Tools & Craft #74: Colen Clenton's Fantastic Adjustable Squares

Colen Clenton is the maker of a range of really wonderful adjustable squares and other measuring toolsthat we have been proud to stock for many years. I’ve never met him in person but we have chatted on the phone about this and that for ages from our ends of the earth. When my son was born, Colen sent us a magnificent rattle made of she-oak. He’s a wonderful craftsman and a wonderful guy.

This video below shows Colen in his New South Wales, Australia, shed workshop. I’m writing this from a Manhattan high-rise but I can admire his very different lifestyle and of course the reverence for craft that we share. Colen began his tool manufacture by making tools for his own use that attracted the eyes of people who coveted them. He speaks warmly and encouragingly to others who would like to earn their livelihood with their crafts. And needless to say, his gorgeous tools are scene-stealing supporting players throughout the video.

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One of the things I find most interesting about Colen’s tools is that while they do exactly the same thing as many other measuring tools by other makers, their combination of design, materials, and execution makes them feel wonderful in the hand and amazingly satisfying to use. Watch the video and see how Colen’s values and life choices are reflected in his tools.

We stock the complete line of Colen’s tool here.

Buy: Unimug

Unimug


This all-in-one teapot and mug is made for solo time, and takes a few tips from the traditional Japanese tea ceremony at the same time. Heat-resistant to save your hands, this cup keeps your tea warm while it steeps and you concentrate on getting zen……

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Link About It: The Simpsons House in Different Architectural Styles

The Simpsons House in Different Architectural Styles


Strangely enough, after browsing the various iterations of The Simpsons’ house in different architectural styles—from the classic log cabin to Victorian, Art Deco and more—it’s difficult to remember what the original looks like. Created by Neomam Studios……

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UK government undermines design with "disappointing" budget, say industry organisations

With its latest budget announcement, the UK government has failed to recognise the importance of the design industry to the country’s economy, according to the Design Council and the Creative Industries Federation.

Chancellor Philip Hammond announced the government’s annual plans for spending yesterday, 22 November 2017.

Significant emphasis was placed on technology and housing. But, according to figureheads from two major industry bodies, the budget should have made more mention of the country’s world-leading design industry.

“The speech, which focused on science, innovation and emerging technologies, did not mention design at all,” said Design Council CEO Sarah Weir in a statement.

“This was disappointing, particularly as we know that design contributes over £71 billion to the UK economy, and that there is an ever-increasing skills gap,” she continued. “To deliver an agenda that creates long-term growth and boosts productivity we must also realise the importance of design.”

Government budget is missed opportunity, says design industry

Weir claims that the government’s lack of investment into design will come at a huge cost. Referencing research that is set to be published in the next month, she said that a skills shortage is already costing the UK economy £5.9 billion each year.

“What our latest research has also uncovered for the first time is the far reaching, cross-sector contribution of design and its wider impact on the UK economy,” she said.

“Unless industry can provide the sufficient additional training required post a formal education to unlock these skills, and without urgent action from the government, this situation is likely to worsen as technology significantly changes the way we work and live.”

Her frustrations have been echoed by Creative Industries Federation (CIF) chief executive John Kampfner, who said the government was at risk of “undermining the growth and prosperity” of the industry with its “lack of ambition”.

“The government has missed an important opportunity to invest in the UK’s fastest growing sector at a critical time for the country,” said Kampfner.

In its Global Talent report released earlier this year, CIF revealed that the creative industries contributes more to the UK economy than the automotive, oil and gas, aerospace and life sciences industries combined.

The report stated that the creative industries accounts for three million jobs in the UK, meaning that one in 11 jobs in the country are in the sector.

“Failure to back our world-leading creative enterprises and entrepreneurs will be to the detriment of a sector that creates jobs at four times the rate of the wider UK workforce,” said Kampfner.

“A lack of commitment to the creative industries will mean that this job creation in our towns and cities across the land will be damaged.”

“All this comes at a time of lacklustre growth forecasts and the apportioning of a further £3 billion to deal with faltering Brexit negotiations,” he added.

RIBA welcomes £44 billion budget for housing

The UK government usually announces its budget once a year, laying out its plans for the nation’s money will be spent in the coming months.

All of the allocations are worked out by the chancellor of the exchequer, which is currently Hammond, and the Treasury.

Hammond claimed his overall focus for the latest budget was to alleviate the “frustration of families where real incomes are under pressure”.

