thinking,” said jury chair Dorte Mandrup, founder of Danish practice Dorte Mandrup.

“Excellence and skilfulness are inherent in all of them, but this is not enough; it is necessary that they also make an impact and make architects themselves think differently about the profession,” she added.

“It is very refreshing to see how the architectural debate moves around Europe, changing its centre of discussion from one place to another over the years. This keeps architecture alive.”

Architecture in post-communist countries recognised

Selected from 383 nominations by a jury of seven that included George Arbid, Angelika Fitz, Ștefan Ghenciulescu, Kamiel Klaasse, María Langarita and Frank McDonald, the shortlist includes projects from 17 European countries.

Mies van der Rohe 2019 Shortlist
Adaptation of the former factory Mlynica, by GutGut. Photo by Jakub Skokan a Martin Tůma

Albania, Serbia and Slovakia, post-communist countries in Eastern Europe, have projects shortlisted for the first time in the awards’ history.

Brussels-based 51N4E was shortlisted for its redesign of Skanderbeg Square in the Albanian capital Tirana. Serbian architect Dejan Todorović for his reconstruction of Belgrade’s Museum of Contemporary Art, and Bratislava-based studio GutGut for a Slovakian factory conversion.

Museé d'arts de Nantes, France, by Stanton Williams
Nantes Museum of Art, by Stanton Williams Architects

Architecture is no longer about “the most chic and shiny” said cultural theorist Fitz, instead it “is really about improving our lives and the way we live together.”

British architecture snubbed ahead of Brexit

No UK buildings are among the 40 shortlisted for the 16th edition of Mies van der Rohe Award, and only one British architect has been recognised. The Stanton Williams-designed Museum of Arts in Nantes is the only piece of British-designed architecture in the running for Europe’s most important architecture award.

High profile projects on the 2019 shortlist included BIG’s LEGO House and ALA Architects library in Helsinki.

LEGO House, by BIG. Photo by Iwan Baan

Five finalists will be announced on 13 February, and the winners ceremony will take place on 7 May at the Mies van der Rohe Pavilion in Barcelona.

Last year NL Architects and XVW Architectuur won with their revamp of 1960s slab apartment block in Amsterdam.

Read on for the full list of all 40 finalists by country:


Albania
› Skanderbeg Square, by 51N4E

Austria
› House of Music Innsbruck, by Erich Strolz
› Aspern Federal School, by Fasch & Fuchs Architekten
› Performative Brise- Soleil, by Studio Vlay Streeruwitz

Ryhove Ghent office by TRANS architectuur
Ryhove Urban Factory, by TRANS

Belgium
› Residential care centre, by Architecten de Vylder Vinck Taillieu
› PC Caritas, by Architecten de Vylder Vinck Taillieu
› Ryhove Urban Factory, by TRANS
› De Krook library, by Coussée & Goris Architecten

Germany
› Residential and studio building at the former Berlin flower market, by Ifau
› Terracehouse Berlin, by Brandlhuber + Emde

Stadiums of 2018
Streetmekka Viborg, by EFFEKT

Denmark
› Streetmekka Viborg, by EFFEKT
› Hammershus Visitors Centre, by Arkitema Architects
› LEGO House, by BIG

Estonia
› Arvo Pärt centre, by Nieto Sobejano Arquitectos

Garciagerman Arquitectos design cactus centre in Madrid
Desert City, by Garciagerman Arquitectos

Spain
› Life Reusing Posidonia, by IBAVI
› Civic Centre Lleialtat Santsenca, by H Arquitectes
› Plasencia Auditorium and Congress Centre, by Selgascano
› Desert City, by Garciagerman Arquitectos
› House 1413, by H Arquitectes
› Solo House, by Office Kersten Geers David Van Severen

Finland
› Helsinki Central Library Oodi, by ALA Architects

Theater in Freyming-Merlebach by Dominique Coulon & Associés
Théodore Gouvy Theatre in Freyming-Merlebach, by Dominique Coulon et associés

France
› The Perret Hall – Cultural Centre Francois, Atelier d’architecture Pierre Hebbelinck. Photo by Brix
› Nantes Museum of Art, by Stanton Williams Architects
› E26 School Refectory, BAST
› Théodore Gouvy Theatre in Freyming-Merlebach, by Dominique Coulon et associés
› Transformation of 530 dwellings, by Frédéric Druot Architecture, Lacaton & Vassal architectes, Christophe Hutin Architecture
› ENSAE Paris Tech, by CAB Architects
› Lafayette Anticipations, by OMA

Ireland
› St. Mary’s Medieval Mile Museum, by McCullough Mulvin Architects
› 14 Henrietta Street, by Shaffrey Architects

Visitor center park Vijversburg, by Studio MAKS with Junya Ishigami

Italy
› M9 Museum District, by Sauerbruch Hutton
› Prada productive headquarter, by Canali Associati
› Musis Sacrum, by Van Dongen-Koschuch

