DePadova opens spacious furniture showroom in New York's Soho

Italian furniture brand DePadova has opened its first US showroom in New York City, where products are presented alongside items from its parent company Boffi and sister label MA/U Studio.

The DePadova store spans 4,000 square feet (371 square metres) across the third floor of a historic building, which boasts high ceilings and large windows, on a corner plot on Greene Street in Soho.

De Padova showroom

The brand is expanding into the US, after it was acquired by Italian kitchen and bath company Boffi in 2015.

DePadova products were previously showcased in the Boffi store down the street, but the new flagship offers the opportunity to display the furniture in a space that better represents the wider company.

De Padova showroom

Boffi designs – as well as items by Copenhagen-based MA/U Studio, which the group bought last year – are also shown in the new DePadova store.

“The opening marks the establishment of the brand’s very own headquarters, as its products were previously integrated in the Boffi Soho showroom just a few blocks away,” said a statement from De Padova.

De Padova showroom

Italian architect and designer Piero Lissoni – who serves as art director for the brands – worked with Boffi’s design team on the interior of the store, which opened May 2018.

Brick walls, old pillars, and exposed pipes – all of which are painted white – create a bright backdrop and spacious atmosphere for the showroom.

De Padova showroom

In keeping with this minimal shell, original light wood floors also allow the furniture pieces to pop.

The showroom is designed to resemble a renovated apartment, where contemporary and more traditional pieces in pale tones and natural colours are combined.

“DePadova’s sleek style reflects the rise of Nordic design in luxury residences in New York,” said the brand’s statement.

Throughout the showroom, a variety of dining and seating nooks help to make the space feel similar to a home. In each, statement furniture by DePadova and Boffi is integrated with the modular and versatile designs by MA/U Studio.

De Padova showroom showroom

In one corner, an oatmeal-coloured sectional sofa overlooks windows and sits on an oversized navy rug. Adjacent, a kitchen with white cabinetry conceals a stainless steel counter and sink.

Various see-through bookshelves divide the open-plan showroom, creating more intimate spaces. One unit is lined with books, and forms a backdrop for a long dining-cum-work table accompanied by caramel leather chairs.

De Padova showroom

“We look forward to introducing the DePadova collection to the dynamic design community in New York and feel that DePadova’s products offer broad appeal to design-minded homeowners in the area,” said Boffi Group CEO, Roberto Gavazzi.

DePadova was founded in 1956 by Maddalena and Fernando De Padova in Milan, where they opened a small store to sell imported Scandinavian furniture.

De Padova showroom

Over the decades, DePadova began producing its own collections, as the brand has grown to encompass a large portfolio. It has collaborated with several well-known designers, including Nendo, Patricia Urquiola and Monica Forster.

Soho is full of stores opened by European furniture brands, like Tom Dixon, Menu and Arper, which are all hoping to capitalise on the booming US design market.

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Michael Anastassiades installs drinking fountain that "lights up your whole face" at the V&A

London-based designer Michael Anastassiades looked to classical architecture when creating this reflective bronze drinking fountain, which is installed in the V&A’s garden courtyard for London Design Festival.

Called The Fleet, the drinking fountain comprises a simple, fluted bronze column. A curved top creates a shallow bowl, which contains a concealed water dispenser.

The idea is that, as you lean over to take a drink, the curved bronze surface will reflect golden light onto your face.

“What we wanted to do is abstract the fluting into something contemporary,” Anastassiades told Dezeen. “So we studied that whole idea, the whole ritual of drinking water, making a column with a bowl on top, but giving it a precious quality.”

“The semi-reflective bronze is eventually going to acquire a beautiful patina over the years,” he continued. “It is nice because it reflects the light when you drink from it so your whole face lights up.”

The fountain’s waterspout is concealed under the curvature of the bowl and the spout of water is activated by a sensor on the side.

“What is nice about it is that it looks abstract, then you start figuring out how it works when you approach it,” he said.

The fountain was created for The London Fountain Co – an initiative headed by Brompton Design District curator Jane Withers and publisher Charles Asprey, which seeks to provide free drinking water in London and eliminate plastic waste.

