Clever Design for a Two-Vehicle System for Harvesting Olives

For millennia, this is the method we used to get food out of trees:

So let’s say the crop in question was olives. How would you mechanize the process? You could surely rig up something to shake the tree, but what about picking each and every olive off of the ground?

This was handled for nuts with the clever Multi-Headed Nut Wizard, but nuts are hard and olives are soft; the ‘Wizard would crush the olives. So French agricultural machinery company Pellenc designed this rather brilliant system:

Perhaps Scott Pruitt could adapt the design to handle tree-climbing environmental activists.

Link About It: IBM Reveals "The World’s Smallest Computer"




At IBM Think 2018, the tech company unveiled what they claim is the world’s smallest computer. The machine (smaller than a grain of sea salt) cost less than 10 cents to manufacture and has the computing power of an old x86 chip. That’s enough for it……

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ListenUp: Twin Shadow: Brace

Twin Shadow: Brace


Featuring Rainsford, “Brace” appears on Twin Shadow’s Caer—the first LP to be released since the band’s tour bus accident, and frontman George Lewis Jr’s subsequent reconstructive hand surgery. It may borrow those pulsing synths from Art of Noise’s……

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Field Architecture designs gabled house overlooking California vineyard

Gabled buildings wrapped in aged wood form this vineyard home, which Field Architecture designed to make the most of its setting above Napa Valley.

The project, Sentinel Ridge, is located on Howell Mountain, which rises above the famed California wine valley. The residence was designed for a couple wanting a serene refuge from their home in the American Midwest suburbs.

Sentinel Ridge by Field Architecture

Creating a building that embraced the picturesque scenery was a leading concern for the design team.

“The particularities of the site – the slender plateau that overlooks the valley, the subterranean rock formation along the brow of this plateau, the juxtaposition of forest and vineyard – inspired a careful weaving of form that highlights the landscape,” said Field Architecture, a studio based in Palo Alto, California, which worked on the project with interior designer Erin Martin.

Sentinel Ridge by Field Architecture

The home consists of a trio of gabled-roof volumes that are laid out on an east-west axis. Exterior walls are clad in reclaimed Douglas fir, with vertical lines that direct the eye toward the pitched roofs made of standing-seam metal.

Taking cues from the colour of soil, tan stucco was also used for certain portions of the facades.

Sentinel Ridge by Field Architecture

The timber-framed volumes rest atop a low plinth, which serves as a connective element.

“This plinth, the connective tissue of the house, links all three volumes to each other and then subsequently to the land, as shallow steps lead down from it onto the soft edge of the cliff that outlines the valley below,” said the architects.

Sentinel Ridge by Field Architecture

An exterior colonnade made of wood and steel is meant to weave everything together.

“Making its way through the volumes, the colonnade becomes an outdoor room and eventually leads into the central volume of the house through a tall opening that reaches the roofline, its slender length reflecting that of the evergreens that surround the house,” the team said.

Sentinel Ridge by Field Architecture

The central volume contains an expansive dining space, where two large, sliding doors can be opened up, providing a powerful connection to the surrounding vineyard and forest. A centrepiece of the room is a dining table made of repurposed materials: reclaimed oak and an old steel carriage.

“The table can slide along curved tracks that are cast into the concrete floor, and can function as a dining table or a tasting table for the adjacent wine cellar,” the team said.

Sentinel Ridge by Field Architecture

A spiral staircase leads to a mezzanine, where a space called “the perch” serves as a management office for the property’s vineyard.

Sentinel Ridge by Field Architecture

The home’s west wing contains a living room, kitchen and master suite, while the volume on the east encompasses several bedrooms. Sliding glass doors help minimise the distinction between inside and out.

Sentinel Ridge by Field Architecture

Similar to the facades, the team used salvaged Douglas fir inside the home. Horizontal boards wrap ceilings and walls, lending a “sense of calm groundedness” to the space.

The material choices were influenced by Field Architecture’s view of sustainability as a critical component in the design and building process.

Sentinel Ridge by Field Architecture

“The way the materials came together was just as important as how they were made, from where they were sourced, and how long it took to get them to their future home,” the team said.

Sentinel Ridge by Field Architecture

The materials also help connect the dwelling to its natural setting.

“The home’s overall effect – a careful and studied blending of interior and exterior – always manages to bring the attention back to the perfection of the land outside,” said the studio, which has also recently completed a spacious home on a wooded site near San Francisco.

Photography is by Matthew Millman.

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"In French we have a word for this – grotesque"

Readers question whether Philippe Starck has lost his touch, following plans for a “phantasmagoric” hotel with a house on its roof, in this week’s comments update.

