Warrior One yoga studio uses textured surfaces to reference the nearby sea

Design studio Golden has incorporated a textured sisal ceiling and a muted palette of colours to create a connection to the sea, for Warrior One’s second yoga studio in Melbourne.

The ocean and the coastline informed the materials and colour palette in the interior of the yoga studio in the coastal suburb of Mordialloc. Golden aimed to create a sensory experience through the use of texture rather than colour.

“We were inspired by the client’s connection to the ocean, love of surfing, and a desire to create an organic, sensory experience for their guests,” explained Golden directors Kylie Dorotic and Alicia McKimm to Dezeen.

Warrior One yoga studio by Golden

Personal belongings are stored in joinery with walnut timber-veneer and custom day beds to encourage visitors to relax before and after classes. The ceiling is covered with a sisal fabric to give the space a soft and welcoming feel.

“Understanding of the impact physical environments have on our wellbeing is particularly relevant for a yoga studio,” explained Golden. “The design focuses on texture rather than colour, with materiality celebrated throughout.”

Warrior One yoga studio by Golden

Warrior One houses two separate yoga studios, a large reception area and guest amenities. Golden maximised the space by dividing the main yoga room into two with custom bi-fold doors made with grass weave wallpaper and solid oak.

Integrated joinery in both studios provides a platform for the instructors and conceals equipment.

Warrior One yoga studio by Golden

“Architectural hardwood beams overhead create subtle rhythm. A hand-textured wall enhances the sense of raw and organic, completing the inspiring space,” said Golden.

Pink marble installed on the walls of the bathrooms and rust-coloured loungers in the foyer off-set otherwise muted tones, reinforcing the designers intended connection to the earth. Lights in the entrance are made of soft material, while lighting in the bathroom comes in the form of brass lights that match the taps.

Warrior One yoga studio by Golden

“Brass fixtures bring a sense of quiet indulgence; reflective of a space designed to for transcendent experiences,” said Golden.

In the entrance foyer several pieces of custom furniture made by local designers add to the tactile elements of the space. These include a custom counter by artist and stonemason Den Holm and a hand-crafted pendant light by Coco Flip.

Warrior One yoga studio by Golden

“Our desire was to create a calming retreat,” said Golden. “We sought to create a wholistic experience aligned with the offer of the Warrior One methodology of creating a Yogi Oasis. A welcoming, bright space with warmth and a chill surfer vibe.”

This studio is the second yoga space run by the Warrior One brand. The first is based in Brighton, Melbourne. Sydney-based architect Karen Abernethy created a yoga studio for Humming Puppy in an old Sydney warehouse, which contains a variety of spaces to offer visitors a different sensory experience.

Related:  1053810  [https://www.dezeen.com/2017/03/05/karen-abernethy-architects-multi-sensory-yoga-studio-converted-sydney-warehouse/]

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Jaguar Land Rover's prototype driverless car makes eye contact with pedestrians

Jaguar Land Rover has created self-driving cars with eyes that are used to communicate with pedestrians when it’s safe to cross in front of them.

Currently being tested in Coventry, England, the prototype autonomous vehicles sport two eyes in front, giving them a friendly face.

Much like human drivers, the cars make eye contact with nearby pedestrians to acknowledge that they’ve seen them and are stopping to let them cross the road safely.

Jaguar Land Rover's prototype driverless car

The cars, or “eye pods”, are part of a suite of tests being conducted by Jaguar Land Rover’s Future Mobility division, which is exploring how humans can be encouraged to trust self-driving cars.

For ideas, they’re looking to how drivers, pedestrians and other road users already communicate.

Jaguar Land Rover's prototype driverless car

“It’s second-nature to glance at the driver of the approaching vehicle before stepping into the road,” said Pete Bennett, research manager at Jaguar Land Rover’s Future Mobility division. “Understanding how this translates in tomorrow’s more automated world is important.”

“We want to know if it is beneficial to provide humans with information about a vehicle’s intentions or whether simply letting a pedestrian know it has been recognised is enough to improve confidence,” Bennett continued.

