Vulcan carbon-fibre racing car signals "next generation" for Aston Martin

British manufacturer Aston Martin has released images of a new carbon-fibre racing car that the brand says offers hints of the design it will roll out for future road vehicles (+ slideshow).

Aston Martin Vulcan car

The Vulcan racing car is styled entirely in-house by the Aston Martin design team led by chief creative officer, Marek Reichman.



It features a monocoque – or single-piece skin – with sweeping lines, a low-sitting cockpit, and exaggerated front and rear wings.

Aston Martin Vulcan car

The interior of the vehicle is stripped down to an absolute minimum to reduce weight and features a racing steering wheel, digital display screen, bucket seats and an angled dashboard with integrated control settings.

Further details of the design will be released when it debuts at the Geneva Motor Show next week, alongside the brand’s Vantage GT3 special edition.

Aston Martin Vulcan car

It will be the first entirely new design released by the brand under its current CEO Andy Plamer, who left Japanese manufacturer Nissan to join Aston Martin in September.

“With a design language hinting at the next generation of Aston Martin sports cars, this supercar is powered by the most potent iteration yet of the company’s 7.0-litre V12 petrol engine,” said Aston Martin.

Aston Martin Vulcan car

Only 24 models of the car will be made, and owners will be offered extensive track training prior to delivery. Each car will also have its design tailored to its owner, with various colours available for trims and upholstery.

“Aston Martin Vulcan is, by its very nature, a rare and thrilling supercar,” said Palmer. “Designed and engineered to deliver a genuinely bespoke driving experience that draws on our rich heritage, this car tailors its power and handling to both the capabilities of the driver and the characteristics of the track.”

Aston Martin Vulcan car

The Vulcan includes a number of technologies developed by Aston Martin for competitive motor sport, including a powerful petrol engine that generates over 800-brake horsepower (bph), and a suspension kit featuring an anti-dive mechanism.

Dive indicates the degree to which the vehicle’s front leans forward when braking. The less a vehicle ‘dives’ forward, the greater its stability.

Aston Martin Vulcan car

Adjustable dampers – or shock absorbers – act to minimise reverberations and produce a smoother ride, while front and rear anti-roll bars work to reduce the amount the vehicle rocks from side-to-side during fast cornering.

The heaviest component, the engine, is placed between the driver and the front axle to improve weight distribution.

Aston Martin Vulcan car

Power from the engine is delivered to the rear wheels only, keeping the front wheels dedicated to traction and steering.

The monocoque is made from carbon fibre to increase its strength and help protect the driver from impacts. Using a single piece, rather than multiple components, spreads any stress put on the vehicle during racing across the entire shell.

Aston Martin Vulcan car

This technique was first used in car design by British supercar brand McLaren in 1981 and is now common in high-end motor sport.

Using lightweight carbon fibre also has the effect of significantly increasing the vehicle’s power-to-weight ratio – the actual performance of an engine, which is calculated by dividing the engine’s power output by its total weight.

Aston Martin Vulcan car

Other brands showing in Geneva this year include Ford, which has developed its first supercar in 10 years.

McLaren will also exhibit two cars. Rober Melville, McLaren’s chief designer, spoke exclusively to Dezeen last month revealing the brand’s plans for a car that could change shape when switching from driverless to manual modes.

The post Vulcan carbon-fibre racing car signals
“next generation” for Aston Martin
appeared first on Dezeen.

Don Lemon Interviews Animals Now

This is @CNN. #donllama pic.twitter.com/7TGMdbjeJk

— CNN Tonight (@CNNTonight) February 27, 2015

You’re goddamn right it is.

Newfoundland Reacts to NYT Magazine Diss

After you read the travel piece “My Saga, Part 1” in this weekend’s New York Times Magazine by Karl Ove Knausgaard, consider clicking over to Canadian daily newspaper the St. John’s Telegram.

Understandably, folks in that Canadian province are going to be less than thrilled with passages like this one (bolding is ours), involving the St. Anthony outpost of restaurant chain Jungle Jim’s:

Several TVs were on with the sound muted, showing a hockey game between Sweden and Russia, a semifinal for the World Junior Championship. Everyone in the place, except the waiter, was fat, some of them so fat that I kept having to look at them. I had never seen people that fat before. The strange thing was that none of them looked as if they were trying to hide their enormous girth; quite the opposite, several people were wearing tight T-shirts with their big bellies sticking out proudly.

So Who is this Knausgaard fellow, who presently calls Sweden home? Per the New York Times footnote, the title of the two-part series (concluding in the March 15 issue) echos this Norwegian-descended vagabond’s six-volume (!) autobiographical novel My Struggle. Volume Four is set to arrive in English this April.