The Netherlands
Visitor center park Vijversburg, by Studio MAKS with Junya Ishigami

Poland
Silesia University’s Radio and Television department, by BAAS arquitectura, Grupa 5 Architekci, Małeccy Biuro Projektowe

Department of Radio by Grupa 5 Architekci
Silesia University’s Radio and Television department, by BAAS arquitectura, Grupa 5 Architekci, Małeccy Biuro Projektowe

Portugal
Lisbon Cruise Terminal, by Carrilho da Graça

Romania
› Restoration, refurbishment of the headquarters of the order of architects of Romania, by Starh
› Occidentului 40, by ADN Birou de Arhitectura

Serbia
› Reconstruction of Museum of Contemporary Art Belgrade, by Booto, Dejan Todorović

Slovakia
› Adaptation of the former factory Mlynica, by GutGut

The post Trio of post-communist countries on Mies van der Rohe Award shortlist for first time appeared first on Dezeen.

Dezeen Weekly features an ultra-high-resolution photo and a banned sex toy

195-gigapixel photo of Shanghai allows viewers to zoom in on street-level detail

The latest edition of our newsletter Dezeen Weekly features a birds-eye-view photograph made up of 195 gigapixels and a sex toy for women that was controversially banned from CES for being “immoral”. Subscribe to Dezeen Weekly ›

The post Dezeen Weekly features an ultra-high-resolution photo and a banned sex toy appeared first on Dezeen.

Pentagram deconstructs Slack's hashtag logo in rebrand

Slack rebrand by Pentagram

Pentagram has adapted the logo of workplace messaging system Slack into a pattern of speech bubbles and lozenge shapes as part of a rebranding effort.

Slack enlisted graphic design agency Pentagram to create a more simple version of its octothorpe symbol launched in 2013 – one that could be easily assigned to different uses across its branding.

Slack rebrand by Pentagram

“In the course of lots of conversation, I learned that their original branding elements were never quite thought through as a system,” Pentagram’s Michael Bierut told Dezeen. “And although in the aggregate they created a general feel of ‘Slackness’, in the details there was a huge amount of consistency.”

“And this was only going to get worse as the company continued to expand,” he added.

Slack rebrand by Pentagram

Bierut worked on the project with Slack founder and CEO Stewart Butterfield, and the company’s in-house design and brand team. Together, they aimed to maintain elements of the hash, or pound, symbol because it plays an important part in the platform – it is used to signal the start of individual projects.

The redesign uses the four diagonals of the original mark as a starting point, but new elements include a pill shape and a droplet motif. The latter is intended to resemble a speech bubble as a reference to chatting.

“We took their familiar hashtag and deconstructed it,” said Bierut, who led the project from Pentagram’s New York office.

“After lots of trial and error and going back and forth with the Slack team, we arrived at something that would be distinctive even in one colour, recognisable at small sizes and on any platforms, consistent in all applications, and a starting point for lots of variations going forward.”

Slack rebrand by Pentagram

The pill and droplet shapes are paired together to create four sections, arranged around a central point.

“The pieces of the symbol are separate but come together, very much the way we do when we collaborate and communicate on the Slack platform: the forms are meant to look as if they’re at once woven together, and bursting open,” said Bierut, who also led Pentagram’s rebrand of car company Vroom.

Slack rebrand by Pentagram

Another key aspect of the redesign was reducing the set of 11 hues on the old branding to four primary colours: red, yellow, green and blue. Slack’s accent “aubergine purple” is maintained as the backdrop and on the left-hand column of the messaging platform.

Slack, which has so far updated its phone and computer apps with the new logo, plans roll out the new design across its website and advertising soon.

Slack rebrand by Pentagram

The company is headquartered in San Francisco but has opened offices worldwide, for which it has typically enlisted local architecture studios to oversee the interiors. Snøhetta designed Slack’s New York workspace, while ODOS Architects created timber and concrete interiors for its Dublin outpost.

Slack’s other recently opened offices include a Leckie Studio-designed space in Vancouver, and another in Toronto designed by Dubbeldam Architecture + Design.

Established in 1972, Pentagram provided an obvious choice for Slack’s rebrand with a number of major rebrands under its belt. The agency’s recent overhaul of Mastercard involved dropping its name from the logo, while a stencil-style supergraphic was created ICA Boston.

The post Pentagram deconstructs Slack’s hashtag logo in rebrand appeared first on Dezeen.

Peter Li’s Marvelous Architectural Pictures

« Grâce à mes images, j’espère apporter des fragments de fantaisie chez les spectateurs. En les encourageant à faire un pas hors de leur réalité », révèle Peter Li. Ce photographe autodidacte basé à Londres a commencé à prendre des clichés lors de la naissance de sa première fille. « Comme beaucoup de papa, je voulais documenter ce moment, alors que famille grandissait », ajoute-t-il. Si l’artiste a toujours eu un penchant pour l’architecture classique, il n’a jamais songé à la photographier, avant 2015. « J’ai rencontré deux photographes en herbe qui ont partagé avec moi leur passion pour l’architecture. Grâce à leur inspiration, j’ai appris à être attentif à la symétrie, à la composition et au travail de ligne ».

