Maurizio Bradaschia adds green-painted extension to an Italian police station

The green finish applied to the metal cladding of this police station extension in Italy resembles oxidised copper, but also aims to evoke the “power and invincibility” of The Incredible Hulk (+ slideshow).

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Located in the Italian town of Saluzzo, the extension to the local police headquarters functions as a barracks. It was designed by Trieste-based architect Maurizio Bradaschia, who has previously completed similar projects in his home city and other local municipalities.

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But unlike Bradaschia’s other barrack designs, the Saluzzo project involved an extension rather than the development of a new building.

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The police station – known as the stazione di carabinieri in Italian – is located in a historic part of town but is housed in an unattractive 1960s block, so Bradaschia felt free to give the new addition its own character.

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“I wanted to create a building that would meet the typological theme of a barracks and therefore express a character of strength, solidity and urban reference,” the architect told Dezeen. “At the same time it provides an architectural element in a context of little value to trigger an urban renewal.”

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The foundations, pillars and slabs are all formed from concrete, while the entire exterior is covered in green-painted sheet metal. This was chosen because it was cheaper than the oxidised copper that its green hue replicates – demonstrated by projects including a lagoon-side residence in China.

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“It is green because historically green was the colour of the carabinieri and their cars,” Bradaschia explained. “Green means strength, endurance, balance, stability, and perseverance. And it is metal to give a sense of unity, of force, of power – think of the colour of The Incredible Hulk – of invincibility.”



The cladding is applied in vertical courses of different widths to create a more interesting pattern on the facades, which are further animated by the misaligned window and door openings.

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The extension annexes the original block at one end and creates a new boundary with the street that continues the existing building line. Its inner facade flanks a steep ramp providing access to a garage.

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The first floor is dedicated to the living quarters, which comprise five double-berth en-suite rooms and a shared laundry room.

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The ground floor houses a large communal dining area flanked on one side by a changing room with a toilet. On the other side is a kitchen and store room that can be used as a meeting area if required.

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A further storage space and an archive room are located in the basement level next to the garage.

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“The organisation of the plan responds on one hand to the demands of the clients, and on the other hand reflects the distribution patterns of the organisation of the carabinieri’s buildings and their corporate architecture,” said the architect. “It is a rigorous and functional scheme without unnecessary frills.”

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The existing building originally housed apartments and features a pitched roof and masonry facades, which contrast with the flat roof and metal cladding Bradaschia chose for the extension.

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Site plan – click for larger image
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Lower ground floor plan – click for larger image
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Ground floor plan – click for larger image
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First floor plan – click for larger image
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Second floor plan – click for larger image
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Section one – click for larger image
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Section two – click for larger image
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Section three – click for larger image

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Hell in a Handbasket: Amidst the Drought, Californians are Painting Their Dead Lawns Green

This is being presented as a “drought hack,” demonstrating how far one can stretch the definition of the latter word.

Amidst California’s recent drought, a lot of folks’ lawns are unsurprisingly dying. That’s what happens when humans try to force particular breeds of nature to exist in inhospitable climates. And so concerned are a subset of Californians with appearances, and so disrespectful are they of nature, that they are now paying in the neighborhood of 25 cents per square foot to have companies spraypaint their lawns green.

To be fair to the painters, both the guy mentioned in the video and this Sacramento-based lawn painter claim their paints are non-toxic. The latter painter claims that “there are no chemicals in the paint that we use, it is and (sic) non-toxic, so it is 100% completely safe for your kids, pets and any other living thing your lawn comes into contact with and for the lawn itself.”

I’d like to see more details as to the chemical composition, but none are provided.

Wouldn’t a better solution be to do what the southwestern states do, and landscape with cacti and plants that can naturally cut it in the climate?

NY Jobs: Slate, CLIO Awards, Hotel Hugo

Link About It: Magical Aerial Shots of Los Angeles

Magical Aerial Shots of Los Angeles


From the ground, Los Angeles’ vast landscape can seem like an endless mess of freeways, buildings and hills. But when viewing it from above—as 71-year-old photographer Jeffrey Milstein found out—the sunny Southern California city really shines. For……

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Postcard Swimwear: Design the swimsuit of your dreams based on your favorite artwork or photography

Postcard Swimwear

While there’s an almost overwhelming selection of swimwear available, the search for the perfect suit often ends in lukewarm feelings. Melbourne-based Postcard Swimwear offers a different kind of service: custom pieces that are designed using artwork……

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Minimalist Photography with Blue Sky Background

Le designer graphique Alessandro Caselli se passionne pour la photographie numérique minimaliste. Il a opté pour un ciel bleu en fond de ses sujets car selon lui, c’est le meilleur moyen pour réussir un cliché de ce genre. Pour y parvenir, le designer utilise uniquement son iPhone et retravaille ses images via l’application Instagram sur laquelle il publie son travail.

