Hasta La Ideas

“We believe hiking deserves better clothing,” says the all-women team from young, UK-based label Bowndling, which launched November of 2014. The outdoors industry seems reluctant to merge function with fashion for fear of detracting from tech specs……

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Gemma—aka producer Erik Gundel and vocalist Felicia Douglass (best known as a member of Ava Luna)—has released a track called “As Ever,” from the duo’s upcoming debut LP of the same name. It’s a cruise-y, summery R&B-meets-electro-pop tune—with Douglass……

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Le designer Alexander Kanygin s’est associé à une quinzaine d’autres artistes, architectes, illustrateurs, designers ou encore photographes, afin de créer une collection d’objets prenant l’aspect de petits robots fabriqués en bois. Les créations, regroupées sous le nom de Robo Wood, offrent une décoration d’intérieure ludique pour des objets sont l’usage quotidien peut s’avérer très utile.

Bike hanger by Alexander Kanygin.

Cabel hanger by Mira Smurova.

Candel holder by Ilya Spiridonov.

Case for used batteries by Katerina Kopytina.

Comb by George Sneghkin.

Cork by Ivan Kozhin.

Hanger by Alexander Kanygin.

Hanger by Mike Deruzhskiy.

Jewelry box by Alexander Kanygin.

Kitchen timer by Stas Leontye.

Mirror by Alexander Kanygin.

Moneybox by Nikita Cherevkov.

Napkin holder by Yaroslav Misonzhnikov.

Nutcracker by Pavel Ulianov and Alexander Kanygin.

Pencil box for kids by Fedor Toy.

Pencil sharpener by Andrey Voronov.

Amsterdam museum Looiersgracht 60 is hosting a solo exhibition of work by Dutch designer Aldo Bakker that consists of just five jugs.

Looiersgracht 60 – which specialises in showing work that defies categorisation – is currently hosting the Containing Content exhibition of pieces by Bakker, who takes an ambiguous, “function follows form” approach to designing products.

The five objects presented are named Pivot, Pipe, Soy Pourer, Pot and Square Pourer, three of which will be shown for the first time.

Made variously from porcelain, silver and copper, the vessels challenge the archetypical form of a jug and some are unrecognisable as pouring vessels at first sight.

“Bakker rarely starts a design from the desire to solve a practical problem,” said Dutch writer Hans den Hartog Jager in his biography of the designer. “In fact, though Bakker may unmistakably be a designer, his interest in functionality only comes in at the latest stage.”

Among Bakker’s new designs on show is the large black Pipe jug. Made from porcelain, the design includes two branches with a large opening at the top of one and a smaller hole in the other.

Also in porcelain but coloured cream, the Pot design looks like a squished teapot. It features a spout, a handle and a lid as part of its circular shape.

Commissioned by Looiersgracht 60, a small container with a rectangular profile is called the Square Pourer and is made entirely from silver.

Older pieces include the copper Soy Pourer, which slightly resembles a watering can and dispenses its contents from an elongated curved spout. The vessel was created as part of a collection for Dutch gallery Thomas Eyck and presented at Milan’s Spazio Rosanna Orlandi in 2010.

The gold-plated Pivot vessel shaped like a snail shell was created for Bakker’s new design brand Karakter, which launched in Milan during the city’s design week earlier this year.

A disc covering the opening hinges open at the top when its contents are poured out.

Bakker usually starts by sketching a form he finds appealing, such as a guardrail of a motorway, the curve of a stairwell, or the facade of a canal house, only considering potential uses once the form is defined.

Bakker is the son of Dutch designers Gijs Bakker and Emmy van Leersum – renowned for their futuristic jewellery designs that were displayed at a retrospective exhibition at Amsterdam’s Stedelijk Museum last year.

Aldo Bakker started his career making jewellery and models for his parents in 1987. He has since created sculptural, furniture, homeware and tableware, notably for Danish metalware brand Georg Jensen.

“I love having the freedom to pay attention to every detail in my work, no matter how crazy,” Bakker told Alice Rawsthorn in an interview for the New York Times about his expressive process and relentless attention to detail.

For this exhibition Bakker designed individual pedestals that serve as an extension of each jug.

Containing Content runs until 26 July 2015 at Looiersgracht 60, located in a former cardboard and bottling plant on its namesake canal.

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