Statistics from the American Automobile Association show two-thirds of people say they’d feel less safe sharing the road with a driverless vehicle while walking or cycling. The figures have appeared to worsen following recent fatal crashes.

The psychological barriers to realising autonomous driving technology are now often regarded as greater than the legal barriers — a point that BMW board director Peter Schwarzenbauer discussed with Dezeen in an interview last year.

Jaguar Land Rover's prototype driverless car

Jaguar Land Rover is working with psychologists on these trials, as it attempts to understand how vehicle behaviour can improve human confidence in the new technology. Autonomous vehicles are expected to reduce the number of road accidents.

The trials are part of the UK government-backed Autodrive project, which unites businesses, local authorities and academic institutions attempting to bring autonomous technology to the country.

Jaguar Land Rover's prototype driverless car

The pods are made by local manufacturer Aurrigo and are being tested in a mock street scene.

They appear to look directly at nearby pedestrians to signal it is safe to cross, and engineers are recording the subjects’ trust levels before and after to gauge how much confidence they have in the vehicle stopping. More than 500 test subjects have been studied so far.

Jaguar Land Rover is a UK-based Tata Motors-owned automotive manufacturer, with both the rugged Land Rover and luxury Jaguar brands under its belt.

As well as its interest in developing driverless technology, the automaker has committed to introducing electrified versions of all its vehicles by 2020, although it will continue to make pure petrol and diesel engines as well.

The post Jaguar Land Rover’s prototype driverless car makes eye contact with pedestrians appeared first on Dezeen.

An Outpouring of Ambience

As you might guess from the name and familiar aesthetic, the Sound Bottle takes inspiration from a surprising source: the water bottle. The minimalistic design features a handsome handle strap and two distinct sections. The lower portion functions as a Bluetooth speaker and emits 360 degree audio streaming wirelessly from your mobile device. The upper section is an RGB LED light that can also be controlled via your smartphone. Ultra-portable and convenient, you can set the mood with music and ambient light anytime, anywhere! Now, if only you could drink out of it…

Designer: BKID Studio

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These resonance-box designs bring the LG G7’s audio to life!

The LG G7 ThinQ phone boasts of an unusual feature. Resonance speakers. The phone doesn’t come with speakers of its own, but rather, IS the speaker. It vibrates to the audio you play on it, and if you’re holding the phone, you hear the music almost running through your body. Things get even more interesting when you keep the phone on a surface. The phone transmits vibrations to the surface, turning it into an amplifier of sorts… and depending on which material you keep it on, you get audio that sounds distinctly different.

Aimed at the Korean market, LG’s Boom Your Sound competition hoped to get designers to come together and submit entries for boomboxes that best amplified the G7’s sound. Three entries stood out, not only for their distinct style, but also for how they replicated the phone’s audio, amplifying it without the need of electricity or batteries. Sung Jae Han’s Sound Engine was modeled on the design of an engine, hoping that the G7’s sound would boom out of the engine’s hollow design just the way the car engine’s pistons do. Made out of corrugated paper, the V10 engine even comes with adjustable sound chambers that rise upwards, creating a slightly altered sound.

Designer: Sung Jae Han

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Sin Seok Kim’s Sound Chamber bases itself on more traditional acoustics. Designed out of a love for and taking inspiration from the violin, the Sound Chamber comes in a squarish style, but using the very same wood a violin does, even complete with the f-cuts on the sides that beautifully emit a rich sound. Play orchestral music on the G7 and place it on the Sound Chamber, and the entire room fills up with a loud, well-balanced sound, courtesy centuries of acoustical perfection, and the perfect inspiration source!

Designer: Sin Seok Kim

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Thomas Feichtner’s Resonance definitely takes on an abstract, avant-garde approach. Styled sort of like a futuristic furnace, the Resonance comes with a metal body, and placing the G7 on its top results in a sound that is (no surprise) much more metallic, with exaggerated high-ends. An ideal apparatus probably for techno music, or any sort of music relying on trebles, the Resonance is a class apart, both visually, as well as audibly.

