Dark interiors take over in response to "darker times"

White walls are taking a backseat as Brexit, Trump and global political instability drive homeowners to “nest”, according to the interior designer behind the Stockholm Furniture Fair‘s annual Trends exhibition.

Lotta Agaton, one of Sweden’s most high-profile interior stylists, centred her 2017/18 Trends exhibition on five different darkly hued rooms.

Stockholm: Dark interiors
Lotta Agaton’s 2017/18 Trends exhibition for the Stockholm Furniture Fair featured five different darkly hued rooms

She said that the current political mood was driving interest in dark interiors to create a feeling of privacy and comfort.

“During recent years of stability and safety, we have had bright white spaces that are open for exposure,” Agaton told Dezeen. “But in darker times when the political and economic climate get more uncertain, you want to nest a little bit.”

Stockholm: Dark interiors
It included a grey-green bathroom and laundry with plants

“We have more cosy environments with dark walls that feel embracing. It’s like with winter and spring, but in a larger way.”

Agaton predicts that rather than black and grey, the new crop of dark interiors will focus on rich pigments, tone-on-tone and even lively colours that are a “bit more happy” and signal hope.

Stockholm: Dark interiors
Agaton also designed a pink office for the exhibition

In her Trends exhibition at the Stockholm Furniture and Light Fair, which ran from 7 to 11 February 2017, this took the form of five tone-on-tone rooms, including a dining room with grey-blue walls, cobalt floors and matching chairs.

A similar approach was taken by Note Design Studio in the fair’s pop-up Design Bar, a pink-on-pink Italian-Swedish restaurant where tones ran the gamut from salmon to burgundy. The studio had aimed to use colour and texture to build a space that was “warm, inspiring and generous”.

Stockholm: Dark interiors
A tone-on-tone approach was also taken by Note Design Studio for the fair’s pop-up Design Bar

Pink also featured in one of Agaton’s styled rooms: an office. The interior designer predicted the traditionally feminine colour could become more popular as a backlash to the hypermasculine culture surrounding Trump and his supporters.

“It is interesting to think about the impact Trump will have on trends,” she said. “Is it not going to be so manly? Are we going to get pink offices? I think interiors reflect those big political changes.”

Stockholm: Dark interiors
Elsewhere in Stockholm, the dark new Alma co-working space was designed by Tham & Videgård

Other interiors projects showcased during the Stockholm Design Week have embraced more sombre colours.

Greyish shades of green and blue feature in both Stockholm’s new co-working space Alma, designed by Tham & Videgård, and in Paris’s Copenhague fine-dining restaurant, by duo GamFratesi. The latter is filled with custom-designed furniture, launched as a collection at the fair by Danish brand Gubi.

Stockholm: Dark interiors
The Alma space combines dark timbers with greyish blues and greens

Agaton said that political and social observations informed the projects she was working on now that would take years to complete.

“I have a problem with the word trend,” she said. “Normally what people mean is consumer trends, like what you see at the fairs.”

“But when you’re in the industry you’re planning, like, two years ahead, and that’s when trends are something else, that’s when it has to do with society.”

Similar dark shades also feature in the Copenhague fine-dining restaurant by GamFratesi

A similar trend away from lightness emerged at December’s Design Miami, where “extreme furniture” featuring anarchic forms was linked to the tumultuous political times.

Trump’s election, in particular, has triggered a wave of responses from designers, ranging from protests and boycotts to satirical logos and IKEA instructions.

The post Dark interiors take over in response to “darker times” appeared first on Dezeen.

Matter Design's architectural play equipment encourages kids to crawl, jump and fly

Intersecting wood-clad volumes create a playground for children in a Massachusetts suburb to scurry through, clamber over and zip-wire from.

The Five Fields Play Structure was designed by architects Brandon Clifford of Matter Design and Michael Schanbacher of FR|SCH Projects.

It is located on a piece of common land shared by residents of Lexington’s Five Fields neighbourhood – a mid-century modern development established by The Architects Collaborative (TAC) in the 1950s.

“TAC conceived the neighbourhood as an experiment and the community, wishing to keep the experimental spirit alive, requested a structure that is both safe and exhilarating for the kids,” said Clifford and Schanbacher.

“They wanted something that would challenge the kids without any singularly functional elements.”

