Abramson Teiger builds steel-clad residence in a Wyoming meadow

US studio Abramson Teiger has created a rural Wyoming home that consists of low-lying volumes made of glass, concrete and weathering steel (+ slideshow).

The Wyoming Residence is located near Jackson, a quaint town in the west of the state that is ringed by mountains.

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Encompassing 7,000 square feet (650 square metres), the single-storey house is set within a gently sloping meadow. It consists of two low-lying, rectilinear volumes and a detached garage that is sunken into the landscape.

Creating a building that worked in harmony with the natural setting was a paramount concern for the design team.

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“Echoing the grandeur of the Teton Mountain Range whilst seamlessly inhabiting the adjacent grassland, the Wyoming Residence exhibits a conscientious marriage of form and material,” said Abramson Teiger Architects, a Los Angeles-based studio.

“The home manages to feel stately and striking at the entrance, but is hidden from view looking down the meadow and up from the valley floor.”

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The residence is clad in Corten steel, with panels slightly offset to create visual interest. Walls made of panel-formed concrete that was poured on site are visible on both the exterior and interior.



Angled zinc roofs are intended to last for decades with little to no maintenance.

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“Almost every material implemented in this home was done so to create a maintenance-free space that withstands the weather and betters with age,” the architects said.

The design required only minimal alterations to the site. To maintain the natural grade, the team elevated a portion of the structure using concrete columns that required minimal foundation work.

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“The only major land disturbance occurs in the recessed garage, which has been supplemented with a green roof on top to preserve the meadow,” the firm said.

Inside, polished concrete floors give the space a modern feel while wood panelling adds warmth to ceilings and accent walls. Floor-to-ceiling windows framed with black metal provide sweeping views of the scenic terrain.

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The programme includes a spacious master suite, a series of smaller bedrooms, and an open-plan kitchen, living room and dining area.

In a corridor that doubles as an art gallery, the team installed low windows that illuminate the space while preventing direct sunlight from hitting the artwork. Drywall was meticulously measured and installed to accommodate the measurements of each piece of art.

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“These careful details, in combination with the striking lineation of the home, create a harmonious alliance of function and design,” the firm said.

Given the home’s proximity to ski parks, the firm added a mud room with ample storage and a built-in ski-boot warmer. The dwelling also features an indoor-outdoor bathroom.

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Sustainable elements include a geothermal system, hydronic in-floor radiant heating and a rainscreen that minimises thermal bridging from the exterior steel cladding.

Other homes in the American West include an Arizona mountain retreat by DUST made of rammed earth walls and a Colorado dwelling by Will Bruder that is clad in charred cypress.

Wyoming Residence by Abramson Teiger Architects
Site plan – click for larger image
Wyoming Residence by Abramson Teiger Architects
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Wyoming Residence by Abramson Teiger Architects
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The post Abramson Teiger builds steel-clad residence in a Wyoming meadow appeared first on Dezeen.

Guesthouse opens inside revamped century-old machiya house in Kyoto

This 120-year-old Kyoto townhouse was once used as a seed plantation, but has been carefully restored to create a guesthouse that celebrates Japanese interior design traditions (+ slideshow).

The Kyoto Moyashi House, also known as Moyashi Machiya, is a typical example of Kyoto’s historic machiya houses – traditional townhouses that usually contained both a shop and home for their owners.

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Once common in the city, the machiyas are gradually disappearing as both real-estate developers and homeowners shy away away from conducting expensive repairs, and instead choose to replace the buildings with contemporary properties.



In response, house owner Masashi Koyama saw an opportunity to turn his old building into a tourist attraction. Working with his sister Akiko Koyama and architect Uoya Shigenori, he planned a full restoration.

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Functioning as both as a guesthouse and an events space, the revamped building showcases a number of interior design traditions, from tatami-mat flooring to paper-covered windows and sand-textured walls.

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Akiko Koyama said the concept was primarily about “bringing to light and honouring the traditional architecture and construction process of machiyas in Kyoto, dating back to over a century ago”.

“It is hoped that this building remains, that is is respected and well looked after, that is is revitalised when necessary, and that it continues to be a connection to the past for many more years to come,” she said.

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The owners had no official record of the house’s age, but traced it back as far as 1893 thanks to the discovery of a newspaper inside one of the walls. What they did know was that the building and its grounds were used for growing malt seed – a key ingredient for making sake, soy sauce, mirin and miso.

This led to the name Moyashi Machiya, which translates as Malt Seed Townhouse.

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The layout of the building is dictated by the presence of two gardens – one at the back, and a more central courtyard.

