Gareth Pugh celebrates "outsider society" with Spring Summer 2019 collection

British fashion designer Gareth Pugh takes inspiration from society’s outcasts with his latest collection, which he describes as “uncompromising, anarchic and fiercely confrontational”.

Pugh‘s Spring Summer 2019 collection, presented at the Old Selfridges Hotel during London Fashion Week, features a “riot of print and colour” with geometrically patterned morph suits, exaggerated tailoring and paramilitary boots.

The designer dedicated the show to his friend and mentor, stylist and punk icon Judy Blame, who passed away in February.

“Judy was uncompromising, ungovernable and fiercely anti-establishment. He was a creative extremist,” said Pugh.

“He came up in the 1980s and 1990s, where much of culture was moving toward the shallow and the acquisitive. Dumbed-down, debased and dissociated from its primary purpose: creative expression,” he continued. “Judy was a counterpoint to that.”

In celebration of Blame’s outsider style, Pugh has put an emphasis on bold prints reminiscent of the 1980s club scene. He also looked to the idea of renewal, by installing turned earth – “fertile loam for new ideas” – on the catwalk floor.

The opening look featured a semi-sheer bodysuit with a geometric star print in black and red – a reference to Pugh’s graduate collection in 2004, which adopted the same pattern.

“This collection and show speaks to the cyclical nature of art, fashion and politics, and places its faith in the cycle of renewal,” reads the show notes.

Some models were dressed in intricately tailored suits with cut-out panels, while other looks included metallic pink trench coats and leather hardware.

The closing outfit was a black latex turtleneck and a billowing skirt with dark orange detailing, delivered by a seemingly pregnant model.

Pugh said the collection was “utterly loaded with emotional freight”.

Sunderland-born Pugh has developed a reputation for exploring subversive and provocative themes in his designs.

Since bringing his biannual shows back to the UK capital from Paris in February 2015, the designer has shown a collection informed by the “inescapable forces of the cultural landscape” and another featuring dresses covered in coins.

His last range was designed for “women who accept zero bullshit”.

The post Gareth Pugh celebrates “outsider society” with Spring Summer 2019 collection appeared first on Dezeen.

Fubiz Talks 2018 – Meet Constance Guisset

Les Fubiz Talks 2018, organisés conjointement par Fubiz et l’agence TETRO, vous donnent rendez-vous le 4 octobre prochain dans l’enceinte de la Salle Pleyel pour une journée dédiée à la création. Les speakers de tous horizons créatifs prendront la parole sur la scène de la prestigieuse salle parisienne. Nous vous avons d’ores et déjà présenté Seb Lester, Rémi Chapeaublanc, Mathias Kiss, Philippe Découflé, Brodbeck & Barbuat et Studio KO. La designer Constance Guisset rejoint ce beau programme.


© Constance Guisset Studio

Constance Guisset est designer, scénographe et architecte d’intérieur, autant de champs d’expérimentation qu’elle explore depuis dix ans avec son studio. Elle crée des objets ergonomiques et légers, animés et accueillants, émanant d’un désir de mouvement, de délicatesse et de poésie. Qu’il s’agisse d’objets ou de scénographie, le travail de Constance Guisset renouvelle les perceptions, favorise les illusions et éveille les émotions de chacun.


© Constance Guisset Studio


© Constance Guisset Studio


© Constance Guisset Studio


© Constance Guisset Studio

Pour assister à cette troisième édition des Fubiz Talks et découvrir l’univers de ces talents qui font les scènes créatives d’aujourd’hui vous pouvez vous procurer vos billets sur les billetteries de la Salle Pleyel, de la FNAC et Digitick.





Fubiz Talks 2018 – Meet Constance Guisset

Les Fubiz Talks 2018, organisés conjointement par Fubiz et l’agence TETRO, vous donnent rendez-vous le 4 octobre prochain dans l’enceinte de la Salle Pleyel pour une journée dédiée à la création. Les speakers de tous horizons créatifs prendront la parole sur la scène de la prestigieuse salle parisienne. Nous vous avons d’ores et déjà présenté Seb Lester, Rémi Chapeaublanc, Mathias Kiss, Philippe Découflé, Brodbeck & Barbuat et Studio KO. La designer Constance Guisset rejoint ce beau programme.


© Constance Guisset Studio

Constance Guisset est designer, scénographe et architecte d’intérieur, autant de champs d’expérimentation qu’elle explore depuis dix ans avec son studio. Elle crée des objets ergonomiques et légers, animés et accueillants, émanant d’un désir de mouvement, de délicatesse et de poésie. Qu’il s’agisse d’objets ou de scénographie, le travail de Constance Guisset renouvelle les perceptions, favorise les illusions et éveille les émotions de chacun.


