A Cat Home That’s Out-Of-This-World

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Our furry feline friends can be fascinating creatures, their curious nature and mischievous personalities lead them to investigate any crevice that they can find. This out-of-this-world cat accessory accommodates for the cat’s curiosity whilst also bringing a personality of its own.

Colony is made up of two, visually interesting, products, that take on the form of planets! Planet COX – 01010R is a floor based cat home; the large center can comfortably hold most cats, whilst the over-sized ring helps keep the planet stable… even when the over-excited cat is inside! The second of the two planets is COX – 02020R, and this is the wall-mounted variant. Cat’s love to challenge themselves (and their owner’s nerves) and attempt to reach high places, and that’s exactly what this cat home allows for; it adds a new dimension of fun to the home, and one which a cat will never tire of!

Designers: Jay Lee & JOOM Studio

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COX – 01010R

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COX – 02020R

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A Personal Waterfall To Clean Your Hands

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Doing away with faucets that are home to a million microbes in public restrooms, the Flat Tap is a wall panel fitted with inbuilt infrared sensors that activate a waterfall-esque stream to clean your hands. Designed to be a communal sink and allows more users to use the sink at the same time in a crowded restroom, instead of depending on the limited faucets. The entire wall panel is fitted with small outlets that stream out water, wherever you stand. The basin is also designed with a slope so that water drains out quickly.

Designers: Ikegaya Yuko & Osawa Kaori

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The MOFT Builds a Laptop-stand Right into your Laptop

I don’t think companies understand how valuable a laptop would be if they built a stand right into it. Until then, designs like MOFT will always be there to save the day.

The laptop’s biggest pro has always been convenience, while its biggest con usually goes overlooked. Designed, as the name suggests, to be placed on the lap, the laptop is considered to be nothing short of an ergonomic nightmare, with a screen that makes you bend your neck till it aches, and a keyboard that causes wrist and finger pain with prolonged use.

Now this arrangement has sparked an entire industry of desks and stands that let you prop your laptop up so you can work sitting upright, or work while standing, or just work with a natural posture that doesn’t cause physical pain, but where the laptop succeeds in convenience and portability, these solutions tend to fail. Desks can’t be carried around where you go, and stands are usually either bulky or heavy, given that they need to support the constant weight of the laptop plus your palms, making both solutions portability-unfriendly.

The MOFT grasps that design brief almost perfectly. Thin as a coin (barely 3mm in thickness), and light as a pen, the MOFT sticks to the back of your laptop almost like a cover of sorts. When folded, it sits flat against the back of your laptop (thanks to hidden magnets), practically indistinguishable and invisible, and when deployed/unfolded, uses a clever bit of structural engineering to support your laptop in not one, but two angle settings.

Channeling Dieter Rams’ principle that Good Design must be Invisible, the Moft sits flat on the back of the laptop. It adheres to the laptop’s body using a reposition-able adhesive pad that allows the Moft to be placed on the laptop whenever needed, and removed when you want (just in case you’re using a company laptop, or you’re upgrading to a new one). The Moft’s universal design means it can be placed on any laptop that has a flat base, and can support as much as 18lbs of weight, thanks to its unique triangular load-bearing folded-out shape.

Designed to be the one stand you’ll always carry with your laptop, the Moft’s genius isn’t just in the fact that it’s thin, lightweight, that it comes with two angle settings, and works with any laptop, it’s also in the way it integrates onto your laptop and into your lifestyle. Perpetually available because it sits permanently on your laptop’s back, it’s hard to forget the Moft behind, as you probably would a charger or a wireless mouse. The Moft comes in a variety of colors to match your laptop, and can be used anywhere, at work, home, or even at a local café, to give you the laptop’s convenience of working on the go and a laptop-stand’s comfort of working for long hours without the fatigue.

Designer: MOFT Studio

Click Here To Buy Now: $19 $24 (21% off).

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MOFT is the world’s first invisible laptop stand. It follows the “invisible design” philosophy: unseen when attached, unfelt when worked on, unnoticed when carried. It acts as a natural, seamless appendage of your computer.

A laptop is a great tool for working. But its low screen positioning and fixed keyboard forces users into awkward postures, causing neck-and-shoulder pain and diminished comfort. That’s where MOFT comes in.

