Frida Escobedo designs secluded courtyard for Serpentine Pavilion 2018

Mexican architect Frida Escobedo has been named as the designer of this year’s Serpentine Pavilion, which is to feature a latticed enclosure surrounding a pool of water.

Escobedo is the 18th architect to design the Serpentine Pavilion, the prestigious annual commission from the Serpentine Galleries in London.

The architect, who was born in 1979 and set up her Mexico City-based practice in 2006, will be the youngest Serpentine Pavilion architect yet and the first solo woman to take on the project since the inaugural commission by the late Zaha Hadid, in 2000.

Her design is for a courtyard enclosed by dark latticed walls, made from cement tiles. It is intended as a play on the celosia – a typical feature in Mexican architecture that allows breeze to permeate a building.

The perforations will allow views into and out of the pavilion, while the mirrored underside of a curving canopy overhead will reflect the building and a pool beneath.

Frida Escobedo will be the youngest Serpentine Pavilion architect yet and the first solo woman to take on the project since Zaha Hadid in 2000

“My design for the Serpentine Pavilion 2018 is a meeting of material and historical inspirations inseparable from the city of London itself and an idea which has been central to our practice from the beginning: the expression of time in architecture through inventive use of everyday materials and simple forms,” said Frida Escobedo.

“For the Serpentine Pavilion, we have added the materials of light and shadow, reflection and refraction, turning the building into a timepiece that charts the passage of the day.”

The pavilion will comprise two rectilinear blocks set at an angle to reference the Prime Meridian – a line of longitude at London’s Royal Observatory in Greenwich.

“With this bold interior, Frida draws history into the present and redefines the meaning of public space,” said Serpentine Galleries director Hans Ulrich Obrist and chief executive Yana Peel.

The pavilion will be open to the public from 15 June to 7 October 2018 in London’s Kensington Gardens. It will host a cafe, as well as a programme of art, architecture, music, film and dance events.

Escobedo’s design is for a courtyard enclosed by dark latticed walls, made from cement tiles – a play on the Mexican celosia

Escobedo’s varied oeuvre includes the conversion of the former home and studio of painter David Alfaro Siqueiros into a public gallery in Mexican city of Cuernavaca. She has also created interiors for two Aesop stores in Florida and an Aztec-inspired installation in the V&A in London.

The announcement follows the news that the Serpentine Pavilion for 2017, by Diébédo Francis Kéré, will find a new permanent home at a Malaysian gallery, following an extended run in London.

The Serpentine Galleries also recently announced its first Serpentine Pavilion commission outside the UK, a structured designed Chinese studio Jiakun Architects that will open in Beijing in May 2018.

Renderings are by Atmósfera.

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"Under-recognised" Itsuko Hasegawa wins inaugural Royal Academy Architecture Prize

Little-known Japanese architect Itsuko Hasegawa has been announced as the first laureate of the Royal Academy of Arts‘ architecture prize.

Described as one of Japan’s most important architects by the award’s jurors, Itsuko Hasegawa founded her Tokyo-based practice in 1979 but remains relatively unknown.

“What I find most interesting about the architecture of Itsuko Hasegawa is the spirit of invention,” said architect Louisa Hutton, who chaired the Royal Academy Architecture Prize jury.

“Her buildings exude an optimism that could be interpreted as utopianism. Hasegawa seems to be speculating how one can change the world through architecture,” she continued.

“As a jury we were unanimous in our decision, all agreeing that Hasegawa is an architect of great talent who has been under recognised. Through this prize we hope to bring her the much-needed recognition she deserves.”

Royal Academy Architecture Prize winner 2018
Itsuko Hasegaw has been described as “one of Japan’s most important architects” but “under-recognised” architects by the award’s jurors

Architect Richard Rogers, Harvard Graduate School of Design dean Mohsen Mostafavi, BBC broadcaster Razia Iqbal, artist Conrad Shawcross and critic curator Joseph Grima sat on the jury alongside Hutton.

The experimental form of Hasegawa’s architecture has roots in her early links with Japan’s forward-thinking Metabolist architects, including Kenzo Tange, and with her work at the practice of Japanese architect Kazuo Shinohara.

Among her key works are the Sumida Culture Factory (Tokyo, 1994) and the Yamanashi Museum of Fruit (Yamanashi, 1994), which both feature vast sphere-shaped buildings.

More recently, Hasegawa’s Suzu Performing Arts Centre (Ishikawa, 2006) made waves with the form of its gently undulating canopy atop glass cylindrical pods.