“The Fleet drinking fountain is intended as a robust addition to the streetscape for refilling bottles as well as drinking,” said the pair.

“Our hope is that these drinking fountains can be implemented on a larger scale in London and beyond, helping to provide the infrastructure needed to move away from plastic bottled water.”

Anastassiades, who is best known for his lighting and furniture designs, was tasked with creating a “beautiful and functional” contemporary fountain that has a strong design language but does not add unnecessary noise to its surroundings, much like a traditional postbox or telephone box.

“It seemed a pity that in the UK, despite such an illustrious drinking fountain tradition, that the ones installed recently are mainly rather basic utilitarian models,” Withers told Dezeen.

“We wanted a design that celebrated water and made people want to use it, a beautiful and functional fountain that could become a loved feature of the city in the tradition of the Wallace Fountains in Paris or Rome’s nasoni.”

Anastassiades hopes that users will consider the design to be “timeless, so you can’t really figure out when it was created, like it could have been there forever”.

It has not yet been confirmed whether the drinking fountain will become a permanent fixture at the V&A, but a second fountain is set be installed in South Kensington later this year and others are planned, which could be cast in different materials.

“Michael combines an extraordinary ability as a form-maker with a strong focus on technical aspects, which is essential for a drinking fountain design. His designs have a timeless quality that was ideal for our ambition of creating a permanent addition to the streetscape,” said Withers.

“We wanted a family of fountains, with a model suitable for busy streets, one for parks that is a little more playful and where people can also offer water to their dogs, and a wall-mounted version,” she added.

London Design Festival runs from 15 to 23 September. Other projects on show include an interactive installation featuring 26 colourful alphabet chairs and a nine-metre-high maze built from cross-laminated timber.

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Nik Bentel reshapes chalk to create architectural drawing toys for children

New York designer Nik Bentel has reimagined the humble chalk stick as toys in various shapes so that budding artists and architects can draw hatching, dots and circle patterns.

Bentel, who grew up in a family of architects, developed the Chalk Drawers set as a playful way for children to engage with architecture and design.

Chalk Drawers by Nik Bentel

Currently on display in the store at New York’s New Museum, the collection comprises three unusually shaped versions of the typically cylindrical tool. Each creates markings based on those found in architectural drawings: hatching, circles and dots.

Chalk Drawers by Nik Bentel

“The chalk drawers are architectural drawing toys made entirely out of chalk,” said Bentel in a statement. “They are designed to create original patterns that are geometrically precise.”

“The reason for this is to give the user tools to create the three fundamental building blocks of drawing,” he added.

Chalk Drawers by Nik Bentel

Among the collection is the Circle Drawer, shaped like a spinning top with ridged sides. It is designed to be rotated across a blackboard to create five concentric lines.

Chalk Drawers by Nik Bentel

The spines of the Line Drawer are splayed so that its marking is more like a squiggle. Bentel said that this tool could also be used to draw musical staff lines.

Bobbles protrude across the surface of the round Dot Drawer so that when it is rolled over a surface it makes dotted patterns, similar to those attributed to concrete in architectural drawings.

Chalk Drawers by Nik Bentel

Bentel first modelled the trio of chalk implements on a computer, and then 3D-printed the designs. From these he created urethane moulds, into which the chalk mixture is poured inside and left to set. The moulds then separate into two parts to release the finished product.

Chalk Drawers by Nik Bentel

“Chalk is a widely available material that has been in use for thousands of years,” said the designer, who has also launched a Kickstarter campaign to fund wider production of the toys. “Just about every shape and use has been tried with chalk.”

“In order to reimagine an original use, I had to reimagine its structure through modern manufacturing techniques, such as 3D printing,” he added. “There was also a good amount of manual postproduction work that went into getting the designs perfect.”

Chalk Drawers by Nik Bentel

The Chalk Drawers were created by Bentel as part of his residency at the New Museum’s design incubator, New Inc. He also recently tried to pass off his naked body as a furniture collection in another experiment, while previous project involved chewing pieces of wood to create a functional stool.