Depuis, Peter Li réalise des images grandioses et inspirantes, à travers le globe. « À Londres, nous avons toutes sortes d’architecture. On trouve souvent des joyaux classiques parmi les gratte-ciel modernes. Cette passion je la dois aussi à la ville dans laquelle je vis. Et puis, je cherche aussi l’inspiration dans des peintures, des films et des jeux vidéos. Je joue depuis tout jeune et je pense que ça a eu un grand impact sur mon travail ».

Retrouvez ses clichés sur sa page Instagram : @pli.panda















 

Five more major trends shaping Product Design

00 title

Last week we walked through the 5 major trends shaping product design. The trends covered there speak of the current positivity wave, with most people looking to live a more wholesome, fulfilled life. In part 2 of this series, Ryan Chen (Director of Design & Innovation Strategy at the Bressler Group) talks about five more points he considers pivotal in shaping up the future of product design.

Looking to hire a talented designer? Post a job with us to source the best talent for your requirement.

Want an amazing internship or job opportunity? Check out YD Job Board to work at some of the best design companies in the world.


02 image

The Five Global Megatrends I wrote about last month touched on a number of fundamental shifts in consumer and social trends, and their implications for design. The picture they painted was of a more pared down, meaning-focused world, where just enough is better than too much, focus is better than distraction, and well-being trumps getting ahead.

But they only paint a partial picture of what the next decade is going to look like — there’s also a lot changing in the way we communicate with each other, our ability to impact the world around us, and our expectations for products and services to understand and adapt to our needs. To get a full understanding of what’s going to change in the next five to ten years, and how brands and organizations need to change in order to stay relevant, you need to go deeper.

These next five megatrends plumb the depths of identity, community, and meaning, revealing some sky-high expectations from consumers, but also an increased willingness to form lasting relationships, especially with communities (and products) that treat us as individuals rather than just wallets or eyeballs.

03 image

6. Radical Personalization

Never before has it been so easy or cheap to personalize products and experiences. Where bespoke and highly targeted offerings were once reserved for the wealthy and sophisticated, such customization is now commonplace, for everything from laptops and athletic shoes to vacations and medical advice.

Part of the appeal is function: a personalized product satisfies your specific needs more completely and efficiently than a one-size-fits-all alternative. But the emotional aspect is perhaps even more important. If you want to build a true connection between consumer and brand, there’s nothing more direct or more certain than giving them something unique, that shows you know them and understand their individuality like no one else does.

What’s driving this trend?

  • Digital services are naturally easier to customize (digital stickers in social media, recommendations based on browsing history, etc.), pushing consumers to expect higher levels of personalization offline as well.
  • Technologies like 3D printing and rapid prototyping make customized products feasible to produce at scale, at far lower cost than in the days when personalized automatically meant made-by-hand.
  • An explosion of available data means the information needed to create a personalized product or service has already been gathered. All the customer needs to do is give permission for it to be accessed.

What does this imply for design?

  • Customization still often comes at a premium, so target niche users who stand to get the most out of it. IKEA’s user-specific 3D-printed chairs, for example, are aimed specifically at the hardcore gamer crowd.
  • Seek personalized offerings that reinforce your brand direction. Nestle’s Wellness Ambassador service does this by using customer-supplied genetic data to make diet and supplement recommendations, in keeping with its pivot in recent years away from sweets & snacks, and toward health-conscious living.
  • Recognize the difference between pragmatic and emotional personalization: it doesn’t always have to provide technical benefits. Candy store Lolli & Pops, for example, uses facial recognition to alert sales associates when VIP customers enter, giving them a list of preferences and allergies so they can make more personalized recommendations.

04 image

7. Search for Authenticity

More abundant, more probing media and the rise of fake-everything means consumers rarely take things at face value anymore. And in an era when anyone can publish content, there’s no reason to rely on the traditional sources for our information. All of this makes it much harder for brands to convince consumers that they’re for real.

“Symmetry of Information” is one of the most promising responses to this skepticism: the idea that customers should know as much about the brand as the brand knows about them. While marketing campaigns are often met with skepticism, a clear window into the workings of the company is hard to dismiss, especially if it comes with a shift in policy, away from misleading images, statements or practices.

What’s driving this trend?

  • A social media and political climate in which traditional sources of reliable truth are increasingly seen as untrustworthy.
  • Cynical corporate practices around environmental responsibility and labor practices are harder to hide, leading to declining faith in once-trusted brands.
  • The rise of small, socially conscious startup brands and citizen media are giving real alternatives to traditional commercial and media channels, and an opportunity for consumers to find new brands that more closely resonate with their own values.

