How to Make Batman's Bat-Shaped Boomerang

“How to Make Batman Boomerang that Flies Perfectly”..(Read…)

The Death And Life Of Helicopter Commuting

Fifty years ago, a helicopter company called New York Airways whisked passengers from the rooftop of the iconic Pan Am Building in midtown Manhattan to any city airport in just 10 minutes. A fatal accident in 1977 brought that era to an end…(Read…)

Ozzy Man's Commentary on Rubik's Cube Juggling

“Me commentary the pure skill of juggling and solving the Rubik’s cube.”..(Read…)

Maximum Peanut Capacity Has Been Reached

Occurred on June 17, 2018 / Aurora, Ontario, Canada”Van Gogh (VG for short) is a wild chipmunk from Ontario, Canada who visits me every day- as you can see from the video, he is quite the pig.  He will stuff as many peanuts possible in his cheeks before running back to his burrow to store for later. He will then come back to visit me, get some back scratches/pets, indulge in more peanuts, and bolt back to his burrow once again. This action will be repeated for as long as I am outside/as long as the peanuts are available! This is VG’s second summer coming around (he hibernates through the winter). He is missing part of his left ear, which is why I decided to name him Van Gogh, after the famous painter.”..(Read…)

Furniture for Fashionistas

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For many people, fashion isn’t just the clothes they put on their back. It’s art they wear to express themselves. Designed with all those fashionistas in mind, the Swing coat rack is one worthy of hanging and displaying your wearable works of art.

Its neat, elegant aesthetic is the result of CNC cutting, handcrafting, and seamless joinery. The sculptural piece is right at home in any dressing room, closet or even an entryway. A dapper departure from the utilitarian look of metal coat racks, it’s also ideal for expanding the limited closet space of compact living quarters in a stylish way.

Designers: Emrah Son & Emel Son of Edvar Design for Artisan

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Save the Children's Madrid headquarters designed to promote "emotional attachment"

Madrid-based Elii used unusual materials, plants and bright colours to give the interiors of this headquarters and childcare facility in Madrid a sense of personality to encourage users to interact with it affectionately.

The studio, headed by Uriel Fogué Herreros, Eva Gil Lopesino and Carlos Palacios Rodriguez, was selected from an invited competition to oversee the transformation of a 1950s building into a headquarters for the Save The Children Foundation.

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The project involved altering the existing structure to make it capable of supporting several extensions required to provide the space needed the foundation’s operations.

The rear of the building in the city’s San Diego neighbourhood was partially demolished to allow for the addition of a circulation and service core. A double-height extension, flanked by front and rear terraces, was also added to the roof.

Save The Children by Elii Architects

A new facade comprising a system of eaves, canopies and planters is suspended from the top floor to provide thermal insulation and shade from the intense Spanish sunshine.

Retractable vertical blinds can be pulled down to prevent the sun from entering different rooms. These are printed with letters that spell out the foundation’s name and give it a distinctive presence when viewed from the adjacent square.

Some of the building’s key features are a direct response to regulations relating to its use by children, as well as to studies suggesting that caring for pets or plants helps to promote qualities including self-confidence, responsibility and affection for others.

“The building is equipped with certain elements to allow interaction and appropriation of the spaces by the users as well as an emotional attachment to the new headquarters,” said the architects.

Save The Children by Elii Architects

“Some of these approaches are transferred to the architectural support, with a series of spatial, material, chromatic, furniture and design actuations.”

The building’s interior features flexible classrooms with movable wall panels including giant blackboards that can be easily reconfigured to suit the needs of their users.

Save The Children by Elii Architects

Portable furniture including wheeled shelving units in the library also allows the children to interact with the interior architecture and make the spaces their own.

Pot plants positioned throughout the building introduce natural touches, as well as providing something for the children to care for on a daily basis.

Save The Children by Elii Architects

Materials are carefully chosen to promote a connection between the centre and its surroundings, with the paved surface of the square extending into the waiting area. The mirrored ceiling of this space also reflects the views of the outdoors and makes it feel larger.

