Waterbook: Whadda Notebook!

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Sure, the Waterbook notebook concept is minimalistic, matte, and has all the aesthetic touches you might look for in a distinctly PC laptop. However, what sets it apart is an innovative notifications feature highlight that’s built directly into the body. See if you can find it!

The side of the computer is actually a scrolling marquee display. You’d hardly notice it if we didn’t point it out! This is where notifications for messages, emails, date, time and any other information you choose to alert will appear. This way, you save battery and stay on top off all your important to-dos. No word on what makes up the guts yet but we’re loving this tiny tweak that makes life a little bit easier!

Designer: Onurhan Demir

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New York under the Lens of Xavier Portela

Xavier Portela nous emmène dans un New-York fantasmé, éblouissant par ses néons rose et dans un mouvement continu. C’est dans cette ambiance d’animé japonais qu’il va poser son appareil photo, au milieu de la foule comme à son habitude.

Vous pouvez retrouver son travail ici, et sur Instagram.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 












 

Steven Vandenborre creates light-filled extension for Ghent home

Belgian practice Steven Vandenborre has added this annex to the rear of a family dwelling in Ghent, employing abundant glazing to frame garden scenes.

Pied-a-Terre annex by Steven Vandenborre

The project called Pied-a-Terre extends into the back yard of a home in Ghent’s city centre, which belongs to a married couple and their four children.

The husband and wife – who travel between Belgium and the US for work – approached local practice Steven Vandenborre to create cosy extra living quarters to relax in whenever they’re in the country. They also requested that the architects made use of glass throughout the design to provide open views of the garden.

Pied-a-Terre annex by Steven Vandenborre

With this in mind the architects decided to create a gridded structure with a European ash frame and expansive panels of glazing, craning the construction materials onto site over the existing home.

“It is surrounded by university buildings, old towers, a cathedral and even the famous Boekentoren building designed by Henry Vandevelde – it’s a real secret garden,” said the practice.

Pied-a-Terre annex by Steven Vandenborre

The ground floor follows an L-shaped plan, and is accessed via a tiered concrete terrace that helps “communicate [the house] with the different level of the old garden”.

Pied-a-Terre annex by Steven Vandenborre

Inside there is an open-plan living and dining area, completed in a neutral colour palette. The light-filled kitchen is anchored by a pale breakfast island with timber detailing, which matches the cabinetry behind.

Pied-a-Terre annex by Steven Vandenborre

A pair of wide concrete steps leads down to a lowered sitting room which features whitewashed walls made from recycled bricks and a fireplace. Touches of warmth are provided by a stone-coloured corner sofa and tree-stump coffee tables.

The garden’s former wartime bunker has also been connected to the property and transformed into a media room, which is internally clad with wood to evoke the appearance of a traditional chalet.

Pied-a-Terre annex by Steven Vandenborre

A rectilinear volume contains the annex’s first floor, with bedrooms and wash areas arranged around a central closet space. Privacy is offered at this level by carefully placed slatted screens.

Pied-a-Terre annex by Steven Vandenborre

Steven Vandenborre has extensively used glazing in other projects – the practice has previously designed a glass pool house in Bruges with a concrete canopy, and created another family home in Ghent with large angular windows that jut out of the facade.

Photography is by Tim Van de Velde.

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Meditation Rocks!

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Meditation isn’t something to be rushed and holding your body in the correct position for an extensive period of time isn’t at all easy. However, UNDO might just solve this. Designed to hold the user’s body in an ergonomic position, they are able to sit close to the ground for a prolonged period of time, without any discomfort.

And UNDO rocks, literally! The cushion, which has been engineered with multiple layers of foam compresses as the user sits down, gently rocking them forward to align their hips and back.

The form of the cushion has been carefully considered in order to avoid the ‘hippie’ aesthetic that is often associated with meditation. With the help of its playful shape and natural color palette, UNDO will look no more out of place than any other item of furniture in the room.

Designer: Jordon Diatlo

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Freshen Up Fast

Designed as an intermediate solution between dry cleanings, the Wearoff is an uber-convenient appliance you can quickly use to freshen clothes. The barely-there unit’s vertical form is easily stowed in any closet or laundry room. Simply hang your garment and activate the cleaning mechanism with the smartphone app. The steamer underneath it will blast the clothing with cleansing steam and anion particles to free it of any contaminants and bacteria. The design also includes a vacuum unit that can be used to remove dust and other particles with interchangeable brush heads adapted for different clothing types.

