asdfmovie10
Posted in: UncategorizedComedian Thomas “TomSka” Ridgewell and animator Ben Smallman are back with the 10th installment of their bizarre but hilarious animated dark comedy series, “asdfmovie.”..(Read…)
Comedian Thomas “TomSka” Ridgewell and animator Ben Smallman are back with the 10th installment of their bizarre but hilarious animated dark comedy series, “asdfmovie.”..(Read…)
As Milan design week rolls around for another year of exhibitions, installations and parties, keep up with the latest from Dezeen’s extensive coverage of the world’s biggest design festival via our new Pinterest board, which will be updated daily. Follow Dezeen on Pinterest ›
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Thanks to all our readers, commenters and advertisers for making March 2017 our best ever month! We topped 10 million page views for the first time, received almost 3,000 comments, and became one of the 7,000 most-visited websites in the world – our highest position yet.
We broke records across every metric, with over five million sessions on our website and over 2.7 million unique visitors. Traffic so far this year is up over 15 percent on 2016.
These results further enhanced our position as the most popular design website in the world according to ranking organisation Alexa, beating the previous high we achieved in December last year.
We also cemented our position as the world’s most-commented design website, rising even higher up the Comment1000 list of the sites with the most active reader comments.
At a time when rivals are abandoning their comment sections, we are now among the 750 most-commented sites on the planet. Catch up on all the latest comments here.
March also saw record growth and activity on our social media platforms. We topped one million Instagram followers and achieved just under nine million video plays on Facebook, where we hit 750,000 likes just before the start of the month.
The month was also our most successful for ad sales and recruitment bookings on www.dezeenjobs.com, with over 500 job ads placed for the first time.
Big thanks to everyone who clicked on a story, watched a video, placed an ad, wrote a comment… and huge congratulations to the amazing Dezeen team!
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Barcelona-based studio Appareil integrated furniture into the walls to open up this creative co-working space, specifically designed to suit the needs of architects and designers.
The space is located on the top floor of a warehouse in Poblenou, the city’s former industrial quarter, which is now part of the 22@Barcelona urban renewal area.
The project serves as the Barcelona-based studio’s new office, but is also rented out as a co-working space for other creative industries, as well as providing research studios for the Institute for Advanced Architecture of Catalonia.
Appareil pared back the typical warehouse space to create simple, open working areas that would suit architects, designers and similar creative professionals.
Two milled timber multifunctional walls line the length of the space, housing equipment and providing temporary working areas.
The only pieces of furniture in the middle of the room are floating tables and lightweight stools, which can easily be moved aside to open up the space for cultural activities.
“Designed and constructed on site, the refurbishment is a live test for professional interactions in this multidisciplinary melting pot of a district,” said Appareil. “It embraces the concentrations of makers, designers, architects, entrepreneurs and various crafts… a swarming creative hub within a hub.”
The mostly white palette is combined with neutral tones from the grey concrete floor and wood cabinets, while splashes of blue come via stools and tabletops.
A simple timber-surfaced kitchen with concealed storage and a bathroom are located at one end of the level. At the opposite end, a floor-to-ceiling window encloses a winter garden and balcony that looks out onto the sea.
The minimalist decor is structured around the existing concrete columns that line the centre of the space.
Appareil is a young practice that embraces new design technologies and craft with a focus on computational design and fabrication. The members of the firm are all also involved in academia, teaching in several European universities.
Photography is by José Hevia
Project credits:
Architect: Appareil
Design team: Edouard Cabay, Massimo D’Aiello, Sonia Lamesa Pina, Alejandro Rondón
Fabrication: Nodo (Alejandro Rondon, Miguel Acha, Ferran Huguet), Medio Design (Juan Pablo Quintero)
Energy and Operations Consultant: Dosdedos (Marc Carratala)
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Seattle firm Coates Design has completed a home in Washington‘s Cascade mountain range that serves as a hub for members of a large extended family.
Tumble Creek Cabin is a vacation home designed to provide generous communal spaces for family gatherings, as well as more intimate spaces for members to be alone.
“The retreat provides ample nooks for those seeking a peaceful hideaway – and warm, light-filled spaces for lively groups,” according to the studio.
