Russian Journal by Robert Capa

Le livre « A Russian Journal », publié en 1948 par The Viking Press, rend compte du voyage de John Steinbeck, écrivain, et Robert Capa, photo-journaliste, en URSS pendant l’année 1947.

Un reportage incroyablement vrai et percutant ayant comme intention d’illustrer la vie dans l’Union Soviétique sous Staline, pendant les premières années de la Guerre Froide. Un document historique de valeur inestimable.

Location : USSR. Ukraine. Kiev / Date : 1947

Location : USSR. Moscow / Date : 1947

Location : USSR / Date : 1947 / Title : Statues of Stalin with Lenin.

Location : USSR. Ukraine, Kiev / Date : 1947

Location : USSR. Ukraine, Kiev / Date : 1947

Location : USSR. Ukraine, Kiev / Date : 1947

Location : USSR. Ukraine / Date : 1947 / Title : Shevchenko collective farm

Location : Ukraine / Date : August, 1947 / Title : Families of a collective farm seated for a meal.

Location : USSR. Ukraine, Kiev / Date : 1947 / Title : Destroyed monastery on cliffs above Dnieper river

Location : USSR. Moscow / Title : Gum department store

Location : USSR. Ukraine / Date : 1947 / Title : Reaping wheat on Shevchenko collective farm

Location : USSR / Date : 1947 / Title : Moscow’s Red Square with the Church of St Basil in the background

Location : USSR. Ukraine, Kiev / Date : 1947

Location : USSR. Ukraine / Date : 1947 / Title : Reaping wheat on Shevchenko collective farm.

Location : USSR. Moscow / Date : 1947

Location : USSR. Moscow / Date : 1947

Location : USSR. Moscow / Date : September 1947.

Location : USSR. Stalingrad / Date : 1947 / Title : Women walking in a deserted landscape.

Location : USSR. Stalingrad / Date : 1947



















Architectural Costumes by Pierre Kauffman

Depuis 2008, Pierre Kauffman travaille sur son projet intitulé Pika-monuments : il transforme l’architecture de bâtiments à travers le monde en costumes. Entre performance, mode et design, l’artiste souligne leur singularité et crée un dialogue entre l’Homme et son environnement.











 

 

Dreamlike Illustrations of Japan by Nicolas Vaudour

Nicolas Vaudour surprend avec ses illustrations oniriques, délicates et modernes du Japon. La simplicité et le minimalisme du trait restitue une vision fidèle de la culture nippone. Comme dans un dessin animé pour enfants, Nicolas Vaudour entraîne le spectateur dans un voyage à travers des paysages irréels et doux, à la rencontre de mystérieux personnages aux allures de mythe.

Shinjuku Gyoen- View 1

Shinjuku Eisa Matsuri- View 1

Shinjuku Eisa Matsuri- View 2

The Samurai Museum- Demonstration

Kyūdō near Kyoto

Ōedo-onsen-monogatari

Shinjuku Gyoen- View 2

Battle of the Kaijū sisters in the lake Biwa








Monumental Coral Installation by Marc Fornes

L’architecte Marc Fornes a imaginé une sculpture monumentale intitulée Under Magnitude. Elaborée à partir d’aluminium perforé, elle reprend la forme d’un corail géant et est composée de plus de 4600 bandes de métal. L’installation trône au plafond du Orange County Convention Center à Orlando en Floride.





Design Job: Get Inked! CustomInk is Seeking a Lead Product Designer in Fairfax, VA

Lead Product Designer Role Purpose Strategist. Designer. Mentor. Those are the core traits of a CustomInk Lead Product Designer. As a leader in your craft you’ll be involved in the product development process from start to finish. From brainstorming entirely new features to

View the full design job here

Striking Street Photography in LA

John Logic est un photographe californien de 21 ans qui s’adonne à cet art depuis maintenant deux ans. Outre des portraits, il réalise également des clichés en pleine rue afin de dépeindre l’atmosphère de la ville de Los Angeles. Jouant avec les lumières naturelles et artificielles, il nous propose d’observer des scènes de la vie quotidienne des plus intéressantes.






Call for entries to Coloured Concrete Works Award 2017

Dezeen promotion: materials manufacturer Lanxess is inviting architects to submit entries to an award that recognises contemporary design using coloured concrete.

The Concrete Works Award 2017 forms part of Cologne-based Lanxess‘ Coloured Concrete Works initiative, which aims to promote modern architecture that tints concrete with different coloured pigments.

Japanese architect Akisha Hirata was awarded for his Alp apartment complex in Akabane-Nishi, Tokyo, in 2015

Architects of completed projects from all over the world are welcome to submit entries to the awards by 10 March 2017.