In your dreams: commenters couldn’t fathom the thinking behind a 14-storey hotel with an 18th-century-style home on top, designed by Philippe Starck for the French city of Metz, this week.

Rthko felt the designs were misdirected: “This would make more sense as an art piece, or even a convoluted attempt at preservation by moving an existing historic building. But a new house simply built in an old style? It’s baffling.”

“Interesting concept from Stark but I think it would be stronger if it were a carefully dismantled, conserved and rebuilt historic house on the roof, surrounded by mature gardens. Rather than a faux pastiche,” agreed Cityzen.

Matt had a theory: “This is a thinly veiled ploy to awaken gargoyles.”

“It used to be jumping the shark, now it is jumping the Starck,” joked Lloyd Atler.

Guest was one commenter who defended the project: “Geeze so many haters. I love this – time for architecture to break out of the box.”

One reader turned to her mother tongue to express her thoughts on the plans:



Would you stay at the Philippe Starck-designed hotel in Metz? Join the discussion ›


Fallen idol: readers reacted to the Cornell architecture school’s decision to disown alumnus Richard Meier, in the wake of recent sexual harassment claims.

“If the AIA will not revoke his AIA membership then we should revoke ours!” exclaimed Jared.

“The profession is absolutely rife with sexism. There is more to come,” warned 8ball.

“As long as it doesn’t become a witch hunt. Certainly not condoning bad behaviour but it’s all to easy nowadays to wag fingers at the past,” countered W Manix.

Bernadette Oberholzer felt enough was enough: “It has always been way too easy for men to sexually harass women all over the world. It’s not a witch hunt. Maybe we are just finally managing to stand up for ourselves and say no more!”

One reader suggested the profession was ultimately catching up to Hollywood:



Read the comments on this story ›


Take a bow: the unveiling of BIG’s new bow-tie-shaped theatre for Albanian capital Tirana seemed to divide readers, with some feeling the project lacked innovation.

“Is it just me or this is just ugly?” asked A.

“For me, this actually comes across as a quite mature project,” countered Paul.

MrA felt the project’s success came down to good fortune rather than skill: “It’s is surprising how BIG comes up with a five-minute banal design exercise and tries to convince the client. Lucky!”

“The great success is actually managing to sell a second-year student level design to a client as something amazing and innovative!” responded R2-D2.

“His projects are one-liners, easy to understand yet sensational. BIG designs Hollywood blockbusters with happy endings. He’s not lucky, he just knows what excites people,” wrote an impassioned Vincentius.

One reader was more focused on a request for the architecture firm:



Read the comments on this story ›


Marshall Blecher and Magnus Maarbjerg Copenhagen floating island

Lonely island: architects Marshall Blecher and Magnus Maarbjerg teamed up to create a 20-square-metre floating events space in Copenhagen, but some commenters couldn’t get onboard with the design.

“It took the involvement of TWO architectural firms from opposite ends of the earth to design that?” asked a disbelieving Jess Thinkin.

“Two young architects designed and built the island. I think that is a pretty decent effort!” responded JF.

“They must be pretty tiny events!” exclaimed Jeedkn.

“Could host a pity party,” added 8Mismo sarcastically.

One reader felt the architects were overselling the design:



Read the comments on this story ›

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Graphene-based dye colours hair without causing damage

US scientists have developed a hair dye that contains miracle material graphene, which allows hair to be coloured without causing breakage or frizz.

A team at Northwestern University in Illinois used graphene oxide to create the dye, which changes the colour of hair to black.

In their findings, which have been published in research journal Cell, they state that – unlike normal dyes, which use chemicals to cause the change in colour – the graphene-based dye is nontoxic, meaning it doesn’t cause skin irritation or hair damage.

The graphene-based dye prevents hair frizz and breakage, as shown in this image, where figure C is the only graphene-treated sample

“Current permanent hair dyes generate colour by doing a set of chemical reactions, right on top of your head,” Jiaxing Huang, one of the scientists on the project, told Dezeen.

“If not properly done, the chemicals could cause skin irritation,” he continued. “The graphene hair dye changes hair colour by coating the hair – so it is a lot easier to do and does not use any harmful organic molecules.”

Graphene is one of the strongest substances known to science and boasts a range of unusual properties, for instance, it is transparent, and conducts heat and electricity. Some of interesting uses of it include for ultra-thin condoms and night-vision contact lenses.

But Huang’s team saw this project as an opportunity to exploit the material’s adhesive qualities.

“Many people have thought about graphene as the magic material for electronics and energy storage devices, such as batteries,” Huang said.