Communal rooms are organised around these two outdoor spaces. A large dining room sits in between the two, while the lounge and kitchen wrap around the courtyard.

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“These gardens were significant when considering natural ventilation through the building and a fundamental natural light source into the dark interiors,” said Koyama.

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“Doors are opened up in the warmer months to integrate both gardens into the living space of the house,” she added.

“The central garden becomes the open thoroughfare from kitchen to lounge room, kitchen to dining room, dining room to lounge room.”

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The much smaller upper level contains a bedroom, which overlooks the courtyard, and a tearoom.

The renovation involved uncovering the building’s traditional wooden structure, revealing the craftsmanship that went into its construction.

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Tatami mats cover floor surfaces throughout the building. Although these firm mats have been commonly in Japanese houses for centuries, these days they are rarely found in more than one room.

The paper used to cover windows is washi – a traditional paper made from plant fibres, which creates privacy without blocking light – while sand was used in three layers to add texture to the walls.

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These elements are complemented by mid-century furnishings, as well as contemporary kitchen and bathroom fittings, and other details such as hanging bicycle storage.

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“The Moyashi Machiya renovation aims to educate individuals about traditional architecture, the role of nature in design, and about the thought processes, the concepts, the materials and the craftsmanship involved in such a design,” said Koyama.

“Natural materials – such as wood, sand, papers, rocks and straw – make up the bulk of new materials brought in for the project,” she added. “Synthetic materials were used very sparingly and grudgingly.”

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Machiyas proliferate in Kyoto’s historic centre but, after centuries of being erected by skilled carpenters using traditional techniques, they are starting to be replaced with car parks and apartment blocks.

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Other attempts to revive old machiyas include a project by NAAD that involved lining a 100-year-old house in plywood and another by Q-Architecture Laboratory that celebrated ad-hoc extensions.

Meanwhile, Royal College of Art graduate Adam Roberts developed a proposal to stack machiya properties on top of one another to make them more cost- and space-efficient.

Photography is by Tess Kelly.

The post Guesthouse opens inside revamped century-old machiya house in Kyoto appeared first on Dezeen.

How to buy a filing cabinet

Order a copy today of ​Never Too Busy to Cure Clutter​ by Unclutterer’s Editor-in-Chief Erin Rooney Doland.

blue filing cabinetLast week I brought a filing cabinet to the dump. I was very happy to see it go.

I bought that cabinet on a whim. It was cheap, small and seemed perfect for what I needed. Less than a year later, it had one drawer that wouldn’t close and four others that had become junk drawers. I hated it, ignored it and used its top to stack papers. It had to go and, more importantly, it taught me how to properly buy a filing cabinet.

Today, I know what makes a perfect filing cabinet for me. Here’s what I found.

First and foremost, it must fit all of the documents I wish to file and fit into the allotted space in my home office. My work space is a small, second-floor room in a house with dormers, so there’s not a lot of wall space available. Therefore, a traditional vertical cabinet is for me. Perhaps a horizontal cabinet will work best in your space. This really is a crucial first step, so make this decision your starting point.

When I say “it must fit,” I mean both physically and within my workflow. Vertical and horizontal cabinets are used differently. A vertical cabinet is most traditional and features two to five drawers. Contents run front to back and face the user. There’s a lot of internal space, but files aren’t easy to get at. A vertical cabinet is a good choice for archival or reference files you don’t look at often.

A horizontal cabinet takes up more wall space and offers more interior space than vertical models. The benefit is their contents are much easier to access, so if you’ve got to get at files several times per day, a horizontal cabinet is a great choice.

Finally, I make sure my cabinet is within “swivel distance” of my desk. Human beings tend to follow the path of least resistance, so I make it as easy as possible to put something in my filing cabinet: just swivel my chair.

Next, a cabinet must be durable. That is to say, I don’t want to be stuck with that one drawer that won’t open unless you yank on it (or shut unless you slam it), the wonky wheel or busted handle. Much of this depends on what the cabinet is made of. The most common materials are metal and wood.

A metal cabinet can stand up to years of use and still look good. They are also easy to maintain and come in colors other than the plain beige you’re probably envisioning right now. They’re also easy to paint, so feel free to make it your own. When shopping for a metal cabinet, make sure it has a protective coating to prevent rust and double-walled steel sides for durability. No, metal filing cabinets are not flashy, but they do their job well.

Wooden cabinets look great and come in a huge variety of styles. They’re less durable than their steel counterparts, but if you’re in a low-volume office or a home setting, you’ll have it for years before it shows signs of wear. For a high-volume setting, where you’re in and out of drawers all day, go with a metal model.