The residence’s main volume contains two bedrooms, a bunk room, and the home’s social areas. These sleeping quarters are laid out on a longitudinal corridor, and their windows face north.
An open-concept kitchen, living, and dining room occupies the eastern portion of the home. This double-height space opens out onto a terrace, which is sheltered by the roof’s dramatic overhang.
“Vaulted ceilings in the main living and dining area are supported by exposed steel and wood structural elements, and floor-to-ceiling windows look out on the landscape beyond,” said the firm.
A board-formed concrete hearth sits in the centre of the living room. According to the architects, this feature “commands attention as the focal point of the main living area”.
“This solid mass, along with areas of concrete floor, serve as a thermal heat sink to help maintain a stable and comfortable temperature inside,” they explained.
Additional guests can be accommodated in a pavilion that lies just south of the main part of the home. Here, the architects included a games room and guest bedroom on the ground floor, and more bunk beds for children upstairs.
Wooden cladding covers the sides of the home, and echoes the interior finishes. Accent materials such as weathering steel and concrete were used in certain areas.
Other projects in the vicinity of Seattle include a floating home that allows residents to go for a swim from their bedroom and a home hidden amongst the trees, deliberately concealing its best lakefront views in order to accentuate their effect.
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Ochre walls and furnishings feature in restaurant Treves and Hyde, designed by Grzywinski + Pons in London’s Whitechapel.
The New York-based architecture studio used a broad selection of materials to fit out the 130-square-metre restaurant and bar.
The owners wanted Treves and Hyde, located on Whitechapel’s Leman Street, to be appropriate as a workspace during the day without losing the atmosphere of a dining establishment.
Natural stone, ceramic, brass, timber, concrete and blackened steel feature in the material palette. These contrast with the varying shades of ochre used throughout the interior – namely, the suede upholstery of the furnishings and the painted wood-panelled walls that run behind the bar.
The bold yellows are offset by the greys of the concrete walls, marble-topped surfaces and the pink-grouted tiles that line the front of the bar. Brass rails run along the bottom of the tiles, adding a traditional touch.
Industrial materials like steel and concrete are softened by the chunky marble and pine tabletops. A blackened steel spiral staircase leads to the downstairs coffee shop.
“We designed the restaurant to be as warm, welcoming and happy (and even appetising) at night as it is during the day, and created the joinery and furnishings to look better with some wear and tear after heavy use,” said Matthew Grzywinski.
Suspended above the bar, a black steel frame holds multiple terracotta-potted plants.
To create a space that would function from morning through to late night, Grzywinski + Pons aimed to accommodate customers looking for a social or working space, without losing the feel of a restaurant.
The architects provided flexible seating, power points and areas geared equally towards privacy or co-working for customers to utilise throughout the day.
“The space is heavily glazed and washed in sunlight throughout the day,” Grzywinski said. “We were conscious of creating texture and relief in many of the surfaces while mixing materials with a sheen or lustre and those that were soft and matt to augment the kinetic quality of the light while providing comfort.”
Grzywinski + Pons recently designed the London Urban Villa hotel that similarly mixes industrial fixings with colourful paintwork. The studio has developed a trademark style, pairing statement features with softer materials and colours.
Photography by Nicholas Worley
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British designer Jasper Morrison will debut a collection of deceptively simple-looking seating and tables for American furniture brand Emeco at Milan design week.
Called 1 Inch, the collection includes a chair, armchair and stools in three heights as well as cafe and bar tables. Each piece features a simple frame made from a recycled, one-inch-square extruded aluminium tube that was selected for its strength-to-weight ratio.
In keeping with Morrison‘s typically utilitarian style, the frames feature gently rounded edges and slightly splayed legs. Seats and backs are available in fabric or leather, sustainably sourced walnut or ash plywood, or one of seven colours of polypropylene.
Describing the chair as “probably one of the most complicated chairs I’ve designed”, Morrison created the 1 Inch collection to suit a range of different environments.
“I’m more and more interested in working towards designs which take part in everyday life as naturally as possible,” explained Morrison. “The 1 Inch chair, though far from spectacular, is intended to be an updated Emeco solution to a wide variety of situations where something strong and less flashy is required.”