The duo consulted the project’s prospective users – the local children – during the design process.

Set on a sloped site, the play structure is made up of a series of cuboid sections all clad in the same light-coloured timber.

These elements slot together and connect at various points, creating routes with rope obstacles to be conquered along the way.

One of the boxes forms a tall lookout, while another provides a jump-off point for a 66-foot-long (20-metre) zip wire.

Due to the slope, the structure cantilevers at its end so a shelter is provided underneath.

The whole structure is scaled to ensure children can pass through with ease, but adults can still gain access in case of an accident.

“Designing a play structure intended for kids is a unique and challenging project,” said the duo. “While there are irreducible standards that manage accessibility and function in the daily lives of adults, play is neither standard nor strictly functional.”

Without intending to limit access to any specific part of the structure, possible entrances are suggested using colourful graphics by designer Johanna Lobdell.

At these points, users can shimmy up through a vertical tube or pull themselves up onto a ledge, while architectural elements elsewhere like stairs and doors lead to nowhere.

“These decisions produce escalating challenges for the kids; mitigating risk and ensuring the correct age-range have access to the more treacherous areas instead of withholding them entirely,” the architects said. “Older kids climb over while younger crawl under.”

Similarly architectural playground equipment has been completed by Asif Khan, who added an elevated wooden play area to east London primary school, and Assemble, which produced a climbable landscape of ice-cream-coloured shapes based on brutalist structures.


Project credits:

Architect: Brandon Clifford, Matter Design; Michael Schanbacher, FR|SCH Projects
Graphic design: Johanna Lobdell
Project team: Dar Adams, Courtney Apgar, Josh Apgar, Michael Leviton, Daniel Marshall, Chris McGuiness, Dan Roseman
Kid consultants: Liam Apgar, Mack Apgar, Bella Dubrovsky, Sam Leviton, Ainsley Schanbacher, Judson Schanbacher

The post Matter Design’s architectural play equipment encourages kids to crawl, jump and fly appeared first on Dezeen.

garden unique: contest for young designers

In 2017 Koelnmesse organizes for the fifth time the competition
unique youngstars on the theme of outdoor living which became an
important event w..

ICYMI: Japanese Self-Mummifying Therapy

In case you weren’t looking for adventurous and fast acting resources for soul crushing anxiety back in 2015, let me put you on some weird but promising Japanese game. Think of how babies chill out when they’re swaddled up, or, for you fellow non-parents, remember that cat burrito meme? Otonamaki is basically that. 

It’s a fringe practice, but popular. After wrapping arms, legs and head close to the body with taut fabric, you’re treated to 20 minutes of the therapeutic sensation that your adult human body has transformed into a potato sack that still has unpaid bills. Assuming you haven’t panicked and bailed, or started speaking in dead tongues. 

Proponents of Otonamaki claim that it realigns the spine and brings better “balance.” First pioneered by a Japanese midwife, it is still thought to relieve back and joint pain, and even increase flexibility. Physiologically the practice isn’t without its detractors, as some doctors find the imprecise constriction dubious at best. And anyone rational finds these human cheesecloths at very least unsettling.

Though the body mechanics are still up in the air, there might be some validity to mummification’s emotionally soothing side effects. Light compression around the torso and neck (like hugging) has been shown to increase dopamine production, and correlate with effective self-soothing and emotional regulation. 

Creepy as it is, and dire though straits may be, a bed sheet is still a bit more reasonable than a $1,500 cardboard screaming box

Reader Submitted: Rethink the Way You Organize Your Keys with Orbitkey

Orbitkey transforms your cluster of keys into a beautiful and organized stack—eliminating key jingles, scratches and bulk associated with traditional key rings, making your keys easier to carry. With the range of accessories available, including a bottle opener, multi-tool and USB drive, the Orbitkey also helps you get things done faster.

Taking an outside in approach—leaving behind all preconceptions of existing keychains, every feature of the Orbitkey has been considered and designed with purpose.

Carry Keys Better

Effortless Access
Open design on both left and right hand side to improve key accessibility

Better Comfort
Opening doors become easier and more comfortable with the extra leverage and soft material enveloping the keys.

Accessories Range
Thoughtfully designed accessories, slim enough that they take up less room in the pocket.

