The Biggest Baddest iPhone Yet?

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As much as I love paying 1000s of dollars in glass repair over the years (who doesn’t?), I, like many an Apple fanboy, have hoped to see a swing back to the metal back of yesteryear. Steel Drake’s proposal for the next-gen iPhone, dubbed the iPhone IQ, not only implements the robust frame and body we’ve been missing, but its shape is ergonomically adapted for the palm and harkens back to the comfortable, bubbly rear side of the original. Other features include a truly borderless display, invisible camera/sensors that live beneath the display, and a bigger overall size. Would you be down for an all-new iPhone direction (maybe one that didn’t require a case)? Let us know in the comments!

Designer: Steel Drake

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A Rainstorm in Your Shower

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Not everyone finds minimalism fun! For anyone looking to add a little more pizzaz, the Cumulus shower provides a whimsical way of rinsing off after a long day. A twist on the popular rain-style shower head, Cumulus is a literal interpretation of the cloud. It features a fluffy nozzle from which it pours three gentle streams of water. An additional handheld unit serves those hard-to-reach areas or makes it easy to rinse kids in the bath. Playfully shaped, this friendly, familiar fragment is one that children will look forward to getting under at bath time!

Designer: Arman Zamani of UNSEEN Design Studio

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Alfonso Arango builds tiny black cabin next to his childhood home

Architect Alfonso Arango has designed himself a 24-square-metre weekend retreat next to his childhood home overlooking the Andes mountains in Colombia.

House on the Mist by Alfonso Arango

Arango’s House on The Mist is located next door to his family’s residence in La Calera – a small town in the eastern reaches of the mountains. It is located 11 miles from Colombia’s capital city Bogotá, where the architect lives during the week.

Designed as a weekend getaway, the cabin has compact proportions that offer just enough space for a kitchen, bathroom and living area – which Arango will also use as a studio – and a mezzanine bedroom.

House on the Mist by Alfonso Arango

“I started to plan and build the house in the mist when I left my parents home, so it’s a very nostalgic project,” Arango told Dezeen.

“I will use the house as a weekend house, so I can work on my projects at the end of the week with fresh air away from the city, and also to visit my grandma.”

House on the Mist by Alfonso Arango

The cabin is a simple structure, comprising a pair of 4.2-metre square slabs that form the floor and the rooftop, which is covered in greenery.

“The roof is proposed as a high garden where birds and winds bring a wide variety of seeds and spores of the endemic flora, allowing free and spontaneous vegetation growth of a garden a few metres near the skies,” said the architect in a statement.

House on the Mist by Alfonso Arango

As the area is prone to “very cold and humid nights”, the structure is set at a 45-degree angle to mountains in the north. A large glass-brick window on the north-east wall is intended to gather as much heat during the day.

House on the Mist by Alfonso Arango

The rest of the exterior is clad in pine wood, blackened with a product made with resin from the pine tree. The treatment is used for waterproofing the wood and was formerly used to protect fishing boats. Arango said it also scents the house, and combines with smells carried to the building on the breeze.

“Once the main door is opened, the cold winds that came down from the mountain are impregnated with a subtle eucalyptus scent that remains on the house interior,” said the architect in a statement.

House on the Mist by Alfonso Arango

Windows with teak-wooden frames puncture through the external walls. One protrudes over the front door on the southeast side, while another three of varying sizes are found on the northwest wall.

The openings provide views of the surrounding landscape – which includes the San Rafael reservoir – from inside the house. The frames offer a red-tinged glow when the interior is lit up at night.

House on the Mist by Alfonso Arango

Inside, Arango chose white flooring and a paler wood to line the walls, as a contrast to the dark exterior. He told Dezeen that he is currently in the process of picking his furniture.

Light patterns from the glazed window decorate the wooden wall in the lounge, where a ladder leads to the upper-level bedroom.

Tucked into an alcove underneath the mezzanine is the kitchen, featuring a sink placed in a white-tiled counter and wooden shelving built onto the wall. A door leads from here to the adjoining bathroom.