If your chosen filing cabinet sits directly on the floor, consider placing it on a wheeled caddy. This can be very helpful when you need to move the cabinet to clean behind it or rescue your favorite pen.

Safety is another consideration. First, I want to keep my documents safe. If you’ll be filing important documents, like a birth certificate or social security card, consider a fire proof cabinet or one that locks (or both). I like to keep these things off-site in a safe deposit box, but if you must store them at home, make sure they’re safe.

I also want to be sure that anyone who uses the cabinet is safe. Look for interlocking drawers that will prevent tipping when multiple drawers are open at once. Additionally, cabinets with ball-bearing suspension systems will open reliably for years, so no wonky drawers that you yank open in frustration, risking injury.

Style, structure and safety are very important when looking for a filing cabinet, but easily overlooked. Like any tool you introduce to your workflow, a filing cabinet should be taken seriously. Happy shopping and let us know what you end up with.

Post written by David Caolo

Dr. Oz The Good Life Editor: ‘Some People Freak Out When They Meet Him’

lunch at michaels When I ‘Lunched’ with Dr. Mehmet Oz on the eve of the debut of his namesake magazine back in 2014, I was struck by his incredible charisma and approachability. Clearly, I wasn’t the only one. In all my years covering the Michael’s crowd it is the only occasion I can remember where a slew of other famous folks literally lined up to meet another celebrity.

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Jill Herzig, Diane Clehane and Jill Seelig

This didn’t come as a surprise to Dr. Oz The Good Life’s editor in chief Jill Herzig, who joined me today along with the magazine’s publisher Jill Seelig and Hearst’s Allie Haake. “Some people really freak out when they meet him,” said Herzig. Herzig recounted an anecdote about the hilarious reaction the wife of one of Dr. Oz’s cardiac patients had when she first met him. She found out about the encounter while doing a web series about the effect the good doctor has had on his patients. “These are people who owe their lives to Dr. Oz.,” Herzig explained. “For the most part, people don’t know he still does surgery and when he does, they often don’t know he’s going to be their doctor until the last minute. This woman whose husband was having surgery once made Dr. Oz leave the room until she could put on a full face of makeup — she’s wasn’t ‘ready’ to meet him — and her husband was having heart surgery!”

It’s Oz’s unique combination of accessibility, star power and credibility that have made the Hearst title a hit with readers and advertisers alike. In an anemic advertising climate, ad pages are up 17 percent through the October 2016 issue, attracting new advertisers including Pantene, Sherwin Williams and California Walnuts, and the title is among the top 10 best selling magazines at newsstand this year. “We provide an environment that elevates their message,” said Seelig. “[Advertisers] understand there’s an extra level of trust which makes us unique.”

Herzig told me that even with his grueling schedule of seeing his patients and taping his daytime show [more on that later] Dr. Oz is “very hands on” with the inner workings of the magazine. She has weekly meetings with him and is in “constant contact” through email. “Editors on the staff feel free to email him and often do. They always get a quick response.” And, Herzig noted, it doesn’t always have to do with business. “I have a friend whose son was hurt out in Los Angeles. I emailed Dr. Oz about it at 11:30 at night and at 11:35 he responded with names of people for him to see. He really great that way and he’s that way with everyone.”

Oz’s reputation as the go-to doctor for the global age is obviously enhanced by his popular daytime television show, which has been renewed through 2019. “That’s a huge boost [for the magazine,]” said Herzig, who told me there are no plans to experiment with Oz-free covers. “It’s still extremely important even at the two-year mark.”

Both the editors and advertising staff have an “unusual” and highly synergistic arrangement with the staff on Oz’s show. “We co-create content,” said Herzig, who has also appeared on the broadcast. “For our January-February diet issue, the show’s producer worked with us during the show’s July hiatus. Our schedules could not be less synced up, but they are willing to do whatever they need to make it work to cross promote [the magazine and the show]. It drives us to do our best.”

For her part, Seelig “collaborates” on advertising buys with Sony, who distributes the show. “Their sales team and our sales team work together on tent pole and custom [ad packages] for advertisers. It’s mostly custom [programs].”

Herzig also works closely with Oz’s medical team on the show, a staff of six headed by Dr. Michael Couperpain, who serve as the clearing house for every bit of medical news and information included in the broadcast. “They vet everything and nothing gets taped without them going through all the details.” But Oz is the final word with the magazine. “He sees every page.” Lisa also credits Oz’s wife Lisa Oz, the magazine’s editor at large, for keeping everything running smoothly. “She’s incredible.”

