Jamaican bobsleigh team rebrands to "get away from association with Cool Runnings"

We Launch has created a new identity for the Jamaican bobsleigh and skeleton athletes at the Pyeongchang Winter Olympic Games in South Korea – aiming to separate the team from its comedic association with the film Cool Runnings.

The rebrand comes 30 years after the team’s first, now infamous, appearance at the winter games in 1988, which was immortalised in the 1993 film Cool Runnings.

Working pro bono, London-based design agency We Launch created a new visual identity that differs from that seen in the film – aiming to change public perceptions of the team and position them as one the world’s foremost sliding nations.

We Launch has created a new identity for the Jamaican bobsleigh and skeleton teams for the 2018 Winter Olympics, in Pyeongchang, South Korea, that aims to move the team away from its association with the film Cool Runnings.

“The goal of the project was to get away from the association with Cool Runnings,” Stuart Lang, founder and creative director of We Launch told Dezeen. “Whilst the movie was a great vehicle for allowing the world to know that there was, in fact, a Jamaican Bobsleigh Team, it was a comedy – and has meant that nobody outside the two sports [bobsleigh and skeleton] has taken the organisation seriously ever since.”

“But in fact the athletes are highly professional – elite, world-beating sports people in their own right. They deserve to be considered and regarded in the same bracket as all of Jamaica’s other international superstars.”

The rebrand was undertaken after Jamaica’s national bobsleigh and skeleton teams merged to form one organisation – the Jamaican Bobsleigh & Skeleton Federation.

Throughout the redesign, the colours of the Jamaican flag – black, green and yellow – are used prominently.

We Launch has created a new identity for the Jamaican bobsleigh teams for the 2018 Winter Olympics, in Pyeongchang, South Korea, to move the team away from its association with the film Cool Runnings.

A sweeping “J” icon – also featuring the flag’s cross motif – combines “angles and curves from the track”.

We Launch chose to use the typeface Core Sans Bold Italic in order to make the text legible when the athletes are moving at speed. 

In the full name of the Jamaican Bobsleigh & Skeleton Federation, the name is typeset in upper and lowercase to make it feel “friendly and accessible”, while the individual team identities were set in uppercase to create “confidence and impact.”

We Launch has created a new identity for the Jamaican bobsleigh and skeleton teams for the 2018 Winter Olympics, in Pyeongchang, South Korea, that aims to move the team away from its association with the film Cool Runnings.

The studio’s decision to carry out the rebrand for free was based on the aim of helping to kickstart winter sports in the country.

“Not many NGBs (National Governing Bodies) are particularly well funded,” said Lang. “Most are continually fighting for funding and sponsorship – and as such, don’t have big budgets to play with.”

“With Jamaica, this is even more apparent – especially as most of the focus goes onto their athletics team,” continued Lang.

The Jamaican Skeleton teams began competing on 15 February 2018, while the bobsleigh team will be in action from the 18 February.

The post Jamaican bobsleigh team rebrands to “get away from association with Cool Runnings” appeared first on Dezeen.

Dubai tower with golden lattice spire named world's tallest hotel

A 356.5-metre skyscraper topped with swimming pools and a golden latticed roof in Dubai has won the title of the world’s tallest hotel.

Developed by the Al Attar Group on a plot measuring 30 square metres, the Gevora Hotel stretches almost a quarter of a mile into the air.

The Guinness Book of World Records ratified its claim as the world’s tallest hotel, a title previously held by the 355-metre-high JW Marriott Marquis Dubai towers, which is also located on Sheikh Zayed Road – the longest road in the United Arab Emirates.

The 528-room hotel took four years to complete and reportedly cost 500 million dirhams (£96,757,650) to build.

A post shared by Gevora Hotel (@gevorahotel) on Dec 12, 2017 at 10:16pm PST

A facade of gold-tinted glass covers most of the 75-storey structure, which is topped by a matching gold lattice of beams that form a pointed tip.

