Feminine And Vivid Illustrations By Karolin Schnoor

L’illustratrice et designer graphique allemande Karolin Schnoor réalise des dessins, où très souvent, les personnages principaux se trouvent être des femmes. Coloré, chaleureux et élégant, son style artistique est empreint de douceur, d’audace et demeure minimaliste malgré un réel souci du détail. Les formes arrondies, la grande influence du féminin, la nature et les nuances éclatantes font la signature joyeuse de l’illustratrice.

L’artiste qui réside aujourd’hui à Londres collabore notamment pour des médias internationaux et des entreprises de renom tels que The New Yorker, The Telegraph, Nivea ou encore Target. Suivez son travail sur sa page Instagram.


















Buy: N°6 Scented Pencils

N°6 Scented Pencils


Inspired by Swiss fragrance and candlemaker Mizensir’s “Bois du Tibet” aroma, Caran D’Ache’s N°6 Scented Pencils offer elegant patchouli, incense and tonka bean notes. The carefully selected, high-quality wood is both FSC- and OLB-certified. Even the……

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Lukas Peet designs 3D-printed incense holder

Vancouver-based designer Lukas Peet has created a geometric incense holder-cum-ashtray using 3D printing technology.

Peet crafted the Scent Tray using direct metal laser sintering, which uses 3D-printing to form shapes from steel powder.

He wanted to create a product that would be made solely using this particular technology in order to showcase its capabilities while keeping a focus on the material itself.

“I challenged myself to create a seemingly simple yet refined – poetic and complex in some instances – object that would do justice to this amazing technology,” he explained.

“It is an object that subtly attracts your attention with the mesmerising upward elegance of the smoke to the abrupt downward departure of the ash and the interaction of hiding the remains while looking different from every angle,” explained Peet.

The product features a concave, disk-shaped tray with a partially hidden volume underneath.

The incense stick rests in a small round indent in one half of the disk, while the residue from the incense collects in the tray. The designer also sees the product doubling-up as an ashtray.

Peet made the Scent Tray by first manually shaping geometric forms using three-dimensional models.  This was done to avoid the “typical algorithmic forms” created by 3D-printing.

This also allowed the designer to create more complex configurations and combine organic curves with straight-lined geometric shapes.

The Scent Tray was designed to be printed and produced on demand in order to reduce waste – a model also adopted by Othr, which similarly produces on-demand 3D-printed products and partners with a range of designers to release two new on-demand homeware products each week.

Collaborations so far have included tableware designed by Phillippe Malouin and a birdfeeder created by Claesson Koivisto Rune.

Peet graduated from Design Academy Eindhoven in 2009. His previous projects have included a set of steel pendant lamps with a bulb in each end and a collection of curving cutlery comprising a silver fork and spoon and a ceramic knife.

The post Lukas Peet designs 3D-printed incense holder appeared first on Dezeen.

Platforms function as tables and shelves inside Tato Architects' House in Miyamoto

Japanese studio Tato Architects designed the interior of this house in Osaka as a single room containing angular platforms that perform multiple functions and are connected by a spiralling sequence of wooden steps.

House in Miyamoto by Tato Architects

Tato Architects developed the house for a family of three who wanted a seamlessly connected interior space that facilitates a stronger connection between its occupants.

House in Miyamoto by Tato Architects

“The client requested that the members of the family can feel close to each other regardless of where they are in the house,” said a statement from the studio, which is based in nearby Kobe.

“Moreover, private rooms were not needed because they feel that it is lonely to withdraw into one’s own space, and storage space was also unnecessary because they did not want to tuck things away.”

House in Miyamoto by Tato Architects

The building, which is equivalent in scale to a typical two-storey dwelling, is portioned up using a series of angular floors that create dedicated functional zones within the interior.

Each of the different levels is raised 70 centimetres above the one below. This height difference enables the floor surfaces to function additionally as tables or shelves.

House in Miyamoto by Tato Architects

From an entrance level accommodating storage for coats and bikes, the floors spiral upwards along two sides of the space. They converge at a central living area, before branching off again and ascending towards a pair of roof terraces.

“By using this combination of two spirals, we were able to create multiple paths inside the house that allow different room compartments and changes in the circulation, equipping the house to be able to accommodate changes in the lifestyle of the client,” said the architects.

House in Miyamoto by Tato Architects

The house’s steel framework conforms with local fire regulations and forms a supporting structure for the 13 separate floors – seven of which are suspended from the roof beam, with the other six raised up on square steel pipes.

The platform floors are constructed using simple steel beams supporting sturdy corrugated-metal panels that are left exposed on the underside.

Each level is connected to the next by a short set of steps featuring a black metal frame and timber surfaces that introduce a warm, natural detail to the otherwise minimal interior.

House in Miyamoto by Tato Architects

The property’s location in a densely urbanised and developing neighbourhood prompted the studio to propose a design that takes into consideration the likelihood of tall buildings being constructed around it.

Rather than attempting to accommodate any sort of garden at ground level, the building’s footprint extends almost to the perimeter of the site and the roof terraces provide outdoor spaces with optimal exposure to sunlight.

House in Miyamoto by Tato Architects

The terraces are accessible from the main bedroom and a bathroom at the top of the house, which are in turn connected to the central living space.

The owners, who were previously living nearby, moved into the house gradually and have steadily filled the various platforms with their furniture and possessions, resulting in the sort of richly personal environment the architects envisioned.

House in Miyamoto by Tato Architects

Tato Architects has previously used similar methods to create houses with multipurpose surfaces, including one with a desk that functions as a landing for a staircase, and another with built-in furniture forming part of the stairs.

Photography is by Shinkenchiku Sha.


Project credits:

Structure design: Takashi Manda Structural Design
Construction: Seiyu construction company

The post Platforms function as tables and shelves inside Tato Architects’ House in Miyamoto appeared first on Dezeen.

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Breathtaking Electronic Reduced Model Of Manhattan

Il aura fallu 3 mois à Zayd Menk, étudiant de 17 ans basé au Zimbabwe, pour réaliser ce modèle réduit du quartier de Manhattan à New York, uniquement à l’aide de pièces électroniques. Au total : il a utilisé 263 bâtonnets de colle chaude, 11 processeurs, un nombre sans précédent de recherches wikipedia, 27 cartes mères, 10 cartes mères CRT, 15 batteries, 2 horloges, 4 montres, 3 disques durs, 3 cartes graphiques, 4 cartes audio, 7 fournitures , et 13 lecteurs de disquettes. Et le résultat est bluffant.