Black PVD Stainless Steel Hardware

Locking Mechanism Sketches + Prototypes
We’ve spent countless hours coming up with something unique – an integrated locking mechanism that is highly adaptable and secure.

View the full project here

Link About It: Photographing the Planet Every Day From 143 Satellites

Photographing the Planet Every Day From 143 Satellites


San Francisco-based start-up Planet just launched 88 small satellites in a record-breaking take-off from India (among a total of 103 satellites on a PSLV rocket). If all goes according to plan, Planet will begin photographing Earth every single day……

Continue Reading…

Valentine’s day Paper Hearts Project

Spécialement imaginé pour la Saint Valentin, The Paper Hearts project est un cadeau ludique à monter à deux. Grâce à des instructions à télécharger en ligne, le coeur en papier s’obtient par un pliage en origami.  Une initiation romantique à découvrir ici.

 


















 

 

"Donald Trump's cabinet has better gender representation than the AIA"

Sexism in the architecture profession leads this week’s comments update, following outrage at the AIA’s lack of female speakers at the upcoming Orlando conference and research showing widening pay disparity between men and women.

Females MIA at AIA: readers have been responding to protests from US architects at the lack of gender diversity at the American Institute of Architects’ upcoming annual conference in Orlando.

“One in seven keynotes are women? Donald Trump’s cabinet has better gender representation,” wrote Steven.

But some commenters rejected the idea that the line-up is sexist. “Shouldn’t the focus be on what is being said in the keynote?” wrote regular commenter H-J. “I personally don’t give a damn if an inspiring talk is given by a male or female speaker.”

One reader pointed out that the AIA has added several female speakers since the story was published.

“I sure hope they have a black, a Latino, and an Asian keynote speaker. Or I’m not going!” said Dwellsokc. But Aaron had a stinging comeback:

Read the comments on this story › 


Where’s my money: the debate was carried over to a story on the 2016 Women in Architecture survey, which found that men are paid more than women across the board and pay disparity is increasing.

“Unequal outcome is not evidence of unequal opportunity,” argued a user called Lollipops.

“If the gender pay gap was real, why would any men be employed? The evil capitalists would hire only women,” was Steam Town‘s tongue-in-cheek remark.

But some readers agreed with the results based on their own experiences.

“I can personally affirm that the results are valid in my own experience as a woman in the architectural field,” wrote Dezignstarz. “Time and time again I see men fast tracked over women, and can’t believe this discrimination is still rampant today.”

One reader claimed that neither side was going to agree:

Read the comments on this story ›


Archi-texit: Brexit is back on the agenda after research from the RIBA showed that over a third of UK-based architects from EU countries are thinking about leaving the country.

“The UK has more than enough talented, bright and hardworking British folks that do fabulous work and that need to be remunerated well,” wrote Spadestick.

“If the foreign investments also all leave and stop coming in, who and what is going to provide enough jobs for the British?” countered a user called Torototoro.

A guest user asked what the RIBA can do to help:

Read the comments on this story ›


Landslide of praise: readers are admiring the simple design of this holiday home on the West Dorset coast, which AR Design Studio designed to replace a house destroyed in a landslide.

“This is a beautifully crafted piece of architecture,” wrote PTIKKY. “It is going to age amazingly well due to the nature of the cladding.”

“I thought there was some kind of moral prohibition concerning open toilets,” wrote Leo. “That said, beautiful house. I want a pallet table like that.”

But you can’t please everyone:

Read the comments on this story ›

The post “Donald Trump’s cabinet has better gender representation than the AIA” appeared first on Dezeen.

Wave-like facades wrap 3XN's aquatic centre in southern Sweden

Danish practice 3XN has unveiled plans for a new aquatics centre in the southern Swedish city of Linköping, which will featuring undulating timber and glass facades.

3XN

The Copenhagen-based studio won a contest to design the centre, seeing off competition from more than 40 entrants, including finalists Zaha Hadid Architects, Erséus Arkitekter, Henning Larsen Architects and Liljewall Arkitekter.

The centre, named Vågen (The Wave), will host an indoor swimming pool as well as offices and a restaurant on a site overlooking a pool of water.

An undulating wooden facade will descend over the glazed base of the €80-million (£68-million) centre, framing views out onto the water. The wooden construction is designed to be waste free.