© Constance Guisset Studio


© Constance Guisset Studio


© Constance Guisset Studio


© Constance Guisset Studio

Pour assister à cette troisième édition des Fubiz Talks et découvrir l’univers de ces talents qui font les scènes créatives d’aujourd’hui vous pouvez vous procurer vos billets sur les billetteries de la Salle Pleyel, de la FNAC et Digitick.





People Are Awesome: Swimming Pool Stunts

“Summer isn’t over quite yet! ☀️ Get a few last pool days in while you can! 😎 Here’s some epic pool trick shots, flips, dunks, high dives, handstands and much more!”..(Read…)

Dutch designers create rugs using 3D printing, offcuts and a giant loom

Four studios are presenting very different floor coverings in a Dutch design showcase at London Design Festival, demonstrating a range of innovative techniques and technologies.

Colourful geometric rugs 3D-printed from polyamide fibres, and blankets and rugs made using a bespoke giant loom are just a few of items on show at Dutch Stuff.

The exhibition, which forms part of the London Design Fair in the Old Truman Brewery, features the work of 25 studios based in the Netherlands.

Dutch designers present diverse rug designs in Dutch Stuff show
Studio Plott’s rugs are 3D-printed from polyamide fibre

Among the four rug designers featured in the show is Eindoven-based Studio Plott, founded by designers Rudi Boiten and Mireille Burger. Their project called Crossing Lines, is a series of colourful triangular and lozenge-shaped mesh rugs that feature geometric patterns.

Available in 10 colours, the rugs are 3D-printed from polyamide fibre.

Dutch designers present diverse rug designs in Dutch Stuff show
Studio Plott’s mesh rugs collection is called Crossing Lines and features geometric patterns

“The designs are a clear visualisation of our fascination with technology, traditional craft, geometric pattern, colour and shape,” explained the designers.

“Each pattern has its own playful interplay of lines where the open mesh arrangements and bright colours create a visual dialogue between the rugs and their underlying surfaces.”

Dutch designers present diverse rug designs in Dutch Stuff show
Studio Ro Smit worked with people with disabilities to design a series of seven rugs and blankets

Studio Ro Smit, founded by designer Roland Pieter Smit, presents a series of seven rugs and blankets made in collaboration with craftspeople working at the Maartenhuis – a social work community for people with disabilities on the island of Texel in the Netherlands.

Realising that people with different types of disability are more suited to working with different types of yarn, Smit developed specific yarns for the craftspeople.

Dutch designers present diverse rug designs in Dutch Stuff show
Studio Ro Smit developed enlarged weaving frames for the new yarns used in the collection

Because ordinary looms couldn’t process the new yarns, Smit developed his own weaving frames, in which he enlarged and simplified the weaving process. This in turn encouraged social interaction among the makers.

“The result is a beautiful series of woollen blankets and rugs with a recognisable authentic look, each with the unique ‘signature’ of the creator,” said Smit.

Dutch designers present diverse rug designs in Dutch Stuff show
Studio Simone Post uses leftovers and misprints to create its rugs

Studio Simone Post presents carpets she made for high-end wax-printed fabrics brand Vlisco, using leftovers and misprints.

Meanwhile Nina van Bart is showing a series of rugs developed in collaboration with Dutch brand Carpet Sign using a new 3D-tufting technique.

Dutch designers present diverse rug designs in Dutch Stuff show
The materials used were sourced from the factory of high-end wax-printed fabrics brand Vlisco

Many of the other products showcased in Dutch Stuff also feature innovative techniques and digital tools. Some of the materials the studios are exploring include chipboard and repurposed industrial waste plastic, while techniques include marquetry made using computer programs and dyeing processes.

The showcase forms a continuation of last year’s Dutch Stuff, where the work of more than 60 Dutch collectives, studios and independent designers was exhibited.

The show organisers believe that this year’s more refined offering will provide the exhibited work with more “space to breathe”.

Dutch designers present diverse rug designs in Dutch Stuff show
Nina van Bart used a new 3D-tufting technique in their rugs

London Design Fair runs from 20 to 23 September the Old Truman Brewery.

Other exhibitions in the show include the Nordic Happiness Hotel, which will display new Finnish design and technology brands. Meanwhile Southern Sweden Creatives will feature work by 13 design companies from southern Sweden, exhibited within a timber pavilion created by architect Karin Sundberg.

Other collections on show as part of London Design Festival include architect Henning Stummel’s flat pack furniture cut from a single piece of wood, and Another Country and Ekkist’s furniture collection designed to promote health and wellbeing in the home.

The post Dutch designers create rugs using 3D printing, offcuts and a giant loom appeared first on Dezeen.