And while this led to disappointment for design bodies, the Royal Institute of British Architects (RIBA) has welcomed the announcement – because it will see £44 billion funnelled into housing, to help the government reach its target of delivering 300,000 new homes a year.

“I’m pleased and relieved that at a time of huge challenges and after weeks of speculation the chancellor has recognised the need for more radical action to address the housing crisis,” said RIBA president Ben Derbyshire.

Derbyshire also praised plans to create a residential “corridor” between Cambridge and Oxford – creating one million new homes in the leading university region by 2050.

“The proposals for new garden towns, and investment in the Cambridge-Oxford-Milton Keynes corridor, must be used as an opportunity to promote good design and high-quality new homes that act as a beacon to other new developments,” he said.

However, the RIBA president criticised the government’s lack of ability to provide post-Brexit certainty for EU nationals working in architecture – who account for 33 per cent of employees in London studios, according to research conducted by Dezeen earlier this year.

“With the lack of clarity about Britain’s future outside the EU continuing to hang over the head of the sector – from Europeans worried about whether they will be able to stay and deciding to leave, to not knowing what our future trade and customs relationship with the EU will be – the whole sector is unable to plan,” he said.

“Delivering on the welcome policies that the chancellor has outlined to solve the housing crisis and get Britain building will need a confident architecture sector which can continue to rely on the best available talent from around the world and which has the certainty it needs to make long-term decisions.”

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HawkinsBrown uses engineered wood to build swimming pool for City of London Freemen's School

Architecture firm HawkinsBrown used two types of engineered timber to build this swimming facility at a school in Surrey, England.

Located at the City of London Freemen’s School in Ashtead, the swimming pool building boasts an exposed timber frame that incorporates windows looking out onto the surrounding woodland.

British firm HawkinsBrown has completed a swimming-pool building at a school in Surrey, England, featuring an exposed timber frame that incorporates windows looking out onto the surrounding woodland.

HawkinsBrown chose materials and construction methods to complement the building’s natural setting. The primary structure is a portal frame constructed from glue-laminated timber – an engineered wood creating from glueing together several sheets of wood in parallel.

This is braced with cross-laminated timber panels – a similar but even stronger form of wood, made with layers positioned at right angles to one another.

British firm HawkinsBrown has completed a swimming-pool building at a school in Surrey, England, featuring an exposed timber frame that incorporates windows looking out onto the surrounding woodland.

“Freemen’s School’s new swimming pool is a welcoming retreat that engages with the mature woodland setting through the use of natural materials and colour schemes,” said Adam Cossey, a partner at HawkinsBrown.

“The deep columns of the all-timber construction and wrap-around glazing, which afford direct views from the water into the woodland, give the sense of swimming amongst the trees.”

British firm HawkinsBrown has completed a swimming-pool building at a school in Surrey, England, featuring an exposed timber frame that incorporates windows looking out onto the surrounding woodland.

HawkinsBrown designed the pool as part of an ongoing masterplan for the school, where the firm has already completed a music school and boarding house that combine sandy coloured brickwork and timber screens.

The new building replaces the school’s original pool, which was destroyed by a fire in 2014, and relocates it from the west to the east side of the campus so it is adjacent to the existing sports facilities.

British firm HawkinsBrown has completed a swimming-pool building at a school in Surrey, England, featuring an exposed timber frame that incorporates windows looking out onto the surrounding woodland.

The 25-metre, six-lane competition pool is supplemented by changing rooms, and a multipurpose teaching and events space. To deliver this programme without causing too much disruption to the surrounding landscape, part of the building is submerged below ground.

British firm HawkinsBrown has completed a swimming-pool building at a school in Surrey, England, featuring an exposed timber frame that incorporates windows looking out onto the surrounding woodland.

The ridges of the building’s wooden frames are offset and staggered along the building’s length to create a dynamically shaped roof, with its highest point at one corner signalling the location of the main entrance.

The engineered wood is finished to a high enough standard that it was left exposed internally and treated with a white stain so the grain remains visible.

British firm HawkinsBrown has completed a swimming-pool building at a school in Surrey, England, featuring an exposed timber frame that incorporates windows looking out onto the surrounding woodland.

The chosen construction method allowed the structure to be prefabricated off-site and then assembled in just over three weeks. This meant the entire project from detailed design to completion took just one year.

In addition to providing a warm and natural finish that echoes the surrounding trees, the timber surfaces are robust, thermally insulating and corrosion resistant.

British firm HawkinsBrown has completed a swimming-pool building at a school in Surrey, England, featuring an exposed timber frame that incorporates windows looking out onto the surrounding woodland.