Good design is invisible and MOFT is just that! MOFT acts as a natural, seamless appendage of your computer.

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MOFT is ridiculously easy to set up. Weighing a mere 2.3 oz and at only 1/9” thick, it is easy to carry.

Adjustable at a dual-angle and allowing for a healthy posture, the MOFT stand is equipped with two elevation adjustments, making it easy to find the ideal height and comfort.

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The high-lifting mode significantly optimizes a sitting posture, applying a 3-inch elevation to the computer screen. The low-lifting mode soothes the wrists when typing and can be perfectly adaptable to standing desks.

It’s very easy for you to use MOFT stand and only takes one second to open and close it. So you won’t have a frustration of spending much time on packing and unpacking the device.

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MOFT stand is constructed with unique PU and fiber glass material, meaning it’s as strong and stable as other bulkier stands at a fraction of the size! It can hold up more than 18 lbs.

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It’s compatible with a wide range of Laptops – Fits up to 15.6″ Laptops.

It features built-in magnets, making it easy to open and close.

MOFT stand’s removable glue lets it conveniently attach and detach from your laptop without leaving a single mark or scratch, re-attaching with the same strong effectiveness.

MOFT is available in Gold, Rose Gold, Silver and Space Grey.

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Click Here To Buy Now: $19 $24 (21% off).

An Industrial Designer's Story of Losing Passion, Falling in Love with Roadtrip Adventures and Designing a Watch

The following essay and photos (edited for length and clarity) come to us from Netherlands-based industrial designer Laurens de Rijke. Enjoy!

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The past five years I have spent developing my first take on a so called ‘driver watch’. This first series of watches is called the Amalfi Series, named after the beautiful Amalfi Coast in Italy. It is a watch that is focused on the gentleman driver that loves to take out his car in the weekend. Maybe my story is a nice article on your website, otherwise just admire my pictures and let me know what you think (scroll down for pictures of the watch).

I grew up tinkering on old mopeds. And like many adolescents, I had an urge for speed and driving like a lunatic, and I was lucky enough to survive some stupid incidents. Tinkering and wrenching became the safer hobby, and a serious one.

When I was 17 years old, things changed: I stopped lusting for fast, modern mopeds and bought a classic Vespa. This opened up an entire new world, of classic cars and motorcycles. I loved cruising on the Vespa, did so as much as possible, and challenged the little machine to carry me on my first ‘adventure,’ riding to Paris from the Netherlands.

At 19 I attended the Technical University of Delft with the ambition to become a car designer. I soon found out that car design is an incredibly niche market, and that I was not eager enough to become a car designer. I lost my passion for design. I got through my course-work and just focused on finishing my Masters degree.

To find inspiration and fuel my dreams, I decided to find a new adventure. My part-time job was working at a classic Vespa restoration company. This gave me the possibility to do a real adventure with a classic Vespa motorscooter, a Grand Sport 160 with a converted 200cc engine. The goal of this journey was to follow the ancient Silk Road as much as possible, which took me through Germany, Austria, Hungary, Bulgaria, Turkey, Georgia, Azerbaijan, Turkmenistan, Uzbekistan, Tajikistan, Kirgizstan and Kazakhstan.

It was an amazing journey on a wonderful vehicle. During a day off in Tbilisi, Georgia, I stumbled upon a flea market and I found a nice relic, a classic Vostok watch. The watch still worked fine and I decided to use it on my Vespa for the rest of the trip.

This is me along the Pamir Highway, Tajikistan, together with my Vespa GS160 from 1962.

One year later it was time for me to graduate, and the Vostok had inspired me to develop my own take on a (driver) watch. For my graduation I had the possibility to work on this dream. I was soon introduced to Professor Bruno Ninaber van Eyben, a renowned Dutch designer (well known for his watch designs and designs for the Dutch euro coin), who has been a tremendous help in fulfilling this dream.

At Studio Ninaber I learned to use a CNC lathe and mill and I learned many tricks of the watch designing/developing trade, mainly focused on case making and development. At the studio I made important steps in the development of my first series of watches, producing my first working prototype.

After a year I decided that it was time to stand on my own two feet. This meant building my own little workshop with my own CNC mill and professional lathe. The past three years have been all about developing and building up the workshop at the same time, until the moment where we are now, launching my first series of watches.

