Rainville Sangaré overhauls Unit 622 in Montreal's brutalist Habitat 67

Concrete bathrooms with colour-changing shower screens feature in this renovated apartment inside Moshe Safdie’s famous brutalist Habitat 67 in Montreal, Canada, where scribbles on the walls date back to the housing complex’s construction.

Apartment in Habitat 67 by Rainville Sangaré

Locally based design studio Rainville Sangaré was enlisted by a couple to renovate Unit 622 in the 1960s housing complex, which is located at 2600 Avenue Pierre-Dupuy on the Marc-Drouin Quay.

Israeli-Canadian architect Sadfie‘s design is considered an example of brutalist architecture – the controversial 20th-century style that has since come back in vogue – and comprises 158 homes in 354 stacked, prefabricated concrete “boxes”.

Apartment in Habitat 67 by Rainville Sangaré

The renovated Unit 622 is made up of two of these blocks set perpendicular to each other, resembling the shape of a T in plan. One of the wings contains an open-plan living, kitchen and dining room, while the other hosts a master bedroom and guest bedroom.

Apartment in Habitat 67 by Rainville Sangaré

A concrete wall where the two volumes meet is left exposed and is covereed with colourful markings from when the complex was constructed over 50 years ago.

Apartment in Habitat 67 by Rainville Sangaré

“The space is structured around the junction of the blocks,” said Rainville Sangaré in a statement. “The concrete junction was left bare to highlight the assembly of the building.”

The studio’s main change to the layout of the apartment was to include a new bathroom for guests. It slots in between the two bedrooms in the rear wing, alongside the master bedroom’s en-suite.

Apartment in Habitat 67 by Rainville Sangaré

In both of the bathrooms, the showers are fronted by dichroic glass, which shimmers with different bright hues depending on the angle that it is viewed from. The glass casts the shower behind in bright tones of orange, green and blue, and creates colourful reflections of the other appliances.

Apartment in Habitat 67 by Rainville Sangaré

The bathrooms also feature vertical concrete wall tiles, intended as reference the structure of the brutalist building.

Other details in the washrooms include zinc-plated towel racks, black round clothes hooks, and washbasins with black Corian tops and navy bases that match the frames of the mirrors above.

Apartment in Habitat 67 by Rainville Sangaré

The guest bathroom is fitted with two sinks, with the extra slender one used by the resident to wash calligraphy brushes.

Apartment in Habitat 67 by Rainville Sangaré

Rainville Sangaré also designed the apartment’s folded black lamps. Called Unité, the lights are “inspired by the rectangular prefabricated building blocks of Habitat 67” and feature throughout the residence.

The studio chose a neutral material palette for these other spaces, including white-painted walls, wooden flooring and black steel details. The hues are intended to complement the views of the adjacent Saint Lawrence River from Unit 622’s large square-shaped windows.

Apartment in Habitat 67 by Rainville Sangaré

“The Habitat 67 surroundings informed the design of the space,” said the team. “Given the location on the Saint Lawrence River, where it can get windy and isolated during the winter months, the material and colour palette was kept minimal to enhance light quality and tactile warmth.”

Apartment in Habitat 67 by Rainville Sangaré

In the lounge portion of the main living area, black steel forms shelving that flanks either side of the window. The same material was used for a large unit erected on one side of room to store the television, books and a piece of artwork by local artist James Kennedy.

Apartment in Habitat 67 by Rainville Sangaré

The kitchen is located at the other end of the space. Built by local brand À Hauteur d’Homme, it comprises a black wooden volume with a large opening created on one side for the kitchen sink, and a paler wooden storage unit.

“The kitchen uses minimal footprint but is very functional,” said Rainville Sangaré.

Apartment in Habitat 67 by Rainville Sangaré

Continuing the colour theme, a dark wooden dining table with black chairs placed in the middle of the space, and a small white metal bench.

Similarly neutral decor can be found in the rear of the apartment. The master bedroom features oak wardrobe panels and side tables, offset by black bed-side lamps. The guest room contains a bed that folds down from white cabinetry, so that the space can also be used as an office.

Apartment in Habitat 67 by Rainville Sangaré

Last year marked 50 years since Habitat 67 was presented by Safdie at the 1967 World Expo in Montreal.

To celebrate the anniversary of the concrete complex, photographer James Brittain explored its hidden nooks and apartments in the building to offer a glimpse of day-to-day life inside.

