Pick Your Plug

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If you’ve ever used a power strip or extension cord, you know that it can be a crazy game of Tetris with all those awkward shaped plugs! Inevitably, you’ll sacrifice space on the strip just to make room for oversized plugs that cover other outlets. Designed with this problem in mind, the O’ket power strip makes it possible to combine and switch up your plug arrangements. The sockets are perfectly spaced to accommodate varying sizes and shapes. Place your plugs horizontally or vertically to make room for more!

Designers: Sungick Jo, Hyeonjin See & SunKyung Bae

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Poetic Tattoos by Mariusz Trubisz

Le tatoueur polonais Marius Trubisz est un artiste, un vrai. Avec ses traits si particuliers, voguant entre les courbes toutes tracées et jeux de points précis, il interprète avec talent les demandes de ses clients. Il revisite donc des peintures classiques et des sculptures comme des portraits d’icônes, d’Audrey Hepburn à David Lynch. Et ce toujours avec son petit cercle de couleur si emblématique en guise de signature.












New Innovative Concept by adidas

Quel est le futur de la chaussure de sport en France et à travers le monde ? C’est la question que s’est posée la marque adidas pour concevoir une ligne de production de baskets ultra-innovantes et singulières : la SPEEDFACTORY.

Au premier abord, la série AM4 produite par la SPEEDFACTORY propose une chaussure souple et légère aux lignes design et épurées, mais en réalité, son concept va bien plus loin que cela. adidas a imaginé un modèle unique qui se conçoit à partir des données physiologiques, corporelles et géographiques des athlètes.

Après un scan rapide qui analyse les données personnelles de l’athlète, la SPEEDFACTORY, véritable usine du futur avec une chaîne de production ultra rapide, adapte puis conçoit le produit en un temps record.

Le modèle AM4LDN (adidas Made For London) est le premier a être sorti de la SPEEDFACTORY installée en Allemagne. Londres étant la première des six villes clés à faire l’expérience d’une chaussure de sport adaptée aux besoins individuels, bientôt rejoint par Los Angeles, New York, Tokyo, Shanghai et Paris.

Le 26 octobre prochain, le projet adidas SPEEDFACTORY s’arrête à Paris pour concevoir le modèle AM4PAR. Du 27 au 30 octobre, les amateurs de sport, d’innovation et de technologie de pointe pourront venir expérimenter la SPEEDFACTORY sur le parvis de Bibliothèque François Mitterrand, et vivre un moment unique entre futur de la conception et avenir de la production.

Les visiteurs pourront tester le programme d’analyse corporelle et définir leur profil sportif, ils pourront également découvrir les tous premiers modèles sortis de la SPEEDFACTORY.







Bar Palmier Interior Design by Xavier Segers

Xavier Segers, alias The Last Dodo, vient de signer sa plus grande réalisation à ce jour, en redécorant l’intérieur du Bar Palmier, à Anvers. Un univers tropical onirique, avec des animaux inspirés de l’art de la période Victorienne. Tout a été dessiné de manière digitale, et imprimé sur des rouleaux de tapisserie pour couvrir les 60m carrés de surface.

 

 

 

 

 

 

 

 

 









The U.S. vs. Japan Giant Robot Duel Finally Happened, and These Guys Aren't Messing Around

We’ve been waiting for this international giant robot fight since 2015, and this month it finally happened. To refresh your memory, American robotics firm MegaBots challenged Japan’s Suidobashi Heavy Industries to a mecha-vs.-mecha fight, the challenge was accepted, and trash-talking ensued.

To be honest, I was a little worried that this duel was going to suck.

I figured there’s no way these guys would actually deploy giant chainsaw swords and fire projectiles that could do any kind of actual damage, and I also thought that a concern for safety would limit the fighting tactics they’d use.

I was wrong. These guys aren’t messing around. And during the two duels, the fear of the pilots inside the cockpits is palpable.

I don’t want to spoil anything, and I’ve cut the video into the two duels. Here’s the first, which is practically over before it begins:

Here’s the second, which is filled with some surprises and OH SHIT moments:

I eagerly await the rematch!

The Best Reductionist Albums of 2017 (So Far): How contemporary artists are applying lessons across all genres

The Best Reductionist Albums of 2017 (So Far)


“Minimalist music” has its own largely rigid definition in modern classical music (a genre that Steve Reich, Philip Glass and La Monte Young have contributed to), but we want to highlight how contemporary artists are taking these compositional techniques……

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Word of Mouth: Key West: An island escape with everything from design hotels to local rum, pottery classes and fine dining

Word of Mouth: Key West


by Leora Novick

Located at the tip of the stretch of islands making up the Florida Keys, Key West is a destination in its own category. Known for its baby boomer population and party-fueled drag along Duval Street, it’s held a reputation as a bachelor……

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Atang Tshikare and Eve Collett's Leifo chair combines scorched timber and woven grass

Cape Town-based artist Atang Tshikare and designer Eve Collett used feather-like woven grass and charred wood to create this antique-looking chair

Launched in August, as part of an exhibition named We are Cape Town at Decorex Cape Town, Leifo is designed to “decolonise the antique chair”, through the use of unexpected techniques and materials.

