The Dystopian World of Josh Keyes

Josh Keyes peint des scènes surréalistes portant sur notre monde au bord de la destruction écologique. Il fixe son regard plus particulièrement sur les ours polaires et les requins, deux espèces en grave danger de disparition. Les animaux qu’il dessine sont présentés dans des milieux suggérant une existence post-humaine. Les peintures hyper-réalistes mettent en avant également des graffitis trouvés dans des endroits improbables. Les tags couvrent les satellites, les icebergs, et même un requin, une manière de montrer à quel point les êtres humains sont prêts à laisser leur marque.

Ludwig Godefroy designed Zicatela house as an "open-air fortress"

Monolithic concrete steps evocative of ancient Aztec temples surround open-air living spaces and gardens at the heart of this holiday home in the Mexican state of Oaxaca.

ZIcatela House by Ludwig Godefroy

French architect Ludwig Godefroy created the property as a weekend home for a client who wanted to escape from the Mexico City to the tranquility of Zicatela Beach.

Despite its proximity to the beach, the Mexico City-based architect designed the residence as a countryside retreat with a robust, insular character, rather than a typical beach house.

ZIcatela House by Ludwig Godefroy

The building occupies a plot on top of a hill, with the beach on one side and mountains on the other. The side facing the mountains also faces onto fields of agave plants.

The house is designed to respond to the duality of its context, with the mountains influencing its robust, protective shell, while the wide, open feel of the beach is echoed in its outdoor spaces.

ZIcatela House by Ludwig Godefroy

“The house is a bunker on the outside protecting a Mexican pyramid on the inside,” claimed the architect, who was influenced both by the ancient temples of his adopted home and by the concrete structures dotted around the landscape of Normandy where he was born.

ZIcatela House by Ludwig Godefroy

“It uses a typology of defensive architecture, where a wall surrounds the terrain completely,” Godefroy added, “helping to create a 100 percent controlled area on the inside and turning it into an open-air fortress with only one main view towards the sky, the only permanent element in time.”

ZIcatela House by Ludwig Godefroy

From outside, the building appears as an entirely solid concrete mass, punctuated on one side by a pair of openings containing sturdy wooden doors.

One set of doors opens outwards to provide access to a garage, while the other pivots on its central axis to form the main entrance.

ZIcatela House by Ludwig Godefroy

This opening leads into a garden courtyard flanked on either side by stairs that ascend onto the building’s roof. The stairs are cast alongside wider steps that can be used for sitting or displaying potted plants.

Beyond the garden is a covered patio that spans the width of the house and accommodates the main living area. A kitchen is situated at one end, with a large, low table made from a section of a tree trunk providing the focal point of the communal space.

ZIcatela House by Ludwig Godefroy

Sliding louvred screens lining the living area can be used to close off this space, or retracted to open it up to the gardens on either side.

The open-air space to the rear of the building accommodates a small swimming pool. There are bedrooms at either end of the pool, and a third bedroom is contained in an angled volume that is reached using a bridge across the pool.

ZIcatela House by Ludwig Godefroy

The board-marked concrete used for the building’s structure is left exposed both externally and internally throughout the house.

Carefully placed openings in the walls and roofs of the various rooms enable daylight to wash across these textured surfaces. The only other material present is the wood used for the doors and louvred screens.

Photography is by Rory Gardiner.

The post Ludwig Godefroy designed Zicatela house as an “open-air fortress” appeared first on Dezeen.

Refresh the Workplace

wrap_bench_layout

Modern offices are often filled with furniture from decades ago. This outdated seating can create an unwelcoming environment that is definitely in need of a refresh, and that’s exactly what the Wrap Bench is here to do.

Designed to bridge the gap between the office environment and communal lounge areas, the large seats are orientated in opposing directions to subtly create privacy for the users. To separate the two seats and to allow the seating to accommodate different needs in the office space, the middle section offers different units; these include the option for built-in power outlets, a magazine rack or a small table.

The metal construction is not only cost effective and offers a sturdy structure, but it’s also what makes this seating visually interesting; the harsh contrast between the cold, hard, industrial feel of the metal and the plush, soft and welcoming appearance of the cushions is a unique and beautiful aspect of the Wrap Bench.