Coffey Architects creates brick-clad retirement housing on derelict industrial laundry site

London-based architecture studio Coffey Architects has completed 34 retirement flats in Woking, UK, with a warehouse-like silhouette that reflects the site’s industrial heritage.

Named Moor’s Nook, the housing project in southern England for retirement living developer PegasusLife, is arranged in a horseshoe-shaped plan around a central courtyard.

Moor's Nook by Coffey Architects

Replacing a derelict industrial laundry, which had previously stood on the plot, the brick housing harks back to the site’s industrial heritage with  a roofline that echoes a warehouse.

According to the practice, Moor’s Nook’s aesthetic “is a deliberate merger of the area’s two distinct vernaculars”, with it referencing both the site’s previous industrial use and Woking’s arts & crafts heritage.

Moor's Nook by Coffey Architects

In reaction to the surrounding context, the brick scheme steps up towards the north-east where it reaches four-storeys, while to the south it drops down to two-storeys to match the neighbouring Victorian properties.

Overlooking a cricket ground, the 3,400 square metre project’s one and two-bedroom flats are arranged around an internal courtyard solely for the development’s residents. A separate publicly accessible space has been placed at the building’s entrance.

Moor's Nook by Coffey Architects

The public courtyard space has built-in benches on the pavement to welcome neighbours and visitors, and to be used passers-by a place to sit, with the aim of linking residents of the retirement community to their neighbours in the wider Woking area.

From this public courtyard space a brick colonnade leads into the building creating a transition from public to private space. The cloistered walkway connects the reception, staff offices, and a guest suite alongside the block’s stair and lift.

Moor's Nook by Coffey Architects

All of the homes are accessed from the south facing interior courtyard, either at ground level or from raised walkways.

Each ground floor apartment has its own garden space, while on the upper levels, the apartments each face onto an extra-wide decked walkway. The overhang of the apartment scheme’s zig-zagging zinc roof is designed to offer privacy to the decking in front of each flat. 

Moor's Nook by Coffey Architects

Residents have access to a common lounge and kitchen, which opens out onto a shared balcony overlooking the garden space.

“Moor’s Nook is a generous piece of architecture”, said Steve Jones project director at Coffey Architects.  “The integrity and playfulness of the design helps to create a space that is at once elegant and homely.

Moor's Nook by Coffey Architects

“It is comfortable, communal living, and from layout to material choice, we have put community residents and neighbours first,” continued Jones.

The project is Coffey Architects’ first multiple-home scheme. The 2011 Stephen Lawrence Prize-winning practice has previously completed a number of one-off homes including a house sitting above a 19th-century former prison and the renovation of a three-metre-wide London mews house.

The post Coffey Architects creates brick-clad retirement housing on derelict industrial laundry site appeared first on Dezeen.

This Wheelchair is #Winning

The Superstar wheelchair is the latest in stigma-busting mobility. It utilizes a modern mix of materials, cutting-edge tech, and forward-thinking biomechanics to enhance the lives of those who need it.

The first lightweight wheelchair made from graphene, it’s 30% lighter and 20% stronger than other carbon-fiber designs. The team at Küschall has also consulted with Formula 1 manufacturers to reimagine the driving experience. Keen attention to detail is paid in the form of thoughtful accents like a plated quote at the footrest that reads, “Cowards never start. The weak never finish. Winners never quit.” With its mix of stealthy shapes and luxurious materials, it’s not only reducing the stigma associated with disability but smashing the stereotypes into a million pieces before running them over!

Designer: André Fangueiro for Küschall

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YD Handpicks: Winning Architectural Designs from A’ Design 2018

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In keeping with Johann Wolfgang von Goethe’s description of architecture as frozen music, this post is quite literally a playlist of the best architectural designs from 2018.

A part of A’ Design Award and Competition‘s winner list, these buildings are awarded for the uniqueness of the project, social impacts, environment friendliness, energy utilization, and other project-specific criteria. Ranging from conceptual designs to residential units, to spas, offices, museums, and retail spaces, the A’ Design Award covers architecture in its entirety, aside from a wide roster of other design categories. Not only does winning an A’ Design Award look great on an architect’s resume, it also brings a lot of repute and focus to the work, uplifting the value of both the designer and the design!

Architecture remains one of the most popular categories at the A’ Design Awards, receiving entries by the thousands each year. Here are a few favorites that captivated our souls this year!

If you’re an architect looking to participate in the A’ Design Awards 2019, click here to register. Hurry! The regular deadline ends on 30th September!