What does this imply for design?

  • Give consumers a little credit — they don’t necessarily need every video, photo and testimonial to be flawless. Suave’s “Hair You Can Believe” campaign and Dove’s “No Digital Distortion” mark, for example, both attract followings among customers tired of unattainable standards of beauty and perfection.
  • Look inside your organization for qualities to celebrate externally. Fashion brand Everlane has built a huge loyalist base (and grown 100% annually for five years now) by exposing every detail of its business, from manufacturing costs to tours of the factories where its clothes are made.
  • Invite real customers to participate in marketing messages. Lush Cosmetics now sources spokespeople from among its “superfan” customers, who make up in enthusiasm and authenticity what they might lack in adherence to traditional norms of photogeneity.

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8. Connection/Disconnection

For decades, technology and telecommunications has worked relentlessly to give us more access, more information, more communication — and now it seems we’re victims of their success. Bandwidth is so cheap and communication channels so abundant today that choosing when and how to be connected has become a treasured capability.

Increasingly, this means services that make connection easier with the right people or information, while providing more fine-grained control over who we interact with, when, and in what context. In some cases, it can also mean disconnecting, as evidenced by the proliferation of “digital detox” vacations and device-free events.

What’s driving this trend?

  • Smartphones, connected devices, ubiquitous WiFi, dozens of messaging and sharing apps, all conspiring to keep us communicating non-stop, whether we like it or not.
  • Increased competition in digital services means one size no longer fits all. Consumers can choose the platforms that make the most sense for their situation and desired communication modes.
  • Greater awareness of the downsides of constant connection. The latest research identifies developmental effects of too much screen time on kids, as well as the emotional burden of being “always on”.
  • Increasing social isolation, as younger generations delay marriage and move more frequently than their parents. This has created a critical mass of digitally-savvy solo consumers, eager for connection but wary of unmoderated interactions.

What does this imply for design?

  • Consider offering alternative versions of existing products and services, to address different styles of browsing and communication. Dating apps are a good example, with a landscape that includes image-first (Tinder), conversation-first (Taffy), women-first (Bumble) and algorithm-driven (Match, OKCupid) approaches — each of which has a loyal audience.
  • Look for new ways to serve solo customers, by connecting them with each other to share costs and experiences in a curated way. Co-working spaces like WeWork and ridesharing apps like UberPool make this effortless and relatively secure.
  • Create services that put a moderation layer between strangers who still need to communicate. Airbnb and eBay have been doing this for years; more recently, apps like MoveCar allow residents of Chinese cities to leave virtual notes for their neighbors, asking them to move vehicles without fear of awkward or dangerous interactions.

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9. Empowered Individual

The line between consumer and producer has been blurring for years, with newly democratized tools for producing and publishing content, and communications platforms that allow entire new movements to spring up practically overnight. For companies this can be a two-edged sword: empowered individuals can be tremendous marketing allies, merciless critics, or even upstart competitors.

Many brands are seizing on this fluidity as a source of ideas and a way to activate their customer communities. It’s still early days though, and a poorly executed customer engagement effort can easily come across as a cynical attempt to exploit authentic social connection for commercial gain.

What’s driving this trend?

  • Social movements are exploding, from #MeToo and grassroots political campaigns to environmental protests and pro-housing YIMBY activism. More than just making noise, they’re affecting real change in the lives of millions — including consumers.
  • User reviews are so credible and so easy to leave that they’ve largely supplanted marketing and professional reviews, for everything from restaurants to taxi rides to people’s homes.
  • Powerful, easy-to-learn tools have transformed a wide range of creative endeavors, making tasks that once took a roomful of seasoned professionals achievable with a laptop or smartphone.
  • Investment and commerce have been democratized too, with crowdfunding and sales platforms designed for broad access, and blockchain promising to remove the need for central controlling authorities in many transactions.

What does this imply for design?

  • Take a page from independent makers and use crowdfunding platforms to try out experimental product ideas. LEGO did this recently, proposing the FORMA line of mechanical kits on IndieGoGo, and using the launch to solicit feedback and build buzz while testing the concept’s appeal with a new audience: adults.
  • Look for opportunities in the peer-to-peer (“sharing”) economy created by new technologies. South Korean ridesharing app TADA, for example, is taking on Uber by using blockchain payment utilities to cut out the middleman, letting drivers earn more per ride.
  • Crowdsource new products and features — carefully. Fashion label Nyden uses Instagram stories to get feedback on new designs, inviting followers to vote on their favorites. This is different, though, from simply asking users to design something for you from scratch, which can appear exploitative, and rarely produces good results.

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10. Consumer Remapped

More granular information about customers and more powerful ways of processing it are giving companies unprecedented insight into who’s using their products and services, and what their interests and needs are. This has the potential to revolutionize market segmentation, making it far more granular, and accurate, while also letting customer service associates know more about who they’re talking to when offering assistance or solving problems.