Designer: Julie Hong

wrap_bench_01

wrap_bench_02

In order to accommodate different needs in office space, middle area offers different units that can be installed. First option is a built-in outlet to charge your electronics with storage to hold items like post-it notes and pens. Another unit is magazine rack with mini table for coffee break. However without any additional units, middle area can still simply used as a side table for drinks and other belongings. The small cushion in the middle is for your lap, so you can rest your laptop or tablet comfortably.

wrap_bench_03

wrap_bench_04

wrap_bench_05

wrap_bench_06

wrap_bench_07

Liddicoat & Goldhill squeezes asymmetric Makers House onto narrow plot in Hackney

Skylights and large glazed surfaces that open onto a secluded courtyard allow natural light to pour into the interior of this house designed by architects David Liddicoat and Sophie Goldhill for a narrow site in east London.

Makers House by Liddicoat & Goldhill

The husband-and-wife team, who run their studio Liddicoat & Goldhill from an office in Clerkenwell, bought the site for the Makers House in 2012.

Over the following four years, the architects gained planning permission, raised the necessary finance and took on the role as main contractor to oversee the building’s construction.

Makers House by Liddicoat & Goldhill

The project was undertaken as a speculative development without a client, so Liddicoat and Goldhill set themselves a brief to “explore the ideal texture and atmosphere of domestic architecture”.

The house is located within a conservation area in the borough of Hackney and is surrounded by heritage-listed properties. The design was constrained by the narrow site and the need to consider the neighbours’ rights to light.

Makers House by Liddicoat & Goldhill

“Scrupulous computer analysis allowed the house’s asymmetric form to be tuned to capture key moments of sunlight while forming apparently regular interior spaces,” said a statement from the studio.

The resulting structure features a mono-pitched roof made from pigmented zinc that folds down onto the long southern elevation and frames an end wall clad in slender bricks.

Makers House by Liddicoat & Goldhill

This palette of materials used in their raw state continues inside the building, where exposed structural steel and timber combine with reclaimed and repurposed materials.

The property’s entrance hall leads into a formal living room that steps down to connect with a kitchen and dining area at the rear. This space is lined with glazing including a pair of full-height glass doors and a large pivoting glass panel that opens onto a secluded courtyard garden.

Makers House by Liddicoat & Goldhill

A further set of steps leads down from the kitchen to an excavated basement level accommodating a games room, utility room and larder. The split levels maintain a connection between all of these communal areas, which are separated without the need for partition walls or doors.

A selection of more lightweight materials is applied throughout the upper storeys containing the bedrooms, which all feature reclaimed Rhodesian-mahogany flooring.

Makers House by Liddicoat & Goldhill

North-facing skylights enable daylight to illuminate a pair of bedrooms and the stairwell at the attic level.

The first floor accommodates a guest bedroom, dressing room and a master suite, which are all arranged around a large landing that creates an additional space for socialising or relaxing.

Makers House by Liddicoat & Goldhill

Further skylights inserted into the slanted roof on the southern side of the house allow daylight to flood into the landing and the master bedroom’s en suite, which is separated from the sleeping area by a sliding cast-iron wall.

Photography is by Keith Collie.


Project credits:

Architects: Liddicoat & Goldhill LLP
Structural engineers: Fluid Structures

The post Liddicoat & Goldhill squeezes asymmetric Makers House onto narrow plot in Hackney appeared first on Dezeen.

Twin Peaks soundtrack accompanies Dimore Studio's Limited Edition exhibition

Plush purple carpeting, metallic surfaces and pink stone walls create a dreamy, tactile setting for the first collection of one-off furniture pieces created by Dimore Studio co-founder Emiliano Salci.

Dimore Studio's Limited Edition exhibition

The Limited Edition exhibition by Dimore Studio showcases nine unique furniture pieces designed by Salci in a temporary showroom of Via Solferino, close to the studio’s gallery space. 

Visitors are greeted by a pile of old TV screens offering details of the show in green digitised lettering, emulating the typeface used for computer code. Music from the David Lynch-directed TV series Twin Peaks plays in the background throughout the exhibition.

Dimore Studio's Limited Edition exhibition 

Each of the items exhibited in the space is a reconfigured piece of 19th- or 20th-century furniture, reimagined by combining different objects and adding new elements, materials and finishes and displayed as a stand-alone item in its own pool of light.

