Dreamy Landscapes of Ty Newcomb

Ty Newcomb est un photographe américain qui parcourt les États-Unis en quête de paysages aussi grandioses qu’oniriques. Dans cette série, il explore le Wyoming et son Colorado natal afin d’immortaliser l’atmosphère éthérée de lieux qui semblent parfois suspendus entre le réel et le songe. Ses photos aux tons pastels sont très peu retouchées, elles se présentent comme des témoignages d’une nature vibrante, intensément lumineuse. À travers ces panoramas à couper le souffle et son talent pour la composition, l’artiste tente de nous rappeler que la beauté se trouve partout, si tant est qu’on sache ouvrir l’œil. Vous pouvez découvrir le reste de son travail sur son site et son Instagram.

 







Incredible Porcelain and Glass Pâtisseries by Shayna Leib

Parce qu’elle-même ne peut pas manger de patisseries outrageusement appétissante, la souffleuse de verre Shayna Leib a décidé avec sa série « Pâtisseries » de recréer la frustration qu’elle éprouve en confectionnant des gateaux esthétiquement parfaits – en porcelaine et en verre. Ces créations qui reproduisent à la perfection des patisseries des plus grands maîtres, donnent d’insatiables envies de sucré. Une série aussi délicate que loin du gourmand-croquant de Cyril Lignac. Retrouvez Shayna Leib sur Facebook et sur Instagram.

Toutes les photos sont de Eric Tadsen

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 










Design Job: Are You an Energetic Planner? Global Design Agency jones knowles ritchie is Seeking an Account Executive in New York, NY

Hello! We are jones knowles ritchie We’re an award-winning global design agency who believe in the power of design to help brands grow. By amplifying and celebrating what makes brands unique, we help them get noticed and chosen. We work for some of the most famous brands in the world out of our studios in New York, London, Shanghai and Singapore. We are 27 years young and proudly independent.

View the full design job here

How to Make a Watertight Wood Joint, Without Using Glue or Sealants

Unless you have experience with traditional boatbuilding or making traditional Japanese sake cups, you may not realize you can join two pieces of wood together–with no glue or sealant–in such a way as to make the joint watertight. Here master woodworker Frank Klausz reveals the trick taught to him by his grandfather, fabricating a helpful tool out of materials you probably have lying around:

It is indeed a clever technique, exploiting the behavior of both wood and water, and this is the first time I’ve seen it demonstrated.

Buy: Boiled Wool Jacket

Boiled Wool Jacket


From Nau’s recent fall 2017 collection, the Boiled Wool Jacket builds a refined, tailored aesthetic from a rugged, hearty fabric. A true fall-to-winter coat, the Tirol-style 100% boiled wool piece effectively combats changing weather. Nuances like……

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Winter Storm, The Latest Experimental Release From Glenfiddich: The third in the brand's Experimental Series, a 21-year-old single malt finished in Canadian Ice Wine casks

Winter Storm, The Latest Experimental Release From Glenfiddich


by Emily Arden Wells

The world of Scotch whisky moves at a seemingly glacial pace: the liquid requires over a decade to reach maturation, and even more years for those special casks that are set aside for older releases. After all, 21-year-old truly……

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Link About It: Paul Newman's Rolex Daytona Sells For $17,752,500

Paul Newman's Rolex Daytona Sells For $17,752,500


After much anticipation, Paul Newman’s very own Paul Newman Daytona went up for auction at Phillips in NYC this week. Many suspected in advance that it would shatter multiple records. In actuality, by the time the auction ended (after 12 minutes of……

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Dutch Invertuals exhibits designers' archives to show process behind products

Dutch Invertuals has invited 45 of the designers it has worked with over the past nine years to exhibit more than 800 objects from their archives for a show at Dutch Design Week.

Dutch Design Week: Fundamentals by Dutch Invertuals

Displayed as part of Fundamentals – a show co-curated by collective Dutch Invertuals and design studio Raw Color – the objects, which normally remain hidden in the archives of the designers’ studios, are intended to shed light on the designers’ working processes as well as their views on form, material, and beauty.