At work behind a lathe at Studio Ninaber.

My journey fueled me with inspiration to develop a so-called “driver’s watch.” Being a design engineer I hold on to the philosophy of form follows function (which I try to execute in an elegant way in the Amalfi Series). What I want to achieve with my watch brand is to develop the ultimate driver’s watch in terms of functionality. This means that I also draw my inspiration from function and not from driving-inspired themes (like a rotor that is shaped like a car wheel).

For the Amalfi Series No.1S, I focused on the gentleman driver. I tried to find the balance between the watch being both a jewel and a functional tool. One might call this a dress watch, whereas in my future product portfolio I also want to develop a driver’s watch that is focused much more on function, something more like a tool-watch.

The Amalfi Series No.1S with special strap and solid lugs.
One more of the Amalfi Series No.1S with case rotated under 45 degrees.

The functions that I focused on: I wanted a rotatable watch, a highly readable dial and an easy strap change. The watch rotated under an angle makes it more legible while driving. A highly readable dial results in a big dial with relatively long watch hands (and future opportunity for filling with luminescents). Being able to easily change straps is useful for swapping in a NATO strap, for instance, and wearing it on top of your shirt or racing gear.

I am now finalizing the details for the first batch of watches. Watches are currently made to order and delivery time is around two months. The Amalfi Series No.1S is limited to 99 pieces, each piece numbered in the side recess of our special case construction. Clients can inquire for their number and custom engravings are possible.

The No.1S with highly legible dial and special straps to easily change for a longer strap.
The special case construction allows for an engraving in the side recess of the case, with the watch not rotated the ‘Amalfi Series’ logo is visible and the serial number is hidden.

The specially-shaped sapphire glass has a (single) blue ultraviolet antireflective coating. The case is made of 316L stainless steel and made in-house. The watch is 38mm in diameter and it is 9.5mm thick.

The watch uses a high end Soprod M100 movement that is visible through the sapphire crystal of the caseback. The hand height of the movement is adjusted in-house to meet our design specifications (the dial high up in the case).

The black lacquered dial is painted in-house and pad printing is done by a specialized printing company in the Netherlands, the applied indices are silver plated and filled with paint by hand. The hands are laser cut by a highly specialized German company and finished by hand in-house.

The strap is unique and made by hand by an artisanal Belgium company.

Thank you for reading my story.

Laurens de Rijke

Owner/Founder

0031 6 82 00 54 02

www.derijkeandco.com

RCA announces new focus on science after an increase in applications from the EU

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The Royal College of Art in London has announced plans to expand its science and technology programme, and revealed that student applications from within the European Union have risen in the past year.

The leading art and design school plans to add courses focused on topics like nano-robotics and machine-learning to its offering, as well as embedding scientific collaboration into its existing postgraduate programmes.

This forms part of Generation RCA, a five-year programme announced yesterday by the college’s vice-chancellor Paul Thompson, which will also see the college overhaul its teaching facilities and introduce new scholarship programmes.

At the same time, the school revealed that applications from the EU are up 12 per cent, despite the imminent prospect of Brexit.

Embedding scientific disciplines in core subjects

The RCA‘s stated aim is to “transform the accepted paradigm of an art and design university”.

It plans to “reverse the current orthodoxies” by placing artists and designers alongside scientists and engineers at the outset of their research rather than as an afterthought.

To do so, the college will strengthen ties with Imperial College and other London institutions offering science and engineering courses.

It also introduce new courses centred on “nano and soft robotics, computer science and machine learning, materials science and the circular economy”.

“This is a move away from the paradigm of the 20th-century art school to a 21st-century trans-disciplinary graduate school,” said Thompson. “Our academic vision brings creative arts and design together with science, technology and medicine.”

A focus on the sciences marks a move away from the traditional postgraduate art school model that has seen the school teach fine artists including Tracey Emin and David Hockney.

Rise in applicants from the EU for 2019-20 academic year

The news was announced at the same time as the RCA revealed a rise in applications from students in EU countries for programmes starting September 2019.

While the college did not link the two, the move reflects the UK government’s current industrial strategy, which places a strong focus on the importance of innovation to the nation’s future growth.