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Coca-Cola Removes Labels From Cans to Fight Againt Prejudices

Coca-Cola a récemment lancé plusieurs campagnes pour le mois de ramadan. Tout d’abord, l’agence FP7 a pensé la campagne Let’s Take An Extra Second : un concept de canettes sans le logo apparent de la marque pour dénoncer les préjugés liés à un nom. Avec le slogan « Labels are for cans, not for people » imprimé, ces canettes ont été fabriquées en édition limitée.

De son côté, Ogivly a imaginé la campagne Remove Labels This Ramadan et a réalisé un spot pour se battre contre les idées reçues liées à l’apparence. Ils ont réuni 6 inconnus, plongés dans le noir, pour casser le jeûne avec des musulmans. De cette manière, ils ont appris à connaitre les musulmans présents sans avoir un préjugé biaisé par leurs accoutrements et signes distinctifs.

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Visual Reconstitution of an Historic Arctic Expedition

Rodeo FX est une compagnie de création d’effets numériques et visuels. En collaboration avec l’agence québécoise Tank et le réalisateur François Girard, elle a participé à reconstitution d’un des voyages historiques dans l’exploration des Grands Espaces de l’Arctique : la célèbre expédition de 1845 conduite par Sir John Franklin, qui avait pour but la première traversée du passage du Nord-Ouest.

Cette vidéo s’inscrit dans le projet des commémoration du 150ème anniversaire de la Confédération Canadienne qui aura lieu en 2017. L’équipe a reconstitué en trois dimensions les bombardes HMS Erebus et HMS Terror, bateaux utilisés lors de l’expédition de 1845, ainsi que tous les effectifs déployés en 2014 pour retrouver les épaves des navires.

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Walkie Talkie blamed for powerful downdraught on London streets

Rafael Viñoly’s Walkie Talkie skyscraper in London has once again become a subject of controversy, following reports that its curved facade is channelling gusts of wind strong enough to knock people over.

Two years after being blamed for reflecting a beam of light intense enough to melt cars, the 20 Fenchurch Street tower has been accused of creating a wind tunnel, thanks to the downdraught from its 36 storeys.

Walkie Talkie skyscraper by Rafael Vinoly blamed for powerful down-draught on London streets

An employee at the nearby Molton Brown cosmetics store told The Times: “It has only really been windy since the Walkie Talkie has been here. When they were building it and there were the building works going on, it was fine. But ever since they’ve completed it, the wind really picked up.”

The manager of a local fast-food restaurant told The Telegraph that the wind had almost caused a food trolley to be blown away, while a local sales assistant said to BBC News that she “almost got blown over walking past the building”.

Following the string of complaints about the Walkie Talkie and other skyscrapers, The City of London Corporation is now demanding independent assessment of the wind reports submitted at the planning stage, at property developers’ expense.



“The wind outcome at street level experienced post-construction on a number of projects differs somewhat to the conditions we were expecting from the one outlined in the planning application wind assessments,” said head of design Gwyn Richards.

“This is why we are asking for an independent verification of the wind studies on a number of new schemes to ensure as rigorous and resilient an approach as possible.”

Walkie Talkie skyscraper by Rafael Vinoly blamed for powerful down-draught on London streets
In 2013 the Walkie Talkie skyscraper was reported to be reflecting a beam of light intense enough to melt cars

The issue, known as the “downdraught effect”, occurs when wind hits a building and is forced downwards. It is most forceful when the wall faces the prevailing wind, which in Britain is from the south west.

One of the most serious incidents connected with the effect was in 2011, when a man was crushed to death near the 112-metre-tall Bridgewater Place skyscraper in Leeds, after strong winds caused a lorry to overturn.

The Fenchurch Street skyscraper, nicknamed the Walkie Talkie due to its distinctive profile, is the first London building by New York-based Uruguayan architect Rafael Viñoly.