The completion of the pool building marks the second phase in a four-stage masterplan for the school’s campus that will also see HawkinsBrown refurbish the historic Main House and create a new playground, alongside improving the landscaping of the grounds.

British firm HawkinsBrown has completed a swimming-pool building at a school in Surrey, England, featuring an exposed timber frame that incorporates windows looking out onto the surrounding woodland.

The firm, founded by Russell Brown and Roger Hawkins, has offices in London and Manchester, and works across a range of scales and typologies.

HawkinsBrown previously worked with cross-laminated timber on an apartment block in London, which it claimed at the time was the tallest in Europe to utilise this construction method.

The studio’s other projects include a wooden treehouse suspended from the ceiling of a theatre company, and the refurbishment of the Bartlett School of Architecture.

Photography is by Jack Hobhouse.


Project credits:

Architect: HawkinsBrown
Structural engineer: Eckersley O’Callaghan
Services: Skelly and Couch
Contractor: Gilbert-Ash
Landscape designer: BD Landscape
Transport engineer: Motion
Ecology advisor: Aspect
Arboriculturalist: TreeLine
BREEAM assessor: SRL
Project management: Pick Everard

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Competition: win an Oda lamp designed by Sebastian Herkner for Pulpo

Dezeen has teamed up with German design brand Pulpo and designer Sebastian Herkner to give away five Oda lamps, which are made from a handblown glass shade propped upon a steel frame.

Dezeen has teamed up with German design studio Pulpo and long-term collaborator Sebastian Herkner to give away versions of the Oda lamp

The competition, which coincides with the launch of Pulpo’s new website, offers five readers the chance to win a lamp.

Designed by Herkner in 2014, the Oda lamp is one of the brand’s most popular products and is available in three sizes and a range of colours.

Dezeen has teamed up with German design studio Pulpo and long-term collaborator Sebastian Herkner to give away versions of the Oda lamp

The collection is inspired by photographs of industrial water towers taken by German artistic duo Bernd and Hila Becher.

Much like these structures, the main body of the lights has a rounded form that is supported by a metal frame.

“Like the silos and water towers of which they are inspired, Oda’s simple forms appear both subdued yet bold,” explained Pulpo.

Dezeen has teamed up with German design studio Pulpo and long-term collaborator Sebastian Herkner to give away versions of the Oda lamp

Bubbles, streaks and other variations in colour and size are formed as part of the handmade process – giving each piece a unique quality.

The Oda collection consists of a table light, a low floor light and a raised floor light. Readers will have the chance to win either one of three table lamps – available in smokey grey, aubergine or amber – or one of the medium or large floor lamps, available in grey.

Dezeen has teamed up with German design studio Pulpo and long-term collaborator Sebastian Herkner to give away versions of the Oda lamp

“The Oda lights utilise deep tones and atmospheric transparencies to create a glowing centrepiece in any space,” said Pulpo.

“Their sleek frame lets the curvaceous tones of the handblown glass shine,” the brand continued.

Dezeen has teamed up with German design studio Pulpo and long-term collaborator Sebastian Herkner to give away versions of the Oda lamp

Sebastian Herkner, who has had a long-standing partnership with the Pulpo, founded his studio in 2006, which specialises in furniture, lighting and accessories, as well as spaces and installations.

Other collaborations between the two studios include a “playful and brutalist” collection of furniture and tableware and a collection of metallic containers.

Dezeen has teamed up with German design studio Pulpo and long-term collaborator Sebastian Herkner to give away versions of the Oda lamp

The raised floor light retails for £1,740, while the low floor light and table light are £1,330 and £620 respectively.

Five readers will win one lamp each. The entire collection is available for purchase from Pulpo’s online store.

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Competition closes 22 December 2017. Five winners will be selected at random and notified by email, and their names will be published at the top of this page.

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Five exciting architecture and design jobs available in China right now

As China’s booming construction scene continues to fuel demand for foreign talent, we’ve rounded up five exciting new job opportunities for architects and designers. Available via Dezeen Jobs, they include roles with OMA, Herzog & de Meuron and UNStudio.


M+ museum by Herzog & de Meuron

Senior architect at Herzog & de Meuron

With its M+ museum of visual culture in Hong Kong scheduled to open next year, Swiss firm Herzog & de Meuron is looking for a senior architect to help work on the project.

Find out more about this job›


Senior architect at OMA

OMA is continuing to recruit new architects for its Hong Kong office. The Rem Koolhaas-led firm already has a huge portfolio of work in China, including the Shenzhen Stock Exchange and the CCTV building in Beijing.