An office for staff and a room for family support at the front of the ground floor are enclosed in translucent polycarbonate so the activities taking place within are partially visible from outside.

Save The Children by Elii Architects

Colourful finishes are used throughout the building to give different spaces their own personality. The staircase combines coral pink with cyan hardware, while a mezzanine and projection room on the uppermost storey feature sunshine-yellow floors.

In response to the children’s wishes to be able to see the stars from the rooms a large skylight was incorporated into the roof of the screening room, which opens onto a roof terrace overlooking the skyline.

Other architectural spaces that were designed to trigger a particular response from children include classroom furniture designed to help children concentrate and a playground that challenges kids to climb and jump.

The post Save the Children’s Madrid headquarters designed to promote “emotional attachment” appeared first on Dezeen.

TAO converts huge Beijing warehouse into moody office and exhibition space

Towering steel bookcases divided up this warehouse building in Beijing, which Trace Architecture Office converted into an office for a local magazine publisher.

The office designed by Trace Architecture Office (TAO) for Lens Magazine is located in a warehouse previously operated by the Beijing Municipal Commission of Transportation.

Lens Magazine offices by TAO

The building was constructed in 1958 and has a typical industrial aesthetic, with a large pitched roof supported by rows of timber trusses and iron tie rods.

The architects sought to retain the overall spatial quality of the building whilst creating distinctive zones that are scaled to suit their specific purposes.

Lens Magazine offices by TAO

“As a restoration project [the design] mainly interprets the strength of time by reconciling the old and new,” said TAO. “The design strategy intends to present the trace of time through spatial sequence and materials.”

A corridor lined with monumental bookshelves extends along the centre of the building, creating a division between the open office on one side and smaller spaces including meeting rooms and utility areas on the other.

Lens Magazine offices by TAO

The towering walls of shelving are constructed from dark steel that complements the warehouse’s industrial character.

The shelves are also intended to draw the eye up towards the roof structure and provide ample space for the reading material that is central to the magazine’s cultural identity.

The main office is accommodated on the south side of the central partition. This double-height space receives plenty of natural light from windows facing the street outside.

Lens Magazine offices by TAO

The original windows were too high and were consequently filled in, with the new lower windows positioned at a more appropriate level for looking out and bringing daylight in.

The building’s northern elevation is punctuated by simple bay windows that frame specific views and illuminate the more intimate spaces on this side of the building.

Lens Magazine offices by TAO

Lower ceilings add to the more domestic feel of these areas, which include the glass-walled meeting rooms and a lounge overlooking the exhibition space.

The central corridor extends from a reception and dining area at one end of the building toward the exhibition hall at the other.

Lens Magazine offices by TAO

The hall is enclosed by pivoting steel panels that function both as partition walls and display boards for artworks.

Open panels provides a fluid connection between the hall and the rest of the building, while closing them transforms the space into a private room that frames a view of the roof structure.

Former industrial buildings around the world continue to be repurposed. In Los Angeles Studio Unltd converted a light filled warehouse into a restaurant, while in Singapore Asylum and Zarch Collaboratives transformed a spice warehouse into boutique hotel.

The post TAO converts huge Beijing warehouse into moody office and exhibition space appeared first on Dezeen.

Beautiful Desk Organizers That Are Inspired by Nature!

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Desk organization is something that a lot of us battle with each day, and there are a wide variety of desk organizers available to us that aim to assist in the removable of unwanted clutter! But none of them have looked quite like this series, where their form is based on some of the most beautiful and tranquille sights that nature has to offer… Valleys, Pools and Waterfalls.

These creative forms consist of rows of thread that the user can neatly place items on or longer items, such as pens, securely in. This flexible method of organizing stationary also lends itself to cable management and holding smart devices in place, clearing the desk up even further!

The three stunning forms can be combined to create visually interesting, sculpture-like desk accessories that will encourage the user to have a far neater workspace.

Designer: Seungyeol Lee

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The Waterfall.

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The Valley

A desk organizer that can be used by putting on or inserting other office supplies such as pencils and erasers. In addition, multiple smart devices can be inserted and can be used to help organize various cables.

