Real-Time Green Screen Compositing Demo

It looks so cool!..(Read…)

A Certain Vision of Consumerism Through Brilliant Photographs

Originaire de Brighton en Angleterre, le photographe Thomas Bertie Taylor examine minutieusement la relation entre ordre mécanisé et humanité à travers ses clichés. Il le prouve à travers sa série Order and Disconnection, minimaliste à souhait, qui dénonce de manière esthétique le consumérisme, la notion d’appartenance et l’identité.










A Night Session in Potsdam

Le photographe Andreas Levers est ambivalent. Il photographie aussi bien la couleur et la joie (en témoignent ses Colorful Seriesque la pénombre et le mystère, comme ici. Il nous livre ainsi un nouvel opus de ses balades nocturnes, où les couleurs sont froides au possible et la brume, elle, omniprésente. Pour jeter un coup d’oeil aux séries précédentes, par ici.








Martha Sturdy uses resin to create bold, blocky furniture

Canadian designer Martha Sturdy has combined geometric shapes with bold, primary colours to create a collection of furniture pieces made entirely from resin.

On show at the Masion&Objet furniture fair in Paris this week, the Prime collection includes a series of stools, wall decorations, a table and stackable shelves.

Each of the designs are made from basic shapes like cylinders, cubes, circles and squares. The colours are limited to primary shades of red, yellow and blue, as well as black and white.

The coloured resin is made with varying levels of saturation, with an opaque finish for the yellow and red items, and a translucent finish for the blue.

According to the designer, the collection is intended as a “study in simplicity”.

“I wanted to show that colour doesn’t have to be complicated or distracting and that when combined with clean and confident forms, its boldness can be grounding,” said Sturdy.

“The collection itself functions like building blocks, one piece stands alone, but a room can be built piece by piece,” she continued.

Each item in the collection can be used individually or combined as building blocks for a more complex arrangement.

The Chief cube comprises a cube-shaped stool with a black and white striped finish, while the round Chief stool has a cylindrical form, in either blue, yellow or red.

The table has a circular surface and a single leg that matches the shape of the cylindrical stool, and is made from blue resin.

The cube shelving unit comes in varying sizes and colours, each of which can be used individually or stacked on top of each other.

A circular convex wall plate also features in the collection, as does a resin screen, which features a three-panel structure with a yellow panel in the middle.

The Prime collection will be on show at the Masion&Objet furniture fair in Paris from 19 to 23 January 2018.

Other projects on show include a series of serving plates with accents of colour by Formafantasma and spherical glass pendant lamps by Sebastian Herkner.

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Steel-clad clerestory windows protrude from concrete badminton hall by JHW IROJE Architects

The concrete exterior of this badminton centre in the South Korean city of Gwangju is coloured to match the local soil, and contrasts with a row of clerestory windows clad in blackened-steel.

Cheomdan Badminton Court was designed by Seoul studio JHW IROJE Architects for a plot on the banks of the Yeongsan River, to the north of the city centre.

The robust rectilinear volume contains several badminton courts in a single-span hall measuring 50 metres long by 20 metres wide.

The building’s exterior is rendered in concrete that is pigmented to echo the tones of the surrounding earth. Steel-clad boxes containing vertical windows intersect with the hall’s flat roof.

“The plan began with concern about how to represent something of the texture of nature, which has a different character from the scale of the indoor stadium,” said the studio’s director, Jung Hyowon.

“We wanted the soft red-brown colour of the Yeongsan riverbank to continue throughout the mass.”

A ribbed treatment introduces further texture to the external surfaces. The horizontal lines engraved into the facades are intended to evoke the movement of a shuttlecock.

To ensure there are no interruptions to the building’s large hall, the studio utilised post-tensioned beams to supplement the concrete framework and negate the need for visible vertical supports.

The result is a simple and uncluttered interior that is illuminated from above by the clerestory windows. Natural light filters into the hall through gaps between the concrete beams, which span the full width of the building.

Low-level windows lining the hall on either side also allow daylight to enter, and frame views of the surroundings. The deep window reveals are clad in the same black steel as the boxes protruding from the roof.

The building’s interior is lined with plywood panels, some of which are perforated to absorb sound and reduce the amount of noise during games.

Vertical panels aligned with the ceiling beams create a sense of continuity with the structure and accentuate the height of the hall.

Timber is also used for the flooring, resulting in a minimal space with a warm and natural feel that echoes the tones of the exterior cladding.

The studio has also completed a house in Sunchang County featuring a series of living spaces scattered across a forested site.

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Skapa updates prefabricated Norwegian seafront house with glazed walls

Oslo-based architecture office Skapa has transformed a tired villa near the Norwegian capital into a contemporary home featuring full-height glazed walls that open up to views of the surrounding trees and seascape.

Villa Bergheimveien is situated on the Snarøya peninsula in the inner Oslofjord. The owners wanted to update their property on the waterfront site to create a home suited to their family’s long-term needs.

The existing house was constructed using a modular system developed by Norwegian firm Moelven. Skapa’s design aims to accentuate and build upon the positive properties of the prefabricated property.

