Fit a flashlight in your wallet

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Twiggi revisits a decade old concept known as the Pocket Light, but in a format that’s utilitarian rather than artistic. Designed to be shaped like a credit card with two LEDs on one of the narrow edges, the Twiggi can be switched on and off simply by squeezing the card under the LEDs where the switch lies. To ensure the Twiggi never goes on by accident, the switch needs to be continuously pressed for the Twiggi to work.

The two LEDs on the Twiggi give it enough power to rival most pocket torches. It comes in an impermeable soft PVC case making the Twiggi disposable, but also water and dust proof. The two CR2032 non-lithium ion batteries on the inside can power the Twiggi easily for two years or more. The Twiggi slips right into your wallet or card case, or even purse, allowing you to have access to a nice powerful light when you don’t have a phone on you… or when your phone’s out of battery because you’ve been on Instagram all day.

Designer: Progenomics

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Burlesque act informs Welcome Projects and Boyd Design's design for Shed House

A pair of long volumes with pitched roofs form a T-shaped plan in this Malibu home by Welcome Projects, which combines two different characters in one building.

The low-slung Shed House was built and designed collaboratively by Laurel Consuelo Broughton of Welcome Projects and Michael Boyd of Boyd Design, for a client seeking to store and display art.

Shed House by Welcome Projects

“They wanted the house to be an exhibition space for a growing art collection, but also ‘cozy’,” said Laurel Broughton.

Additionally, the client requested that the residence not have a flat roof, yet still have a modern appearance.

Shed House by Welcome Projects

“The dual nature of the requests reminded us of an old burlesque act: The Wedding Night. A single performer is simultaneously the bride and groom, engaging in a shifting slight of hand across the stage where two characters are actually one,” Broughton said.

Shed House by Welcome Projects

The outcome is a building that shifts in appearance as it’s viewed from different angles. “We discovered that by combining two separate pitches of sheds, we could achieve a similar slight of hand as in The Wedding Night,” said the team.

Shed House by Welcome Projects

The main volume, which the designers describe as an “entertainment axis”, runs from east to west and includes the home’s public areas. Here, tall ceilings and sliding glass doors let in plenty of natural light.

Shed House by Welcome Projects

The kitchen, a library, and four bedrooms branch off this central space. Sleeping quarters are located at the ends of the T-shaped plan, providing them with maximum privacy.

Shed House by Welcome Projects

Two smaller bedrooms are located to the north, and are separated from the house by a double garage. The others occupy the south and west extremities, and have their own ensuites. Each of these rooms faces the pool, which enjoys views of Malibu’s Point Dume.

Shed House by Welcome Projects

Interior finishes include pale wood for the floors and ceilings, and a combination of white and slate-coloured walls. This palette matches the exterior, where each of the home’s volumes is a slightly different colour.

The architecture is reminiscent of the mid-century modern style that has proven to be an enduring success in California.

Shed House by Welcome Projects

The style was popularised by the photographs of Julius Shulman, who documented properties by notable architects such as Richard Neutra and Rudolph Schindler.

Other projects that embrace the same aesthetic include architect Michael Hennessey’s renovation of a 1960s property by Joseph Eichler, and another art collector’s home overlooking Beverley Hills by Studio William Hefner.

Photography is by Eric Saudenmaier unless otherwise indicated.

The post Burlesque act informs Welcome Projects and Boyd Design’s design for Shed House appeared first on Dezeen.

Bullying you out of bed!

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Mr. Wakey’s the kind of alarm that will do its job regardless of the user’s experience with the product. Whether you love it or hate it, the Mr. Wakey sticks to its design brief of getting you wide awake and even out of bed! The alarm clock comes in a bulbous roly-poly toy shape that stays upright no matter what and is designed to take all your frustration because the only way you can switch the alarm off is by flinging it at a wall. Made out of soft silicone, Mr. Wakey can take all sorts of impact, while mini crash sensors on the inside will detect the force, converting it into points. The harder you throw Mr. Wakey, the higher your chances of silencing it. Keep throwing the toy to rack up enough points to shut Mr. Wakey up and by the time you’re done, you’re wide awake!