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The Pool

An organizer that utilizes the half-spin properties of a string. The user can check, remove, or store clips or rubber bands without having to open the lid with difficulty.

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An Alternative to a Television?

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Projectors are usually used as a temporary ‘screen’ for sharing memories with family or immersing yourself in a film, but the Lumo projector does things a little differently…

Aimed at single-person households where space may be limited and moving abodes frequently is common, Lumo is designed to replace the television altogether; research showed that the occupants of this type of household rely on their phone, laptop and desktop as opposed to a TV, but their limited size can make things uncomfortable or unenjoyable.

Thanks to its considered design and lamp-like form, it’s not a projector that needs to be hidden when it’s not being used, and this makes Lumo’s party trick possible, the display is always on even if the television is not; based on lifestyle patterns and personal interests, daily information and personalised contents is always displayed on the wall!

Designers: Jinju Choo, Soyoung Lee, Seonghyeok Youn & Sooyoung Choi

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The power indicator lights up when activated to provide the experience of turning on the lamp.

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Lumo is capable of 360-degree projection with a vertically rotatable stand and horizontally rotatable upper part. You can also easily position the screen on the wall with voice command.

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Lumo has a hidden ventilation designed to prevent the heat by efficiently circulating the air up and down.

Daily information and personalized contents are always on the wall or the ceiling. This not only considers the multi-content consumption experience, but also breaks the boundary between the wall and screen thus considering the interior effect of the home projector.

When you enter the Lumo Launcher by mobile, Music, Video, and Photo screen changes to smartphone homescreen. This allows users to access daily information and personalized contents seamlessly.

Lumo recommends customized contents in three categories: schedule, history, and usage pattern. Therefore, Lumo allows users to consume a variety of content seamlessly and makes a better content consumption life.

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DIY Desktop Physiotherapy

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Work may be the very thing exacerbating your carpal tunnel syndrome so why not treat it while you’re at work? That’s the idea behind Kyor – a compact device that sits right next to your keyboard to provide sweet relief through targeted mobilization.

This non-invasive treatment loosens nearby soft tissue and reduces swelling from excess synovial fluid in tendon sheaths thereby relieving pressure on the nerve. Users must simply place their arm into the device upon receiving a notification from the wearable sensor that can monitor user activity and predict painful flare-ups. This wearable unit can also track motions throughout the day and provide suggested behavioral changes to further manage the condition.

Designer: Chris Thursfield

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Carpal Tunnel Syndrome is caused by compression of the Median nerve in the wrist and affects around 3-6% of the UK, although often higher in office professionals. It causes severe weakness, tingling, numbness and painful twangs in the surrounding hand. Current treatment involves surgery, lengthy recovery and unsatisfactory prognosis rates with concerns over re-occurrence.

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This device provides non-invasive treatment which loosens nearby soft tissue and reduces swelling from excess Synovial fluid in tendon sheaths; relieving pressure on the nerve. It works to provide treatment for up to 60 minutes, scheduled at intervals throughout the day. This is achieved through a device which sits unobtrusively next to the user’s keyboard. The design includes a desk based treatment unit, a portable relief unit and a wearable monitor which all work together as a system.

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It provides treatment through targeted mobilization of the hand and arm, automatically starting when the user places their arm onto the device after being notified. The schedule and intensity of treatment is automatically set from the wearable monitor, which monitors user activity and predicts symptom flare-ups. The wearable monitor also provides useful activity insights to encourage behavioral modification. The portable relief unit can be used on demand throughout the day, and uses a range of technologies.

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1. Wearable Tracker

Designed to monitor user activities in an attempt to improve behavioral awareness. It is designed to learn individual symptomatic tasks and notify users when repeated, in an attempt to avoid re-occurrence.

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2. Symptom Relief Unit

Helps reduce effects and gives the user management strategies. This can be used at home or work and contains the controls and interface for the treatment unit.

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3. Treatment Unit

Splits 60 minutes of mobilization into manageable slots throughout the working day; loosening soft tissue in the hand and reducing Synovial fluid build-up.

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