Royal Academy Architecture Prize winner 2018
Itsuko Hasegawa designed the Yamanashi Fruits Museum in Yamanashi, Japan, in 1995. Photograph is by Mitsumasa Fujitsuka

While Hasegawa may not be a household name, her work has been widely decorated within the profession. She had been awarded the Japan Art Academy Award and a Japan Cultural Design Award, and has also been given honorary fellowships from the Royal Institute of British Architects, University College London and the American Institute of Architects.

The Royal Academy of Arts announced its new annual architecture awards programme alongside plans for a new architecture centre last year.

The Royal Academy Architecture Prize, as well as the new David Chipperfield-designed architecture centre, come thanks to a seven-figure donation from the Dorfman Foundation. Another new prize has also been created in honour of the charity – the RA Dorfman Award for emerging architects.

Royal Academy Architecture Prize winner 2018
Hasegawa designed the Suzu Performing Arts Centre in Ishikawa, Japan, in 2006. Photograph is by Shigeru Ono

The same panel of jurors has drawn up a shortlist for this award, the winner of which is to be announced at the beginning of July, when Hasegawa will also give an address to mark her receipt of the Royal Academy Architecture Prize.

The shortlist for the Dorfman Award, which “champions global talent that represents the future of architecture”, includes practices from Columbia, Japan, Iran, Ethopia, and the Netherlands and Bahrain.

The five finalists are Arquitectura Expandida, Go Hasegawa of Go Hasegawa and Associates, Studio Anne Holtrop founder Anne HoltropRAAS Architects director Rahel Shawl and Next Office founder Alireza Taghaboni.

“Together [the awards] open both the public and the profession’s eyes to the exceptional work of less widely recognised architects,” said Kate Goodwin, the head of architecture at the RA.

“Architecture has been a core element of the Royal Academy of Arts since its foundation in 1768, and these awards, coupled with the reinvigorated Architecture Programme and our new spaces offer, place the RA back at the heart of a global discourse on architecture and the key role it plays in our society.”

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Jaguar resumes production of its iconic D-type racing car

British motor company Jaguar has announced that it will restart production of the D-type racing car for the first time in over 60 years.

The luxury motor company will hand-build just 25 new models of the classic D-type, one of which is being debuted at the Salon Rétromobile show in Paris taking place this week.

It has been 62 years since the last D-type was built. At the time, Jaguar had planned to manufacture 100 models, but only managed to build 75.

By restarting production of the iconic sports car with 25 all-new, period-correct models, the company is finally fulfilling its original aim.

“The Jaguar D-type is one of the most iconic and beautiful competition cars of all time, with an outstanding record in the world’s toughest motor races. And it’s just as spectacular today,” said Tim Hannig, director of Jaguar Land Rover’s Classic division.

“The opportunity to continue the D-type’s success story, by completing its planned production run in Coventry, is one of those once-in-a-lifetime projects that our world-class experts at Jaguar Land Rover Classic are proud to fulfil,” he added.

The new D-type models will be engineered at Jaguar Land Rover‘s purpose-built Classic Works facility in Coventry, England.

Powered by a six-cylinder XK engine, the sports car famously won the Le Mans 24 Hours race three times between 1955 and 1957, and each of the 2018 models will be created to match these authentic, original specifications.

As it stands, the engineering prototype is the 1956 Longnose specification, featuring the recognisable extended bonnet, characteristic tail fin behind the driver’s head, wide-angle cylinder head and quick-change brake callipers.

D-type clients will also be able to choose between a 1955-specification Shortnose or 1956-specification Longnose bodywork.

Jaguar did the same thing back in 2014 with its iconic E-type car. Having had the original objective of building 18 Special GT E-type Cars in 1963, the company only made 12.

It, therefore, restarted production 50 years later, creating the remaining six “missing” vehicles as exact reproductions of the original 12 cars produced in 1963.

Jaguar then electrified the E-type model three years later, in September 2017, in a bid to “future-proof classic-car ownership”.

 

The new D-Type is currently on show at Salon Retromobile, at the Parc des Expositions in Paris, until 11 February 2018.

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Headband-less Headphones are a Thing Now

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This peculiar pack of headphones combines the freedom and flexibility of wireless earbuds with the isolation and audio quality of on-ear phones. Ergonomically adapted to attach to each independently, they easily slide on and stay put. Rather than take them out of your ears when you want to converse or better hear your environment, a simple swipe of the finger over the earpiece will trigger them to open. It’s almost as if you were wearing nothing on your ears at all. Swipe again to reactivate the enclosure mechanism and you’ll be immersed in your favorite tunes or entertainment again. What’s more is, when you join both earpieces, Iris becomes a Bluetooth speaker for background noise or livening up any atmosphere!

Designers: Mauricio Carvajal & Susana Restrepo

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