“The design of the chair seemed basic enough and we were not expecting much trouble in developing it, but we underestimated the complication of bending square aluminium tube in more than one plane simultaneously,” he continued.
“It took Emeco several months of experimentation and false starts and it took us uncountable revisions to the drawing before we found the way to do it.”
The 1 Inch collection is Morrison’s second collaboration with Emeco following on from the Alfi collection, a range of seating made of reclaimed post-industrial waste, that was launched in 2015.
Morrison, who is widely regarded as one of the world’s best industrial designers, set up his Office for Design in London in 1986. Over the course of his career he has worked with brands such as Muji, Samsung, Ideal Standard and Camper, and is currently art director of Swiss electronics company Punkt.
In 2006 he popularised his self-coined term “super normal” to describe the ideal of unobtrusive but atmospheric design, and in 2015 a touring retrospective exhibition called Thingness was accompanied by a new monograph called A Book of Things.
Last year, he introduced his first industrially produced kitchen for Italian manufacturers Schiffini, and also unveiled a collection of super-normal furniture designed for Swiss brand Vitra during Milan design week 2016.
The 1 Inch collection will be displayed on the Emeco stand, Hall 20 Stand E29, at the Salone del Mobile from 4 to 9 April during Milan design week. Other products launching during Milan design week include the final furniture collection by the late Japanese designer Shigeru Uchida, a minimalist screwdriver set by Oregon-based designer Erdem Selek, and a series of jellyfish-inspired silicone vases by Nendo.
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Belgian photographer Jan Kempenaers has documented a series of second world war memorials across Europe, from a neglected lattice-wrapped library to the star-shaped entrance to a fortress.
Like the photographer’s Spomenik series, The Untitled photoset focuses on a series of ruined concrete monuments built in the 1960s and 70s across the former Yugoslavian territories.
This time, Kempenaers has also included structures in Germany and France, showing them in black and white.
Among the series is a library located in Pristina, the main city of Kosovo in southeastern Europe, which is encased in a lattice structure and features a weathered ramp.
The entrance to the Brest fortress in Belarus is also included. The structure, which was maintained as a memorial to a German invasion in 1941, features sharp angular walls that make a star-shaped opening.
The monument to Stjepan Filipovi shows the heroic figure of the Partisan army in modern-day Serbia in the resistance pose before being captured by the invading German army.
Kempenaers has also captured a wedge of concrete that splits open to support a circular volume, which has steps leading to a doorway on the underside.
Other monuments include a collection of mirrored cylinders set of a platform of marble and a structure made of fluted and lined wood-formed concrete looks like a large flower.
The photoset is currently on show at London’s Breese Little gallery, which opened yesterday and will run until 20 May 2017. The exhibition, the photographer’s third solo show at the gallery, is accompanied with an essay by writer and curator Brian Dillon.
It is not the first photography series to investigate the topic of Soviet architecture.
Other examples include BACU’s images of buildings in the former Eastern Bloc, Rebecca Litchfield’s documentation of monumental structures, Nicolas Grospierre’s photographs of modernist architecture across five continents.
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The aptly-named Andy Steele is an enthusiastic, improbably-young-looking 21st-Century blacksmith and the latest addition to our Makers Roundup. Here he forges Damascus steel into a Japanese-style chisel for The Samurai Carpenter:
Bob Clagett walks you through how he made this Arduino-based remote-controlled scoreboard. Along the way he runs into a couple of issues and solves them on the fly:
Ron Paulk runs down his favorite glue bottle, his sponsor FastCap’s GluBot, and also offers a discount code:
Linn from Darbin Orvar creates a no-electricity-required passive speaker for her phone out of concrete and wood:
Laura Kampf builds a nifty benchtop mini workbench, complete with dog holes and a tailvise:
This one reminds me of prototyping class at ID school. Here John Heisz creates a more ergonomic depth stop and chuck key holder for his drill press:
1. IKEA’s Art Event 2017
Diverse, bold and colorful limited edition prints by 12 different artists will be available as part of IKEA’s Art Event 2017. The likes of Amandine Urruty, Jean Jullien, Yasuto Sasada, Steve Harrington and more have contributed……
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