3XN

“We envisioned a building where the architecture gives hints of its functionality,” said 3XN founder Kim Herforth Nielsen. “The waveform in the facade as well as the large panoramic windows blur the boundary between pools inside and lake outside.”

“The architecture takes clues from waves washing ashore – the curves of the building appear as if they were shaped by the forces of the ocean, eroded over time – a transfusion of the nature adjacent to the site.”

3XN

A tower to the back of the site will contain housing and offices, while lower blocks placed closest to the water’s edge host the pool.

The 24,000-square-metre project will also include a new plaza with restaurants located by the entrance to the aquatics centre. The centre will contain four different pool areas.

Work is expected to begin on Vågen later this year and is slated for completion in 2021.

3XN

3XN previously designed an undulating headquarters for the International Olympic Committee in Lausanne and a skyscraper overlooking the Sydney Opera House.


Project credits:

Architect: 3XN Architects
Design team: Kim Herforth Nielsen, Filip Lipinski, Maria Tkacova, Tobias Laukenmann, Sang Yeun Lee, Andrea Baresi, Hans Henrik Munk
Landscape architect: SLA
Construction: WSP Sverige AB, Thornton Tomasetti
Aquatics consultant: Danish Technological Institute
Engineer: Hifab

The post Wave-like facades wrap 3XN’s aquatic centre in southern Sweden appeared first on Dezeen.

Review: The Automotive Design Episode of Netflix's New Design Series

I’m absolutely thrilled that Ralph Gilles was chosen as the subject for the auto design episode of “Abstract: The Art of Design.” Partially because I knew so little about Gilles beyond his work and his reputation, and partially because he’s that rarest of designers—a business-savvy one. (Gilles got an MBA from Michigan State in the early 2000s.

As for that reputation: Since graduating from CCS in 1992, Gilles was snapped up by Chrysler. He was subsequently promoted to Manager within the design office, then Senior Manager, then Director. By 2008 he was VP of Design, then Senior VP; By 2009 he was President and CEO of Dodge. 

Following the merger with Fiat, Gilles was promoted in 2015 to Head of Design, Global, for Fiat Chrysler Automobiles. Involved early in his career with Chrysler’s groundbreaking 300 and later the Dodge Charger, among other models, Gilles now overseas the design for Alfa Romeo, Chrysler, Dodge, Fiat, Jeep, Maserati and Ram.

Series creator Dadich does a masterful job of unpacking Gilles’ fascinating backstory while following along with the high-stakes venture unfolding on camera: Gilles leads a team to develop, against the clock, the radical SM-1 concept car to be presented to FCA boss Sergio Marchionne. If greenlit, the SM-1 could literally be the future of the company.

The sheer pressure of undertaking such a venture is unique to the auto design industry. To develop an entirely new car from scratch can cost a billion dollars and take five years. The car must continue to look fresh throughout the first three to six years of its service life, meaning Gilles and co. are essentially trying to design for 11 years into the future.

As with the footwear design episode, there’s plenty of eye-candy on show here, from Gilles at Italy’s famous Mille Miglia race poring over drop-dead gorgeous vintage Italian exotics; pursuing his track passion back home with an SRT Viper; and Gilles and the design teams’ sketches and full-scale mockups.

Among other illuminating moments, Gilles covers how cars transcend design and impact society, moving into the realms of tastemaking and pop cultural consciousness, as well as spawning communities of enthusiasts around particular models. And he reveals his own inner conflict with the inevitable rise of autonomous cars.

Some of the things you’ll learn about by watching this episode:

– Game-changing auto design history tidbits

– Why “interiors have become the new battleground” between brands

– Automotive designers, too, have to deal with Jimmy-Kimmel-worthy Mean Tweets

– The letter he received from Chrysler as a 14-year-old boy that later changed his life

– Why he watched “The Dukes of Hazzard” religiously

– The challenges of designing for Millennials

– What an auto design crit looks like at the corporate level

There’s plenty more, of course, but I don’t want to spoil the viewing. In addition to the look behind the curtain, I found the human aspects of this episode very compelling. With that I’ll say no more and encourage you to go watch it.

(This is not a paid plug for Netflix, but I feel I must point out, as I would to any of my friends, that Netflix is offering a free one-month trial. Plenty of time for you to check this episode out without having to commit to signing up. Watch it, you won’t be sorry.)