CR August: the Education issue



The cover of our August issue features Fizzog, designed by Ken Garland + Associates, 1970, produced by Galt, photographed by Systems for the exhibition Play: Toys, Sets, Rules


Our August issue takes Education as its theme with features on tech in the classroom, the design of schools, New York designer-cum-educator James Victore and what life is really like on the frontline of creative education today

 

First, we have an important announcement to make: we have teamed up with JCDecaux to put the work of 20 graduates on over 1,000 JCDecaux digital screens all over the UK in our Talent Spotting project, in association with Creative Translation. The project launches on 3 August. More details to be released soon

 

Our regular columnist Michael Evamy looks at at a new identity for a school for those with Downs Syndrome that involves staff, pupils and parents in its design while jigsaw fan Daniel Benneworth-Gray is still puzzling it out how to create time to stop and think in his hectic day

In our special report on education and creativity, we look at how new initiative The GirlHood intends to introduce girls from underprivileged backgrounds to the creative world

 

What’s it really like to work in university arts education today? Writing anonymously, a tutor at a leading UK university gives us the low down on life in academia

 

Earler this year, a group of St Martins students hit the headlines with a sit-in protest. We talk to one of the organisers of the OccupyUAL movement about its aims and future plans

 

Mark Sinclair hears about Minute of Listening, a new initiative using sound to stimulate the imaginations of primary schoolchildren

 

Why New York designer James Victore is dedicating himself to helping his fellow professionals to find their way

 


With projects such as Hackaball and Skype in the Classroom, Made by Many has worked extensively in education. Tim Malbon and Veronika Janeckova share some of what they have learned along the way

 

How some of our leading designers responded to new thinking about the importance of play in education by creating beautiful toys

 

The UK has seen a huge amount of new school building. A new book examines the contribution of design and architecture to making better places to learn. We speak to the authors

 

And in our Crit section this month, In two exclusive extracts from their new book, Spin’s Tony Brook and Patricia Finegan lift the lid on the workings of one of our leading studios

 

 

 

Jim Le Fevre's 3D stroboscope for Sbtrkt

Director and animator Jim Le Fevre has created a giant 3D stroboscope for musician Sbtrkt, which brings the mysterious feline creature pictured on his latest album to life.

The stroboscope was commissioned by Red Bull Music and record label Young Turks, and will be on display at Inner-City Arts event Summer on Seventh in Los Angeles on July 25, before moving to the city’s Guerrilla Galleries on July 28.

The 8 by 6 foot structure features the animal pictured on the cover of Sbtrkt album Wonder Where We Land (designed by anonymous art director A Hidden Place), which also appeared in Fons Scheidon’s animated promo for track New Dorp New York, shown below. The stroboscope was created as a prequel to the video, and represents the creature’s birth, says Sbtrkt, with the animal appearing to emerge from water before running over Manhattan skyscrapers and into the city.

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The structure spins at 33.3rpm and is illuminated by a strobe rig to create the effect of movement. The creature was animated digitally at Nexus‘ London studios, and physical models from each frame were then 3D printed, while architecture and tiers were laser cut, says Nexus.

“The project was ambitious not only in size, but in that we created a longer movement, showing the Sbtrkt character appear, move and disappear, in a smooth series of consecutive loops,” says Le Fevre. “The intricate mathematics need to be absolutely precise, across all elements, for this technique to work; from 3D printing and hand-painting 40 characters, to the code behind the bespoke system for the lighting which involves 20 banks of strobe LEDs run by a magnet sensor that continually assesses the revolutions per minute and adjusts the strobe accordingly, and every single element in between. Only when you have everything in place, and fire up the strobes and motor do you know whether it will work.”

Sbtrkt (Aaron Jerome) has collaborated with A Hidden Place on the artwork for each of his albums, and says the pair “have always tried to create translations of digital ideas into physical”. They produced a lenticular cover for track Hold On, and a self-animating sleeve for EP Transitions. “I like that the imagery can live beyond a computer screen without it being just a hologram, back to being mechanical and analogue,” he adds. It’s mesmerising to watch in the action, and the stroboscope has been brilliantly designed by Le Fevre.


Credits
Production: Nexus Interactive Arts
Director: Jim Le Fevre
3D model design: Blue Zoo 
Modelmakers and construction: Gee Staughton, Gordon Allen and Alban Allen
Strobe consultant: Michael Karliner 
Carpenter: Ewen Dickie @ Lasermake
3D printing: Jay Short @ Inition
SBTRKT art director: A Hidden Place

Man Builds Palm-Thatched Huts and Other Structures in the Wilderness, Completely from Scratch, with His Bare Hands

If you had to grab three things from your shop to use for survival in the wilderness, what would you bring? Let’s look at some quick options:

Bad Picks

– Tracksaw
– HVLP spray gun
– 1/2″-shank Roman ogee bit

Good Picks

– Hacksaw
– Twine
– Flashlight

As it turns out, you don’t even need the good picks to build a habitable shelter. At least not if you’re the Australian bloke behind the Primitive Technology blog. Said bloke (sorry, no name available) treks out into the wilderness to experience, firsthand, how our Stone Age forebears built houses several millenia before the Industrial Revolution. Luckily for you and I, he records his experiences in both video and text.

