New Deadpool 2 Full-Length Trailer

“After surviving a near fatal bovine attack, a disfigured cafeteria chef (Wade Wilson) struggles to fulfill his dream of becoming Mayberry’s hottest bartender while also learning to cope with his lost sense of taste. Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually aggressive canines, as he journeys around the world to discover the importance of family, friendship, and flavor – finding a new taste for adventure and earning the coveted coffee mug title of World’s Best Lover. “..(Read…)

A Look Back at This Week 20 Years Ago (March 22-28, 1998)

Music, Movies, TV, Video Games, and Current Events from 20 years ago!..(Read…)

Everyone’s Digital Doorman

Aptly named Belle, this smart doorbell acts as a concierge for any guests visiting your home! Wi-fi connected and synced with an easy-to-use app, it can greet visitors with a voice and selection of music, grant them access to your residence, notify you when packages are delivered, provide live audio/video for monitoring and more.

Get notifications directly on your phone when the delivery guy drops something off, your AirBNB guests arrive, or simply to make sure your kids arrive home safely. It’s also a valuable anti-theft addition that provides 24/7 home monitoring. You can not only keep an eye on things around the house but record and playback video in the event of a burglary or other incident.

Designer: Vincent Li of Netvue

Click here to Buy Now

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From Nutella to Steaks, the Morsel Lets You Eat All!

Designed not only for utilitarian reasons but to also allow you to be an absolute foodie wherever you go, the Morsel was named for its ability to let you eat every last morsel of food kept in front of you. Designed in the spork format, the Morsel is made out of BPA free plastic, but what’s really unique is its rubber edge around the specially designed spoon that lets you virtually get every molecule of food off your plate, bowl, or from inside a jar.

The Morsel’s design is conducive to use both indoors and outdoors. Its unconventional, edgy shape looks playful and the colors stand out both in the kitchen as well as the rustics. Its unique shape allows it to work as a spoon, a spreading knife and even a spatula, getting into the hard-to-reach corners of cups, jars, and bags. The Morsel comes in two sizes, with the larger one giving you a substantial handle to hold onto as you eat, or even cook. The Morsel can take its fair share of temperature, allowing you to do everything from toss salads bacon strips on the griddle. Use the spoon for spreading and scooping, the fork for piercing, or the fork’s rugged edge for cutting through food. When you’re done, literally wipe your plate clean with the spoon’s spatula edge!

Designers: Alex Thomsen & Zac Rubenson

Click here to Buy Now: $9.00

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Click here to Buy Now: $9.00

Design Job: ZAK+FOX Is Seeking an Illustrator with Experience in Textiles or Pattern-Making in NYC

ZAK+FOX is a rapidly expanding textile design firm seeking an illustrator with experience in textiles or pattern-making to join our team. We’re looking for a wildly creative individual with strong organizational and project management skills. We offer three weeks of paid vacation as well as personal/sick days, healthcare contributions, and more.

View the full design job here

Here's the Dashcam Footage of the Autonomous Uber Hitting the Pedestrian Who Later Died

(Warning: Some of you may consider this footage a bit graphic.)

The Tempe Police Vehicular Crimes Unit is investigating the self-driving Uber that struck a woman who later died from her injuries. Many of us following the autonomous space were very curious as to how it happened, but could only speculate. Now, however, the police have made the footage publicly available and we can see exactly what happened, including what the human monitor behind the wheel was doing:

<div contenteditable="false" id="c732fb_1932" class="embed_wrapper clear_both" data-twitter-embed="

Tempe Police Vehicular Crimes Unit is actively investigating
the details of this incident that occurred on March 18th. We will provide updated information regarding the investigation once it is available. pic.twitter.com/2dVP72TziQ

— Tempe Police (@TempePolice) March 21, 2018

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It’s difficult to tell from the lighting in the video, but if what’s portrayed on-screen is similar to what would be seen by a human driver in the same situation, the poor woman does indeed seem to come out of nowhere; is clearly crossing the street at a place with no marked crosswalk; and does not appear to be looking out for herself at all.

