Five highlights from the Ventura Lambrate district at Milan design week

A supermarket filled with waste products and an overview of Norway’s hottest young designers are among design reporter Alice Morby’s pick of the best exhibitions at the Ventura Lambrate district during Milan design week last month.

Dezeen was the main media partner for Ventura Lambrate, one of the longest running design districts in Milan’s Fuorisalone – the programme of events that accompany the Salone del Mobile furniture fair.

Located in Lambrate, northeast of the city centre, the district puts a focus on emerging designers and radical ideas. Now in its seventh year, it has become a staple on the design week circuit.

This year the organisers also launched a new district, Ventura Centrale, in abandoned warehouses at Milan Central Station. Dezeen also partnered with this exhibition, which featured a modernist merry-go-round by Lee Broom and totem-like glass lamps by Luca Nichetto.

Here’s our pick of the best five exhibitions at Ventura Lambrate:


Everything is Connected

This year’s exhibition of Norwegian design was curated by designer and interior architect Katrin Greiling, who used the work of 30 designers to showcase the journey from maker to market.

Presented against a calming backdrop of pale blue, separated by ochre-coloured curtains, the show featured geometric lamps by Sverre Uhnger and perfumed objects by Kaja Dahl.

Find out more about Everything is Connected ›


Super Supermarket

Students from Design School Kolding in Denmark highlighted the amount of waste material created by the design industry with their Super Supermarket exhibition, which they describe as a “sarcastic commentary to our consumer culture”.

Shelves displayed products made from residual materials donated by a variety of Danish companies – customers were able to purchase loo roll made from Fritz Hansen‘s leather scraps or Kvadrat fabric desserts.


Elements of Time by Nynke Koster

Netherlands-based artist Nynke Koster presented her rubber-cast Elements of Time collection in the district.

The project focused on fragments of buildings from different architectural periods, which were transformed into rubbery, soft elements that visitors could touch and sit on.


Faye Toogood’s Enfant Terrible installation at IKEA Festival

London designer Faye Toogood modified IKEA’s flatpack furniture to create her Enfant Terrible installation at the huge IKEA Festival space, which included a giant chair and a slide.

“I’ve created my own hybrids and misfits using IKEA furniture,” she told Dezeen. “It’s about the connection to a childlike imagination that I’m trying to reconnect to through IKEA products.”

Find out more about Enfant Terrible ›


Glass Cares by OFF Portugal

Ten different glassware pieces were on display at this exhibition, all of which were designed and completed during a two-day workshop in Portugal’s Marinha Grande region, which is known for its glass blowing.

The project was initiated by OFF Portugal – an organisation set up to support young Portuguese designers, by partnering them with local manufacturers and craftspeople to reinterpret traditional techniques.

Find out more about Glass Cares ›

The post Five highlights from the Ventura Lambrate district at Milan design week appeared first on Dezeen.

Boozed-Up Speed Dating

What happens if you invite 10 single girls and 10 single guys to a boozed-up speeddate? See what happens when we try to find out where the sweetspot is when it comes to drinking and dating…(Read…)

How to DIY Bentwood Laminations, Make an Adjustable Camera Bag, a Review of Telescoping Levels & More

Ultimate Camera Bag for Less than $60

Linn from Darbin Orvar designs and fabricates a padded bag for street photographers, feauturing adjustable dividers:

Giant Steel Letters

Laura Kampf gets to use the bending machine she built last week, as she turns steel sheets into a set of large illuminated initials for a friend’s wedding:

DIY Bentwood Lamination Coat Hook

Ben Uyeda experiments with laminating veneer sheets to create this bentwood coat hook:

Reviving A Trashed Grinder, And Making A Sharpening Stand

We like watching people design out loud, and here the MacGyver-like Jeremy Fielding does so as he rescues an old grinder from the trash, then devises an adjustable sharpening platform for it.

New Tool: Stabila Telescoping Levels

Ron Paulk takes a look at a cool new tool, Stabila’s space-saving telescoping levels:

Discussing Angled Legs

Not a build video, but in this episode of his “Let’s Talk Design” series, Chris Salomone gives his take on how to successfully integrate angled legs into a design:

What Happens In One Minute?

“We show you what happens in one minute, in one minute.”..(Read…)

Guy wants to sell his '96 Suzuki Vitara

Suzuki Vitara ’96 for sale..(Read…)

Handmade Wallet, for the Self-made You!

The Wingback Cash Wallet is at the evolutionary midpoint between your regular old-school wallet, and your mobile that now has the ability to make payments. Small enough to fit in any pocket, and unbelievably handy, the Cash Wallet holds up to 20 notes and 5 cards. It folds thrice, making it compact, and allows you to access your cards and even your notes with sheer style.

While we’re on the topic of style, the Cash Wallet makes a pretty strong statement with its full-grain leather finish. Available in a deliciously warm palette of natural hues, the Cash Wallet can be customized to your taste, even with your choice of stitching style. The finely CNC machined fastener almost resembles a home-button on a mobile phone, giving the Cash Wallet its modern appeal.

The Cash Wallet is an environmentally accountable and aware product. Every bit of leather used is a by-product of the meat industry. Sourced from Italy, the leather is tanned in-house over a period of 2 months using vegetable and natural dyes to give you a rich hue with a minimal carbon footprint. All the wallets are hand-stitched so that they last longer (than machine stitched wallets).

