The Experience Tube, A Giant Open-Ended Sock To Connect Two People

This is the $25 Experience Tube developed by the folks of the Meow Wolf art collective. It’s basically a giant, open-ended sock that connects two people and helps block out peripheral distractions so you can have a focused conversation, staring contest.”The Experience Tube is a revolutionary analog device which connects one experience to another! Using only soft striped fabric and the most sophisticated facial recognition technology ever developed (installed standard in current model human brains) the tube replaces all peripheral distractions with an unbridled visual feast of stripes and laughter! Simply upload a couple of faces into each end and make your own internet, instantaneously! Immediate vivid connection, with no subscriptions, user agreements, invasive advertisements, or spotty service!”..(Read…)

Guy Designs And 3D Prints His Own Assistive Eating Aid

Assistive Eating Aid – Bear Paw..(Read…)

Russian Car – Easter Egg

An Easter egg is an intentional inside joke, a hidden message, or a secret feature of an interactive work (often, a computer program, video game or DVD menu screen)…(Read…)

I've never seen anything like that before

Wow, Cool…(Read…)

James Veitch Is A Terrible Roommate

When James’ roommates offered him storage space in their shared bathroom, they had no idea how passionate he was about rubber ducks…(Read…)

The Pivot to Video and How You Can Keep Up

Did you know that 82% of Twitter users watch video content on the platform? What about the fact that 45% of people watch more than an hour of Facebook or YouTube videos each week? Or, how about that 43% of people state that they actually want to see more video content from marketers?

Those are pretty astounding statistics, and they all help to explain the pivot to video that many traditional publishers have been making in recent years.

“Publishers have to make that shift in order to keep up with where the consumers are going,” explains Dana Johnson, a marketing professional and Mediabistro Social Media Marketing course instructor. “Readers are no longer picking up magazines and newspapers at the newsstands and consuming media the way they did 10 years ago. You have to change with the times, so to speak.”

Much of video’s popularity has to do with its accessibility and convenience. “We all have shorter attention spans today, and video is a way to capture those people who don’t want to take the time to read an entire article,” says Katie Leimkuehler, a social media consultant, and instructor for Mediabistro’s Build a Social Media Video Strategy course.

This emphasis on more and more video content is enough to have media pros, like writers, marketers and copyeditors shaking in their boots. Are their careers about to be totally irrelevant?

Spoiler Alert: Video Isn’t Going Anywhere

In media, there are plenty of trends that come along. Because of that, it’s tempting to think of video as yet another passing fad. But, rest assured, it’s likely here to stay. In fact, we’ll probably see video’s popularity continue to rise.

“I think it’s going to become even more creative,” says Johnson, “There are features that have been out for a few years now, such as videos being shoppable. You can scroll over the content and see where someone got an item. Things are going to become even more convenient and content will be serviced to us via video much more.”

There’s been plenty written about how misguided this shift to video is for most publishers. It’s impact on writing and editing staffs has been brutal and it hasn’t proved itself to be the savior of publishing, as the C-levels had hoped.

But, this “pivot to video” doesn’t need to mean bad news for more traditional media pros. In fact, there’s never been a better time to diversify your own skillset to keep up with the changing times.

“Now’s a great time, because there’s no set way of doing things. Publishers aren’t only taking high-quality videos. Things are evolving and changing, and plenty of places are open to rougher cut videos that aren’t perfect,” explains Leimkuehler, “Now is the perfect opportunity to build up those skills in the smallest ways so you can market yourself and stay current and relevant.”

How to Diversify Your Skillset

So, with that in mind, what are some things you can do to dip your toe into the video waters? Here are a few tips to help you match the pivot to video that many publishers are making.

  1. Ask to shadow someone

Sometimes there’s no better way to learn about a skill or an industry than to actually be a part of it.

“I definitely recommend speaking to a friend, colleague, or even reaching out to someone you don’t know personally to say, ‘Hey, can I shadow you on a shoot? Can I shadow you in a pre-production meeting?’” advises Johnson.