That being said, if the lighting situation portrayed in the video is different than what would be seen in real life, an engaged human driver might have been able to spot the woman in their peripheral vision while she was still a lane away. It’s impossible to tell. But I think that once she was in the lane the car was in, no human could have applied the brakes in time. Perhaps a computer could have–if it spotted her.

This video raises at least three points, the first two being intertwined. I think the first point is obvious: The entire point of autonomous cars is that they ought be able to prevent accidents that we humans, with our ordinary reflexes and perception, could not.

The second point, which will certainly be debated endlessly, is: Are people willing to live with an autonomous car killing someone in a situation where no human could have prevented the death anyway?

The third point illustrates a danger with having a system meant to hand things off between human and driver. The human monitor has clearly been lulled into not paying avid attention, and I can’t fault him, as I think we as humans are wired to either be engaged or not engaged in operating a machine. Once we observe that something is “safe” and automatic, particularly after logging many hours without incident, I think it’s natural that our attention would wander.

Lastly I’ll ask you: If you were behind the wheel as the monitor, do you think you would have been paying more attention, and could have applied the brakes in time?

How a Rescue Organization is Upcycling Old Mascara Wands to Help Animals

With the world’s plastics problem spiraling hopelessly out of control, the least we can do is find ways to re-use disposable plastic items before they go into that landfill forever. It’s particularly galling to see all of the plastic in the ocean where it causes harm to aquatic creatures that ingest it or become entangled in it.

There is, however, a way to upcycle plastic that actually helps animals. The North-Carolina-based Appalachian Wildlife Refuge has a need for old mascara wands, which can be used to keep their charges healthy. Here’s how:

“They work great because the bristles are close together,” the organization writes. If you or anyone you know has wands to share, please download and fill out this PDF form and ship it, along with the wands, to:

P.O. Box 1211
Skyland, NC
28776

Buy: Suede Pen Holder

Suede Pen Holder


Elevate your desk game with this 100% cow leather pen holder by Canadian brand Maple. Made with two ply suede, it’s soft but sturdy—and roomy enough for more than just pens and pencils. Made in Canada, it’s a subtle desk accessory, available in two……

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Winning design for Taiwan art museum features sloped green roofs

Joe Shih Architects and Riken Yamamoto & Field Shop have won the international competition to design an art museum in Taoyuan, Taiwan.

Called “The Hill”, the winning design for the Taoyuan Museum of Art features a pair of buildings with inclined green roofs on either side of a raised railway.

Taoyuan Museum of Art in Taiwan, designed by Riken Yamamoto & Field Shop and Joe Shih Architects

The back-to-back buildings form a “symbolical gate and hub” for the city of Taoyuan.

The building’s slanting green roofs will be planted with trees and walkways will zig-zag across the between terraces used for displaying artworks and as viewing platforms.

Taoyuan Museum of Art in Taiwan, designed by Riken Yamamoto & Field Shop and Joe Shih Architects

Cut-out entryways and slots connect the outside with the gallery spaces under the sloped roofs, while a staircase and lift runs from top to bottom.

Cube-shaped pavilions built into the sloped facade will be available to artists to rent as temporary exhibition spaces or shops.

Taoyuan Museum of Art in Taiwan, designed by Riken Yamamoto & Field Shop and Joe Shih Architects

A lake with a curving bridge sits at the base of the smaller of the two buildings.

Bleachers and an outdoor theatre provide places for visitors to sit and watch performances in the art plaza and over the lake.

Taoyuan Museum of Art in Taiwan, designed by Riken Yamamoto & Field Shop and Joe Shih Architects

“The aim of was to create a place for entertainment, such as a theme park, which every visit leads to new discoveries,” read the practice’s statement.

“An inclined roof was designed to create a continuity with its environment, both with the community beside the museum, and the pond park.”