Lozenge and oval shapes are repeated in many of the designs. 

Dimore Studio's Limited Edition exhibition

“They are deconstructed pieces, taken apart and put back together again, revived with new fittings and bright new lacquers, in a variety of materials like brass and polished steel that breathe new life into them with an irreverent charisma,” said the studio. 

“An arrangement of consoles, bars, low tables and buffets are set up in a colourful environment which serves as a vibrant backdrop with its bright purple carpeting and pink walls.”

Dimore Studio's Limited Edition exhibition

Among the furniture is a dressing-table-like piece with a wall-mounted flat mirror that has a smudged finish and five mirror-capped bulbs in a line near the top to create a diffused light.

This sits above two long drawers, each fronted with a dappled wood veneer and featuring two brass handles, standing on a plinth, and is displayed against a gold-coloured wall. 

Elsewhere, a lozenge-shaped wooden tabletop has been mounted on a steel plinth and a hole cut out of the centre to house luscious green plants, while a single-drawer console is finished in two tones of wood veneer and mounted onto a wall with decorative black-lacquered legs. 

Dimore Studio's Limited Edition exhibition

The Limited Edition show was one of three exhibitions staged by Dimore Studio and Dimore Gallery during Milan design week on the same street. It will remain open to the public until the end of May. 

Dimore Studio was founded by Italian-born Salci and American designer Britt Moran in 2003. Together with Dimore Gallery, which focuses on design classics, it has become synonymous with a new energy around Milanese design, and an opulent style that combines multiple eras and aesthetics. 

Dimore Studio and Dimore Gallery regularly feature in “best of” roundups and previews by publications including Dezeen, and Salci and Moran are among the judges for the first Dezeen Awards this year.

The Dimore Gallery exhibition during last year’s Milan design week combined 1950s car detailing and 1970s interiors, while a recent interior design for a London Supper Club drew on decadent 1960s nightlife spots on the French Riviera. 

The post Twin Peaks soundtrack accompanies Dimore Studio’s Limited Edition exhibition appeared first on Dezeen.

The busboys of tomorrow will have wheels

With the capacity to carry as much as 40 kgs of weight, the Eliport isn’t a regular delivery drone. For starters, it’s the first self-driving unmanned drone to debut as early as this year with full-scale usage by 2020 (with partners like Tesco and Ulabox jumping on board). It also operates on sidewalks rather than on roads. Made for transporting delivery packages to nearby addresses, the Eliport uses AI to do the job of a delivery partner. How is different from a self-driving car you ask? For starters, it operates on sidewalks, not interfering with cars or adding to the road’s traffic and congestion. It travels at the same speed as a human walking, not putting pedestrians in danger, while also giving way to humans and animals using the sidewalks.

The Eliport can transfer as much as 40 kgs of cargo to end-users, depositing packages at secure locations, or to customers after authenticating them with a facial scan. To find their way, the robots will use three-dimensional maps and multiple sensors which record and transmit data in real-time. This will allow each robot to calculate the fastest possible route to its destination, creating a system of robots that work exactly like human delivery-boys, making sure that the delivery system doesn’t see too much of a drastic change. Rather than dramatically improving efficiency, the Eliport aims at reducing human fatigue and error, refining the system by automating it to make it run like clockwork. That’s what impresses me about the Eliport. It isn’t about getting the job done faster by cutting down on time. It’s about getting the job done better by cutting down on human effort! Now that’s safe, sustainable, and efficient!

Designer: Dmitry Skorinko (Eliport)

eliport_1

eliport_2

eliport_3

Generic Store Building Exterior

eliport_5

Big box store new construction strip mall in the suburbs

Big box store new construction strip mall in the suburbs

New Home - Carriage Houses

In Situ Studio revitalises dilapidated brick Nolintha Residence in North Carolina

Architecture firm In Situ Studio needed to overcome rotting trim and crumbling brick mortar to renovate and slightly enlarge an American foursquare-style dwelling that had fallen into shambles.