Designer: Thomas Feichtner

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Visit LG G7’s Boom Your Sound contest website here

Lego Technik’s Bugatti Chiron is the ultimate toy for grown boys

When cars and a universal, timeless toy intersect, it’s bound to be a marriage made in heaven. Lego Technik unveiled their life-size replica of the French hypercar, Bugatti Chiron. Not only is the resemblance spitting, but the car is also, completely, top-to-bottom (excluding the wheels and a few other parts) made from Lego!

Built from more than a million Lego pieces, the Chiron replica isn’t just a standing model. It actually drives too! Weighing over 3,000 pounds, the car can accelerate to slightly over 12 mph… which sounds even more impressive when you realize that the car’s engine is entirely made from Lego too! Two batteries in the car serve as its overall power source… and although there isn’t a gas or acceleration pedal (as the car is driven by voltage level), there is a working pedal for the brake. Check out the video above, as official Bugatti pilot Andy Wallace (the same pilot who test-drove the first Chiron) gives the Lego replica a spin… and expect goosebumps as the spoiler rises up from out of the car’s body, just like in the original Bugatti!

Designer: LEGO

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Motorola’s Sphere is the best of both worlds for audio-lovers

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The concept’s been floating around for a while now, but trust Motorola to take risks and bring concepts to life. First with the Phonebloks, and now with the Sphere. Half Bluetooth speaker, half Bluetooth headphone, and complete inventiveness, the Sphere gives you the option of a wireless audio experience that’s both private and public, portable and powerful… because the Sphere is not just a Bluetooth speaker. It’s also a dock for a wireless pair of headphones. Designed in a rather made-for-each-other format, the spherical wireless speaker also acts as a dock and charging station for the wireless headphones, that when positioned properly, make use of contact charging pins to juice up (and also look like an alien head wearing headphones). When you’re in the mood for some high-octane audio, tap into the Sphere’s dual 8W audio drivers with bass porting. The minute you want a more personal, private audio experience, pop the wireless headphones out and continue listening to your audio through the headphones that provide 20 hours of play-time as well as noise isolation. You can quite literally have the best of both worlds!

Designer: Motorola

Click Here to Buy Now

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Click Here to Buy Now

Céline drops accent to better resemble original 1960s logo

Luxury fashion brand Céline has removed the accent from its name – a move implemented by the brand’s new artistic and creative director Hedi Slimane.

The rebrand was revealed to the public via an Instagram post yesterday, 3 September, in a move that simultaneously saw the brand delete its entire Instagram history.

Slimane, who is known for famously cutting “Yves” from the brand formerly known as Yves Saint Laurent in 2012, revamped the logo to better resemble the original 1960s design.

“The new logo has been directly inspired by the original, historical version that existed in the 1960s,” the fashion label revealed in an Instagram video post that shows a slow pan-shot across a gold foil curtain.

A post shared by CELINE (@celine) on Sep 2, 2018 at 1:15pm PDT

“The accent on the ‘E’ has been removed to enable a simplified and more balanced proportion, evoking the Céline collections of the 1960s where the accent wasn’t used often,” read the post.

According to the brand, the new logo uses modernist typography from the 1930s. The spacing between the lettering has also been narrowed to create a tighter appearance.

“The 1960s version of the logo including the word ‘Paris’ will be reinstated within the clothing and on packaging, however, ‘Paris’ will not appear beneath the logo on campaigns,” added Céline, who revamped its flagship store in Miami earlier this year to include blue-tinged marble and pyramidal forms.

Slimane was appointed to the role of artistic and creative director in January this year, replacing British designer Phoebe Philo.

The rebrand follows Riccardo Tisci’s overhaul of the Burberry logo in August, which – in a similar move towards the brand’s heritage – used founder Thomas Burberry’s initials “TB” in an orange and white monogram.

Many brands have been refining their logos to feature more simplified forms. Examples include Battersea, who stripped “dogs and cats home” from its title, and Swedish technology giant Ericsson who adjusted its logo of three parallel lines to 18.435 degrees to render it better on computer and mobile screens.

The post Céline drops accent to better resemble original 1960s logo appeared first on Dezeen.