Dutch Design Week: Fundamentals by Dutch Invertuals

“Since we are collectors ourselves we are fascinated by objects or just the process of collecting,” co-curator Christoph Brach of Raw Color told Dezeen.

“The more you gather, the more it helps you to define your surrounding, how you filter, what you like or dislike. A single piece could eventually spark an idea or be a source of inspiration to start a new project.”

Dutch Design Week: Fundamentals by Dutch Invertuals

In addition to the displayed objects, each designer was asked to create a container inspired by the objects from their archive.

“The designers take their personal collections and identities as a starting point to create a container that manifests their ‘Fundamentals’,” explained Wendy Plomp, founder, curator and art director of Dutch Invertuals.

“These individually made products offer comprehensive insights into their various design practices, reflecting diverse personal visions.”

Dutch Design Week: Fundamentals by Dutch Invertuals

“We’ve chosen the container as a basic and abstract thing, that has a simple functionality and allows everybody to interpret it in their own way,” added Brach. “Next to that we liked the symbolic aspect of it, since a container allows to collect and gather things in it.”

“What was particularly surprising to us was that we could see some common visions amongst the individuals. In the end we defined nine categories to divide the 45 participants.”

Dutch Design Week: Fundamentals by Dutch Invertuals

Categories included: The Workers, The Purists, The Technicians, The Anthropologists, The Remixers, The Alchemists, The Twiners, The Detailers, and The Brutalists.

“For example, ‘The Workers’ can usually be found in their workshop, immersed in their world of machines and tools,” explained Brach. “They are the true makers that are continuously inspired by their surroundings.”

Dutch Design Week: Fundamentals by Dutch Invertuals

Located in Eindhoven’s industrial exhibition space Ketelhuisplein, the objects and containers are arranged by category across two red and orange concentric plinths designed by Daphna Laurens.

Recalling the appearance of a clock face, the lower inner circle displays the objects, while the containers sit across the taller outer circle.

Dutch Design Week: Fundamentals by Dutch Invertuals

“It unites the participating designers by its compositions,” said Brach of the exhibition’s circular design. “It somehow refers to the process we are showing; objects are inspiring us, we learn from them to create new things. These new things might serve the same purpose, so the end result might become a new starting point again.”

Visitors are invited to walk around and in between the two circles to view the exhibited pieces.

Dutch Design Week: Fundamentals by Dutch Invertuals

“Altogether, the exhibition creates a portrait of a generation of young and established designers that have shaped the collective of Dutch Invertuals,” said Plomp.

Among the 45 participating designers are Sigve Knutson, Studio Sabine MarcelisOS ∆ OOS and Earnest Studio.

Dutch Design Week: Fundamentals by Dutch Invertuals

Previous Dutch Invertuals exhibitions, which take place in Eindhoven and Milan each year, have included a showcase of objects designed as physical representations of emotions, and a display of objects that explore how the human race will tackle future global issues.

Fundamentals is taking place as part of this year’s Dutch Design Week, which is on until 29 October 2017.

 

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People's Pavilion "has almost no ecological footprint" say designers

Bureau SLA and Overtreders W used only borrowed or recycled materials to create this Dutch Design Week pavilion, which was the venue for Dezeen’s Good Design for a Bad World talk series.

The People’s Pavilion is designed to promote the value of a closed-loop, or “circular”, construction system, which involves thinking beyond the life of the building, so that little or no waste is produced as a result.

The pavilion boasts a colourful facade of shingles made from recycled plastic, as well as a wooden framework made from components that were borrowed, and which will be returned to their owners intact once Dutch Design Week is over.

“We took the circular idea to a maximum level,” said Peter van Assche, founder of Dutch architecture studio Bureau SLA.

“The structure itself has almost no ecological footprint. This is what you can do by just borrowing a few materials from friendly people.”

On the opening weekend of Dutch Design Week, Dezeen hosted five talks inside the People’s Pavilion as part of our Good Design for a Bad World initiative, to debate whether designers can offer solutions to the world’s biggest problems.