The results of all this insight can upset accepted wisdom: it turns out that consumers are more likely to fall into a spectrum than a series of buckets. Some skateboarders are girls, some makeup users are men or transgender, and some NBA fans are disabled. In the past these were dismissed as niches too small to address, but with today’s informational and personalization tools, they’re sources for growth — and intense loyalty for the brands that get there first.

What’s driving this trend?

  • Big Data, in all its glory. As consumers travel through their connected lives, they leave a massive trove of information about their interests, habits and social connections.
  • Machine learning and improved processing algorithms are making it easier to draw meaning out of the petabytes of data now available.
  • Multi-culturalism is becoming the norm, with ever more mobile societies, and significant fractions of North American and European kids identifying as multi-racial.
  • Consumer expectations for personalized experiences mean more than just being able to ask for something specific. They want to be known, and to see brands proactively shaping products and services for them, without effort or fuss.

What does this imply for design?

  • Over-reliance on traditional demographic segmentation like age, income level, gender and education is becoming a liability. Conversely, more granular consumer insights can translate directly into new offerings, such as a recent special issue from Vogue, focusing on readers over 60.
  • “Inclusive design” is no longer just to satisfy policy or demonstrate virtue. Properly done, it can also signal to underserved consumer groups that they are valued and welcome, as with Sephora’s makeup classes for transgender customers, or the NBA Store’s efforts to make its NYC location more comfortable for autistic shoppers and those suffering from PTSD or dementia.
  • Use the customization potential in new technologies to show customers what’s uniquely relevant to them. UK fashion retailer ASOS, for example, is using Augmented Reality to let customers view clothes on a variety of body types, going far beyond the typical 5’10” size 2 model.

The original write-up on the Bressler Group blog by Ryan Chen can be found here.

Yanko Design has a long established designer following that you can connect to by publishing your requirement on our network. We know that YD Job Board will connect you to the best designers as they follow the best content published by us. Post a job and get featured on our extensive Social Media network.

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Currently Crowdfunding: A Massage Bra that Reduces Breast Pumping Time, a Camera Designed to Replace Directors & More 

Brought to you by MAKO Design + Invent, North America’s leading design firm for taking your product idea from a sketch on a napkin to store shelves. Download Mako’s Invention Guide for free here.

Navigating the world of crowdfunding can be overwhelming, to put it lightly. Which projects are worth backing? Where’s the filter to weed out the hundreds of useless smart devices? To make the process less frustrating, we scour the various online crowdfunding platforms to put together a weekly roundup of our favorite campaigns for your viewing (and spending!) pleasure. Go ahead, free your disposable income:

OBSBOT Tail is a striking camera equipped with AI tracking, auto zoom, live stream and a 3-axis gimbal. The camera’s slogan is, Be Your Own Director,” reassuring us that humans are no longer necessary during the filming process.

The Nurture bra by Imalac massages breasts while they pump, helping cut down the time and increase the results of this laborious process. Wear the bra all day, then when ready to pump simply insert the removable massage cups, insert the breast shield used with any pump, snap everything in place and press start. 

Deluxe vending bike Raptr has everything you need to make your business mobile. Its design is clean and simple, it’s customizable, and it’s ideal if a brick and mortar store and food truck are outside of your budget.

MOVA 3.0 is a cycling jacket designed to keep you dry and visible during rides. It’s packable, has a hood that will fir over your helmet and is reversible between a neon green to help you be seen at night and a more subdued black for daytime rides. You can even take things up a notch with add-on magnet lights.

KettleBaby is a hilarious fitness device that allows parents to get a total body workout while interacting with their children. The kid in the video looks super uncomfortable, but setting that aside, the concept is valid.

Do you need help designing, developing, patenting, manufacturing, and/or selling YOUR product idea? MAKO Design + Invent is a one-stop-shop specifically for inventors / startups / small businesses. Click HERE for a free confidential product consultation.

Dezeen Weekly features an ultra-high-resolution photo and a banned sex toy

195-gigapixel photo of Shanghai allows viewers to zoom in on street-level detail

The latest edition of our newsletter Dezeen Weekly features a birds-eye-view photograph made up of 195 gigapixels and a sex toy for women that was controversially banned from CES for being “immoral”. Subscribe to Dezeen Weekly ›

The post Dezeen Weekly features an ultra-high-resolution photo and a banned sex toy appeared first on Dezeen.