Students from 76 countries are currently enrolled at the college, with a quarter of those students coming from the EU. UK and EU students are currently subsidised by the UK government, which allows the RCA to charge a reduced fee for tuition.

As with other UK universities, EU postgraduate students applying to the college for entry in September 2019 will pay the same fees as their UK counterparts for the duration of their course.

It is not yet clear how this will be affected in academic years to come once the UK leaves the EU on 29 March 2019, with or without a deal that settles the terms of exit.

The RCA states that the funding arrangement that puts UK students on a par with those from the EU will “remain the case until the UK government decides otherwise”.

New campus will offer studio space for robotics

The focus on scientific research alongside art, technology and design will be led at the new campus in Battersea, designed by Swiss architecture practice Herzog & de Meuron.

The £108 million campus, opposite the art and design school’s existing space will provide a further 15,000 square metres of facilities. This will include enhanced workshop and studio space for areas such as materials science, soft robotics, advanced manufacturing and intelligent mobility.

The project was made possible by a large funding injection from the UK government.

“Founded in response to the first industrial revolution, today the RCA stands as the vanguard of a new era in art and design, which promises breakthroughs in robotics, autonomous vehicles, nanotechnology, and artificial intelligence,” said vice-chancellor Paul Thompson.

Main building will be restored amid new materials focus

Changes to the Grade-II listed Darwin Building at the main Kensington campus which opened in 1961 will commence after 2021, with the aim of rediscovering “the radical nature of this exceptional building”. A campus in White City in west London opened in September 2017.

That same year, the college announced the introduction of the Burberry Material Futures Research Group, made possible by a £3 million grant from the Burberry Foundation.

The group applies an interdisciplinary STEAM (integrated science, technology, engineering, arts and mathematics) approach to inventing sustainable materials “to find solutions to the complex challenges that face the creative industries, such as materials, manufacturing and consumer experience”.

The post RCA announces new focus on science after an increase in applications from the EU appeared first on Dezeen.

Chinese Desert By Viktoria Porsche

« Je me sens attirée par la Chine parce que je ressens un lien profond avec sa culture et ses habitants », révèle Viktoria Porsche. Cette photographe d’origine Ukrainienne a passé la majeure partie de sa vie en Allemagne et a commencé à prendre des clichés en tant qu’autodidacte, lorsqu’elle s’est installée en Chine, il y a une dizaine d’années. Pour cette série intitulée « Feel the sand IV, China », l’artiste s’est rendue en famille, dans le désert de Badain-Jaran, qui est une partie du désert de Gobi, dans le nord de la Chine. « Pour atteindre cet endroit, on a dû rouler cinq ou six heures. Je ne savais pas vraiment à quoi m’attendre et surtout, je n’étais pas vraiment prépare au climat et aux conditions locales. La température chutait parfois à -35°C, les téléphones portables ne foctionnaient pas et nous étions (à l’exception de quelques habitants), les seuls êtres humains à des kilomètres à la ronde. Lorsque nous y sommes rendus, au mois de Décembre, toute la région est généralement fermée aux touristes. Mais comme je parle chinois, nous avons pu faire venir un chauffeur local, spécialiste de la découverte de cette région».

« Les aventures que nous avons vécues là-bas sont difficilement descriptibles. Je peux dire que ce fût un voyage très dur mais aussi et surtout, inoubliable ».

 

















A Cat Home That’s Out-Of-This-World

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Our furry feline friends can be fascinating creatures, their curious nature and mischievous personalities lead them to investigate any crevice that they can find. This out-of-this-world cat accessory accommodates for the cat’s curiosity whilst also bringing a personality of its own.

Colony is made up of two, visually interesting, products, that take on the form of planets! Planet COX – 01010R is a floor based cat home; the large center can comfortably hold most cats, whilst the over-sized ring helps keep the planet stable… even when the over-excited cat is inside! The second of the two planets is COX – 02020R, and this is the wall-mounted variant. Cat’s love to challenge themselves (and their owner’s nerves) and attempt to reach high places, and that’s exactly what this cat home allows for; it adds a new dimension of fun to the home, and one which a cat will never tire of!

Designers: Jay Lee & JOOM Studio

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COX – 01010R

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COX – 02020R

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Reader question: How do I recycle broken toys and books?