Leifo chair was jointly created by designer Atang Tshikare and Eve Collett of Casamento as part of 100% Design South Africa’s recent ‘We are Cape Town’ show at Decorex Cape Town.

Tshikare and Collett gave the chair a broad circular back and a pin-cushioned seat. Their aim was for the piece to be reminiscent of winter evenings spent in front of a roaring fire.

This is referenced in both the charred woodwork and the name Leifo, which translates as “fireplace” in Sesotho – the language spoken by the Basotho people in Lesotho and South Africa.

Leifo chair was jointly created by designer Atang Tshikare and Eve Collett of Casamento as part of 100% Design South Africa’s recent ‘We are Cape Town’ show at Decorex Cape Town.

“The inspiration behind the design evolved from long winter evenings spent telling stories around a flickering, warming fire – hence the burnt black finish on the carved wooden arms and legs,” Tshikare told Dezeen.

The upholstery is also based on this idyllic scene, with midnight-blue fabric combined with brass beading to represent the sparks sent up by a fire as it burns.

Leifo chair was jointly created by designer Atang Tshikare and Eve Collett of Casamento as part of 100% Design South Africa’s recent ‘We are Cape Town’ show at Decorex Cape Town.

For the woodwork, the designers looked to the work of Dutch designer Maarten Baas, whose successful Smoke chair – developed for his graduation show at Design Academy Eindhoven in 2002 – was made by singeing a second-hand piece of furniture with a blow torch.

“We were inspired by the Dutch designer Maarten Baas and the way he chargrills his antique furniture,” explained Collette. “I like using the charred technique as it creates a new form out of a classical shape – slightly distorted and imperfect.”

Leifo chair was jointly created by designer Atang Tshikare and Eve Collett of Casamento as part of 100% Design South Africa’s recent ‘We are Cape Town’ show at Decorex Cape Town.

As well as using this more unconventional method, the designers applied traditional South African techniques of grass weaving to the chair’s backrest.

“I am beginning to use native materials and techniques in my work from South Africa along with the surrounding countries like Lesotho and Mozambique,” said Tshikare, who learned the technique from his grandmother.

Leifo chair was jointly created by designer Atang Tshikare and Eve Collett of Casamento as part of 100% Design South Africa’s recent ‘We are Cape Town’ show at Decorex Cape Town.

“I have just had a group show in Amsterdam where I showed more works using woven grass, and I will be exploring working with native artisans and designers to create my works more often.”

Tshikare is the founder of Zabalazaa Designs, an independent studio specializing in surface design and illustration, while Collett heads up furniture design studio Casamento.

Photographs by Toby Murphy.

The post Atang Tshikare and Eve Collett’s Leifo chair combines scorched timber and woven grass appeared first on Dezeen.

Those Architects extends former dairy farm with black-stained sales office

It may look like a high-end contemporary villa, but this rectilinear building is actually a sales office for a dairy farm near Sydney.

Designed by local studio Those Architects, the single-storey building was designed to help real-estate firm Stockland attract a buyer to the former agricultural site, which it believes could be transformed into a new residential community.

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The aim was to create a structure that reflected the character of the area, through the use of multi-tonal but modest materials.

The design team describes it as “a tactile piece of architecture in its own right”.

The Dairy by THOSE architects

“We see this as a discrete work of architecture, designed to inform the potential purchaser about the place where they may live, and how it might feel to live there,” said Ben Mitchell, director of Those Architects.

The Dairy by THOSE architects

The building features wooden walls with a black stain finish. The surfaces that frame the entrance are highlighted by the addition of brushed copper panels, which allows these surfaces to catch the light.

The Dairy by THOSE architects

Oiled hardwood floors run through the building’s interior and also form a deck outside, creating spaces for occupants to enjoy the rural scenery of the former dairy pasture. They connect up with a concrete path that connects the entrance with the road.

Other details include a recessed glass wall that is hidden away at the building’s rear and sheltered beneath the overhanging roof.

The Dairy by THOSE architects

“It’s all about the architecture,” added Mitchell. “So, for example, unlike most sales offices, it has no signage, and is carefully calibrated to convey an experience of its place.”

The Dairy by THOSE architects

Mitchell founded Those Architects in 2012, in partnership with architect Simon Addinall. The studio’s other completed projects include a suburban Sydney house featuring secret storage and a pivoting garden window, and a Chicago office with pegboard walls and a baseball batting cage.

The Dairy was designed and built in just nine months and boasts an area of 200 square metres.

The Dairy by THOSE architects

Once the property has been sold, the intention is for the building to become a cafe and meeting place for the new residents.

Photography is by Luc Remond.


Project credits:

Architect: Those Architects
Project team: Ben Mitchell, Simon Addinall, Emiliano Miranda, Luke Hallaways
Client: Stockland
Lighting: Tovo

The post Those Architects extends former dairy farm with black-stained sales office appeared first on Dezeen.

ICONIC CONFERENCE 2017

From Point of Sales to Point of Senses Whither the future of shopping? More attractive, responsive and
inspiring? There’s no alternative, as i..