The Nolintha Residence is located in Raleigh, the state capital of North Carolina. The clients – a brother and sister who are successful restaurateurs – hired local firm In Situ Studio to overhaul the 1920s red brick home designed in an American Foursquare style. Popular in the late 19th and early 20th centuries, the simple, boxy homes were known for their efficient layouts, with each floor typically containing four rooms.

Nolintha Residence by In Situ Studio

The architects were tasked with creating a modern home with a shared living area and three separate bedroom suites, one of which could accommodate guests. The clients also wanted the dwelling to be suitable for large events.

“This house is our clients’ first home, and the programme they presented was unusual – the renovation of a decaying, historic four-square to accommodate food-related events and provide three separate living suites,” said the architects.

Nolintha Residence by In Situ Studio

Complicating the project was the home’s poor condition. On the exterior, certain portions of the brick mortar had turned into powder, and the trim was deteriorating. The walls were also rotting, due to water leaking through open mortar joints.

The interior was equally dilapidated. Over the years, the building had been divided into three apartments, with tenants sharing the bathrooms and kitchen. Odd measures had been taken to accommodate the multiple occupancies.

Nolintha Residence by In Situ Studio

“The subdivision of space to make this possible was haphazard to say the least, and several suspect changes to load-bearing conditions had caused roof, ceiling and floor spans to rely on one another in eccentric ways,” said the architects.

Because of the home’s age, the team faced certain restrictions imposed by the Raleigh Historic District Commission (RHDC). The front elevation needed to remain largely unaltered, and any additions in the rear – which already had been modified in the 1970s – could not “distract from the historic structure”.

Nolintha Residence by In Situ Studio

In response, the team repaired the brick veneer and trim on the front and side facades. In the rear, brick was replaced with fibre-cement lap siding and new windows were installed. A small addition was made to the upper level, and a covered porch was created.

Nolintha Residence by In Situ Studio

Inside, the home was completely gutted. Much of the interior wood framing was dismantled and rebuilt, which included “installing new structural members from the roof down to existing foundations and in areas of over-spanning”.

Nolintha Residence by In Situ Studio

The ground level was converted into an open, light-filled public zone, with views from the front half to the backyard. Two existing, non-working fireplaces were retained. One is situated in the centre of the floor and was converted into a unit for storage and support elements, while the other is located on the west wall and faces the dining room.

“The only elements remaining downstairs are the central and west wall fireplace masses, which would have been too destructive to the integrity of the structure to dismantle,” the team said.

Nolintha Residence by In Situ Studio

Along the east wall, the team created a new staircase that passes in front of original windows and arrives at a central hallway. Three bedrooms suites were placed upstairs – one for each sibling, and one for guests.

“These spaces are completely separate from one another, filled with light, and oriented towards beautiful views of the surrounding context and downtown Raleigh,” the team said.

Nolintha Residence by In Situ Studio

The home’s basement was also modified. While it had remained dry and intact over the years, its edge band and adjacent floor joists had been ruined by water and insects. The below-grade space was refurbished and prepped for storage and mechanical equipment.

“New systems were located in the basement, which was cleaned out and reserved for storage,” the architects said. “The finished house, once on the verge of being unrecoverable, now has another 50 years of service ahead.”

Nolintha Residence by In Situ Studio

Founded in 2010, In Situ Studio has completed a number of residential projects in its home state of North Carolina. Others include Ocotea House, which involved reviving a mid-century-modern home that had been significantly altered over the years.

Photography is by Keith Isaacs.

Project credits:

Architect: In Situ Studio
Clients: Vansana and Vanvisa Nolintha
Contractor: Southeastern Properties and Development Company
Structural engineer: Lysaght & Associates Structural Engineers

The post In Situ Studio revitalises dilapidated brick Nolintha Residence in North Carolina appeared first on Dezeen.

Simon's Cat in 'Crow'

In the latest episode of British animator Simon Tofield’s “Simon’s Cat” animated short series, Simon’s cat goes go toe-to-toe with a crafty crow…(Read…)

When You Use The Internet In 2018

When you use the internet in 2018..(Read…)

Car Security In The 1970'S

A bit of car security for you from 1978, on how easy it is to break into a car and also how security conscious people were back then…as this video proved..not many. Tony Bastable and Taylor Shaw reports. First transmitted on the Thames TV ‘Drive in’ Show in  02/03/1978..(Read…)