Peter Li’s Marvelous Architectural Pictures

« Grâce à mes images, j’espère apporter des fragments de fantaisie chez les spectateurs. En les encourageant à faire un pas hors de leur réalité », révèle Peter Li. Ce photographe autodidacte basé à Londres a commencé à prendre des clichés lors de la naissance de sa première fille. « Comme beaucoup de papa, je voulais documenter ce moment, alors que famille grandissait », ajoute-t-il. Si l’artiste a toujours eu un penchant pour l’architecture classique, il n’a jamais songé à la photographier, avant 2015. « J’ai rencontré deux photographes en herbe qui ont partagé avec moi leur passion pour l’architecture. Grâce à leur inspiration, j’ai appris à être attentif à la symétrie, à la composition et au travail de ligne ».

Depuis, Peter Li réalise des images grandioses et inspirantes, à travers le globe. « À Londres, nous avons toutes sortes d’architecture. On trouve souvent des joyaux classiques parmi les gratte-ciel modernes. Cette passion je la dois aussi à la ville dans laquelle je vis. Et puis, je cherche aussi l’inspiration dans des peintures, des films et des jeux vidéos. Je joue depuis tout jeune et je pense que ça a eu un grand impact sur mon travail ».

Retrouvez ses clichés sur sa page Instagram : @pli.panda















 

Five more major trends shaping Product Design

00 title

Last week we walked through the 5 major trends shaping product design. The trends covered there speak of the current positivity wave, with most people looking to live a more wholesome, fulfilled life. In part 2 of this series, Ryan Chen (Director of Design & Innovation Strategy at the Bressler Group) talks about five more points he considers pivotal in shaping up the future of product design.

Looking to hire a talented designer? Post a job with us to source the best talent for your requirement.

Want an amazing internship or job opportunity? Check out YD Job Board to work at some of the best design companies in the world.


02 image

The Five Global Megatrends I wrote about last month touched on a number of fundamental shifts in consumer and social trends, and their implications for design. The picture they painted was of a more pared down, meaning-focused world, where just enough is better than too much, focus is better than distraction, and well-being trumps getting ahead.

But they only paint a partial picture of what the next decade is going to look like — there’s also a lot changing in the way we communicate with each other, our ability to impact the world around us, and our expectations for products and services to understand and adapt to our needs. To get a full understanding of what’s going to change in the next five to ten years, and how brands and organizations need to change in order to stay relevant, you need to go deeper.

These next five megatrends plumb the depths of identity, community, and meaning, revealing some sky-high expectations from consumers, but also an increased willingness to form lasting relationships, especially with communities (and products) that treat us as individuals rather than just wallets or eyeballs.

03 image

6. Radical Personalization

Never before has it been so easy or cheap to personalize products and experiences. Where bespoke and highly targeted offerings were once reserved for the wealthy and sophisticated, such customization is now commonplace, for everything from laptops and athletic shoes to vacations and medical advice.

Part of the appeal is function: a personalized product satisfies your specific needs more completely and efficiently than a one-size-fits-all alternative. But the emotional aspect is perhaps even more important. If you want to build a true connection between consumer and brand, there’s nothing more direct or more certain than giving them something unique, that shows you know them and understand their individuality like no one else does.

What’s driving this trend?

  • Digital services are naturally easier to customize (digital stickers in social media, recommendations based on browsing history, etc.), pushing consumers to expect higher levels of personalization offline as well.
  • Technologies like 3D printing and rapid prototyping make customized products feasible to produce at scale, at far lower cost than in the days when personalized automatically meant made-by-hand.
  • An explosion of available data means the information needed to create a personalized product or service has already been gathered. All the customer needs to do is give permission for it to be accessed.

What does this imply for design?

  • Customization still often comes at a premium, so target niche users who stand to get the most out of it. IKEA’s user-specific 3D-printed chairs, for example, are aimed specifically at the hardcore gamer crowd.
  • Seek personalized offerings that reinforce your brand direction. Nestle’s Wellness Ambassador service does this by using customer-supplied genetic data to make diet and supplement recommendations, in keeping with its pivot in recent years away from sweets & snacks, and toward health-conscious living.
  • Recognize the difference between pragmatic and emotional personalization: it doesn’t always have to provide technical benefits. Candy store Lolli & Pops, for example, uses facial recognition to alert sales associates when VIP customers enter, giving them a list of preferences and allergies so they can make more personalized recommendations.

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7. Search for Authenticity

More abundant, more probing media and the rise of fake-everything means consumers rarely take things at face value anymore. And in an era when anyone can publish content, there’s no reason to rely on the traditional sources for our information. All of this makes it much harder for brands to convince consumers that they’re for real.

“Symmetry of Information” is one of the most promising responses to this skepticism: the idea that customers should know as much about the brand as the brand knows about them. While marketing campaigns are often met with skepticism, a clear window into the workings of the company is hard to dismiss, especially if it comes with a shift in policy, away from misleading images, statements or practices.

What’s driving this trend?

  • A social media and political climate in which traditional sources of reliable truth are increasingly seen as untrustworthy.
  • Cynical corporate practices around environmental responsibility and labor practices are harder to hide, leading to declining faith in once-trusted brands.
  • The rise of small, socially conscious startup brands and citizen media are giving real alternatives to traditional commercial and media channels, and an opportunity for consumers to find new brands that more closely resonate with their own values.