Doing so will give you even more insight into everything that’s involved in the video creation process, as well as what skills you’ll need to stay competitive.

  1. Watch and learn

While watching other people is an effective way to familiarize yourself, so is watching existing video content.

“Start watching videos,” says Leimkuehler, “Gain an understanding of how to tell a story in a short amount of time and everything that involves.”

You can learn a lot by simply observing how things are done elsewhere.

  1. Take a course

“There’s so much opportunity to learn and expand your skillset online,” shares Emmy Favilla, Senior Commerce Editor at Buzzfeed and a Mediabistro instructor, “It’s easier than ever before to learn all of this new information.”

Of course, Mediabistro courses are a great place to start to begin learning more about how to transfer your own skills to the video landscape.

For copy editors in particular, Favilla teaches a Mediabistro course about multimedia copyediting. Within the course, students learn about rules that apply only to video—such as ensuring words appear in the frame long enough to read or that all video clips that aren’t original have credits.

Fortunately, copyediting skills are quite transferrable.

“There are little extra things that you have to keep in mind when you’re editing videos, but fortunately it’s not a wildly different process from editing written articles,” Favilla adds.

  1. Peruse jobs

When you think about what’s involved with video content, it’s easy to think about the obvious roles—things like a camera person, a video editor or  host, for example.

However, there’s far more to it than that. “LinkedIn is a great friend and a great resource,” says Johnson, “It shows you just how many different types of jobs there are related to video.”

So, go ahead and scroll through a few job listings to see what sort of skills are being pursued. It might open up doors you didn’t even know existed.

  1. Just get started

Needing to explore a new area or refine a new skill can be intimidating. But, sometimes it’s best if you just dive in and get started.

“Just start shooting,” shares Leimkuehler, “Whether you want to get a nice camera or just use your phone, start playing around to see what kinds of interviews and videos you can get. Then, just start building from there.”

The pivot to video can be a somewhat scary transition for more traditional media professionals. But, rest assured, written content isn’t necessarily going anywhere either.

“Editorial content will never completely go away,” says Leimkuehler, “There will always be different types of learning styles and different ways to get content.”

Even so, it’s still a good idea to diversify your skillset and keep yourself competitive in the ever-changing media landscape. So, gather your courage and just dive in!

As Johnson concludes, “Stepping into the idea of what’s new is often more intimidating than actually doing it.”

Ready to get started building your own social media video strategy? This course can help!

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NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

A pyramidal turfed roof tops one of several teaching and administrative spaces clustered around a multipurpose hall at this school in the Belgian city of Knokke-Heist by Amsterdam studio NL Architects.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

The Scholencampus De Vonk was designed by NL Architects to accommodate the merger of two primary schools in the Flemish coastal city.

The building comprises five distinct but connected functional zones, with a primary school, nursery school, offices and a multipurpose block housing a refectory and after-school care all branching off from a central multifunctional sports hall.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

A colonnade that extends around most of the building provides a sheltered transitional space between indoors and outdoors, and each of the rooms has direct access to the surrounding gardens and playgrounds.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

The main hall at the heart of the school is intended as a flexible space that can be used throughout the day and sometimes into the evening for various purposes.

“The hall can perform as a square – a meeting place, a theatre, a room for ceremonies and festivals,” said the architects. “The hall is a hub: it will form the connection between the different functions of the school.”

An arcade that extends around the sports hall helps to distribute children and visitors around the building. Circulation designed as a series of loops rather than dead-end corridors always leads people back to the central area.

A deep wooden wall lining the multipurpose hall incorporates cavities that can be used for playing or studying, as well as porthole windows providing views into the hall. One side is also built out to accommodate changing rooms and storage.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

The main hall required greater height than the surrounding spaces, so a band of clerestory windows topped with a metal roof projects upwards like a lantern above the rest of the building.

The outer zones arranged around the hall are placed on foundations sunk into the ground to reduce the overall height and create a more modest, inviting impression for the school.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

Lowering the floor level results in a window sill at the level of the ground outside, which can be used as an additional table surface for working, playing, storage or display.