This was definitely a killer assignment. As the article author, he was tasked by the magazine with starting in Newfoundland, where the Vikings once settled, and driving south into the U.S. and then westwards to Minnesota, the settling choice of a great many Norwegian-American immigrants.

While the Telegram piece is actually fairly civil, opting for itemization over outrage, the reader comments that have begun to come in are not.
 
[Article banner via: nytimes.com]

American-Bangladeshi Blogger Savagely Murdered in Dhaka

This is sickening and deeply upsetting news.

Per a report in the New York Times, a pair of machete-wielding attackers swooped down Thursday night at a book fair in Bangladesh’s capital on author-blogger Avijit Roy, 42, and his wife Rafida Ahmed Bonya, 45. He died as a result of the attack; she remains in critical condition. From the article:

Roy was a prolific writer on secularism and condemned religious extremism, particularly through his blog, Mukto-Mona, the Bengali words for Free Mind. He also wrote on the website of the Center for Inquiry, an organization based in the United States dedicated to humanist thinking and critiques of religion.

The Times report references a ‘recent article’ by Roy for the Center, but that item has in fact not yet been officially published. “The Virus of Faith,” which will appear in the April/May issue of the Center’s Free Inquiry publication and addresses reaction to the release of Roy’s 2014 book Biswasher Virus, is very sadly prophetic:

The death threats started flowing to my email inbox on a regular basis, he wrote, describing reaction after the book came out. One extremist, he wrote, “issued death threats to me through his numerous Facebook statuses.” In one, the extremist wrote: “Avijit Roy lives in America and so it is not possible to kill him right now. But he will be murdered when he comes back.”

Roy, a U.S. citizen, was born in Bangladesh. Read the Center For Inquiry’s statement here.

In December, Roy began a Mukto-Mona blog post with this quote from Salman Rushdie: “Religion, a medieval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms.” RIP.
 
[Photo via: Center For Inquiry]

ListenUp: Leonard Nimoy: By Myself

Leonard Nimoy: By Myself


Today, news broke that Leonard Nimoy passed away at the age of 83. Bringing the half-human, half-Vulcan Mr. Spock to life in the Star Trek television and movie series, Nimoy has been “beamed up” one final time. Many Trekkies may not realize that beyond……

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Link About It: Net Neutrality Wins

Net Neutrality Wins


In an expected 3-2 vote, the FCC has elected to reclassify the internet as a “telecommunications service,” effectively banning throttling, blocking and paid prioritization. The new rules level the playing field for all internet entities and prohibit……

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The Coca-Cola Bottle: An Icon at 100: Atlanta's High Museum of Art pays homage to the iconography at an exciting exhibition

The Coca-Cola Bottle: An Icon at 100


In 1915, the Coca-Cola Company distributed a brief to bottle makers across the US. The request was to craft a bottle so distinct that it could be recognized by hand in the dark—that its essence would remain visible even when shattered. Root Glass Company……

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Avian-inspired Architecture

At the entrance of the landmark city of Mashhad, Iran, this “living architecture” is inspired by the birds inhabiting the city’s Imam Reza shrine, where tourists flock to take in the architecture & avian dwellers. Driving visitors are greeted by a 28 meter high pillar with moving wings powered when incoming vehicles drive over a subtle bump connected to system of cables & gears. Nestled amidst the ancient backdrop, this modern marvel stands out as both a tribute to one of the city’s historic attractions & a symbol of its importance in the world of tomorrow.

Designers: Naser Nasiri & Taher Nasiri


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Shop CKIE – We are more than just concepts. See what’s hot at the CKIE store by Yanko Design!
(Avian-inspired Architecture was originally posted on Yanko Design)

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Clasp and Cook

In light of everything being portable, it’s only fair that cooking stoves go that way too. The Clasp Range is a portable stove that is lightweight, easy to charge and totally ready for the go. Think camping, picnics and BBQ Parties and more, designed to fit both indoors and outdoors, I love the handgrip and collapsible elements to the design.

Designers: Kinam Hwang, Mina Kim, Jisoo Koh & Suim Chois


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Shop CKIE – We are more than just concepts. See what’s hot at the CKIE store by Yanko Design!
(Clasp and Cook was originally posted on Yanko Design)

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Euro Bills Bombing Project

A travers son projet Euro Banknotes Bombing, l’artiste grec Stefanos ajoute aux billets d’euros des petites silhouettes humaines dessinées à l’encre noire afin de transformer les monuments figurants sur les billets en des scènes dramatiques et emblématiques de la crise économique de son pays. Des scans qui témoignent de l’instabilité sociale de la Grèce, à découvrir.

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