Reader Angie sends in this question:

I have lots of toys (mostly plastic) that cannot be donated or passed down. They either broken or missing parts. How do I recycle them? Can I just put them in the recycling bin? What about children’s books that are either ripped, missing covers, or stained. Can I put them in the recycling bin as well? One more question: What is a good way to store books for a long time to be passed down?

Many parents struggle with these questions Angie so thank you for asking!

Toy disposal

Before we look at recycling, there are other ways to keep toys out of the waste stream. Many people take toys and parts of toys and create new toys and various types of art. Check out:

I’m not suggesting that you become an artist in your spare time but consider listing the pile of broken toys on Craigslist or Freecycle and see if a creative-type person or artistic group wants them.

One of the more complicated parts about recycling is that every municipality has a different recycling program. The best thing to do is to visit your city’s website and find the information about recycling. Cities may have more recycling options if you are able to drop off at their depot. Earth911 does a great job of explaining the mystery of why toys are so difficult to recycle.

Another option for recycling toys is to contact TerraCycle and purchase a Zero Waste Toy Box. TerraCycle will ship you an empty box, you fill it with broken toys then ship the box back using the pre-paid shipping label. TerraCycle will separate the toy’s components and ensure they get into the correct recycling stream.

The Zero Waste Boxes are expensive ($95 USD for the small toys box) so you may want to collaborate with other parents in your neighbourhood, community centre, school, or house of worship. After all, saving the planet is a good cause.

Book disposal

Most untreated paper can be recycled. Many books — especially children’s books cannot because they have been treated with wax, glues, or plastic coating. Investigate your municipality’s recycling website to see what the options are for recycling books. Earth911 explains the mysteries of book recycling and has some great suggestions for used books including books in “less than prime” condition. TerraCycle also has a Zero Waste Book Box which might be an option for your school or local library.

Book preservation

Reading with children is a great way to form a lasting bond. I kept many of our children’s favourite books including the entire Franklin the Turtle series. To tell the truth, I think I kept them more for me than for my kids. Should I be blessed with grandchildren someday, I would love to share these books with them.

In addition to our best tips on how to store treasured books, I would suggest to do a gentle cleaning of children’s books. Use an old, clean and soft toothbrush to remove any caked-on food or playdough. If the books have been on a shelf for a while, vacuum the edges with a soft brush using the lowest suction setting. Blot any greasy spots with an absorbent cloth. Ensure books are dry before storing.

Thanks for your great question Angie. We hope that this post gives you the information you’re looking for.

Do you have a question relating to organizing, home and office projects, productivity, or any problems you think the Unclutterer team could help you solve? To submit your questions to Ask Unclutterer, go to our contact page and type your question in the content field. Please list the subject as “Ask Unclutterer.”

Post written by Jacki Hollywood Brown

Studio Swine Plays with Plasma to Capture the Sublime at A/D/O

Old warehouses glancing towards the East River have shifted into artist lofts, cafes and installation studios. Outside these warehouses, surprisingly clean and empty streets vibrate for blocks with the invisible creativity happening behind closed doors. One of these spaces, A/D/O by MINI, recently unveiled the six-month culmination of Studio Swine‘s residency, an exhibition that investigates the unseen: Wave. Particle. Duplex.

Studio Swine (Super Wide Interdisciplinary New Explorers) is made up of two statuesque faces, Azusa Murakami and Alexander Groves. However, the subjects of their work aren’t as tangible.

In 2017, they housed an old cinema in Milan with fragile, mist-filled blossoms; in 2018, they praised cyanobacteria–the 3 billion year old friends we have to thank for oxygenic photosynthesis (we breath because they exist). Here, they’ve given us an installation with two new mediums of work they’ve named Dawn Particles and Fog Paintings. Heavy research and experimentation with materials have led them repeatedly to form relationships with ephemeral, intangible, invisible or infinitesimal things. Wave. Particle. Duplex. marks Studio Swine’s first exploration with plasma.

All New York creatives know the pains it takes to reach the inaccessible G train that leads to Greenpoint. Despite this, A/D/O’s co-working space (starting at $375/month) is consistently packed with people willing to make the trek to work there every day. It could be the water, or the café attached to the building, or the access to equipment, or maybe its proximity to installations like this. Maybe a frequency of focus, spawned by magnetized plasma, is giving these kids energies we can’t see. Or do they all just live in quiet, clean Greenpoint?