The alarm clock is designed with a character that is supposed to taunt you into waking up. The face on Mr. Wakey even comes with this malevolent expression that is made to trigger your wrath so that you feel energized and ultimately less sleepy. The alarm clock even glows with a bright light on the inside to give you audio as well as visual cues with the alarm goes off. Yes, you’ll probably wake up every morning feeling crabby and slightly peeved off, but you’ll wake up for sure!

Designer: Sophie Ng

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Elegant, Powerful Airmega HEPA Air Purifiers: Well-sized, app-connected appliances for cleaner breathing

Elegant, Powerful Airmega HEPA Air Purifiers

In the quest for air purification at home, one has to shuffle through a lot of products before finding something that actually works well and looks good. Through an extended test of the Airmega 400S—one of four products the brand offers—we are……

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David Adjaye updates design for his first New York skyscraper

British architect David Adjaye has released a revised version of his firm’s first New York high-rise: a 66-storey concrete skyscraper in Downtown Manhattan.

The newly released official renderings show a much different design to the conceptual images leaked earlier this year, which depicted the skyscraper with golden facades.

Instead, the residential tower on William Street in the Financial District will have a textural hand-cast concrete exterior, designed to complement the materiality of the surrounding historic, brick commercial buildings.

130 William by David Adjaye

Another feature that take cues from these buildings is the “rhythmic” layout of the arched windows that puncture the lower half of the tower.

Openings across the upper portion will also have a regular pattern, but will be flipped so that the curve is at the base and much larger. The tower appears to slightly fan out towards the top to accommodate them.

“The design for 130 William acknowledges the tower’s location on one of the city’s earliest streets,” said Adjaye.

“Understanding that rich history, I was inspired to craft a building that turns away from the commercial feel of glass and that instead celebrates New York’s heritage of masonry architecture with a distinctive presence in Manhattan’s skyline.”

130 William by David Adjaye

By straying away from the stark glass design typical to New York’s skyline, Adjaye’s first skyscraper in the city is among a series of recent proposals that look to the past for inspiration. Examples include residential towers by DDG and CetraRuddy that are influenced by the art deco style found all over the city.

Adjaye designed the tower for the Lightstone Group, which accidentally leaked early imagery in May this year. At the time it was dubbed “The Wall Street Tower” but it is now called 130 William Street after its location, which is close to other high-end developments like Frank Gehry’s shimmering New York by Gehry tower.

But the 244 luxury condominiums in Adjaye’s will reportedly be sold at a lower price than competing developments, as Lightstone Group acquired the site at a below market rate.

130 William by David Adjaye

“David Adjaye is one of today’s most preeminent architects and we are thrilled to be collaborating with him to bring an iconic building to downtown Manhattan,” said Lightstone president Mitchell Hochberg.

“The design for 130 William simultaneously embraces the architectural legacy of Manhattan’s downtown neighborhood, while offering luxury condominium residences that discerning buyers will find is unlike anything on the market.”

Currently under construction, the skyscraper will house a range of residences from studio apartments to five-bedroom homes, as well as penthouses that will have double-height living rooms that open onto terraces.

130 William by David Adjaye

Outdoor areas will include a rooftop observatory deck offering views across the city from nearly 800 feet (243 metres) high, and a park at the entrance. Inside, a host of luxurious amenities like a dark and cavernous swimming pool and spa, and a kitchen and private dining area catered by a chef, will be available to residents.

A yoga studio, a basketball court and a private IMAX cinema, a golf simulator and games room are also among facilities planned.

Adjaye, who was recently knighted, gained fame in the US for his National Museum of African American History and Culture in Washington DC.

His firm, which has offices in New York and London, is now working on number of projects in America, from a library and events complex in Florida and a spy museum in New York to a concrete art museum in Texas.

The post David Adjaye updates design for his first New York skyscraper appeared first on Dezeen.

Carlos Cruz-Diez creates rainbow chambers inside shipping container on Miami Beach

A series of works by artist Carlos Cruz-Diez, including a shipping container illuminated by gradients of coloured light, were installed on the sand during Miami art week.

Presented by the Museum of Art at Savannah College of Art and Design (SCAD), the travelling Chroma exhibition brought together several of Cruz‘s pieces that demonstrate his colour theories.

SCAD at Miami

They ranged from large-scale public artworks to wall-mounted designs and a set of three documentaries, all of which provide an overview of the 94-year-old Venezuelan artist’s long career.