Three steps connect the classrooms with this ledge and double doors that open onto the surrounding colonnade and gardens.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

Due to the positioning of the various rooms off the central hall, the gaps between them create outdoor spaces that can be used for varying functions, including a park, playground, kitchen garden, sports pitch and public square.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

A nursery school at one end of the building contains rooms arranged along either side of a wide central corridor that functions as an extension of the classrooms and connects with a bubble-shaped playground.

The largest of the outer blocks contains a primary school comprising a series of classrooms positioned around an enclosed courtyard. The circulation space is lined with wooden storage and windows looking into the classrooms.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

A central structure containing further storage areas and toilets has niches carved into its outer edges that transform parts of the surrounding corridors into potential workspaces.

A set of stairs on one side can be used as a presentation space. The stairs lead up to a computer lab housed beneath a pyramidal roof with a skylight at its apex.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

The tent-like roof is covered with a layer of planting to encourage biodiversity and lend the structure a natural appearance that emphasises the building’s ecological credentials.

The school was required to meet the highest standards of environmental efficiency. To this end, the pyramidal roof helps to extract warmed air and the roof of the colonnade protects the glazed external walls from unwanted solar gain.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

Concrete ceilings throughout provide a thermal mass that traps cool air overnight to limit the need for artificial temperature control.

NL Architects and XVW Architectuur picked up this year’s Mies van der Rohe Award for renovating a run-down 1960s apartment block on the outskirts of Amsterdam.

NL Architects completes Belgian school featuring low-lying rooms surrounded by a colonnade

The studio’s previous projects also include a housing block in Amsterdam with an undulating roof covered in colourful plants, and a station waiting area in the town of Barneveld featuring glass walls and a cantilevered roof.

Photography is by Marcel van der Burg.

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Studio Roosegaarde uses light projections to create virtual flood above Derbyshire valley

Dutch designer Daan Roosegaarde recently brought his Waterlicht installation to the UK. This captioned movie shows how it uses lighting projections to recreate the visual sensation of a flood, to raise awareness about rising sea levels.

Find out more about Waterlicht ›

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Haptic Architects unveils plans for domed aquarium on former airport site in Oslo

London studio Haptic Architects’ design for the New Aquarium in Oslo resembles two gently undulating rocks that stretch out into the sea.

Located in Bærum, a municipality of on the outskirts of the Norwegian capital, the project will form part of a wider waterfront transformation and urban development on the site of the city’s former airport.

The New Aquarium is characterised by its two gently sloping domes that appear to rise out of the water, revealing glass walls that will give visitors views out across the water.

According to the architects, its sweeping form was inspired by “svaberg” – a type of rock formation which can be found in the area.

“I have always loved the Norwegian ‘svaberg’ rocks,” said Tomas Stokke of Haptic Architects.

“They are beautiful, sculptural objects, that form natural pockets, ponds and seating areas, gently heated by the sun. We wanted to recreate the qualities of this, in creating an aquarium with a distinct Norwegian quality.”

While one of the sloped roofs will double up as outdoor amenity space that visitors can climb and walk across, the building will be connected to its surroundings by walkways across the water and a new city beach.

Work on the New Aquarium is expected to begin in 2020 and developer Selvaag is planning for an opening date around 2023.

Once complete, the building will span more than 10,000 square metres and hold more than 7 million litres of water, making it the largest aquarium in northern Europe.

“This is a unique opportunity and we are honoured to be part of this incredible project,” said Stokke. “The aquarium is located on a stunning site and is well connected to the area and Oslo itself.”

The larger transformation project will see a variety of water-related activities introduced to the area, including boat and surfing clubs, a new urban beach, restaurants and bars, retail and offices and a seaplane terminal.

Crucially, the area will also be served by a new metro link to the city centre as well as a planned ferry link to the waterfront of Oslo city.