Lè Architecture by Aedas
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The design for Taipei Lè Architecture draws inspiration from the shape of the river pebbles. The unique source of inspiration translates into a form factor that’s definitely eye-catching and adds an organic, iconic symbol to Taipei’s skyline!

Jewel by Wanda Commercial Planning & Research Ins
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If the Lè Architecture was inspired by the soft forms of pebbles, the Jewel took inspiration from the diametrically opposite crystalline forms. The building employs sophisticated facade technologies to ensure shading from sun and shelter from the wind, delivering a five-star green star building, that is both visually dramatic and sustainable.

China World Trade Center Phase 3C Retail by Andrew Bromberg
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The retail area of the China World Trade Center was made to do two things. Provide a space for retail therapy, and be a place so visually attracting and memorable, you’d be motivated to go there and spend as much time as possible. I guess it checks both boxes!

Symbiotic Towers by Zayad Motlib
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Designed for the arid climate of Dubai, the Symbiotic Towers rely on their unusual shape and the integration of greenery to create an environment that is both shaded from the harsh sun as well as capable of generating natural coolness, therefore relying less on artificial air-conditioning. The three towers host a lush, greenery-filled shopping plaza at the base, with office spaces, residential spaces, and hotels on the top.

Arachne by Lei Yu
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The Arachne isn’t a building as much as it is a facade, and what’s interesting about it is the fact that it’s entirely 3D printed. Created to uplift and redefine an ordinary looking building, the interwoven lattice structure was draped on the building’s front, creating a dynamic facade that’s great to look at and instantly memorable. It looks even better when lit up!

Church in Hardangervidda by Aryan Ron and Arman Ron
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Showing that religion must clearly evolve with time and space, the church in Hardangervidda boasts of an aesthetic that is highly contemporary, rather than the archaic gothic construction we see being used in churches and cathedrals. It still sticks to the tradition of having the steeple and the cross at the top, but does so in a way that’s much more modern, hoping to be more relevant to the younger generations.

Zeytinburnu Sales Office by Arkiteam Architecture Company
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Located on the coast, and inspired by waves, the Zeytinburnu Sales Office comes with a design that looks like a wave caving in on itself. Looking quite like Hadid’s Heydar Aliyev Center, the Zeytinburnu building boasts of a similar, curved style that’s oh-so-memorable, and creates a building that looks different from every angle!

Winspear Concert Hall by Andrew Bromberg
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Built as an extension to the existing Francis Winspear Centre for Music, the extension houses a concert hall, an additional studio and several educational spaces that are intended for a variety of user groups to provide appropriately sized and acoustically treated venues for community engagement and educational activities. The way the extension is designed goes particularly well with the rest of the hall, adding an ornamental element to it that especially comes alive in the winter as it looks like the building is covered in sleet and snow!

Solar Egg Public Sauna by Futurniture and Bigert & Bergström
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A symbol of youth, nourishment, and vitalization, the egg was perhaps the most perfect form for the Solar Egg Public Sauna. With stainless golden mirror sheeting on the outside, and a faceted form, the sauna mirrors the serene landscape around it, but looks as golden as the sun does (a fitting metaphor, because it’s so hot on the inside). The inside has a wooden construction with a heart-shaped sauna stove at the center, radiating heat, and making for a fitting design detail for something that looks like an egg on the outside!

Impressed? Inspired? Go ahead and grab a spot for your own designs at the A’ Design Award and Competition! Click here to Register Now! Hurry! The regular deadline ends on 30th September!

Wood and Wool Winsomeness

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After daydreaming about the idea for over a year and even more time spent in 3D shape exploration, designer Magnus Skogsfjord has finally landed on the sleek seating design you see today. Its lines and dimensions take inspiration from a standing diamond with a ratio of 6:5 which is precisely how it has earned the namesake Adamantem (Latin for diamond).

The resulting aesthetic is at once complex and coherent, with its various elements each telling a different story while coming together as one. From the backrest framing to the arms and legs, its fluid form is contrasted by defined lines. In untreated European Oak and dark grey wool, it’s one sharp seating solution in true Scandinavian style.

Designer: Magnus Skogsfjord

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Wood and Wool Winsomeness

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After daydreaming about the idea for over a year and even more time spent in 3D shape exploration, designer Magnus Skogsfjord has finally landed on the sleek seating design you see today. Its lines and dimensions take inspiration from a standing diamond with a ratio of 6:5 which is precisely how it has earned the namesake Adamantem (Latin for diamond).

The resulting aesthetic is at once complex and coherent, with its various elements each telling a different story while coming together as one. From the backrest framing to the arms and legs, its fluid form is contrasted by defined lines. In untreated European Oak and dark grey wool, it’s one sharp seating solution in true Scandinavian style.

Designer: Magnus Skogsfjord

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