Arango joins a host of architects and designers who have completed their own residences. Chad Oppenheim built himself a getaway on a secluded three-mile-long island in the Bahamas, while Rafael de Cárdenas renovated a rundown Brooklyn brownstone for himself.

House on the Mist by Alfonso Arango

As it measures under 34 square metres, House on the Mist is classified as a micro home. These tiny residences often feature space-saving designs like a raised “sleeping box”sliding furniture and a Japanese method of organisation.

Brazilian studio Casa 100 Architecture recently completed a compact apartment in São Paulo that also measures 24 square metres, and provides a weekend retreat for a businessman.

Photography is by Alfonso Arango.


Project credits:

Architect: Alfonso Arango
Garden roof: María Camila Moreno
Construction manager: David Peñaloza

The post Alfonso Arango builds tiny black cabin next to his childhood home appeared first on Dezeen.

Estudio Carme Pinós reveals timber latticework design for 2018 MPavilion

Intersecting timber latticework frames make up Barcelona-based studio Estudio Carme Pinós‘s design for this year’s MPavilion, which is set to open in Melbourne’s historic Queen Victoria Gardens this October.

Commissioned by charity organisation The Naomi Milgrom Foundation as its fifth annual MPavilion, the newly unveiled origami-like design will be erected in the city’s historic Queen Victoria Gardens from 8 October 2018 to 3 February 2019.

It features an open geometric configuration assembled in two distinct halves supported by a central steel portal frame.

Its two surfaces of timber latticework intersect with each other to form the pavilion’s roof, while three turfed mounds that blend into the park’s landscape incorporate stepped seating that can be used for community-focused experiences.

MPavilion by Estudio Carme Pinós

“MPavilion 2018 is a place for people to experience with all their senses, to establish a relationship with nature, but also a space for social activities and connections,” said Carme Pinós of her eponymous studio’s design.

“Whenever I can, I design places where movements and routes intersect and exchange, spaces where people identify as part of a community, but also feel they belong to universality.”

The Naomi Milgrom Foundation is a not-for-profit charitable organisation set up by businesswoman and philanthropist Naomi Milgrom that exists to initiate and support public design. It has run the MPavilion project in the city’s historic Queen Victoria Gardens since 2014.

Each year the temporary structure is open from October through to February, when it hosts a series of free talks, workshops, performances and installations. At the end of its five month tenure, it is gifted to the city and moved to a permanent new home.

MPavilion by Estudio Carme Pinós

Naomi Milgrom commented: “Carme Pinós’s philosophy of community closely aligns with MPavilion’s own mission to facilitate meaningful dialogue about the role of design and architecture, and what it means to foster socially inclusive cities in the context of design and the built environment.”

“I’m excited to see Carme’s MPavilion come to life, and to also see the new collaborations and discussions that unfold through her vision,” she added.

Architects who have previously created pavilions include Australian architect Sean Godsell, whose 2014 MPavilion is now at the Hellenic Museum; British architect Amanda Levete of AL_A created the forest-like 2015 pavilion, which is now installed in Collins Street in Melbourne’s Docklands.

Indian architect Bijoy Jain of Studio Mumbai designed a bamboo MPavilion in 2016, which is now at Melbourne Zoo, while Rem Koolhaas & David Gianotten’s MPavilion 2017, which featured a floating roof and movable grandstand, was moved to its permanent home at Monash University’s Clayton campus earlier this year.

The concept has been billed as Melbourne’s answer to London’s famed Serpentine Pavilion series, which sees an upcoming designer, with no built work in the UK, create an experimental structure outside the Serpentine Gallery in Kensington Gardens, London each year.

This year’s pavilion was completed by Mexican architect Frida Escobedo who created a secluded courtyard framed by decorative, latticed walls.

The post Estudio Carme Pinós reveals timber latticework design for 2018 MPavilion appeared first on Dezeen.

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