Other renovated residences in the block include a two-storey home overhauled by Canadian design studio EMarchitecture.

Photography is by Maxime Brouillet.

The post Rainville Sangaré overhauls Unit 622 in Montreal’s brutalist Habitat 67 appeared first on Dezeen.

No Parking? No Problem: Architect Transforms Bedroom Into Hidden Garage

This unassuming-looking cottage in Posonsby, New Zealand, was recently renovated by owner Jonathan Smith, principal of Auckland-based Matter Architects.

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Facade, after

By expanding the rear of the house, Smith more than tripled the interior space from 90 square meters (968 sq. ft) to 310 square meters (3,337 sq. ft.).

Rear of the house, before. If you refer to the satellite dish on the roof of the neighboring house to the right…
…you can get a sense of how far the house was expanded rearwards.

In our opinion, the most impressive part of the renovation has to do with the facade. Street parking is scarce in the area, so Smith worked out a way to fit two cars inside the house, converting a bedroom into a garage with a lift, hidden behind what appear to be ordinary exterior walls:

Garaging provision in the traditional sense was impossible–requiring the controversial decision to install a drive-in garage and car stacker in what was originally the front left bedroom. Carving out portions of the villa, adding masonry wall structures, and retaining [sic] facilitated the car stacker installation. Giving way to a garage door, the original villa façade has been maintained in a seamless manner by retaining the weatherboards and joinery, and integrating a hinged door for vehicle access.

The interior of the house isn’t too shabby either.

You can read details of the renovation and see more shots here.

British Company Designs and Builds Staircases That Transform Into Wheelchair Lifts

When you’re at the bar with fellow creatives, ideas for inventions can flow. After four IPAs you think you’re da Vinci. But few of us ever see these brew-borne ideas to fruition.

UK-based engineer Charlie Lyons, however, actually did. Years ago Lyons was at a pub with a pal. Said pal’s wife was in a wheelchair, and the difficulties of navigating an urban environment in one were recounted. Lyons cooked up a crazy idea for an invention and built it to see if it would work.

It did. That was back in the mid-’90s, and since that time Lyons’ company, Sesame Access, has been building these:

Here’s how they look in action:

The company has built and installed over 100 such systems, primarily at institutions (universities, museums, government buildings) around the UK. There are limitations to the approach; you can see by the cutaways above how much space and infrastructure are required, and the presumed high cost is what limits the customer base to institutions. But building a business that has been around for 35 years and provides a useful service, all based on an idea borne in a pub, is a damn sight better than most of us have done.

See you folks at the bar tonight?

Michael Anastassiades creates modular lighting system based on jewellery chains for Flos

The Arrangements lighting collection by Michael Anastassiades features strips and loops of LEDs in geometric shapes that combine to create chains, chandeliers and hanging walls of light.

Described by Flos as being halfway between a sculpture and a piece of industrial design, Arrangements consists of a series of tubular elements in a variety of shapes. These include a small and large square, three sizes of circle, two teardrops in different heights, a straight strip, and a strip with a sharp, 90-degree bend.

The shapes can be put together in any combination, with a digital configurator available on Flos‘ website to allow users to experiment with different variations before ordering. 

Anastassiades said the idea for Arrangments was born from his interest in the way jewellery is made and its similarity to lighting.

“It is no coincidence that the word ‘pendant’ has a double meaning, existing both as a piece of jewellery that hangs from a chain worn around the neck and a light designed to hang from the ceiling,” said the designer.  

Two black ceiling roses accommodate different wattage options and create the foundation from which to suspend the lighting using a thin black wire system that disguises the power cable. 

Each shape has a band of black-painted aluminium along its inner side, hiding the electronics and connecting mechanisms to make the pieces seem as if they are just resting on each other.

The connections are made using a dovetail joint and an electrical component developed specifically for Arrangements to enable a continuous power cord to run through any configuration. 

The rest of the outside of each tube consists of a frosted covering to diffuse the light from the LEDs contained inside. The roses can also be used to adjust the position of the lighting, and an optional dimmer system can be provided as well. 

Arrangements launched during Milan design week 2018 with an installation inside Flos’ showroom in Corso Monforte 15 called Jewels After Jewels After Jewels – a reference to the jewellery-chain inspiration for the collection.

The front of the space was filled with a long mesh of light created using the small and large square shapes from the collection, while smaller columns of interconnected lights were suspended at the back. 