Ridge House by Rowland + Broughton frames views of Rocky Mountains

American studio Rowland + Broughton has overhauled a 1960s house in Aspen, Colorado, to offer occupants a better connection with the mountain landscape.

Ridge House is situated on an 8.5-acre (3.4 hectares) site overlooking the Rocky Mountains. It is accessed via a long driveway that curves through the undulating terrain and passes through a grove of aspen and oak trees.

Ridge House by Rowland + Broughton

The clients wanted better views of the landscape, as well as better sight lines between the rooms of the 1968 property. They also asked for spaces where they could display their collection of contemporary artwork.

Rowland + Broughton, which has offices in Aspen and Denver, sought to achieve this in “a thoughtful blending of old and new.”

Ridge House by Rowland + Broughton

“Modern architecture mixed with curated details allows for a layering of history and a connection to the ranch-like character of the site,” said the team.

The home’s structure consists of glue-laminated timber and steel columns. On the exterior, the west elevation is sheathed in dark metal siding and large expanses of glass, which usher in daylight while also affording generous views of the terrain.

Ridge House by Rowland + Broughton

On the east facade, original stone cladding had to be replaced due to water issues within the wall. The team used textured, Appalachian grey sandstone, which visually draws references to the surrounding topography.

“Sets of staggered, remnant stone walls run in a single direction, allowing light and landscape to slip past,” the team described.

Ridge House by Rowland + Broughton

Encompassing 8,250 square feet (766 square metres), the home is composed of rectilinear rooms that are organised along a central spine.

The elongated corridor, measuring 126 feet long (38 metres) and stretching from north to south, has white walls paired with wooden door frames, ceiling beams and flooring.

Ridge House by Rowland + Broughton

Occupying the centre of the home is the communal zone.

The kitchen features a cosy fireplace, stainless-steel appliances and cabinetry faced with cold-rolled steel. The kitchen steps down to a light-filled living room, where a stone fireplace with a built-in wood store acts as a centrepiece.

Ridge House by Rowland + Broughton

The south end of the home contains an expansive master bedroom suite with an original wood-burning stove, which was restored.

The north side is occupied by guest quarters and two kids’ bedrooms. A third children’s bedroom is situated in a small, upper-storey volume.

Ridge House by Rowland + Broughton

Throughout the dwelling, the team used earthy materials, such as reclaimed white oak and different variations of sandstone.

Rooms are fitted with contemporary decor in neutral colours, helping create a serene atmosphere, while floor-to-ceiling glass and sliding doors provide an intimate connection to the scenic landscape and vast blue sky.

Ridge House by Rowland + Broughton

A mecca for both skiers and cultural aficionados, Aspen is a popular spot for modern architecture.

Other recent projects in the mountainous area include a spacious residence by CCY Architects that features timber-clad boxes linked by glazed bridges, and a dwelling by Studio B that consists of zinc-clad boxes resting atop a concrete plinth.

Photography is by Brent Moss.

Project credits:

Architect and interior design: Rowland + Broughton
Design team: Sarah Broughton, Sara Upton, Will Otte, Mark Bever, Carol Cisco, Mallory Buck

The post Ridge House by Rowland + Broughton frames views of Rocky Mountains appeared first on Dezeen.

These resonance-box designs bring the LG G7’s audio to life!

The LG G7 ThinQ phone boasts of an unusual feature. Resonance speakers. The phone doesn’t come with speakers of its own, but rather, IS the speaker. It vibrates to the audio you play on it, and if you’re holding the phone, you hear the music almost running through your body. Things get even more interesting when you keep the phone on a surface. The phone transmits vibrations to the surface, turning it into an amplifier of sorts… and depending on which material you keep it on, you get audio that sounds distinctly different.

Aimed at the Korean market, LG’s Boom Your Sound competition hoped to get designers to come together and submit entries for boomboxes that best amplified the G7’s sound. Three entries stood out, not only for their distinct style, but also for how they replicated the phone’s audio, amplifying it without the need of electricity or batteries. Sung Jae Han’s Sound Engine was modeled on the design of an engine, hoping that the G7’s sound would boom out of the engine’s hollow design just the way the car engine’s pistons do. Made out of corrugated paper, the V10 engine even comes with adjustable sound chambers that rise upwards, creating a slightly altered sound.

