LiquiGlide No-Stick Bottle Coating is Finally Happening

Consumer Reports once tested various bottles to see how much product is actually left when we consider it “empty.” The results were shocking: Up to 13% of toothpaste, 15% of condiments, 16% of detergent and a whopping 25% of hand lotion gets thrown out with the bottle, as consumers find it too difficult to evacuate the rest.

So when we first heard about LiquiGlide we were excited (particularly me, as I worked in “structural package design”—bottle design—for over a decade). Applied to the inside of a bottle, this no-stick miracle coating would let us evacuate every last drop of lotion, shampoo, ketchup, wood glue, et cetera, saving consumers millions of dollars collectively.

But when we didn’t hear anything more for almost three years, we figured LiquiGlide had failed, another miracle technology that didn’t live up to the hype. Thankfully, we were wrong: The Times has just reported that LiquiGlide has secured $7 million in VC funding and signed up their first manufacturer, Elmer’s, who reckons the coating will give their glue bottles “a competitive advantage.” (They’ve signed an exclusive licensing agreement.)

For furniture designer/builders who work with wood, this may not make a difference; while being able to get the last drop of wood glue from a bottle would be satisfying, from what I understand most woodworkers prefer Titebond’s more expensive glue, as it’s got a longer shelf life and supposedly performs better. (Any opinions?)

What interested us is LiquiGlide’s formulators’ earlier claims that their product would influence structural package design. “Those squeeze bottles need a big cap. By eliminating the need for such a big cap we’d save 25,000 tons of petroleum-based plastics each year.”

While I don’t doubt those figures, I do doubt they’ll change the shape of bottles and cap sizes. I understand the logic: Bottle openings are sized as large as they are to give stubborn mayonnaise, ketchup and the like the room to get out. But those predetermined sizes come with manufacturing incumbencies. The companies that produce the injection-molded pre-bottles—they look like test tubes—that will later go into blow-molding machines are all tooled up to specific sizes.

Furthermore, once a bottle is blown it needs to be filled, at high speed on a production line encompassing thousands of bottles. Every second it takes to fill a bottle costs the factory something. If the neck is made narrower to accommodate a smaller cap, the filling tubes will need to be made more narrow as well. With the same pumping pressure, they’ll therefore fill more slowly. Increased pumping pressure will not come for free.

It’s possible that if LiquiGlide takes off, the increased savings of smaller caps will pressure manufacturers to retool the molding and filling equipment. But the cost of applying LiquiGlide will be a factor in this as well. For now, we’ll just have to wait to see how well Elmer’s new bottles sell. And the company claims that a mayonnaise bottle will be released this year or next, possibly followed by a toothpaste container.

Time Makes Changes to Art Department

Time has made some changes to its art department’s team. Details are below.

  • Carrie Gee recently joined as senior art director. She came to Time from Adweek, where she most recently served as design director.
  • Jennifer Prandato also recently joined Time as a freelance iPad/iPhone/print designer. Prandato was previously an intern at The Boston Globe.
  • Allison Duda has been promoted to associate art director. She has previously worked at Time Out New York and freelanced for New York and People StyleWatch. Duda has been with Time since 2012.
  • Chelsea Kardokus has been promoted to assistant art director. She has previously worked at The Staten Island Advance, The Wall Street Journal and The Chicago Tribune.

Harper Lee’s Go Set a Watchman Cover Unveiled

CA8jfAsWsAA917W.jpg-largeThe cover of Go Set a Watchman, the new novel from the brilliantly concise Harper Lee, has been unveiled.

The book was penned before To Kill a Mockingbird and follows Mockingbird character Scout Finch’s journey to visit her father, Atticus Finch. It is set 20 years after the events of Mockingbird.

Now that we have all seen the cover, please feel free to overanalyze it. We know we will.

ListenUp: Only Real: Intro

Only Real: Intro


A week before West London’s indie-pop act Only Real was set to drop his debut full-length Jerk at the End of the Line, he’s released all of the tracks in a comprehensive streaming YouTube playlist. Commencing with the exciting yet sublime “Intro……

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Traveling + Art = The Jaunt Book: A 200-page tome full of artwork from creatives who were sent all over the world for inspiration

Traveling + Art = The Jaunt Book

Few things are as inspiring as discovering new places, and few people need constant inspiration as much as artists. That’s the idea behind art and travel concept The Jaunt, which was launched by Jeroen Smeets in 2013 and has already resulted in some……

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Tattoo : Trippy Geometric 3-D Tattoo Sleeve ( Video )

This is a video of the trippy 3-D tattoo sleeve some cyborg got. It made my eyes bend…(Read…)

Here’s how to make your very own Apple Watch out of Lego

Made by LEGO builder Chris McVeigh. His fans liked the model so he made a building guide for it…(Read…)

Delicate Plants Sculptures

Christiane Löhr, une artiste allemande, se passionne pour les graines, les plantes, l’herbe, les fleurs et les jeunes pousses pour réaliser de délicates et organiques sculptures. Elle empile, colle et positionne des pissenlits et des feuillages entre eux. Une sélection de son travail est à découvrir dans la galerie.

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Sony World Photography Awards 2015 Winners

Après l’annonce des candidats, il y a un mois, voici la liste des gagnants des Sony World Photography Awards 2015. Cette sélection variée réunit le meilleur des trois catégories « Open », « Professional » et « Youth ». Les clichés des gagnants sont à découvrir plus en détails dans la galerie.

“Boy in the Tundra”, 2nd place. Photo by Simon Morris/Sony World Photography Awards/WENN.com.

“Float”. Photo by Vesa Pihanurmi/Sony World Photography Awards/WENN.com.

“Butterflies”. Photo by Luiza Elena Boldeanu/Tina Genovia Obreja)/Sony World Photography Awards/WENN.com.

“Goreme”. Photo by Carloman Cespedes/Sony World Photography Awards/WENN.com.

“Hard for Life”. Photo by Theo Vu Xuan/Sony World Photography Awards/WENN.com.

“Fake Empire”. Photo by Marek Jarkovský/Sony World Photography Awards/WENN.com.

“Northern Lights over the Milky Way”. Photo by Adriano Neves/Sony World Photography Awards/WENN.com.

“Quilotoa Panorama”. Photo by Ruth Jimnez/Sony World Photography Awards/WENN.com.

“The Horns of Paine”. Photo by Manuel Fuentes/Sony World Photography Awards/WENN.com.

“Tetris”. Photo by Mihai Florea/Sony World Photography Awards/WENN.com.

“Evening fire with the Himba”. Photo by Ben McRae/Sony World Photography Awards/WENN.com.

“Flatline”. Photo by Boycho Kostadinov/Sony World Photography Awards/WENN.com.

“Simple Beauty”. Photo by Sandra Fiedler/Sony World Photography Awards/WENN.com.

“The work of men”. Photo by Huu Tam Nguyen Xuan/Sony World Photography Awards/WENN.com.

Untitled. Photo by Lise Simoneau/Sony World Photography Awards/WENN.com.

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Midnight Modern Series Part II

Le photographe australien Tom Blachford, dont nous avons déjà parlé, revient avec de nouvelles photos pour sa série Midnight Modern. Il continue à immortaliser des maisons de Palm Springs, datant du milieu du 20ème siècle, en longue exposition. Il les capture de nuit, avec une lumière dramatique.

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