Cypriot-born, London-based Anastassiades is one of the leading names in European lighting design. He is best-known for his instantly recognisable Mobile Chandeliers, consisting of arches of black metal balanced by small, white globe lights, which James Mair, director of design showroom Viaduct, named as one of his top five contemporary minimalist designs.

His previous designs for Flos include the Sting Light, based on European street lighting, and the Copycat Lamp, where a small metallic sphere nestles against a larger opaque glass sphere.

He launched his first piece of furniture with British brand SCP in 2015 and debuted his first furniture range for Herman Miller at Milan design week in 2016. 

Other lighting designs that launched at Milan design week 2018 included the Luzy Take Five by Ingo Maurer – consisting of blue plastic gloves with frosted lightbulbs attached to the fingertips – and Neri&Hu’s frosted, blown-glass Xi lights for Poltrona Frau.

The post Michael Anastassiades creates modular lighting system based on jewellery chains for Flos appeared first on Dezeen.

How Much Is Your Body Actually Worth?

Watch as the folks from ASAP Science break down the value of your body piece by piece!..(Read…)

Avengers Infantile War: An Avengers Infinity War Parody

Avengers Infinity War Trailer Spoof..(Read…)

Razer's new Core X enclosure and supports for macOS

The Razer Core X, an external graphics card enclosure that promises to bring desktop-level gaming performance to laptops. The enclosure will support the latest in desktop graphics cards and it’s got a 650W ATX power supply built-in and it can deliver a 100W charge to a Thunderbolt 3 connection on a laptop. The Razer Core X will launch shortly with a $299 MSRP, which is a lot cheaper than the original Razer Core, which launched for $499. Finally, Razer is expanding its target audience a bit by including driver support for macOS…(Read…)

One Beautiful, Bendy Phone

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Until we get a full transparent display, the Orbit smartphone will have to do! It expands on the trend of bezel-less design with a feature that makes it almost seem transparent – a camera that remains on and constantly reflects the environment behind it.

Other cool features include a flexible OLED screen and ductile enclosure that not only give it an ergonomic bend for ergonomics but make it near-unbreakable (which is exactly what we’ve been craving from phones that only seem to get MORE breakable). Another is a circular, centered flash ring that’s capable of delivering variations in light intensity to create the perfect amount of flash for each photo and to apply a neat “ring flash eye effect” in the subject’s eyes.

Designer: Lucas Couto

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Hooooo Wouldn’t Want this Pair of Smart Earbuds?!

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Every urban dweller understands just how precious silence is! Sometimes, it seems like there’s no escaping the cacophony of everyday life. Now, with Owl, there is! This wireless set of earbuds differs from ordinary music muds by blocking out the sounds you don’t want to hear and enhancing the ones you do.

The design takes inspiration from the owl’s natural ability to hone in on and block certain frequencies. Similarly, the buds go beyond basic noise cancelling to eliminate the fuzz of car sounds, horns, crowds and any other undesirable noises. Better yet, you can customize the frequencies which you want to hear (and the ones you don’t) to suit your environment and your own personal taste. Simply use them in tandem with the Owl smartphone app to start hearing your world in an entirely new way!

Designer: Burak Şahin

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Delightful Photographs About Sunrise and Sunset

Le photographe argentin Juan Manuel Casir basé à Buenos Aires réalise des oeuvres où la lumière de l’aube vient mettre en valeur le paysage urbain et certains détails du quotidien, leur conférant un aspect énigmatique et attirant.

En effet, avec sa série «Impasse», il nous propose un jeu de contrastes aux teintes orangées et bleues, un jeu entre la lumière naissante du soleil et l’obscurité nocturne qui persiste. «Je pourchasse des moments sensibles», illustre-t-il. Des moments à l’esthétique aérienne, qui, grâce aux nuances de chaleur attirées contre des structures rigides, donnent vie à des compositions éthérées.

Cette dernière série a également donné naissance à «A violet trip» [4 dernières images], un projet en cours tout aussi mystique et poétique qui raconte cette fois-ci la tombée de la nuit. Dans cette série, le violet et le rose prédominent, mais conservent tout de la beauté de cet «entre-deux». «C’est le début de la nuit bien que le jour ne soit pas tout à fait terminé. L’obscurité renforce la lumière, ce n’est pas trop tard ni trop tôt, tout peut arriver, cela annonce une nuit qui dans chaque recoin sera pleine de mystère et de séduction», ajoute le photographe. Découvrez toutes ses photos sur son compte Instagram.