One of his earliest recorded projects was to build a wattle-and-daub hut using whatever was locally available. And by “locally,” we mean meters, not miles; the man didn’t run down to the hardware store to get an axe, but built his own stone adze instead and built the structure with on-site materials. He built his own primitive step-ladder to get the height needed to reach the roof. He even made—and fired—the freaking mud-clay pot one would use to cook inside such a structure. And all of this stuff was built completely from scratch. Check this out:

Something I dig is that the guy writes follow-up information, revealing how the structure stood up over time. (Though this video was released this week, the actual taping took place two years ago.) As an example:

The roof lasted for a few months before becoming rotten and bug eaten. As an important note the species of palm used in thatching makes all the difference. Had this hut been built in the mountain with wait-a-while palm fronds it would have lasted 2 years at least. Instead it was thatched with alexander palm fronds that deteriorated quickly.

I wasn’t to know this and was trying to adapt hut building practice I learned in the mountain to low land conditions (I’ve built similar huts up the mountain with the same roof shape that have lasted a long time). I hope in future videos to explore better roofing options to use in areas like this.

Perhaps the most amazing part of this man’s overall mission is what inspired it: World of Warcraft. As he explains,

I got interested building huts in the bush as a kid playing Warcraft (first game) at a friend’s place. I liked how you had to harvest resources, build certain structures before you could unlock different technologies and climb up the tech-tree. I couldn’t play it cause my parents wouldn’t buy it and I was too cheap to get it myself so I played at “warcraft” in the bush.

I’m actually in favor of these sorts of games (though I haven’t played Minecraft yet) cause they teach kids to think and plan through playing a game – sort of teaches them problem solving skills.

This kind of attitude has resonated with viewers; his YouTube channel has garnered over 100,000 subscribers. It’s not unusual to find comments like the following after one of his videos: 

“I’d pay just to spend a weekend with you and just learn how to build tools,” one viewer writes, “to just experience something authentic and not virtual and build something with my hands.”

CH25: Sabine Seymour: A future where smart clothes are as ubiquitous as zippers

CH25: Sabine Seymour

Imagine your everyday clothes had built-in human sensors that monitored vital signs and activity levels, played your favorite song and kept you connected. Dr Sabine Seymour, Director of Parsons’ Fashionable Technology Lab and Chair at Computational……

Continue Reading…

Auto Fabrica Type 6

Auto Fabrica‘s latest motorcycle, the Auto Fabrica Type 6 Motorcycle.  The custom build is based on a Yamaha XS650. The design company created a single carb conversion engine that was completely rebuilt with 0.5-oversize pistons that somehow make the incredibly well-designed XS650 engine look even better. The exhaust pipes also received a notable upgrade, as Auto Fabrica created handmade stainless steel pipes that were bent into perfect curves, each containing custom baffles hidden within.(Read…)

25 Lost Cities ( Video )

This week, John looks at 25 lost cities.(Read…)

0-100: Change the World ( Video )

“We brought in people ages 0-100 to answer some of life’s big questions”(Read…)

A CD Box Set Inspired by the Incan Culture

Les designers et artistes péruviens Youth Experimental Studio ont imaginé un coffret de CD pour le musicien Manongo Mujica. Inspirée par la forme des temples Incas, la boite semble cacher un trésor sacré. Chaque CD a été décoré avec un motif abstrait ressemblant à la texture du granite et du marbre, le tout renfermé dans une boite en bois verni. Le but était d’apporter un paysage et des ruines mythiques à la musique.

Photos by Juan Pablo Aragón.

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Glen Ronald Illustrations from Chaos

Basé à Alberta au Canada, Glen Ronald s’amuse, à partir de nombreuses tâches d’encre, de différentes traces et de ce qu’il appelle lui-même le chaos, à composer des illustrations diverses, toutes plus belles les unes que les autres. A noter que des tirages d’une partie de ses créations est disponible sur sa boutique Etsy. Et que vous pouvez le suivre au quotidien sur son compte Instagram.

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The Most Popular Reuters Photos on Instagram

Pour faire le bilan en ce milieu d’année 2015, l’agence de presse Reuters a rassemblé ses vingts clichés les plus populaires sur Instagram. De l’actualité brûlante, en passant par les évènements les plus marquants, découvrez les moments forts de cette année à travers ces images insolites.

Photo by Thomas Peter/Reuters.

Photo by Alexandre Meneghini/Reuters.

Photo by Yves Herman/Reuters.

Photo by Denis Balibouse/Reuters.

Photo by Ivan Alvarado/Reuters.

Photo by Abhishek N.Chinnappa/Reuters.

Photo by Pascal Rossignol/Reuters.

Photo by Lucy Nicholson/Reuters.

Photo by Gary Cameron/Reuters.

Photo by Beso Gulashvili/Reuters.

Photo by Phil Noble/Reuters.

Photo by Mohamed Nureldin Abdallah/Reuters.

Photo by Murad Sezer/Reuters.

Photo by Arnd Wiegmann/Reuters.

Photo by Darren Staples/Reuters.

Photo by Ahmad Masood/Reuters.

Photo by Andres Stapff/Reuters.

Photo by Adrees Latif/Reuters.

Photo by Kim Kyung-Hoon/Reuters.

Photo by Rafael Arenas/Reuters.

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