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One for Cheese Lovers

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Cheese is notoriously picky when it comes to being stored, under the wrong conditions it will begin to alter its texture, dry out and deteriorate, or it can even become the home to harmful bacteria. While storing it in a cool environment, such as a fridge is advised, when placed in such a thing, it can be lost and forgotten about. Cupola is here to assist in both the storage and service of cheese, and it does so in a neat way!

Cupola takes the cheese out of the fridge and onto the countertop, where it provides a cool, temperature regulated environment for the cheese to be stored. A small door with a quirky, asymmetrical handle can be found on top of the device, which is ideal for quick access to the cheese! Or alternatively the entire dome can be removed for sharing with a group!

Designer: Taekwon Yeon

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A Cable That Can Take All You Can Give It

I have this habit of charging my phone in the car and placing it my cupholder (the only convenient place to put it) while I’m driving. It doesn’t matter if I use a stock cable or aftermarket edition, it inevitably ends up wearing down because of the stress placed on the connector. The internal wiring becomes exposed and voila! I eventually have to replace it a few times a year.

If you’re like me and have a similar problem with wearing down your charging cables, you too could use a USB93 in your life! It’s the world’s first unbreakable USB cable. It also features a uniquely designed rotating-ball connector that swings 90° in 3 directions so you never have to worry about stress being placed on the delicate ends. This in combination with its nylon braiding ensure that it’s long-lasting and that you never have to waste time and money replacing worn out cables!

Designer: Alisa Miroshnyk

Click here to Buy Now: $17.00 $35.00 (52% off)

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World’s first Unbreakable USB cable. 90° rotation in 3 directions, fast charging & tangle-free.

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USB93 uses a unique rotating ball design inspired by robots used by NASA, Boston Dynamics and world over. The simple yet extremely functional design allows full range of movement which takes the stress off the cable connection hence prolonging cable life and providing options to use your device in the most comfortable way possible.

USB93 uses nylon braiding so you get a tangle-free experience, giving you more time on untangling things that really matter.

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Click here to Buy Now: $17.00 $35.00 (52% off)

V2 Studio's Gorgeous 'First Gear' Remote Control Cork Toys

Having become a parent relatively recently myself, I’m quickly becoming accustomed to the deluge of brightly colored objects that are filling our once minimalist living quarters. Toys are, of course, amongst the worst offenders—many kind and well-meaning family and friends delivering new garish, throw-away plastic play-things with almost conveyor-belt levels of efficiency.

It’s little wonder then, perhaps, that I swooned a little on first glance of ‘First Gear’—a range of remote control toys developed by London-based V2 Studio. Not only is the range delightfully understated, but these cork-based little beauties also have a sustainable edge that makes me a little more hopeful for the future of the planet.

From a nifty F1 car to a stylish speedboat, graceful sailboat and beyond, the First Gear range of vehicles and vessels are made primarily from Portuguese cork. The soft, lightweight material makes a perfect impact resistant car body and buoyant boat hull, but also has great CO2 offsetting abilities—the seven million acres of cork forest around the Mediterranean apparently offsetting 20 million tons of CO2 each year.

If that wasn’t sufficient sustainability credentials, the entire range is designed with longevity in mind. The remote control for the toys—a simple half-moon wheel, with a couple of buttons—comes equipped with dynamic control settings that give children different steering sensitivity and speeds (and thus control challenge) as they grow, hopefully meaning these toys will stay relevant for longer.

Naturally, we enquired with V2 Studio as to whether these little beauties were available for purchase but, alas, you won’t be seeing them in toy stores just yet. Apparently, the range was the outcome of a self-initiated project of the studio—the firm having spent many a year developing toys for big brands. The studio aims to license the range for manufacture in the near future.

Sustainability aside, these are also just some damn good looking objects—some much need visual calm for weary-eyed parents. Children would be advised to keep them well away from design-minded adults.

When an Architect Starts Designing Cakes

Dinara Kasko is a former architect who became interested in patisserie. Putting her 3D skills to use, Kasko began designing cakes with unlikely shapes–“I like sharp, straight lines,” she writes–and using a 3D printer to create cakes molds to realize her visions.