It was nicknamed the Walkie Scorchie in 2013, after its facade was reportedly focusing a “death ray” onto nearby streets. Since then protective fins have been added to the building’s facade in a bid to solve the problem.

Images of the Walkie Talkie are courtesy of Shutterstock.

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Montalba Architects converts trailer into a mobile dentist's surgery

San Francisco-based Montalba Architects has transformed a standard trailer into a mobile dental clinic, complete with two operating rooms and a reception area (+ slideshow).

Called Studio Dental, the clinic is housed inside a 26-foot-long, black trailer that can be hitched to a pickup truck.

Studio Dental by Montalba Architects

Encompassing 230 square feet (21 square metres), the trailer contains a sterilisation room, waiting area, and two semi-private operatories – areas containing specialist dental equipment for examining and treating patients.

“The truck is equipped to handle everything that a brick and mortar office can provide, including cleanings, fillings and whitening,” said David Montalba, the architecture firm‘s founding partner.

Studio Dental by Montalba Architects

The American Institute of Architects announced this week that the dental clinic had won a 2015 National Healthcare Design Award, given to exemplary projects that represent current and future trends in healthcare design.

“At a time when the healthcare industry is reevaluating methods of delivery, this project re-visions the concept of the mobile healthcare trailer with a design that could breathe new life into the typology,” said the jury.



“The trailer’s unassuming and utilitarian exterior conceals a sophisticated and inviting interior with a warm and welcoming palette of materials,” the jury added.

Studio Dental by Montalba Architects

Montalba Architects was commissioned to design the project by Studio Dental‘s co-founders, Dr Sara Creighton and former investment banker Lowell Caulder, who are dedicated to making the patient experience more convenient.

The clinic is intended to be parked outside tech companies and other businesses in the city.

Studio Dental by Montalba Architects

“The main driver for mobilising the dental office experience had to do with efficiency. Namely, how long it takes the average patient to visit the doctor,” Montalba told Dezeen.

“Traditionally, between driving there and back and seeing the doctor, the average trip to the dentist could take nearly 3 hours out of a work day. By bringing the office directly to a patient’s place of work, this lost time is more than halved,” he added.

Studio Dental by Montalba Architects

The project’s greatest challenge was squeezing all of the required programming into a tight space.

“It was crucial that the design not only be creative and appealing, but highly functional,” said Montalba.

“The key was to enhance the mobility and functionality of the trailer while also designing an office that didn’t feel like it had wheels.”

Studio Dental by Montalba Architects

The design team used millwork panels to partition the 11-foot-high interior space and developed a perforated pattern to add visual interest to surfaces.

Bright white finishes are intended to create “a simplified atmosphere to help patients relax,” according to the firm.

Studio Dental by Montalba Architects

Visitors enter through a door on the side of the trailer. A wall with an embedded bench separates the waiting area from the sterilisation room behind it.

The waiting area features a tablet computer that patients can use to access medical forms and read magazines.

Studio Dental by Montalba Architects

“Patients are greeted by a ‘virtual’ administrator via iPad, who is based at a remote office,” said Montalba.

“Once the exam is complete, all of their information is emailed to them, further expediting the experience through a paper-less system.”

In the centre of the trailer, a double-sided compartment separates the two operatories and contains medical equipment, a sound system and a heating and cooling unit.

Studio Dental by Montalba Architects

Instead of incorporating windows into the space, the design team placed sculpted skylights above the operating chairs.

“Rather than opening the side panels to potentially unattractive exterior environments, such as urban parking lots, skylights were installed to capture diffused natural light,” said the firm.

Studio Dental by Montalba Architects

“Strategically placed mirrored strips in the corners of the operatories visually expand the space and further reflect natural light,” the firm added.


Related stories: see more dental clinics


To maximise sound absorption, the team installed acoustic foam inside the walls and ceiling.

Studio Dental by Montalba Architects

This project marks the second collaboration between Montalba Architects and Studio Dental. In 2010, the architects designed the dental company’s first office, a bricks-and-mortar space in San Francisco.

Montalba Architects was founded in 2004 by David Montalba, who holds degrees from SCI-Arc and the University of California – Los Angeles (UCLA). Its portfolio includes single-family homes, restaurants, luxury stores and mixed-use buildings.

Studio Dental by Montalba Architects

Notable dentist offices by other firms include an all-white clinic in Sicily by Bureauhub and a wood and glass building near Osaka, Japan by Kohki Hiranuma.

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