Buildings must be no more than five years old, and the concrete used must be coloured with inorganic iron oxide or chrome oxide pigments.

Now in its third edition, the award’s previous winners include British architect David Chipperfield, who received the accolade in recognition of the different hues featured in his Ciutat de la Justícia project in Barcelona.

Most recently, Japanese architect Akisha Hirata was awarded for his Alp apartment complex in Akabane-Nishi, Tokyo, Japan.

Other recognised projects include the Bodega Antion by architect Jesús Marino Pascual

Entries will be judged by an international jury made up of architects, representatives of the trade press, and pigment and marketing experts from the Lamxess Inorganic Pigments business unit.

Projects will be critiqued on the building’s colourfulness, function and significance. Three finalists will be notified at the end of March 2017.

The award ceremony will be held on 17 May 2017 at the Lanxess office in Berlin. The winning project will be presented in an international campaign in the trade and technical press, which includes multilingual publications of a case study on the building.

Buildings, like the Muzeum Lotnictwa Polskiego in Krakow, will be judged on colourfulness, function and significance

Detailed information and entry forms are available online or can be requested directly by sending an email to ColoredConcrete@lanxess.com.

Lanxess is the world’s largest manufacturer of iron oxide pigments and a leading producer of inorganic pigments based on chrome oxides, which are used to colour concrete, among other applications.

Examples of coloured-pigment use include the facade of the ESO Hotel at Cerro Paranal, which features in the James Bond movie Quantum of Solace

The company documents the integration of coloured concrete in exemplary international building projects. It presents these case studies in its Colored Concrete Works series of publications, which are available in several languages both in print and online.

At accompanying forums and symposiums, Lanxess also provides a platform for architects, site managers and construction companies to exchange ideas and discuss the possibilities of colouring concrete with pigments.

www.colored-concrete-works.com

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Claesson Koivisto Rune expands Smaller Objects accessories collection

A carafe by Luca Nichetto and a candlestick by the late James Irvine are among the new additions to Claesson Koivisto Rune’s range of homeware and accessories, on show as part of Stockholm Design Week.

The Smaller Objects collection, which first launched in 2014, offers designers an alternative to the traditional royalty model. It already featured designs by names including Nendo and Giulio Cappellini.

Swedish architecture studio Claesson Koivisto Rune presented the latest additions to the collection during this year’s Stockholm Design Week, which takes place across the city until 12 February.

Also among them is a vase made from Moderno glass by Luca Nichetto, a copper bowl by Joe Doucet and a vase developed by industrial designer James Irvine before his death. Here’s an overview of each of them:


Basket Bowl by Jin Kuramoto

Kuramoto got the idea for his Basket Bowl while visiting a heat-press moulding factory. Made from Kvadrat fabric, the basket is designed to store everyday objects, with its soft surface making it suitable for “throwing down” fragile items.

“When I was visiting a heat-press moulding factory I found an insole stashed away in a corner,” said the designer. “It fascinated me. And I was taught about its unique production method that integrates the finishing fabrics in the hot metal tool pressing.”


Biru bottle opener by Claesson Koivisto Rune

Biru, the Japanese word for beer, was designed by Claesson Koivisto Rune to feature the “superellipse” shape first coined by French mathematician Gabriel Lamé. Made from stainless steel, it is meant to fit comfortably in the palm of the hand.


Bowl Bowl by Joe Doucet

New York designer Joe Doucet has created a copper container, named Bowl Bowl, that splits in half to be used as two individual bowls. As the copper is untreated, it will take on a patina over time.


Butero by Shaun Schneck

Typical of a Swedish butter knife, Schneck’s Butero design is made from wood. Its flat side means that it can be laid on the table without the blade touching the surface.


Chromatic pillows by Claesson Koivisto Rune

Claesson Koivisto Rune has expanded its pillow collection, with a series of designs based on the chromatic musical scale. The colours on each pillow fade in and out of one another, and change depending on the viewing angle.


Dot doorstopper by Claesson Koivisto Rune

Dot is a simple circle-shaped doorstopper made from oak. It was designed by the architecture studio as a tidier take on typical wedge stoppers.


Face Alu door knobs by Claesson Koivisto Rune

Face is a set of three differently shaped fixed cabinet knobs or wall hooks. The Face knobs were originally produced in brass by famous Swedish manufacturer Skultuna, but now come in aluminium exclusively for Smaller Objects.


Grand Pix pillow by Jean-Marie Massaud

Jean-Marie’s Grand Pix pillow, originally designed in 2007, is based on a blown-up interpretation of the pixels that make up digital images. The pattern is now discontinued, but the pillows are available through an exclusive fabric stock obtained by Smaller Objects.