Elsewhere in Oslo, Haptic are working with Nordic Office of Architecture to redesign the Norwegian government headquarters after it was damaged during a fatal terrorist attack six years ago. The redesign comprises seven building blocks – one with a dramatically pitched roof – that will contain 4,500 workplaces and be surrounded by parks, squares, cafes and a visitor centre.

Visuals are by MIR.

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Arjaan De Feyter combines "light and warm materials" in converted brewery apartment

Built-in wooden units and sheer, full-height curtains soften the otherwise stark interior of this apartment located within a canalside regeneration project near Antwerp.

The apartment designed by interior architect Arjaan De Feyter is located within one of four new-build blocks called The Cube, which were developed by Brussels-based architecture firm Bogdan & Van Broeck.

The apartment designed by interior architect Arjaan De Feyter is located within one of four new-build blocks called The Cubes, which were developed by Brussels-based architecture firm Bogdan & Van Broeck.

The Cubes form part of a conversion of a former brewery and malt house site beside the Albert Canal outside Antwerp, which has been transformed into a mixed-use development containing apartments, offices, artists studios, a museum and public squares.

The apartment designed by interior architect Arjaan De Feyter is located within one of four new-build blocks called The Cube, which were developed by Brussels-based architecture firm Bogdan & Van Broeck.

De Feyter has his office in the Kanaal development, and it was following a visit to the office that his client, a local builder and blacksmith, discovered the project and decided to purchase one of the residential units.

The apartment was an empty shell when it was bought, so the designer’s task was to adapt the existing spaces to create a comfortable and cohesive interior environment that fulfils the owner’s practical and aesthetic needs.

The apartment designed by interior architect Arjaan De Feyter is located within one of four new-build blocks called The Cube, which were developed by Brussels-based architecture firm Bogdan & Van Broeck.

“The client wanted to work with honest and warm materials,” De Feyter recalls. “He was looking for a contemporary design with an eye for craftsmanship, detail and finish.”

“We try to reflect the personality of the customer in the project, and combine that with the context of the building and our own architectural style,” the designer added.

“Here we wanted to create a very open and soft character with light and warm materials.”

The apartment designed by interior architect Arjaan De Feyter is located within one of four new-build blocks called The Cube, which were developed by Brussels-based architecture firm Bogdan & Van Broeck.

Each of the apartments in The Cubes is a duplex stacked in different orientations to provide varying views from large windows incorporated into the facades.

The main living space comprises a double-height room overlooked by a mezzanine, within which the designer installed a kitchen featuring a tall central island.

The kitchen cabinetry is constructed from distinctively grained solid wood, which introduces natural warmth and texture to the otherwise minimal and austere space.

The apartment designed by interior architect Arjaan De Feyter is located within one of four new-build blocks called The Cube, which were developed by Brussels-based architecture firm Bogdan & Van Broeck.

A tall window set into the main exterior wall of this room can be folded to one side to allow air to flow in past gauzy curtains that hang all the way down from ceiling to floor.

The rest of the open-plan space at this level accommodates a dining area and lounge lined with more built-in wooden cabinets.

The apartment designed by interior architect Arjaan De Feyter is located within one of four new-build blocks called The Cube, which were developed by Brussels-based architecture firm Bogdan & Van Broeck.

A staircase with timber treads ascends to the apartment’s upper floor, where the master bedroom is located.

A glazed wall and door separates the bedroom from a wetroom-style bathroom featuring a walk-in shower, which is screened off from the rest of the space by a glass partition.

The apartment designed by interior architect Arjaan De Feyter is located within one of four new-build blocks called The Cube, which were developed by Brussels-based architecture firm Bogdan & Van Broeck.

Brass hardware used in the bathroom and kitchen, as well as for details such as the bathroom mirror and cabinet handles, introduces a further warm and tactile detail.

The growing popularity of brass in the interior was explored in a feature on Dezeen in 2014 and since then the trend for using the warm-hued metal has showed no sign of slowing down. Earlier this year Dezeen featured a Greek delicatessen-inspired Melbourne cafe with brass hardware accents and a home for a musician which features brass walls.

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