“But I have always seen them just as soft carbon sheets and I have always been curious about the science of these soft sheets,” he continued.

“Previously we discovered that these sheets can act as a surfactant, the active ingredient in soap, and they stick to surfaces well. In this work, we use their good adhesion property and brown/black colour for hair dyeing.”

The researchers claim the solution lasts as long as salon-standard dyes and will remain vibrant for up to 30 washes.

It is applied in the form of a spray, before being brushed through and dried off. The graphene coats each hair, and gradually changes colour without the need for heat.

Due to the anti-static and antibacterial properties of graphene, the dye prevents flyaway strands and keeps hair cleaner for longer.

The graphene-based dye changes hair colour over time, eventually reaching a dark brown-to-black shade

It is also able to regulate the heat emitted from the head, and even carries an electrical current – something the scientists think could be useful in the future development of humanoid robots and dermal devices.

“Other than fashion and aesthetics, graphene-based hair dyes could also potentially benefit the development of electronics interfacing with the body, as well as livestock farming and the development of humanoid robots,” reads the research paper.

At the moment, the dye is only available in a black colour, simply because that is the colour produced by graphene. But the team said they are looking into other shades.

Lighter and darker shades could be created simply through the application of less or more product.

UK scientists Andre Geim and Kostya Novoselov won the Nobel Prize for Physics in 2004, after working out to extract graphene from graphite. The two-dimensional material is made up of a hexagonal lattice of carbon atoms that is just one atom thick.

Other recent applications of the material include an eco-friendly paint that could improve the thermal regulation of houses and for use in water filtration.

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Ink Cartridges Are A Scam

Ink Cartridges Are A Scam..(Read…)

Picture of day:  cat

funny..(Read…)

TAG Official Trailer

Warner Bros. Pictures just released the first trailer for Tag, an upcoming 2018 comedy film that’s based on a group of friend’s real-life annual game of tag. Tag stars Ed Helms, Jeremy Renner, Isla Fisher, Hannibal Buress, Rashida Jones, Jake Johnson, Annabelle Wallis, and Jon Hamm. See Tag in theaters on June 15.For one month every year, five highly competitive friends hit the ground running in a no-holds-barred game of tag they’ve been playing since the first grade—risking their necks, their jobs and their relationships to take each other down with the battle cry: “You’re It!”..(Read…)

Never Look for your Keys Again!

The Pocketbands 3.0 is the most un-wallet-ish wallet we’ve seen and I love it. Think about all the times you’ve forgotten to carry something important with you, or you’ve been forced to even with no place to put it. Imagine going out on a run or to the gym but needing to carry your keys in your hands because your jogging or workout shorts don’t have pockets. Then maybe you need some loose change so you can grab a juice or a smoothie on your way back, so you need to carry your wallet along with you.

The Pocketbands was made to be the evolution of your wallet. Because A. A wallet isn’t made for every scenario, and B. It’s much easier to flick a wallet than it is to undo a silicone band. Its band nature makes it extremely helpful in certain situations and useful in general. Be it on the beach, or camping, or at the gym, pool, or on a run, the Pocketbands 3.0 is a replacement for your chunky, clunky wallet. It holds your keys and loose change, strapping them to your arm so you know exactly where they are, and it uses your wrist, a resource you always have, instead of a pocket, something that one may or may not possess depending on the clothes you’re in.

The Pocketbands 3.0 comes made in silicone. Designed to mimic the feel of skin, its silicone construction feels natural on your wrist, and isn’t affected by sweat, dust, or grime. The silicone provides a friction of its own, meaning the band’s much less likely to come undone on its own. Designed with a concealed sleeve, the band can comfortably hold keys and banknotes against your wrist, leaving your pockets empty and your mind carefree because you don’t need to worry about looking for your belongings. I wouldn’t say they were at your fingertips, but they’re literally the closest they can get to your fingertips!

The Pocketband’s band format works because your mind treats it as a wearable, not a carryable. You could change your clothes and you’d have the band on your wrist, as opposed to when you switch pants and you forget your wallet in your other pants. Using and wearing the band almost becomes instinctive too, meaning you’re much less likely to forget your keys in your “other” pants or on your mantelpiece… and you’re less likely to have a panic attack and run your hands through your pockets because you think you’ve forgotten your keys because the band sitting on your wrist is as visually communicative as it gets. If you have your band, you have your key. My favorite thing, however (and I say this as a forgetful bachelor), is that your keys and cash won’t accidentally end up in the laundry because you forgot to take them out of your pants!

Designer: Devin Eisner

Click here to Buy Now: $12.00 $15.00

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Click here to Buy Now: $12.00