“Chroma considers Cruz-Diez’s fundamental concerns regarding the transformative possibility that colour is diachronic and unstable, dependent on individual perception, space and context,” said SCAD, which displayed the exhibition on its campus for most of this year before bringing it to Miami.

SCAD at Miami

The pieces were installed in and around the Untitled art fair pavilion on the beach last week, while Art Basel, Design Miami and host of other fairs also took place.

Along the route to the Untitled tent, a white shipping container hosted a work called Chromosaturation. Inside, a series of connected chambers were illuminated by over tube lighting in blue, orange and green successively.

SCAD at Miami

In the passage joining the spaces, the colours overlapped and blended to create a rainbow-like gradient across the walls, ceiling and floor.

On the long sides of the container, different-coloured fins were mounted so they alternated to create an optical illusion – tricking the brain to see more hues where they overlapped.

SCAD at Miami

These types of illusions form the basis of Cruz-Diez’s colour theories and were also demonstrated in a collection of smaller works on show inside the Untitled pavilion.

“Cruz-Diez’s works are — aside from their aesthetic uniqueness — provocations completed by the viewer’s movement in the artist͛s chromatic environments, where objects deliver a profound viewer experience,” said SCAD.

SCAD at Miami

The artworks were accompanied by interactive displays that explained how the illusions work, along with biographical information about the artist’s life and career to date. SCAD also presented a booth of work by alumni artists at the fair.

SCAD at Miami

Chroma was on show for the duration of Miami art week, which took place 6 to 10 December 2017. Also presented was Es Devlin’s immersive installation at the Miami Beach Edition Hotel, Studio Drift’s swarm of illuminated drones and Carsten Höller’s pop-up nightclub for Prada.

Photography is courtesy of the Savannah College of Art and Design.

The post Carlos Cruz-Diez creates rainbow chambers inside shipping container on Miami Beach appeared first on Dezeen.

This bowl is literally ‘hip’

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The Waist Bowl is a simple reimagination of the bowl we use for soups to cereals. If you’ve ever tried carrying a bowl, you know it’s rather large for one hand and often requires two hands to carry. Not to mention, if the contents of the bowl are hot, you need to transfer them to a tray or hold them gingerly by the rim, which is the most unstable part to hold it, but is also the coolest. The bowl’s hemispherical shape also makes it rather difficult to invert when kept upside down. While these problems are small, they’re problems nonetheless and often go ignored, because we’ve learnt to normalize them.

Waist Bowl’s solution is simple, elegant, and makes you question the design of the bowl you’ve been using all your life. It comes with a hip or a waist that allows you to simply grip the bowl with a single hand, while also letting you flip bowls over rather easily. A simple solution for a simple product who’s faults we’ve never questioned! Plus, the waist gives the bowl quite a pleasant character, don’t you think?

The Waist Bowl is a winner of the Red Dot Design Concept Award for the year 2017.

Designer: Jonathan Saphiro Salim

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Exciting Job Opportunities with Bloomberg

Right now is the perfect time to start thinking about making big moves for the new year—and Bloomberg has a bunch of great opportunities for you to check out.

They’re hiring across the organization with job openings in radio, TV, digital, account management and more. Take a look & get your applications in for a great start to 2018.

Find out more about careers at Bloomberg

 

The post Exciting Job Opportunities with Bloomberg appeared first on Mediabistro.

Today's Urban Design Observation: Sidewalk Lounge Integrated with Planter

Someone on Kenmare Street got their hands on what look to be the seating surfaces from three restaurant chairs.

They fashioned them into this urban lounge integrated with a planter on a concrete pad. The backrest of the outermost seat copies the angle of the planter. I can’t tell if this was all built together or if the planter was there first.

At first I thought the seat slats were resting on a shipping pallet, but if you look closely you can see the seat slats are resting on short 2×4 blocks. So this was purpose-built out of leftover materials.

I have been trying to deduce why they built the backrest in this manner. 

My guess is that they only used the cylindrical pole support first, then it started to sag and they added the rearmost supports later.

Buy: Greenwich Black Watch

Greenwich Black Watch


It all comes down to the details with Washington Square Watches’ Greenwich Black, a 38mm square wristwatch in all black stainless steel with a coppery rose gold-like seconds subdial and indices. Still in the minimal design category, this watch distances……

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