Find out more about this job›


Project architect at CLOU Architects

Beijing-based CLOU Architects, whose recent projects include an exhibition space for wedding planner Jiuxi, is looking to add an experienced project architect to its team.

Find out more about this job›


Foxglove by NC Design & Architecture

Internship at NC Design & Architecture

There is a paid opportunity for an intern to join NC Design & Architecture in Hong Kong. The firm’s recent projects include a speakeasy disguised behind an umbrella shop, where visitors are required to touch a specific umbrella handle to gain access.

Find out more about this job›


Lane 189 by UNStudio

Advanced design architects at UNStudio

Dutch firm UNStudio is looking to for advanced design architects to join its growing practice in Shanghai, where the firm recently completed a shopping centre featuring a facade of tessellating diamonds.

Find out more about this job›

See all the latest architecture and design roles on Dezeen Jobs ›

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FreelandBuck combines historic ceiling designs for Smithsonian museum installation

Trompe l’oeil illusions from the renaissance era influenced the design of this ceiling installation by American studio FreelandBuck, now on view in a Smithsonian museum in Washington DC.

Called Parallax Gap, the site-specific piece is installed at the Renwick Gallery, a branch of the Smithsonian American Art Museum. The gallery occupies a second empire-style building designed by architect James Renwick Jr and completed in 1874.

Parallax Gap at Smithsonian by Freelandbuck

Measuring 67 by 35 feet (20 by 10 metres), the installation comprises nine planes suspended by cables from the ceiling of the Grand Salon, one of the main rooms in the museum.

Each aluminium-framed plane has several layers of perforated plastic fabric. The team printed colourful patterns onto the fabric and then used a computer-controlled device to cut pieces away, creating an effect similar to a paper snowflake.

Parallax Gap at Smithsonian by Freelandbuck

The patterns depict nine ceilings from historic buildings, including Philadelphia City Hall and the Palace of Fine Arts in San Francisco. The architectural styles run the gamut – Victorian gothic, Greek revival, beaux arts, romanesque, neoclassical, art deco and second empire.

Parallax Gap at Smithsonian by Freelandbuck

“This assemblage is a catalog of notable American architectural styles rendered through 21st century technology and visual culture,” said FreelandBuck, a Los Angeles architectural studio founded in 2009 by David Freeland and Brennan Buck.

Parallax Gap at Smithsonian by Freelandbuck

The installation is a twist on a trompe l’oeil illusion, which uses realistic imagery to create a false sense of depth and three-dimensionality, and was particularly popular during the renaissance era from the from the 14th to 17th century. The illusion functions from a single key point, such as directly under a dome. When viewed from other vantage points, the illusion “malfunctions”.

Parallax Gap at Smithsonian by Freelandbuck

“Figures appear suddenly out of scale, space flattens out, or an entire dome seems to change orientation,” the designers said.

Similarly illusionistic works include graphic wallpaper in a London bakery that looks like a three-dimensional grid, and an installation at Le Corbusier’s Unité d’Habitation in Marseille, in which brightly coloured paintwork forms geometric patterns and intersecting lines.

Parallax Gap at Smithsonian by Freelandbuck

In the Parallax Gap installation, the images can be properly viewed while standing at just the right spot under each ceiling plane. But the designers also aimed to emphasise the malfunctioning aspect of the optical illusions.

Parallax Gap at Smithsonian by Freelandbuck

Each plane is drawn in perspective from “several eccentric viewpoints” that are encountered as visitors move through the gallery. Layers of individual images and fractures in the overall composition invite different interpretations.

“The Renwick installation amplifies and coordinates these gaps, opening up the space of illusion to creative interpretation,” the team said. “The viewer is left with a visual puzzle to solve.”

Parallax Gap at Smithsonian by Freelandbuck

“Traditionally, architectural drawing is used to describe a building, but in this case, a drawing is built as a specific object in three-dimensional space, producing an artefact that is both abstract and tectonic, representational and tactile,” the studio added.

The installation is on view through 18 February 2018. FreelandBuck’s scheme was chosen through a competition hosted in 2015.

Photography is by Kevin Kunstadt.

Project credits:

Design team: Dorian Booth, Alex Kim, Belinda Lee, Braden Young, and Takayuki Tachibe
Structural engineering: Matthew Melnyk at Nous Engineering
Lighting design: David Ghatan at Pixelumenlab
Fabrication: Fabric Images
Rigging: Sapsis Rigging

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