Eventually she ditched architecture altogether, and now spends her time creating these:

You can buy molds of Kasko’s designs here.

Unveiling and Explanation: Why BMW Developed a Riderless Motorcycle

A riderless motorcycle makes even less sense than a riderless bicycle, because the former requires gasoline. But German companies, particularly large ones like BMW, are not known for doing things that don’t make sense. So here BMW Research unveils the riderless motorcycle they’ve secretly been working on for the past two years, and explains why they created it:

Unlike an autonomous truck displacing truck drivers, BMW’s creation shouldn’t put anybody out of work. Well, except for motorcycle stunt drivers. You could do away with them, have the bike do all the work and just CGI the actors into the scene in postproduction. Yes, now that I think about it, motorcycle stuntmen are screwed.

A Look at Design School Dorms, Part 01: RISD First-Year Housing

By now you crazy college kids have had time to settle in to your Fall Semester ’18, and your dorm room is starting to feel like home. But the curious among you must wonder: How does your dorm room stack up against the dorms from other design schools? In this series we’ll take a look at what each school offers.

First up: RISD housing for first-year students.

If you’re a freshman at RISD, you’re housed at one of six buildings in The Quad. This is regardless of what major you’ll eventually choose, so those of you planning to go into ID will be rubbing shoulders with the scum from inferior majors like Architecture, Photography and Animation.

All students have access to laundry facilities (even though we all know that Fine Arts majors don’t even do laundry), access to a kitchen (that the slobs from Animation will slowly destroy), shared bathrooms (which Fashion/Apparel folks will clutter with an appalling amount of product), work lounges (as if those lazy Photography people ever do any actual work), and a living room with sofas and a flatscreen TV. This latter one is important: Fighting over access to the remote control to the flatscreen will help first-year students build the social skills needed to navigate future contentious design firm meetings, where you must fight for what you believe in while figuring out how to pin the blame on others if the show turns out to suck.

You can have a single room if you prefer to smell your own farts, but if you enjoy the variety of many people’s farts you can also get a shared room.

Single Rooms offer:

– an “extra long” twin bed
– a dresser
– a desk
– a chair
– only yourself to blame when you lose something

For a 360-degree view of a Single Room, click here.

Shared Rooms (Double, Triple or Quad) offer:

– an “extra long” twin bed (for each student)
– a dresser or closet space (for each student)
– a desk (for each student)
– a chair (for each student)
– up to three other people that you can blame when you misplace your things and assume they have been stolen

For a 360-degree view of a Shared Room, click up above on the Single Room link and use your imagination. Because there was no 360-degree view of a Shared Room available at press time.

There are six dorms available in the Quad. Here are the floorplans and square footages for each:

Carpenter House

The Carpenter House conveniently offers two staircases, so that you’ve got a choice of which stairwell to sit and cry in after your high school sweetheart breaks up with you because s/he met somebody that’s like you but taller and better-looking at whatever college they decided to go to.

East Hall

As you can see, East Hall is much larger and can hold many more students to share a bathroom with, offering you ample opportunity to secretly try other people’s shampoos while jealously guarding your own.

Homer Hall

The relatively towering Homer Hall has a much more classical college dorm configuration, with orderly, repetitive room configurations. Communal bathrooms provide the opportunity to overhear gossip while you’re in a toilet stall. You’ll also learn to avoid that one shower stall that always seems gross in comparison to the others, favored by some hairy person who always clogs the drain.

Nickerson Hall

Like Homer Hall, Nickerson features long, communal balconies that only students living on the south side of the building have access to. This is the perfect spot for Southies to congregate and discuss how lame Northies are.

Pardon Miller House

Compared to the dense Homer and Nickelson Halls, Pardon Miller is a smaller structure consisting of only shared rooms, no singles. Loner-types who wind up in Pardon Miller can form the annoying habit of sighing and rolling their eyes every time one of their roommates walks in.

South Hall

Unlike Pardon Miller, South Hall offers single rooms–and even single basement rooms, for those who want to live both alone and below the surface of the earth.