What does this imply for design?

  • Give consumers a little credit — they don’t necessarily need every video, photo and testimonial to be flawless. Suave’s “Hair You Can Believe” campaign and Dove’s “No Digital Distortion” mark, for example, both attract followings among customers tired of unattainable standards of beauty and perfection.
  • Look inside your organization for qualities to celebrate externally. Fashion brand Everlane has built a huge loyalist base (and grown 100% annually for five years now) by exposing every detail of its business, from manufacturing costs to tours of the factories where its clothes are made.
  • Invite real customers to participate in marketing messages. Lush Cosmetics now sources spokespeople from among its “superfan” customers, who make up in enthusiasm and authenticity what they might lack in adherence to traditional norms of photogeneity.

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8. Connection/Disconnection

For decades, technology and telecommunications has worked relentlessly to give us more access, more information, more communication — and now it seems we’re victims of their success. Bandwidth is so cheap and communication channels so abundant today that choosing when and how to be connected has become a treasured capability.

Increasingly, this means services that make connection easier with the right people or information, while providing more fine-grained control over who we interact with, when, and in what context. In some cases, it can also mean disconnecting, as evidenced by the proliferation of “digital detox” vacations and device-free events.

What’s driving this trend?

  • Smartphones, connected devices, ubiquitous WiFi, dozens of messaging and sharing apps, all conspiring to keep us communicating non-stop, whether we like it or not.
  • Increased competition in digital services means one size no longer fits all. Consumers can choose the platforms that make the most sense for their situation and desired communication modes.
  • Greater awareness of the downsides of constant connection. The latest research identifies developmental effects of too much screen time on kids, as well as the emotional burden of being “always on”.
  • Increasing social isolation, as younger generations delay marriage and move more frequently than their parents. This has created a critical mass of digitally-savvy solo consumers, eager for connection but wary of unmoderated interactions.

What does this imply for design?

  • Consider offering alternative versions of existing products and services, to address different styles of browsing and communication. Dating apps are a good example, with a landscape that includes image-first (Tinder), conversation-first (Taffy), women-first (Bumble) and algorithm-driven (Match, OKCupid) approaches — each of which has a loyal audience.
  • Look for new ways to serve solo customers, by connecting them with each other to share costs and experiences in a curated way. Co-working spaces like WeWork and ridesharing apps like UberPool make this effortless and relatively secure.
  • Create services that put a moderation layer between strangers who still need to communicate. Airbnb and eBay have been doing this for years; more recently, apps like MoveCar allow residents of Chinese cities to leave virtual notes for their neighbors, asking them to move vehicles without fear of awkward or dangerous interactions.

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9. Empowered Individual

The line between consumer and producer has been blurring for years, with newly democratized tools for producing and publishing content, and communications platforms that allow entire new movements to spring up practically overnight. For companies this can be a two-edged sword: empowered individuals can be tremendous marketing allies, merciless critics, or even upstart competitors.

Many brands are seizing on this fluidity as a source of ideas and a way to activate their customer communities. It’s still early days though, and a poorly executed customer engagement effort can easily come across as a cynical attempt to exploit authentic social connection for commercial gain.

What’s driving this trend?

  • Social movements are exploding, from #MeToo and grassroots political campaigns to environmental protests and pro-housing YIMBY activism. More than just making noise, they’re affecting real change in the lives of millions — including consumers.
  • User reviews are so credible and so easy to leave that they’ve largely supplanted marketing and professional reviews, for everything from restaurants to taxi rides to people’s homes.
  • Powerful, easy-to-learn tools have transformed a wide range of creative endeavors, making tasks that once took a roomful of seasoned professionals achievable with a laptop or smartphone.
  • Investment and commerce have been democratized too, with crowdfunding and sales platforms designed for broad access, and blockchain promising to remove the need for central controlling authorities in many transactions.

What does this imply for design?

  • Take a page from independent makers and use crowdfunding platforms to try out experimental product ideas. LEGO did this recently, proposing the FORMA line of mechanical kits on IndieGoGo, and using the launch to solicit feedback and build buzz while testing the concept’s appeal with a new audience: adults.
  • Look for opportunities in the peer-to-peer (“sharing”) economy created by new technologies. South Korean ridesharing app TADA, for example, is taking on Uber by using blockchain payment utilities to cut out the middleman, letting drivers earn more per ride.
  • Crowdsource new products and features — carefully. Fashion label Nyden uses Instagram stories to get feedback on new designs, inviting followers to vote on their favorites. This is different, though, from simply asking users to design something for you from scratch, which can appear exploitative, and rarely produces good results.

