Philippe Malouin experiments with Caesarstone to create collection of planters

Milan 2015: London designer Philippe Malouin has formed a collection of geometric planters in a range of shapes, textures and colours using solid-surface material Caesarstone.

Movements planters by Philippe Malouin

Malouin‘s Caesarstone Movements collection includes cuboid, cylindrical and pyramid-shaped vessels, which have a variety of surface textures, patterns and colours.

“For me the starting point was the exploration of the material, as we tend to start most projects,” said Malouin.

Movements planters by Philippe Malouin

“We therefore focused on spending time in the workshop, except, this was not an ordinary workshop, but a fully equipped solid surface transformation facility,” he added.



Caesarstone is an engineered quartz material that is commonly used to form interior work surfaces.

Movements planters by Philippe Malouin

“Caesarstone is an extremely versatile material that is easy to predict and work with, and it offers a variety of colours and finishes,” said Malouin. “I therefore experimented with a series of techniques and applications ranging from the mundane to the more experimental.”

The planters demonstrate traditional carving techniques such as inlay and marquetry as well as showcasing the variety of colours in the Caesarstone collection, including new hues for 2015.

Movements planters by Philippe Malouin

The collection will be shown at Milan’s Palazzo Serbelloni from 14 to 18 April, during the city’s annual design week, along with a set of eight Caesarstone swings hung from a circular frame – also designed by Malouin.

A twelve-seat version of the swing set was presented at Toronto’s Interior Design Show in January.

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to create collection of planters
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Abstract Sculptures with Intricate Bodies

L’artiste et vidéaste anglais Ben Hopper a récemment terminé sa série « Transfiguration » : des portraits étranges réalisés en collaboration avec des athlètes, contorsionnistes et danseurs de cirques. Des corps recouverts de peinture et de poudre s’entremêlent et forment des sculptures humaines et figures abstraites.

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FOCUS

Wooden sculpture with printed eyes

LOFT Das Designkaufhaus

Design-Newcomer, Design-Professional, Designer-Label, Webplattform und Hochschulen verkaufen Ihre Entwürfe und Produkte aus den Bereichen Mö..

Salone del mobile. Milano 2015

The Salone Internazionale del Mobile was founded in
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exports and soon became the ..

Compendium entries close March 31

Image by Sophie Stock

Image by Sophie Stock

BE BRAVE

This is a snapshot from surface pattern designer Sophie Stock‘s inspiration board, one of the recent submissions to the Compendium. I hope you’ll be just as brave and enter your creativity into the UPPERCASE Compendium of Craft and Creativity.

The entry form for this book project closes in a few days: Tuesday, March 31 at midnight MST.

You’ve got the rest of the weekend to pull together your images and answer the questionnaire. You can do it!

Read the latest news about the Compendium and get to know Sophie here.

Beverly Johnson Memoir Will Include Chapter About Bill Cosby

BeverlyJohnsonMemoirVia an exclusive interview with Chicago Sun-Times urban affairs reporter and assistant city editor Maudlyne Ihejirika, Beverly Johnson has talked for the first substantive time about the aftermath of her recent bombshell Vanity Fair essay, in which she accused Bill Cosby of drugging her.

While Johnson says she was discouraged previously about including Cosby content in her memoir, there will be no such exceptions when The Face That Changed It All finally arrives from Simon & Schuster this summer. A full chapter in the book will be devoted to Cosby:

“I’ve gotten more support than backlash,” Johnson says about the Vanity Fair piece. “I feel proud of helping create this lightning rod for a larger conversation that’s much needed in America — that whole silence on the rape culture that is here.”

Ihejiriki also asked Johnson about her thoughts on Camille Cosby’s recent public stance. The supermodel-turned-businesswoman’s latest comments come on the heels of Chelsea Handler talking to Esquire, for the magazine’s April 2015 cover story, about how she feels she evaded the dark specter of Cosby a decade ago in Atlantic City.

Johnson traveled to Chicago for this weekend’s Black Women’s Expo. Her new OWN reality TV series Beverly’s Full House debuts Tuesday.

Previously on FishbowlNY:
The 12 Days of Cosby
 
[Jacket cover courtesy: Atria Books]

Building Façade Covered by Samantha Everton

L’artiste australienne Samantha Everton a travaillé en collaboration avec le cabinet d’architecture Kavellaris Urban Design pour créer la façade de ce nouveau bâtiment à Melbourne. L’édifice appelé « 2 Girls » est tapissé de l’oeuvre photographique « Masquerade » tirée de sa série « Vintage Dolls ».

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JMY Architects combines living and retail spaces on a narrow site in Busan

An apartment, community space and shop are accommodated in this skinny building squeezed onto a narrow plot in the South Korean city of Busan by local office JMY Architects (+ slideshow).

Daecheong-dong Small House by JMY Architects

The site for the building in Busan’s Daecheong-dong district measures just five metres wide by 12 metres deep, so JMY Architects chose to combine the various functions by stacking them vertically.

Daecheong-dong Small House by JMY Architects

By uniting a three-storey apartment with a commercial gallery space used by the owner, the building aims to demonstrate the potential for restricted urban sites to merge accommodation with retail and leisure activities.

Daecheong-dong Small House by JMY Architects

“The project promotes space as a medium for urban life, where life expands toward the city and city life merges into one building,” said the architects in a statement.