Designers: Taekwon Yeon, Jisu Yun, Hyelin Yu, Jiyoung Shin, Hanna Yoo & Daeun Yoo

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The ‘ring’ shaped hanger  is used for ‘Air Clean’, which automatically deodorize clothes through anion particles. Meanwhile, the ‘bar’ shaped hanger can be used while manually removing dust using the handy vacuum.

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The handy vacuum is located in the lower body along with the vacuum inhalers and removable dust cartridges.

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Has four specialized nozzle brushes for each different textile to remove dust efficiently without damaging.

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The MP Shift evokes artist's studio at De Maria restaurant in New York

Pale pink plasterwork, timber panels and simple wooden furniture were chosen by design studio The MP Shift to make this New York eatery look like an art atelier.

The MP Shift took references from 1970s Soho and the Bauhaus movement for the interior of De Maria, which serves contemporary American cuisine.

De Maria by The MP Shift

 

The restaurant in Manhattan’s Nolita neighbourhood, opposite Tadao Ando’s almost-complete 152 Elizabeth Street condo building, opened in February 2017 but recently gained a new chef.

De Maria by The MP Shift

Its walls are light-coloured, with brickwork painted white and other surfaces covered in pink-tinted plaster, intended to “replicate an artist’s studio”.

Thin wooden strips arranged vertically provide accent panels in a raised dining niche, and across the front of the bar counter.

De Maria by The MP Shift

“The walls, a lovely hue of light pink, are complemented by warm caramel leathers, and a mix of light and dark woods, creating a contemporary and clean canvas for the vibrant dishes,” said a statement from the restaurant team.

An archway in the centre of the space divides the main dining area and the bar, along with built-in seating upholstered with tan-coloured leather.

“Long benches serve as the seating for multiple tables, maintaining the community-focused vibe of the restaurant,” the team said.

De Maria by The MP Shift

The arch frames the view of the bar from the large windows on the street frontage, drawing the eye to the mosaic on the back wall.

De Maria by The MP Shift

Wooden chairs and stools accompany tables with different-coloured tops, while brass sconces provide soft lighting.

Hinting at the restaurant’s name, a portrait of the Virgin Mary with neon additions hangs in the bathroom.

De Maria by The MP Shift

De Maria also offers outdoor seating along Kenmare Street in warm weather, and has an extra space downstairs that can be hired out of private events.

It has become a popular fixture on New York City’s ever-evolving dining scene, to which recent additions include Italian-American joint Don Angie, Japanese offering Tonchin and poke take-out spot Humblefish.

Photography is by Nicole Franzen unless stated otherwise.

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Foraged materials form artist's home and studio in Washington woodland

Architect Les Eerkes rescued plywood cladding, kitchen cabinets and a tiny porthole window from houses set to be bulldozed for this rural cabin near the Puget Sound.

Eerkes sourced the free materials and appliances to keep within the tight budget for the two-storey studio and residence, created for film director and artist Anna Hoover.

The Scavenger Studio by Eerkes Architects

The kitchen cabinets, wood-burning stove and wooden stair treads are all second hand, as well as a round peephole window at the top of the stairs on the first floor.

The plywood cladding is also upcycled. Aiding with the build, Hoover charred the material using a Japanese technique called shou sugi ban, which preserves the wood and creates a darker hue that helps the home blend in with woodland surrounding.

The Scavenger Studio by Eerkes Architects

“The little structure is situated in the woods in rural Washington state, and was built using as much free-cycled material as possible,” said Eerkes.

“Scavenged materials — ranging from cabinetry to plants — were salvaged from homes slated to be demolished.”

The Scavenger Studio by Eerkes Architects

A number of other cost-cutting measures were also taken to build the 693-square-foot (64 square metres) Scavenger Studio on the forested site, not far from Seattle.

Eerkes reduced construction costs by raising the cabin on six concrete foundations, instead of digging down. A simple structure of three wooden frames is set on top of the concrete blocks and props up the long mono-pitched roof.

The first floor of the residence is slightly longer that the ground floor, overhanging on one side to form a canopy above a seating area below.

Inside, the two levels form distinct areas, with large windows and a polycarbonate clerestory situated to fulfil the client’s request to take “advantage of easterly views to the water and let in south light”.

The Scavenger Studio by Eerkes Architects

A double-height kitchen, living and dining area on the ground floor has enough space for the artist to set up her easel to draw.

From here, a steel staircase leads up to the extended volume on the upper floor, where the bedroom and a desk are located, along with plenty of bookshelves.