The studio began by refreshing and emphasising the house’s typical gabled form. The removal of overhanging eaves and the replacement of the existing cladding with cedar boards has resulted in a cleaner and more contemporary aesthetic.

“Hidden gutters and scarce transitions create a defined volume that represents the architecture of our time inspired by the everyday house,” said the studio.

The cedar cladding extends across the house’s roof, creating a homogenous appearance that helps to unite the renovated building and a new structure added to the rear of the site.

The extension contains an additional living space that is separated from the main house by a decked area and lawn surrounding a swimming pool.

The arrangement of the house, garage and extension creates a sheltered courtyard-like space between the buildings that provides an ideal setting for the family to gather and relax outdoors.

“The material choice and design language is adapted from the character of the main house,” said the architects of the new additions, “but the structures are lower and more open to form a natural hierarchy.”

In each of the buildings, large openings now help to create a stronger connection with the surrounding outdoor spaces, landscaping and scenery.

Sliding doors lining a corner of the extension can be retracted to open this room up to the poolside deck, while the living areas in the main house and a study in its basement both open onto terraces with sea views.

The layout of the main house now features an open-plan living area with a kitchen and dining space all looking out through full-height windows.

“The existing space division has been transformed and adapted to the way of living in 2017,” Skapa added. “The site’s location and natural elements have been a key factor for the design of the inside spaces.”

At the opposite end of the ground floor is the master bedroom suite, as well as a smaller bedroom and washroom. Stairs descend to a basement level containing the study, further bedrooms, a sauna and technical areas.

“At a time when sustainable measures and solutions are a very important theme for today’s architecture, this transformed residence is a comment to how to use the qualities and values contained in existing structures and spaces,” said the architects.

Photography is by Herman Dreyer.

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Unique places of worship are enshrined on our updated Pinterest board

To celebrate World Religion Day, we’ve updated our worship-themed Pinterest board with a diverse range of architecture projects, including a Kenyan cathedral with a slatted roof by John McAlsan + Partners and Tadao Ando’s complex around a gigantic buddha statue in SapporoFollow Dezeen on Pinterest ›

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Honda EV Concepts

“Honda Electric Dream. After years spent in the electric car wilderness, Honda release a brilliant production-ready electric city car and an awe-inspiring electric sports car. “..(Read…)

Pita bread shop interior by Studio Roselyn is based on bad food photography

Shapes borrowed from Middle Eastern architecture and colours of over-saturated food photographs found on menus informed the interior of this fast-casual Lebanese restaurant in Victoria, Canada.

Superbaba by Studio Roslyn

Vancouver-based duo Studio Roselyn based the design for Superbaba on the quick-service eateries found across the Middle East, but put their own “quirky” twist on the typology while working to a tight budget.

Superbaba by Studio Roslyn

The four owners’ family histories, “grungy” signage, and menus with brightly coloured photos showing the dishes on offer were all starting points for the project.

“Our goal was to marry these sources of inspiration into an artful space that would be at once intriguing and inviting,” said Studio Roselyn founders Kate Snyder and Jessica MacDonald. “Creating a comfortable and intriguing space that was at once functional proved an interesting challenge.”

Superbaba by Studio Roslyn

The layout of the compact space – located in the city’s Downtown area – is focused around the service area.

Positioned beneath a lowered portion of ceiling with a curved front, this employees-only zone is demarcated by a speckled quartzite countertop that sits on blue-fronted cupboards.

Superbaba by Studio Roslyn

Panels presenting the food and drink options are displayed above a hole through to the kitchen, through which meals are passed.

Arched shapes borrowed from Middle Eastern architecture form railings to separate those ordering and eating.

Superbaba by Studio Roslyn

The arched shapes are echoed in wall murals painted with blocks of light blue and forest green, while the back-of-house corridor is painted entirely in on-trend pale pink.

The artwork on the walls was created by photographing Superbaba’s dishes, and then collaging and distorting the images.

Superbaba by Studio Roslyn

“This was where we had a lot of fun with referencing the oversaturated (and seemingly unflattering) food photography seen in most donair shops,” said Studio Roselyn.

Globe-shaped pendants from Viso Lighting help to illuminate the space, along with neon signage and light boxes that also reference fast-food spots in Lebanon.

Superbaba by Studio Roslyn

“We feel that one success of this project is that it elevates and pushes the expectations of quick-service, fast-casual restaurants,” the studio said.

Photography is by Lauren D Zbarsky.

Project credits:

Interior design: Studio Roslyn
Project team: Kate Snyder and Jessica MacDonald
Brand and graphic design: Superbaba in-house design team

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Link About It: This Week's Picks: Batteries inspired by eels, make-up kits in space, naturally pink chocolate and more

Link About It: This Week's Picks

1. NASA’s Make-Up Kits
Astronauts take plenty of grooming products into space—soap, lotion, deodorant, toothbrushes and more—but back in 1978, NASA believed women would also want a full make-up kit. NASA’s History Office shared an image of the……

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