Taoyuan Museum of Art in Taiwan, designed by Riken Yamamoto & Field Shop and Joe Shih Architects

The architects anticipate that the museum’s construction will see a demand for artists’ residences. The plans involve gradually redesigning the existing community beside the museum site to meet this demand by adapting the buildings into a grid and creating a small green plaza.

This is not the first hill-themed cultural centre to be recently unveiled. BIG’s masterplan for the EuropaCity tourism and leisure destination outside of Paris in France was themed around “rolling hills”.

Several of the eight winning designs for buildings in the development riffed on the concept, including UNStudio’s cinema complex topped with green stepped terraces, and a hotel by Franklin Azzi Architecture designed to look like a grass-covered mountain peak.

BIG also teamed up with Google in California to design a campus office with ramped green roofs traversed by cycle paths and walkways.


Project credits:

Name: Taoyuan Museum of Art
Location: Taoyuan, Taiwan
Year: 2018
Design: Riken Yamamoto & Field Shop and Joe Shih Architects
Urban design: THR ARTECH
Engineering: Ove Arup & Partners Japan Limited
Consultants: Nagata Acoustics, Izumi Okayasu Lightning Design

The post Winning design for Taiwan art museum features sloped green roofs appeared first on Dezeen.

Pentatonic and Snarkitecture create Fractured furniture from recycled waste

Startup company Pentatonic has collaborated with Snarkitecture to create a collection of modular furniture made from recycled waste, including cans, computer parts and coffee cups.

The collaboration between Berlin-based Pentatonic and New York studio Snarkitecture resulted in a furniture collection named Fractured, which includes a modular bench and table.

Each item features a large crack down its centre, splitting the piece into two parts – which the brand likens to “a child’s puzzle.”

Formed entirely of post-consumer waste, the making of each bench requires 240 plastic bottles, 45 aluminium drinks cans, 120 items of food packaging and four car bumpers.

Each table is made using 1,290 cans, 140 food packaging items and coffee cup lids, and six car bumpers.

“Fractured for us, is a new take on the relationship between looseness and precision,” Pentatonic co-founder Jamie Hall told Dezeen.  “On one hand, you have the precision engineering and circular technology of Pentatonic, but it’s been disturbed by this dramatic separation.”

The nature of each table or bench is designed to reflect the recycling process itself, as they can be transformed from a whole element into a broken one, and then back to whole again.

“The theme of separation chimes with Pentatonic’s mission to consign disposable, single-use materials to the past in search of a new consumer culture where the tools of our lives are endlessly revivable and environmentally sound,” Hall.

Both the table and the bench are created using nitrogen-assisted injection moulding, in the startup’s patented AirTool system.

According to Pentatonic, this method incorporates the same gas-assisted manufacturing techniques that are used to make the most complex modern car parts.

This causes all the components to be hollow – meaning they are lighter, stronger, and made using as little material as possible.

Each item is made from either recycled aluminium, or Pentatonic’s own Plyfix felt, which, up close, looks and feels like a soft wool-type material, despite the fact that it is developed entirely from old plastic.

This patented material is able to simultaneously purify the surrounding air – “it literally pulls in carbon molecules from the air, cleaning your immediate environment,” said the company.

The Fractured bench consists of 25 sheets of Plyfix that have been pressed down into a single 1.5-centimetre-thick sheet and then heat-formed into a curved two-seater bench.

After reaching a complete form, the table and the bench are severed into two separate parts.

“Fractured is a beautifully imaginative interpretation of what we are doing at Pentatonic, which is fracturing today’s culture of casual disposal and one-time material use,” Hall said.

“They can be pushed together or pulled apart with ease,” he continued. “Either separated as two items or pushed together as one, they are stable and practical for use.”

Fractured follows Pentatonic’s first series of customisable flat-packed furniture, made entirely from recycled material, which was released during last year’s London Design Festival with the aim to “radically transform consumption culture.”

Everything produced by the brand is fully re-recyclable, to ensure all materials can “remain in one continuous loop of applications, over and over again,” in a bid to “lead the world into the circular economy.”

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