Insalata by Claesson Koivisto Rune

A Japanese fan made from paper and bamboo provided the inspiration for this set of wooden salad servers, one of which features small holes to allow dressing to drip through.


Luman by James Irvine

Iconic industrial designer James Irvine, who passed away in 2013, designed the Luman candlestick before his death, but it never went into production. It can hold up to three candles, and features a body-like shape with stretched-out arms and legs.


New Eve by Claesson Koivisto Rune

The New Eve bracelet is formed of extruded aluminium with a geometric design. The bracelet was first introduced in an anodised version by Stockholm design gallery Galerie Pascale in 2008.


Pesto by Claesson Koivisto Rune

This mortar and pestle is made by craftsmen in the ancient city of Altamura, Italy. The mortar is designed to stand firmly on the countertop without it falling over.


Prisma pillow by Sven Markelius

Architect Sven Markelius first designed this fabric for NK Textilkammare in 1954. While it was a printed curtain fabric at the time, it features in the Smaller Objects collection as a cushion cover.


Saddler’s Sleeve by Claesson Koivisto Rune

The Saddler’s Sleeves are protective covers for credit cards, passports and MacBook laptops. Each is made from vegetable-tanned leather at the Tärnsjö Garveri tannery in Sweden.


Vaso carafe by Luca Nichetto

Luca Nichetto looked to his birthplace of Murano when designing this carafe, which can also be used as a vase. Although its shape is inspired by Swedish modernist water tower, the glass is made by Murano craftsmen.

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ETH Zurich students create robot-built pavilion with a skin of wooden shingles

This shingled timber pavilion was created by masters students on ETH Zurich‘s Digital Fabrication course, after developing robotic fabrication techniques to minimise the waste involved in its construction.

The structure was designed and built by students and professors at the Gramazio Kohler Research lab at the Swiss University, as part of ongoing research into the use of robots for timber construction.

ETH Zurich pavilion

The group claims the pavilion is the world’s first two-storey wooden pavilion to be built using robots.

“Timber construction has an impressive history of using CNC manufacturing possibilities, but robotic assembly technologies are still very rarely integrated,” said Philipp Eversmann, who heads up the Digital Fabrication course.

ETH Zurich pavilion

“Through automatisation techniques and innovative feedback processes, the fabrication system was able to minimise material waste by reacting to different material sizes even during the construction process,” he explained.

ETH Zurich pavilion

The latticed structure is made up from interconnected braced cuboids.

This intricate structure is left exposed across the interior, where it forms window seats and a staircase, while the curving outer walls and roof are covered in a layer of shingles.

ETH Zurich pavilion

The team used solid spruce slats of varying dimensions to create the framework, challenging the robot to adapt its technique to non-standardised materials.

“The goal was to develop adaptive robotic processes which were able to handle unknown material dimensions and surface quality, and therefore limit material waste resulting from using standardised pre-processed (engineered) timber products,” explained Eversmann.

“We used scanning devices and real-time feedback control during the fabrication process for this purpose.”

The ground floor is designed as a gathering space or for exhibitions, while the upper floor, where the roof tilts to one site to create an opening, acts as a observation spot.

ETH Zurich pavilion

The structure took five weeks to complete, including testing prefabrication parts and on-site assembly.

The group hopes its research will contribute to the development of robotically fabricated timber-frame structures for larger scale projects including housing.

The pavilion will be exhibited at the Zurich Design Biennale in September 2017.

ETH Zurich pavilion

Universities like ETH Zurich, the University of Stuttgart and London’s Architectural Association are leading the way in robotic construction, each with its own dedicated robotics programme.

Among their most innovative projects to date are a drone-woven structure suspended in the air, a light-weight carbon fibre pavilion and a barn made from robot-whittled wood.


Project credits:

Gramazio Kohler Research: Fabio Gramazio, Matthias Kohler
Scientific development: Philipp Eversmann (NCCR Digital Fabrication Head of Education)
Design development, fabrication and construction: Jay Chenault, Alessandro Dell’Endice, Matthias Helmreich, Nicholas Hoban, Jesús Medina, Pietro Odaglia, Federico Salvalaio, Stavroula Tsafou
Support: Schilliger Holz AG, Rothoblaas, Krinner Ag, ABB and BAWO Befestigungstechnik AG

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Photography, Fashion and Psychology

Originaire de Moscou, la talentueuse photographe Elizaveta Porodina dévoile au travers de ses projets sa vision particulière du monde. En effet son autre profession, psychologue, a un impact sur son art. L’actuelle résidente de Munich, aborde perpétuellement la mode dans ses clichés, sous différents types d’approches.