One of the talks focused on pollution –  the main issue that Bureau SLA and design studio Overtreders W wanted to address with this project. It forms the latest in a series of collaborations between the two offices, exploring how recycled plastic can be used in construction.

“We have a lot of experience of recycling plastic in this way,” said Van Assche.

“Last year we did a project where we designed our own plastic recycling factory, the Pretty Plastic Plant. With this, we built four indoor units that were made out of 100 per cent plastic waste.”

For the People’s Pavilion, the designers created bespoke plastic shingles to clad the exterior walls. By sorting the plastic waste by colour, they were able to produce a range of different tiles, from pastels shades of pink and blue, to a vibrant yellow hue.

This aesthetic was inspired by the pigmented concrete tiles that clad the Assemble-designed Yard House in London – although the approach taken to achieve it was completely different.

“Our tiles are made out of recycled plastic waste from households. The colour scheme is natural,” said Van Assche. “I love the fact that you should be able to recognise your own shampoo bottle.”

The tiles were produced in collaboration with manufacturer Govaplast. The team is aiming to put them into production next year, to encourage more architects and designers to work with recycled plastic.

Borrowed materials form all the other parts of the structure. The framework is formed of 19 wooden components that need to be returned after use, meaning the designers had to devise a construction technique that didn’t use glue, screws or nails.

Instead, they worked with tie-down straps, tension belts and cable ties. But this system required extensive testing, as it is so uncommon.

“It turned out that almost all of our construction principles and calculations assume a fixed and standard way of designing. Using straps and tension belts is not in any calculation program!” said Van Assche.

“It showed us that designing in this way needs new approaches in fields we did not fully imagine before.”

Similarly, the glazing that wraps the lower part of the pavilion was left over from the refurbishment of an office building in Utrecht. After Dutch Design Week, the glass will be used for another project.

Dutch Design Week is taking place in Eindhoven from 21 to 29 October 2017. The People’s Pavilion forms part of the Strijp S area, and is being used as a lecture, debate and performance venue throughout the nine-day festival.

With an area of 250 square metres, the pavilion includes a cross-shaped auditorium that can host 200 people seated, or 600 people standing.

Photography is by Filip Dujardin.

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Germany's first driverless bus takes to the roads

Germany’s first self-driving public bus has made its maiden journey on the roads of a rural town in Bavaria, taking locals from the train station to the town centre.

German transport company Deutsche Bahn trialled the self-driving vehicle on Wednesday, delivering townspeople on a 700-metre route between the train station, the town centre, and the Birnbacher baths.

Designed by French startup company EasyMile, the electric vehicle – called EasyTen – autonomously navigated its way through the municipality of Bad Birnbach by way of sensors, lasers and GPS systems.

According to German broadcaster DW, it is the first time that a self-driving bus has been incorporated in the country’s public transport system.

“We’ve just driven autonomously into a new era of transport,” said Deutsche Bahn CEO Richard Lutz. “Today, Bad Birnbach and the Deutsche Bahn have actually written a bit of traffic history in Germany.”

At the unveiling of the vehicle, Bavarian district governor Michael Fahmüller spoke about the importance of autonomous public services such as EasyTen in rural areas, where inhabitants are heavily reliant on their cars.

With such low passenger volumes, public transport providers struggle to supply regular services.

“This is a clear sign of the mobility and flexibility of public transport in the future, especially in rural areas,” said the councillor. “We are proud to be the pioneer here.”

Deutsche Bahn aims to develop the autonomous minibus further in the future, where it will act like a private car service to pick up passengers upon request from their home through an app.  It could also collect other travellers en route who also require the service.

While EasyTen is the first vehicle of its kind to hit the roads in Germany, the rail company plans to release more similar buses from 2018 in several German towns and cities, such as Hamburg.

Autonomy is a fast-growing technology, with leading companies like Renault and BMW recently unveiling self-driving and electric concept vehicles.

EasyMile, however, is among those experimenting with autonomy in public transportation services rather than private car ownership.

Transport designer Jonny Culkin recently outlined his vision for the future of urban mobility in London, where a driverless, electric vehicle would offer an alternative to current subterranean travel – helping commuters reconnect with their city surroundings.

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