Six elevators operate at a speed of 26 kilometres an hour, taking guests from the ground to the uppermost floor in just 38 seconds. A viewing gallery on the 71st floor allows visitors to look out over the sprawling desert city below.

Late afternoon views from our rooftop. Photo credits: @madrascala

A post shared by Gevora Hotel (@gevorahotel) on Jan 2, 2018 at 4:09am PST

The Gevora claims to have the highest swimming pools in the world. It also has a jacuzzi, health club and spa, and four restaurants.

Another recently completed pool project is Kohn Pedersen Fox’s 68-storey skyscraper New York, which has laid claim to the honour of having “highest residential infinity pool in the western hemisphere”.

Gold detailing runs through the Gevora’s interiors, which feature white marble floors and a grand staircase accented with swirling gold filigree panels.

Similar looping gold swirls adorn the facade the Dubai Frame, a new pair of 150-metre-tall towers connected by a 93-metre bridge.

The Frame opened earlier this year amid claims from Rotterdam-based architect Fernando Donis that his original competition-winning design was used without compensation.

Dubai now has seven of the world’s tallest hotels, including 333-mtre tall Rose Rayhaan by Rotana and the 321-mtre Burj Al Arab, which is famous for it’s sail-like shape.

The city is also home to the world’s tallest building, the Skidmore, Owings and Merrill-designed Burj Khalifa, which is 828 metres tall.

The post Dubai tower with golden lattice spire named world’s tallest hotel appeared first on Dezeen.

Signato typeface celebrates 100 years of Lithuania's independence declaration

Creative agency Folk has designed a typeface to mark the centenary of Lithuania‘s independence – basing it on the handwritten lettering used to create the country’s independence declaration in 1918.

Today, 16 February 2018, marks 100 years since Lithuania – now with a population of almost 3 million – broke away from the Russian Empire.

It remained an independent nation until 1940, when it was occupied by the Soviet Union. The country regained its freedom again in 1991 and ultimately joined the European Union in 2004.

Named Signato, Folk’s typeface is based on a handwritten document by politician Jurgis Saulys in 1918 that declared Lithuania’s independence as a modern state.

The original document – named the Act of Reinstating Independence of Lithuania – was lost during the second world war and the Soviet occupation, but was recently recovered from German archives.

“The significance of the Independence Act for the people of Lithuania is indescribable: our freedom, coded in each line, word, letter, or even its curvature encodes our freedom,” said Ignas Kozlov, creative director of Folk, which is based in Lithuania.

Over a six-month period, Folk worked alongside font designer Eimantas Paskonis to create the typeface, which is made up of a series of italic, calligraphic-style letters.

The process saw letters from Saulys’ handwriting be redrawn several times to create variations of both letters and numbers.

Additional written works by Saulys were also consulted to compensate for “missing letters” in the original document.

“The main challenge was conveying the overall appearance of the handwriting as the referenced document writing is quite disruptive, and some letters are written and merged in several ways,” said the designers.

A total of 450 individual symbols were made to achieve a handwritten effect, using a combination of the Latin, German and Lithuanian alphabets.

Signato is available to download on Font’s website – however, it is not intended for commercial use but rather to “empower a nation that is turning another page in its history”.

In conjunction with the font’s release, the agency invited Lithuanians around the world to sign an online version of the Reinstated Independence Act using Signato.

Afterwards, a robot will write a book in Signato that will include a modern reaffirmation of the act. The country’s Prime Minister Saulius Skvernelis has also chosen to adopt the typeface for the entire year.

“We wanted to pull the independence out of the glass-protected display and pass it on to people so that they can use it, share it and create a future story,” said Kozlov.

“Freedom is not a document, freedom is an opportunity to express and share your thoughts with others around the world,” he explained.

Folk’s typeface comes months after graphic designer Vladan Pavlović’s created a new visual identity for Serbia, that presents the Balkan country as one of “peace, democracy and tolerance”.