Designer: Sung Jae Han

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Sin Seok Kim’s Sound Chamber bases itself on more traditional acoustics. Designed out of a love for and taking inspiration from the violin, the Sound Chamber comes in a squarish style, but using the very same wood a violin does, even complete with the f-cuts on the sides that beautifully emit a rich sound. Play orchestral music on the G7 and place it on the Sound Chamber, and the entire room fills up with a loud, well-balanced sound, courtesy centuries of acoustical perfection, and the perfect inspiration source!

Designer: Sin Seok Kim

lg_g7_boombox_4

lg_g7_boombox_5


Thomas Feichtner’s Resonance definitely takes on an abstract, avant-garde approach. Styled sort of like a futuristic furnace, the Resonance comes with a metal body, and placing the G7 on its top results in a sound that is (no surprise) much more metallic, with exaggerated high-ends. An ideal apparatus probably for techno music, or any sort of music relying on trebles, the Resonance is a class apart, both visually, as well as audibly.

Designer: Thomas Feichtner

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Visit LG G7’s Boom Your Sound contest website here

Jaguar Land Rover's prototype driverless car makes eye contact with pedestrians

Jaguar Land Rover has created self-driving cars with eyes that are used to communicate with pedestrians when it’s safe to cross in front of them.

Currently being tested in Coventry, England, the prototype autonomous vehicles sport two eyes in front, giving them a friendly face.

Much like human drivers, the cars make eye contact with nearby pedestrians to acknowledge that they’ve seen them and are stopping to let them cross the road safely.

Jaguar Land Rover's prototype driverless car

The cars, or “eye pods”, are part of a suite of tests being conducted by Jaguar Land Rover’s Future Mobility division, which is exploring how humans can be encouraged to trust self-driving cars.

For ideas, they’re looking to how drivers, pedestrians and other road users already communicate.

Jaguar Land Rover's prototype driverless car

“It’s second-nature to glance at the driver of the approaching vehicle before stepping into the road,” said Pete Bennett, research manager at Jaguar Land Rover’s Future Mobility division. “Understanding how this translates in tomorrow’s more automated world is important.”

“We want to know if it is beneficial to provide humans with information about a vehicle’s intentions or whether simply letting a pedestrian know it has been recognised is enough to improve confidence,” Bennett continued.

Statistics from the American Automobile Association show two-thirds of people say they’d feel less safe sharing the road with a driverless vehicle while walking or cycling. The figures have appeared to worsen following recent fatal crashes.

The psychological barriers to realising autonomous driving technology are now often regarded as greater than the legal barriers — a point that BMW board director Peter Schwarzenbauer discussed with Dezeen in an interview last year.

Jaguar Land Rover's prototype driverless car

Jaguar Land Rover is working with psychologists on these trials, as it attempts to understand how vehicle behaviour can improve human confidence in the new technology. Autonomous vehicles are expected to reduce the number of road accidents.

The trials are part of the UK government-backed Autodrive project, which unites businesses, local authorities and academic institutions attempting to bring autonomous technology to the country.

Jaguar Land Rover's prototype driverless car

The pods are made by local manufacturer Aurrigo and are being tested in a mock street scene.

They appear to look directly at nearby pedestrians to signal it is safe to cross, and engineers are recording the subjects’ trust levels before and after to gauge how much confidence they have in the vehicle stopping. More than 500 test subjects have been studied so far.

Jaguar Land Rover is a UK-based Tata Motors-owned automotive manufacturer, with both the rugged Land Rover and luxury Jaguar brands under its belt.

As well as its interest in developing driverless technology, the automaker has committed to introducing electrified versions of all its vehicles by 2020, although it will continue to make pure petrol and diesel engines as well.

The post Jaguar Land Rover’s prototype driverless car makes eye contact with pedestrians appeared first on Dezeen.