Inside A/D/O, Studio Swine’s Fog Paintings swirl grey atmospheres inside backlit vitrines. They diffuse colored light and incase silhouettes that float about in response to the colors. They look like glass windows to a spirit world. Studio Swine says they’re homages to the Sublime.

Dawn Particles lack their excitement in photos. On video, red panels light up with mesmerizing movements. But in person–striking hand-blown glass–the magnetized plasmas backed by a series of shifting currents seem to shriek a few sharply-sung odes at the viewer about the nature of unseen particles: “We’re loud. We’re here. We’re always shifting. We affect you. How do you ignore us?”

Inspired by New York City’s shifting element–Studio Swine’s installation will be on display at A/D/O in Greenpoint, Brooklyn until February 10, 2019. Their Fog Paintings and Dawn Particles may or may not remind you of the Sublime landscapes you’ve seen or felt or heard in your life, but at the very least, viewers are invited to acknowledge those unseen, often-forgotten energies that are responsible for everything we experience.

Final design of MVRDV's KoolKiel complex will be determined by the community

KoolKiel by MVRDV in Kiel, Germany

MVRDV has released visuals of KoolKiel, a mixed-use complex in Kiel, Germany, which will have its final form determined in consultation with the community.

The commission winning proposal by MVRDV for the post-industrial site at tip of the Kiel Fjord will be adapted as the design is finalised. There are range of eventual options with additional balconies, varied sculptural concrete panels and differing room arrangements.

KoolKiel by MVRDV in Kiel, Germany

“In a location with such a dynamic and creative existing community, it’s obvious that the community should have a say in this development,” said Jacob van Rijs, principal and cofounder of MVRDV.

“KoolKiel is not only inspired by them, but it also allows them to influence the proposal—we’re presenting them with not just a design, but also a question: ‘how ‘Kool’ do you want it?'”

The complex will measure 65,000 square metres, and comprise a mix of residential and commercial buildings. It will also include the renovation a large building that built to store chains for ships and is the place Werner comics were printed in the early 1980s,

KoolKiel by MVRDV in Kiel, Germany

Each building within the KoolKiel complex will be adaptable, and be wrapped by customisable concrete panels, which are cast in a variety different shapes to reference the “creative output of the locals”.

The existing building will be transformed into flexible commercial units on the lower levels. It will be extended vertically with a series of apartments, the form of which will be determined during the design process.

MVRDV has developed a set of different shape modules to create these apartments, which can be combined in different ways to make the total number of apartments, their sizes and layouts all customisable.

KoolKiel by MVRDV in Kiel, Germany

A 250-room hotel will sit at the end of the site. The number  and size of the cantilevers containing balconies that will extend from this tower will also be determined in consultation with the community.

The hotel will be connected to an office tower at the second storey by a roof that will form a sheltered public event space below.

This roof will extend into a building containing shops, which will be topped by three cube-shaped housing blocks.

MVRDV has also have incorporated a series of “lively exterior spaces” throughout the KoolKiel scheme.

The grass roof above the shopping units will double as an outdoor area for the housing blocks and office tower, and there will be a ground level courtyard between the buildings complete with street furniture.

A series of smaller rooftop throughout the complex will be used to encourage biodiversity, while solar panels and rainwater collections will be incorporated to improve the environmental performance of the building.

KoolKiel follows MVRDV’s recent reveal of visuals for the Taipei Towers, which it has dubbed “a Times Square for Taiwan”.

The towers, which will be 337 and 280-metres-tall, will be made from stacks of misaligned blocks wrapped in interactive screens.

Visualisations by MVRDV.


Project credits:

Client: Kap Horn GmbH
Architect: MVRDV
Principal-in-charge: Jacob van Rijs
Design team: Philipp Kramer, Bartlomiej Markowski, Ruggero Buffo, Bartosz Karasinski, Christine Sohar, Daniel Mayer, and Eleonora Lattanzi
Structure: Werner Sobek
Fire: Wenzel + Wenzel
Cost calculation: Wenzel + Wenzel

The post Final design of MVRDV’s KoolKiel complex will be determined by the community appeared first on Dezeen.