Daecheong-dong Small House by JMY Architects

“It introduces a new possibility for small-scale housing and the expandability of human life as an alternative method for suburban revitalisation, rather than large-scale development projects such as new town developments.”

Daecheong-dong Small House by JMY Architects

A key challenge was to incorporate a mixed-use program while meeting regulations governing the need for appropriate distance from neighbouring buildings, as well as the requirement for a direct evacuation route.

Daecheong-dong Small House by JMY Architects

Circulation issues are resolved by positioning a staircase at the rear of the building. The stairs are enclosed by concrete walls interrupted by openings that contain metal mesh panels.



The mesh surfaces allow light and air to reach the stairwell, which is just a few inches away from adjacent buildings on three sides.

Daecheong-dong Small House by JMY Architects

On the ground floor, a full-height window facing the street displays the interior of the showroom space.

Daecheong-dong Small House by JMY Architects

The entrance to the showroom is set back from the pavement below a cantilevered corner of the building.

Daecheong-dong Small House by JMY Architects

The first floor accommodates an open-plan space that can be used by the local community. The majority of its glazed end wall is treated with a frosted finish to restrict visibility into the room from the street.

Daecheong-dong Small House by JMY Architects

The apartment is located on the upper levels, with the master bedroom suite and small lounge on the third floor; a kitchen, dining and lounge area on the fourth floor; and a guest bedroom at the top.

Daecheong-dong Small House by JMY Architects

Both the master bedroom and main living space culminate in glass surfaces, which incorporate doors that open onto sheltered balconies set back from the street-facing elevation.

Daecheong-dong Small House by JMY Architects

A staircase connecting the different levels follows the boundary wall and is screened from view by frosted glazing.

A double-height void provides a visual link between the top two floors and enables the glazed end wall to extend upwards and provide better views of the sky.

Daecheong-dong Small House by JMY Architects

The same precast concrete panels used in the stairwell are applied throughout the interior and extend onto the balconies.

Photography is by Joonhwan Yoon.


Project credits:

Architects: JMY Architects
Project architect: Jaemin Yoon
Design team: Hyukhyu Shin, Kwangjae Ryu, Minji Kim, Eunji Choi, Yeonjung Lee, Seongmin Lee, Jinsoo Kim
Collaborators: MOA Structure, HL Consulting Engineers, Wookdongbangjae
Construction: CS Construction
Interior construction: Site people
Graphic design: Social Graphics

Daecheong-dong Small House by JMY Architects
Site plan – click for larger image
Daecheong-dong Small House by JMY Architects
Ground floor plan – click for larger image
Daecheong-dong Small House by JMY Architects
First floor plan – click for larger image
Daecheong-dong Small House by JMY Architects
Second floor plan – click for larger image
Daecheong-dong Small House by JMY Architects
Third floor plan – click for larger image

Daecheong-dong Small House by JMY Architects

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retail spaces on a narrow site in Busan
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Dumb or Anti-Semitic? Critics Weigh In on Lena Dunham

The general consensus from the thoughtful side of the Lena Dunham reaction pile is that her “Shouts & Murmurs” piece in the March 30 issue of The New Yorker is not anti-Semitic.

New York Times religion columnist Mark Oppenheimer, writing this morning for Time, disputes editor David Remnick’s statement that Dunham was working in the Lenny Bruce, Larry David and Sarah Silverman vein. He suggests that the Jewish characters in Girls are not lovable, a la Curb, nor does Dunham make her Jewish self the butt of “Member of the Tribe” jokes, a la Silverman:

Is Dunham an anti-Semite? Of course not. She is just a young artist, with shaky judgment, and no real feel for the tradition of Jewish humor in which her editor, presiding over America’s most storied magazine, suggests she is working. And this whole episode has the salutary effect, I like to think, of folding Dunham more closely into the tradition of Jewish writers: sooner or later, if we’re doing our job, we all get called bad for the Jews.

Jonah Golderg, in The National Review, thinks the piece is a sad reflection of today’s challenged magazine industry times. And… not anti-Semitic:

I don’t think she was going for anti-Semitism, though she’ll happily pocket the edginess that accusation brings. Rather, like so much of what Dunham does, it reeks of self-indulgence. She clearly think it’s very clever. But as a piece of writing it’s remarkably un-clever. It’s not terrible. It’s more like a solid B in a college-writing seminar.

Finally, Bendik Kaltenborn, the Norwegian illustrator who drew the cartoon that goes along with Dunham’s words, tells Slate he thought it was funny when he first read it. And that the magazine asked for art changes:

“I’d done an illustration of Lena Dunham for a Norwegian magazine so had done some research on her and her life. I got sent the [article] text, and I Googled her dog and her boyfriend. Then I just drew the dog and boyfriend.

Meaning at first you actually drew Jack Antonoff?

Yes. It’s quite a personal text so I thought that made sense. But then someone at the New Yorker told me they wanted just a regular person, not her boyfriend. So I changed it.

They wanted him to look like a generic-looking guy?

Yes, that was the idea. The first version really looked like Jack Antonoff.

Had The New Yorker stuck with that first illustration, it might actually have helped diminish the outrage in some circles over the humor essay.
 
[Photo of Dunham with Judd Apatow at November 11, 2014 PEN Center USA 24th Annual Literary Awards in Los Angeles: Helga Esteb/Shutterstock.com]