The upper floors offer relatively massive suites with up to four rooms sharing two bathrooms, giving you the opportunity to decide: Are you the kind of person that uses up all the toilet paper and doesn’t load up a fresh roll afterwards? If so, do you feel good about yourself?

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Note: If you’re a RISD freshman that has anything to add–factoids, experiences, photos, videos–please let us know in the comments!

V&A Dundee shows "new way of designing big buildings" that will be used for Tokyo stadium, says Kengo Kuma

Japanese architect Kengo Kuma says the new engineering techniques developed to meet the technical challenges of the V&A Dundee are being used to build his Tokyo 2020 Olympic stadium.

Speaking to Dezeen at a launch event for the V&A Dundee, Kuma explained that new 3D modelling tools were developed to create the unique shape and facade of the Scottish museum, which is intended to look like a jagged sea cliff.

“To achieve this kind of intimacy, the new technology is very necessary,” he said. “We invented a new joints system to adjust the precast concrete and the concrete behind.”

Kengo Kuma beats Toyo Ito to win Japan National Stadium competition
Kengo Kuma says the Tokyo 2020 Olympic stadium, currently under construction, will make use of technology developed for the V&A Dundee

He said the same tools will make it possible to create the curving geometries of the new Japanese National Stadium, which is being built for the Tokyo 2020 Olympics.

“The goal of design of our period is to combine nature and new technology,” the architect told Dezeen.

“For the new Tokyo Olympic stadium we also tried to combine natural material and new technology. I want to show that even for a big building we can use natural materials,” he added. “It can show a new way of designing big buildings.”

The stadium, which is currently under construction, will comprise a large oval formed from layers of latticed larch wood, with trees planted on each level. A steel canopy will extend over the stalls, forming a central oculus.

The new 3D modelling tools were developed to create the unique shape and facade of the V&A Dundee

The lead engineer for Tokyo 2020 is British firm Arup, which also worked with Kuma to build the £80 million V&A Dundee.

Arup‘s engineers wrote new computer scripts to create, test and analyse a 3D model of the V&A Dundee, which served as the single source for all the design and construction work.

Functioning as one continuous structure, the museum is shaped like two inverted pyramids conjoining at the top level to form gallery spaces. Its twisted and folded geometry features double curved walls, no two of which are alike.

V&A Dundee by Kengo Kuma, photographs by Ste Murray
Concrete planks are fixed to the twisting facade 0f the building, to make it look like a jagged cliff

Contractor BAM delivered the construction work for the museum – a project so technically complicated it reduced at least one of its engineers to tears.

In order to create a building that looked as though it was a naturally weathered cliff face, engineers devised a system of differently sized concrete planks hooked onto the main concrete facade.

“There’s 10 kilometres of [concrete] planks wrapped round the building,” Gavin Kerr, associate at Arup Facade Engineering, told Dezeen.

“They all had to be arranged to look random, like a cliff face. We had to deal with how the human eye looks for patterns in objects. There was a lot of work done with scripting, working between ourselves and Kengo Kuma’s office to come up with the final shape on the outside of the building.”

Hundreds of concrete samples were produced to find the right colour for the concrete facade, with its dark face and lighter rows of planks.

Natural pigments including pulverised fuel ash were used to achieve the desired shades, making the building more environmentally friendly. The concrete panels shouldn’t discolour as they age, and in wet conditions they give the building a slick dark sheen.

V&A Dundee by Kengo Kuma, photographs by Ste Murray
Arup’s engineers wrote new computer scripts to create, test and analyse a 3D model of the structure

The museum also had to be designed to be robust enough to withstand the extreme weather conditions of its exposed site on the Firth of Tay as well as a natural cliff could.

A triangular window jutting out over the Tay has thick glass and reinforced mullions that could withstand the eight foot waves maritime engineers estimate could batter the building in a 200-year storm.

Inside, the central atrium is clad in overlapping panels of oak wood around windows looking out over the water.

“Natural materials and new technology should be friends. If we can combine both we can bring nature to big cities,” said Kuma.

“Without that kind of collaboration, we humans cannot survive.”

Photography is by Ste Murray.

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