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10. Consumer Remapped

More granular information about customers and more powerful ways of processing it are giving companies unprecedented insight into who’s using their products and services, and what their interests and needs are. This has the potential to revolutionize market segmentation, making it far more granular, and accurate, while also letting customer service associates know more about who they’re talking to when offering assistance or solving problems.

The results of all this insight can upset accepted wisdom: it turns out that consumers are more likely to fall into a spectrum than a series of buckets. Some skateboarders are girls, some makeup users are men or transgender, and some NBA fans are disabled. In the past these were dismissed as niches too small to address, but with today’s informational and personalization tools, they’re sources for growth — and intense loyalty for the brands that get there first.

What’s driving this trend?

  • Big Data, in all its glory. As consumers travel through their connected lives, they leave a massive trove of information about their interests, habits and social connections.
  • Machine learning and improved processing algorithms are making it easier to draw meaning out of the petabytes of data now available.
  • Multi-culturalism is becoming the norm, with ever more mobile societies, and significant fractions of North American and European kids identifying as multi-racial.
  • Consumer expectations for personalized experiences mean more than just being able to ask for something specific. They want to be known, and to see brands proactively shaping products and services for them, without effort or fuss.

What does this imply for design?

  • Over-reliance on traditional demographic segmentation like age, income level, gender and education is becoming a liability. Conversely, more granular consumer insights can translate directly into new offerings, such as a recent special issue from Vogue, focusing on readers over 60.
  • “Inclusive design” is no longer just to satisfy policy or demonstrate virtue. Properly done, it can also signal to underserved consumer groups that they are valued and welcome, as with Sephora’s makeup classes for transgender customers, or the NBA Store’s efforts to make its NYC location more comfortable for autistic shoppers and those suffering from PTSD or dementia.
  • Use the customization potential in new technologies to show customers what’s uniquely relevant to them. UK fashion retailer ASOS, for example, is using Augmented Reality to let customers view clothes on a variety of body types, going far beyond the typical 5’10” size 2 model.

The original write-up on the Bressler Group blog by Ryan Chen can be found here.

Yanko Design has a long established designer following that you can connect to by publishing your requirement on our network. We know that YD Job Board will connect you to the best designers as they follow the best content published by us. Post a job and get featured on our extensive Social Media network.

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Techniques for taming pet fur tumbleweeds

Reader Jim sent us the following question:

OK, so I like your 30 minutes per day cleaning model…however, with a dog (big chocolate lab) that is constantly shedding, what tools, cleaning devises, ideas, etc., might I use to keep up with the seemingly endless dog-hair dust bunnies? Vacuuming works, but takes time to drag out the vacuum, and the broom just seems to move the hair around.

In my house, we call these gifts from our two cats “tumbleweeds.” I like your use of the word “bunnies,” though, since they do feel as if they are forever multiplying. I completely empathize with your situation and hope that I can help.

Here are a handful of strategies for dealing with pet fur tumbleweeds:

  1. Once a day, armed with a couple slightly damp paper towels, walk through your house and capture the worst offenders. If they’re large enough that you would see them and be stressed or embarrassed if a house guest were to immediately notice them, just scoop them up with the paper towel. This isn’t deep cleaning, this is just peace of mind. At most, this process should take you five minutes and is a great chore for a younger child.
  2. Bathe your pets regularly. When you bathe a pet, a good chunk of loose hair and dander goes down the drain with the water. Now, granted, this task is a bit more difficult with a cat. You have to start bathing the cat when it’s a kitten or you’ll never be able to give it a bath as an adult. We’ve been bathing our cats twice a month since they were first adopted from the shelter and now they just climb into the water. Use a pet-friendly shampoo (not human shampoo) and ask your vet for tips and breed-specific bathing frequency recommendations if you’re new to the pet-washing adventure.
  3. Keep a pet brush handy. When your pet curls up at your feet and wants some snuggles, give him a brush at least once a day. You’ll capture the fur before it can become a tumbleweed.
  4. Install reliable air filters in your heating/air conditioning system and replace them seasonally.
  5. If your pet routinely uses a bed, drape its bed with a fleece blanket. If there is a favorite spot where he likes to curl up, lay a fleece blanket in that location. Fleece blankets act like giant magnets for pet hair because of their inherent static nature. Roll up the blanket and throw it in the washer once a week, and for extra pull, dry it without a dryer sheet.
  6. Although you hate to do it, you should run the vacuum at least once a week. Don’t forget to vacuum under the couch, along baseboards, every stair, and closet floors where pet fur tumbleweeds like to hide.
  7. Feed your pet high-quality food. The healthier your pet’s diet, the healthier your pet and his coat. Talk to your vet about the best diet for your pet. Sometimes, switching to a healthier pet food will greatly reduce the amount your pet sheds.

Good luck! And, if ever in doubt about a technique, just ask your vet. He or she will be able to tell you if something is safe for your pet.

Photograph accompanying this post taken by Matt Niemi.

 

This post has been updated since its original publication in 2008.

Post written by Erin Doland