Carlo Ratti experiments with "programmable wood" to make Swish stool for Cassina

Architecture office Carlo Ratti Associati used digital processes to produce this collapsible wooden stool that can be adjusted into different predetermined shapes.

Swish stool for Cassina

The Swift stool was shown at Cassina‘s 90th anniversary exhibition, Cassina 9.0, at Milan design week. It demonstrates a design approach that the architecture office – which is led by Italian architect and MIT professor Carlo Ratti – calls “implicit programming”.

The approach sees the team use digital design and fabrication methods to tailor an object so it can take different preset forms.

Swish stool for Cassina

In the case of the Swift stool, this is enabled through an elaborate system of individually designed joints and hinges that allow the stool to snap into its various positions.

The 27 rounded wood elements of the chair can sit in a flat, comb-like shape against the wall, and then be flipped around to form a seat with various leg configurations.

Swish stool for Cassina

Carlo Ratti Associati describes the product as a kind of “programmable wood”.

“Swish has been the culmination of a very exciting research path for us,” said Ratti. “We started working on self-assembly and implicit programming – the possibility for an object to assume predetermined, kinetic configurations – a few years ago.”

Swish stool for Cassina

“How can we use mathematically controlled geometry to ‘teach’ a given material how to behave? Swish is the first implementation of such a principle to a very basic piece of furniture: a stool.”

Ratti, who directs the Senseable City Lab at MIT, frequently works with emerging technologies. His other projects have included traffic infrastructure for driverless cars, smart modular seats that can be reconfigured with hand gestures, and offices where heating, lighting and cooling systems follow occupants around the building.

Swish stool for Cassina

His architecture practice has been working with Cassina since 2013, when they collaborated on a series of prototypes called Our Universe.

The Swift stool uses parametric design, an approach that involves using modelling software to gradually tweak spatial parameters until a desired form is reached.

Swish stool for Cassina

The wooden elements of the stool were then milled on computer numerical control (CNC) machinery in Italy.

Four versions of the prototype – three in cherry wood and one in elm wood – were on display during Milan design week, where the Cassina 9.0 exhibition ran from 4 to 9 April at the Fondazione Giangiacomo Feltrinelli on Viale Pasubio 5.

Swish stool for Cassina

Cassina also launched several new products during the event, including a sofa by Konstantin Grcic that borrows from the design of the Milan Metro.

However, the week was not entirely positive for the brand, as it was also slapped with an injunction to stop producing a Gio Ponti chair licensed to Molteni&C.

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Job of the day: designer at PriestmanGoode

Our job of the day from Dezeen Jobs is for a transport/product designer at the London studio of PriestmanGoode, whose Scooter for Life encourages older people to stay physically active for longer. More ›

The post Job of the day: designer at PriestmanGoode appeared first on Dezeen.

Kengo Kuma unveils stacked wooden box design for Turkish art museum

Kengo Kuma & Associates has revealed plans to create a modern art museum in a former wood market in Turkey, which will be made up of cluster of slatted timber blocks.

The Japanese studio led by Kengo Kuma is designing the Odunpazari Modern Art Museum to host a large collection of Turkish modern art in Eskishehr, a university town in the northwest of the country.

Odunpazari by KKAA

Kengo Kuma & Associates has proposed a volume made up of irregularly stacked boxes so that the building increases in height towards its centre.

The aim here is to respond to the style and scale of the surrounding traditional wooden Ottoman residences, which often feature slightly overhanging upper storeys.

Horizontal timber planks will clad each of the blocks to reference the history of its location in Odunpazari, an area that was once a wood market.

Odunpazari by KKAA

“Our design strategy is to make the volume in aggregation; stacking small boxes to create the urban scale architecture,” explained the studio.

“Stacked boxes at the street level are read in the scale of surrounding houses and it grows taller towards the centre of the museum to stand in the urbanscape that announces itself as new cultural landmark of the area.”

Odunpazari by KKAA

Each of the boxes will vary in size and be rotated in a different direction to create diverse scales of exhibition space, with more intimate art works placed in the smaller volumes toward the top of the building.

Four of the boxes will meet to form the skylit central atrium, which will connect each level and let natural light permeate the building. Openings between the wooden slats allow further light to enter the galleries.

Odunpazari by KKAA

The main entrance will occupy an opening on the lower level of one of the volumes facing an outdoor seating area. The different levels of the site surrounding the museum will also be landscaped with steps and ramps.

Kuma ranked at number five on the Dezeen Hot List of most-talked about architects and designers.

Other recent projects by the firm include the major expansion of the Portland Japanese Garden and the V&A museum in Dundee, which is nearing completion.


Project credits:

Design architect: Kengo Kuma & Associates
Partner in charge: Yuki Ikeguchi
Project manager: Yasemin Sahiner
Structural engineer: SIGMA
Mechanical engineer: TEMA Engineering and Consulting Trade
General contractor: Polimeks Holdings

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eWok, and I’m not talking Star Wars…

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Love an induction hob but hate that you can’t use it with your wok?! Amphi is the answer to your woes. Thanks to its cleverly designed drop-style hob, the design finally makes it possible to use this traditional Chinese cooking pan with induction cooking.

Due to the shape, it’s not only more stable but provides even temperature across the surface. Unlike other wok induction designs, its many layers make it a versatile chef’s tool that can accommodate almost any size wok.

Designer: Kim Myung Nyun

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