Of all the Every Day Carry items, the wallet is probably the most personal… more than your keys. The Cash Wallet can be personalized to your taste with its wide choice of leather and stitching colors. Along with that one can even get one’s name laser-etched on the top or an inscription written on the inside. Plus, let’s not forget that each watch is handled with care by skilled craftsmen, using hand-made techniques over industrial processes. We wouldn’t expect anything less from a product that holds your personal belongings!

Designer: Alasdair MacLaine

BUY IT HERE: $49.00 $79.00

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Five cards, accessible from the top.

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Slot in up to 20 notes.

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Slide notes out individually.

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Choose from Chilli, Cognac, Charcoal, Whisky or Chestnut.

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Link About It: This Week's Picks: An '80s all-girl skate gang, a Jaguar E-Type hearse, mapping NYC's LGBTQ+ landmarks and more in our look around the web

Link About It: This Week's Picks

1. Extraordinary Aurora Given a Very Ordinary Name
Termed as an aurora, but technically an aurora-like feature, this phenomenon behaves differently—and has been named differently too. While most auroras ripple and fade horizontally, this one appears……

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Very Minimalistic Playing Card Deck

Le designer Joe Doucet a imaginé un jeu de cartes ultra minimaliste qu’il a baptisé MINIM. Les cartes sont constituées de simples lignes, lettres et formes géométriques. Le deck est disponible en noir ou en blanc. De quoi allier l’amour du design au plaisir du jeu.




Surprising & Accurate Photographs by Nicky Hamilton

Nicky Hamilton est un photographe britannique très surprenant. Ancien directeur artistique de l’une des agences M&C Saatchi, il s’est ensuite tourné vers la photographie en produisant ses propres séries. En plus d’avoir le sens du détail, il a la particularité de construire entièrement son décor. Pour cette série baptisée « The Lonely Man », le photographe a mis plus de trois mois à concevoir ce décor minutieux inspiré de l’univers du cinéma. 













Eduardo Souto de Moura transforms Portuguese farming village into luxury retreat

Portuguese architect Eduardo Souto de Moura has helped to revive a former farming village in the Alentejo region as a high-end hotel featuring whitewashed interiors and original vaulted ceilings.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

The monte, or village, is located at the heart of the 780-hectare São Lourenço do Barrocal estate, which has been owned by the same family for over 200 years.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

José António Uva, the eighth generation of the family to live on the estate, invited 2011 Pritzker Prize-winner Souto de Moura to oversee the regeneration of the village and the rejuvenation of the entire estate as a farm retreat.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

The architect’s interventions focus on retaining the estate’s heritage while refurbishing the main house and several outbuildings to accommodate its new purpose.

“The only way to preserve heritage is to live with it and use it, even if it is damaged in some places,” Souto de Moura explained.

“Because only everyday life transforms it into something natural and gives it heritage status.”

Sao Lourenco do Barrocal by Eduardo Souto de Moura

The monte comprises seven buildings arranged around a central street, with an old industrial and office building to the north positioned alongside a former storehouse.

On the south side of the street is the main house, the agricultural pavilions, a dovecot, kennel and pigsty.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

“This is not just a house, this is truly a mini-universe, a village,” said Souto de Moura. “It has its own hierarchy; a street, a square, outbuildings, cloisters. This is what we rarely find in such good condition.”

Sao Lourenco do Barrocal by Eduardo Souto de Moura

The transformation of the village into the central area of the farm retreat involved repurposing many of these buildings, which also include a chapel, schoolroom and bullring.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

The hotel now offers 22 rooms, two suites and 16 cottages, with other amenities located around the estate including a restaurant, bar, winery, shop, stables, spa and studio, and a children’s playroom with adjacent courtyard.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

The whitewashed stone structures with terracotta-tiled roofs were renovated using a palette of materials that complements the original tones and textures.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

The main bar is housed in a vaulted space that once formed part of a mill where olive oil was made, while a former barn became the restaurant.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

“There is a process that is very absorbing finding out how an olive press, for example, can become a place for a living room with a bar,” said Souto de Moura, “or how agricultural outbuildings can be made into houses, and how a cowshed can be made into a restaurant.”

Sao Lourenco do Barrocal by Eduardo Souto de Moura

“This change in use needs hardly any intervention at all. The challenge is how architecture will respond,” he added.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

To the south of the main street is a large vegetable garden and a swimming pool. A granite outcrop that juts out from one corner of the pool provides a link to the estate’s ancient history in the megalithic period, when inhabitants used these “barrocais” for shelter.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

Interior design studio AnahoryAlmeida and landscape architect João Gomes da Silva also contributed to the estate’s revival, which aims to provide a prosperous future for the local community while respecting the region’s ecology and history.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

In addition to the farm retreat, a range of permanent dwellings are planned for the grounds. British architectural designer John Pawson has developed a proposal for a property that would wrap around one of the granite boulders.

Sao Lourenco do Barrocal by Eduardo Souto de Moura

São Lourenço do Barrocal is the latest example of Souto de Moura’s work in historical renovation. Previous examples have included the renovation of a museum at a historic Portuguese monastery and the reconstruction of a 19th-century townhouse to create a guesthouse in Porto.

Photography is by Nelson Garrido.


Project credits:

Architect: Eduardo Souto de Moura
Interior design studio: AnahoryAlmeida
Landscape architect: João Gomes da Silva
Project engineering: Afaconsult

The post Eduardo Souto de Moura transforms Portuguese farming village into luxury retreat appeared first on Dezeen.