Oz was intimately involved with the special report on heart health in the upcoming November issue. “It’s his area,” said Herzig, who noted that since she came on board a short time after the test issues in 2014 she’s become much more educated about the effect certain foods have on the body and as a result has cut back on foods with added sugar and sworn off daily desserts.”Now I save it for really special occasions.”

By the time coffee was served (true to her word, Herzig didn’t touch the cookie plate), we’d covered all the health myths and newfound realities we’ve discovered over the years. Surprisingly, Herzig told me that during her days as EIC of Redbook, she praised all sorts of serums and sunscreens but rarely used them. All that has changed.  “I know better now.” I can’t imagine why.

Here’s the rundown on today’s crowd:

1. Camille Douglas

2. Andrew Stein

3. Producer Terry Allen Kramer with Felicia Taylor some other well-heeled blonde gals.

4. Barry Diller

5. Sony Television’s Steve Mosko

6. Mrs. Richard Oldenburg

7. Euan Rellie

8. Jolie Hunt

11. Bob Friedman and Robert Halmi, Jr. ; Second seating: Beverly Camhe

12. Maryam Banikarim

14. Jimmy Finkelstein

15. British Heritage Travel’s CEO Jack Kliger and Jean Louis

16. Barry Frey

17. Jonathan Soros

18. Tivo’s Tom Rogers

20. Joan Gelman and Lynn Goldberg

21. Steven Stolman and Michael McGraw celebrating Steven’s new book, The Serial Entertainer’s Passion for Parties.

22. PR maven Judy Twersky, Dr. Robi Ludwig and Kathy Levine celebrating Kathy’s birthday who took a celebratory selfie with me when I stopped by their table to say hello. Cheers!

23. Bob Towbin and Vincent Mai

24. Michael’s newest regular Julian Niccolini  with Paul McDonnell, and Ed McDonnell. A little birdie told me Ed was bigwig at Seagram’s back in the day.

25. Tom Goodman and Rick Rielly. Tom, whose firm is celebrating its milestone 20th anniversary this month, tells me the guys were classmates back in the day at Scarsdale High School.

26. Anne Jones

27. Jill Herzig, Jill Seelig, Allie Haake and yours truly

28. Matthew Sippel

29. Betsy Donovan

Diane Clehane is a FishbowlNY contributor. Follow her on Twitter @DianeClehane. Send comments and corrections on this column to LUNCH at MEDIABISTRO dot COM.

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Why People Throw Trash In Their Own Backyard

This month we’re reporting from Indonesia, a country in Southeast Asia comprised of thousands of tiny islands. Of these islands, the beauty of Bali is legendary but as we found out when we arrived, it shares at least one thing in common with other island destinations—an enormous amount of waste littering the shores. When I’m traveling to developing countries, I see an enormous amount of waste—on the street, surrounding houses, clogging up rivers and washing up on beaches. Everywhere. And the weirdest thing is that its the community’s own trash.

Why would people throw trash in their own backyard? I never understand why they would do that. That is until I visited Indonesia. 

We contributed to the conversation around waste by participating in the weekly beach cleanup where 95% of the waste we collected was plastic. If you ever need a new flipflop, you can find one in Bali. 

This story originally appeared on Story Hopper, a collection of design stories worth sharing, squeezed into short videos.

Let's All Do Better: A Golf Club You Pee Into

Want a reminder that simple, beautiful, problem-solving design changes the world? Well, too bad. Instead, look at this golf club that’s also a portable urinal.

Sometimes I research old TV advertised products to learn about unexpected consumer “needs” I’ve never considered. When there’s-got-to-be-a-better-way there’s a fifty-fifty chance I’ve got no idea what the problem is. The UroClub falls in the “???” column, and because I’m not a penis-sporting golf lover I guess I missed its debut. In sum, it’s a golf club the length of a seven iron with a .5 liter hollow handle, a screw off cap, and an entirely un-ergonomic opening for guy golfers to carefully aim at when the clubhouse is catastrophically far away.

You’ve got a golf cart and I can see the clubhouse behind you, you liar

If the idea of peeing into the hollow handle of a golf club on the middle of the green doesn’t sound terribly low key, don’t worry! The UroClub comes with a clip-on “privacy towel” in totally covert forest green. It does a 0% job at distracting onlookers from your Chinoed groin, but it does show off that you’re too successful and self-confident to even bother looking for a bush. 

And if you’re grossed out by the idea of transporting a sloshily loaded club for the rest of the day, well, that’s what the Help is for. 