The Scavenger Studio by Eerkes Architects

A large corner window offers elevated view of trees from this room, while a door next to the bed slides down to open up entirely to the outside. The panel is painted red on the exterior.

The architect chose a simple palette for the interior, leaving materials largely untouched. Dark masonite boards cover the floors and exposed plywood panels form the ceiling. The walls are drywall and painted white.

The Scavenger Studio by Eerkes Architects

Eerkes established his eponymous practice Eerkes Architects in 2015 on Bainbridge Island, which sits in the Puget Sound in the west of Washington state.

The architect designed Scavenger Studio while working as a design principle at Seattle studio Olson Kundig, which acted as the project’s architect of record.

Olson Kundig co-founder Jim Olson also chose a rural spot beside the Puget Sound to build a tiny cabin for himself, which he started as a teenager over 60 years ago and has gradually expanded over time.

Photography is by Benjamin Benschneider.

Project credits:

Architect: Les Eerkes
Contruction: Schuchart/Dow

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Superfried creates branding for Leonardo DiCaprio Foundation

Branding design studio Superfried has created the visual identity for two animal preservation projects founded by the Leonardo DiCaprio Foundation.

The circular logos, which feature drawings of elephants and sharks made up of contour lines, are used across business cards, clothing and vehicles belonging to the Leonardo DiCaprio Foundation (LDF).

Superfried creates branding for the Leonardo DiCaprio Foundation

Founded by Hollywood actor Leonardo DiCaprio in 1998, the LDF was set up with the goal of safeguarding both wild animals and their habitats.

The Lion Recovery, Shark Conservation and Elephant Crisis funds are three separate funds recently launched by the foundation in order to protect these animals.

While the identity for Lion Recovery fund was already been in place, LDF called upon UK studio Superfried to create the identity for the Shark and Elephant funds.

Superfried creates branding for the Leonardo DiCaprio Foundation

“Having worked with Superfried before, they approached me to develop the identity for the remaining two,” said graphic designer Mark Richardson, director at the Manchester-based studio.

“The marque for the first fund featured a lion’s head formed from contour lines. They stated it was important to continue the idea of conveying both the species and their habitat for the two additional funds.”

Superfried creates branding for the Leonardo DiCaprio Foundation

For the Shark Conservation Fund, which was set up to protect not only sharks, but also rays, Richardson created a circle-framed logo design that features a shark swimming alongside a ray. One of the ray’s wings also doubles as the shark’s main dorsal fin.

To differentiate the two sea creatures from one another, the shark is set in a solid colour while the ray is defined through the use of negative space alone.

“The client requested, that if possible, the identity should simultaneously represent both species and their natural habitat,” said Richardson. “With this in mind I looked for similarities in the form of both rays and sharks. Likewise to convey their habitat, waves and their fins were conveniently close in shape.”

The marque for the last of the three projects, the Elephant Crisis Fund, is also enclosed within a circle and shows both an elephant’s profile and its habitat through the use of map-inspired topographic contours. Their environment is conveyed via close-up shots of elephant skin, proposed for potential marketing material.

Superfried creates branding for the Leonardo DiCaprio Foundation

“Close-up shots of their skin bore a striking resemblance to parched landscapes,” said Richardson. “The patterned skin of rays and sharks was also employed to highlight their almost surreal, beautiful and incredibly diverse markings – often praised for land animals, but regularly overlooked for creatures of the sea.”

Superfried creates branding for the Leonardo DiCaprio Foundation

Last month, French clothing brand Lacoste swapped its distinctive crocodile logo for one of 10 threatened animal species on a series of polo shirts to highlight the global state of biodiversity.

The limited-edition collection provoked a mixed reaction in the Dezeen comments section, as readers debated whether the initiative was a demonstration of Lacoste’s corporate responsibility or if it was simply a case of greenwashing.

Elephant skin photograph is by Michael Steinberg on Unsplash. Shark skin photograph is by Michael I’Anson on Unsplash.

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Alexa And Raspberry Pi – Big Mouth Billy Bass

Billy Bass IoT (updated with mouth movement)..(Read…)

A World Without Gravity

À première vue, vous pouvez croire que vous êtes face à une sculpture solide dans les photographies de paysages de la dernière série de Neal Grundy, Transient Sculptures. En réalité, (et l’indice est dans le titre), les images du photographe londonien capturent une forme de tissu en «mi-vol».

Magnifiquement cadrés, les rendus sont subtiles et paraissent totalement hors du temps. Retrouvez son Instagram.