Stockholm studio Snask completed a similar undertaking for North Korea, giving it a heart motif designed to create a “common feeling of belonging”.

The post Signato typeface celebrates 100 years of Lithuania’s independence declaration appeared first on Dezeen.

CapSnap

The CapSnap clip($10) can hook to the button on top or around the sweatband. Let’s you clip it onto the outside of your bag, good idea…(Read…)

How to Ruin Your Friend's Instagram Food Photos

British comedian Kevin Freshwater put together this hilarious compilation of him cruelly ruining his friends’ Instagram food photo opportunities…(Read…)

LEGO Ship in a Bottle

Jake Sadovich created an incredible ship in a bottle entirely out of LEGO. It is now available to purchase from the LEGO shop, due to the success of his LEGO Ideas submission in 2016. Cool! “Continue a nautical tradition when you build the LEGO® Ideas Ship in a Bottle, featuring a highly detailed ship with the captain’s quarters, cannons, masts, crow’s nest and printed sail elements. Fan creator, Jake Sadovich, was inspired by an actual ship in a bottle that he had built a few years earlier when he decided to build a replica in LEGO brick form…”..(Read…)

Tree On Power Line

Tree on power line..(Read…)

The Outdoorsman’s Coffee Grinder

Ever heard of memetic product design? It’s a pretty cool concept that explores designing for a specific group of individuals with a shared interest by subtly implementing memes or related elements identifiable by members of that group. In this case, designer Matthijs Huijbregts focused on a coffee grinder that was aimed at hikers. He incorporated familiar fragments in the form of material and shape that would consciously or subconsciously appeal to this unique subgroup of athletes.

First, its shape looks to nature for a form that is at once modern and organic. Its exterior material composition includes wood and stone which also reminds one of familiar textures and matter they might see on a hike in the woods. Of course, the interior mechanics consist of durable plastic and steel necessary for grinding functionality. Even if you’re not an avid hiker, there’s no denying this is one handsome grinder!

Designer: Matthijs Huijbregts

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One Popsicle That’s Not For Licking

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The Popsicle keeps you cool in an entirely different way that the name suggests! It’s a first-ever personal fan that actually looks pretty cool for once! I usually imagine the people using portable fans as the same who wear fanny packs. It’s usually the cherry on top of a touristy look. However, the Popsicle’s playful form is just plain adorable!

It takes on the exaggerated form of a frozen treat and features a cute leather strap so you can attach it to your keychain or wrist. Just keep it recharged to enjoy a cooling breeze you can take anywhere. While it will be tempting for some to lick (people sticking their tongues in fans is a real obsession – Google it!), our advice is NOT to!

Designer: 7 nepo

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Delicate Black & White Photographs of Quebec Countryside

La photographe Sarah Seené, qui exprime son art sur pellicules argentiques et Polaroid, a récemment sorti une nouvelle série entièrement développée à la main et empreinte de délicatesse intitulée «Le bruit des sabots».

C’est lors d’un séjour à l’Asinerie Les ânes en culotte à Ste-Anne de La Rochelle, dans la région de l’Estrie au Québec, que l’artiste visuelle s’est laissée emporter par la quiétude et l’atmosphère sensible des lieux. «Dans la douceur des fins de journées d’été et le silence du village, je me suis assise au milieu du pré pour écouter le bruit des sabots. Pendant de longues heures, j’ai observé les ânes évoluer dans leur environnement, au sein de la ferme. Le grain de la pellicule développée à la main et ses charmants défauts révèlent la beauté de ces animaux sujets à de nombreux mythes, pourtant dotés d’une sensibilité hors du commun», se remémore-t-elle.

On retrouve dans cette série une invitation poétique à contempler la nature, et une fois encore, ses créations font émerger chez le spectateur des sensations résolument mélancoliques et introspectives. Suivez son travail sur sa page Instagram.