Why to employ a millennial in 37 seconds 

Consider its use, its transportation, its cleaning, and then consider that its designer is going to make more money than anyone in your ID school graduating class, because it was definitely invented by someone wealthy enough to spend time de-hydrating themselves on golf courses in the first place. Seriously: a Floridian urologist created this.

So relatable

Golfers aren’t known to tolerate discomfort, so he’s really locked in on something. Just don’t mix it up with this

Keep Calm and Carry On: Highlights from Shoreditch and the London Design Fair 2016

Aside from the inaugural biennale at the Somerset House, the 14th edition of London Design Festival felt like business as usual. Indeed, the introductory text to the official guide to LDF2016 only makes a passing mention of the Brexit. Similarly, only one exhibition in East London explicitly addressed the results of June’s referendum — an apt indication that the effects of leaving the EU remain to be seen.

Among the many exhibitions and events from September 17–25, Place Your Bets solicited visitors’ opinions about the post-Brexit future of London through a series of infographics. But the balance of the offerings in Shoreditch — a neighborhood inevitably labeled as “trendy” or “hip — were rather more conventional design week fare. Highlights among the product and furniture exhibitions included the Map Shop and Particle Particular, which we’ve covered before, as well as Emily Forgot’s photogenic Neverland at KK Outlet.

Meanwhile, the well-gentrified environs of Brick Lane have long been home to the (somewhat confusingly named) London Design Fair, one of three tradeshows that takes place during the second weekend of LDF. Formerly known as TENT London and Super Brands, this year marks the tenth anniversary of the event at the Old Truman Brewery, where it has expanded into the third floor.

Signal Noise – “Place Your Bets” (installation view)
Data design agency Signal Noise produced a thought-provoking exhibition at Protein Gallery
Photo credit: Ray Hu

Signal Noise – “Place Your Bets”
On view for five days, “Place Your Bets” was billed as an exercise in “predictive analytics”
Photo credit: Ray Hu

Signal Noise – “Place Your Bets” (detail view)
Visitors were invited to share their thoughts and opinions about the future of London
Photo credit: Ray Hu

Signal Noise – “Place Your Bets”, Robot Oracles
These Little Printer-like robots are futuristic fortune tellers
Photo credit: Ray Hu

Signal Noise – “Place Your Bets” (installation view)
As elegantly designed as it was provocative, the exhibition was a highlight of LDF2016
Photo credit: Ray Hu

Ready Made Go 2 at the Ace Hotel
The Ace Hotel presented the second edition of “Ready Made Go.” For the second year running, Laura Houseley (editor of Modern Design Review) has curated a series of commissions for the hotel.
Photo credit: Ray Hu

Ready Made Go 2 at the Ace Hotel: Soap dish by Studio Silo
Studio Silo designed an I-beam-shaped soap dish in two sizes: A small one for the guest rooms at the Ace (for the small bar of soap) and a larger one for retail.
Photo credit: Ray Hu

Ready Made Go 2 at the Ace Hotel
The products also include glassware by Jochen Holz and Assemble‘s smoked tiles, which clad the bar on the seventh floor.
Photo credit: Ray Hu

Ready Made Go 2 at the Ace Hotel: “Doublet” quilt by Faye Toogood
The quilt, pictured here in situ in a guest suite, is based on a pattern from Toogood‘s fashion collection.
Photo credit: Ray Hu

Ready Made Go 2 at the Ace Hotel: Climbing Wall by Patternity
The adjustable climbing wall by Patternity has been permanently installed in the basement gym.
Photo credit: Ray Hu

View the full gallery here

ListenUp: Flamingosis: Bright Moments

Flamingosis: Bright Moments


New Jersey-based Flamingosis (aka Aaron Velasquez) released his gorgeous record Bright Moments a month ago. The sample-based album, which the artist worked on for several years, features a lush, layered sound that’s part hip-hop and part funk, with……

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Absolut Art Launches Stateside: A platform to buy editions from artists around the world, ready to hang upon delivery

Absolut Art Launches Stateside

Thirty years ago, Absolut vodka began a partnership with Andy Warhol. The relationship was mutually beneficial, casting the brand into the public consciousness, its bottle into the realm of iconography and offering the artist inspiration and later……

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This pillowcase can embrace!

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Hugs are more therapeutic than you’d think. Even one hug a day can help drastically reduce depression, anxiety, and stress, boosting your happiness. Hygge presents quite the lifehack with its design that you can hug. Shaped like a human torso with an arm loop that hugs you back, the Hygge can be hugged or cuddled, making you feel warm, fuzzy, and happy! Maybe plush toys shouldn’t only be for children!

Designer: Jaeyoung Han

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