Media Says Media Shouldn’t Cover Donald Trump

Everyone knows that Donald Trump is not the brightest bulb in the pack and his political ramblings are completely meaningless. Everyone also knows that it’s fun to cover him anyway. Not The Atlantic, though. The magazine is taking a stand against covering Trump… By covering Trump.

The Atlantic called out all the news organizations — Gawker, ABC, the Daily News, CBS, and more — that covered Trump’s latest speech. “Based on news coverage of the event, you’d think Donald Trump was the most consequential speaker and that his words deserved to be disseminated widely,” reported the magazine.

We’re not arguing with The Atlantic’s point that “The combined worth of those stories is zero,” (though the italics were a bit dramatic). What we’re saying is that the media covers Trump because people want to read about him. He’s the living embodiment of a car crash — you know it’s going to be bad, but you look anyway.

The Atlantic should know that attacking the media for reporting on Trump is just as worthless as reporting on him. Especially if you’re criticizing while covering him anyway; as The Atlantic has done here, here, here, here and countless other times.

(Image: Christopher Halloran/Shutterstock.com)

DIY Laser Cut Foodie Rings

L’agence Tourdefork met au point des procédés DIY de produits au design malin et accessible dont les patrons sont disponibles en ligne. À l’occasion d’une parution dans le mensuel italien CASAfacile, l’agence a réalisé une série de cinq bagues imprimées en 3D, permettant d’accrocher des aliments tels que petits fruits ou biscuits sur le dessus de l’anneau. Une nouvelle approche gustative à découvrir en images.

DIY Laser Cut Foodie Rings -6
DIY Laser Cut Foodie Rings -5
DIY Laser Cut Foodie Rings -4
DIY Laser Cut Foodie Rings -3
DIY Laser Cut Foodie Rings -0

This Smartwatch for Fit Kids!

Fitness education is most effective when introduced at a young age… but unless it’s presented in an engaging way, kids’ sponge-like brains won’t hold on to it! The Miiya smartwatch does just that! It’s the fitness-focused smartwatch that turns being health and exercise-concious into a game. The Miiya avatar responds to physical activity, growing and evolving in a never-ending adventure! Daily reports also give kids, parents and physicians a comprehensive look at health stats to see where improvements can be made. Jump to the vid!

Designers: Frederic & Nicolas Bruneau


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
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(This Smartwatch for Fit Kids! was originally posted on Yanko Design)

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Jin Kuramoto adds maple furniture to Matsuso T range

Cologne 2015: Japanese designer Jin Kuramoto has launched two collections of wooden furniture under his own brand Matsuso T (+ slideshow).

Jin Kuramoto Studio for Matsuso T

Jin Kuramoto has added the Sally chair and table, and the Molly shelving to the range offered by his Matsuso T furniture brand, which he launched last year.



Jin Kuramoto Studio for Matsuso T

Working with Japanese craftsmen that still use traditional carpentry techniques, the designer has created the new maple products to demonstrate these skills.

Jin Kuramoto Studio for Matsuso T

The first is a simple chair that features a gently curved seat. Its angled front legs extend up to support a rounded back rest, secured in place by two black screws on each side.

Jin Kuramoto Studio for Matsuso T

The two back legs point out in the opposite direction, braced with small joists positioned just below the seat.

Jin Kuramoto Studio for Matsuso T

“With the Sally chair, we have finally succeeded in producing a really strong structure with minimum parts,” said Kuramoto.

Jin Kuramoto Studio for Matsuso T

A four-legged table with a circular top is made from the same wood and constructed with pairs of matching black fastenings.

Jin Kuramoto Studio for Matsuso T

The designer has also created a modular shelving system based around a square grid of compartments.

Jin Kuramoto Studio for Matsuso T

Sections of the wooden shelves and stands are covered by upholstered doors, which hide some of the legs.

Jin Kuramoto Studio for Matsuso T

“The Molly shelf series has an unusual expression stemming from the contrast between crisp, right-angled wood joints of the structure and generous, fabric-covered surfaces,” Kuramoto said.

Jin Kuramoto Studio for Matsuso T

Dark-coloured boards are placed onto the back of the units, offset from the vertical elements.

Jin Kuramoto Studio for Matsuso T

Molly is available in a variety of sizes and configurations, some large enough to act as room dividers.

Jin Kuramoto Studio for Matsuso T

Both designs were unveiled at the imm Cologne trade fair earlier this month, where Matsuso T also debuted a collection of stripy wooden furniture by Claesson Koivisto Rune.

Jin Kuramoto Studio for Matsuso T

Last year the brand showed a range of pentagonal furniture, also by Claesson Koivisto Rune, as well as Kuramoto’s own designs at the Stockholm Furniture Fair.

Photography is by Takumi Ota.

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Foster's London towers to feature one bike parking space per bedroom

250 City Road by Foster + Partners

News: a twin-towered residential development by Foster + Partners is set to become the most cycle-friendly high-rise in London, with one bike parking space per bedroom.

The 250 City Road development, which launched last week, features 1,486 bike parking spaces – one and a half for each of the 930 apartments – but only 200 car parking spaces.



It also features dedicated bike lifts and a bike workshop for residents located beneath the 32- and 46-storey twin skyscrapers, which will occupy the site of a 1980s business park.

250 City Road by Foster + Partners

“The project has a dedicated cycle lift from ground to basement level, where the cycle storage areas are located,” said Giles Robinson, partner at Foster + Partners and the project architect for the scheme. “At the basement level there is a dedicated cycle maintenance workshop that enables cycles to be cleaned and maintained.”

The high level of cycling provision exceeds Transport for London‘s latest cycle design guidelines for new developments, which were published earlier this month.

250 City Road by Foster + Partners

Under the guidelines, the 130,600-square-metre project would be expected to provide 1,223 spaces. However Islington Council‘s planners insisted on even higher provision.

Notes from the planning meeting held on 1 April last year state that the council “requested that the level of cycle parking be increased from 1,223 to 1,483 cycle parking spaces, which is in effect one space per bedroom. The applicant has agreed to this amendment.”

“We undertook an exercise to maximise the bicycle count and managed to increase the number to 1,483,” said Robinson. One quarter of the spaces will be provided in stackable storage racks.

“It’s a figure that spectacularly reflects changing attitudes to cycling in London,” said Peter Murray, a member of the London Mayor’s Design Advisory Group and a keen cyclist. “It represents a big shift in London. All new developments have to meet the [cycle provision] requirements, but since this is a tall and dense project the impact and scale is impressive.”

250 City Road by Foster + Partners

Murray added: “TfL’s new London Cycling Design Standards starts with the words ‘Cycling is now mass transport and must be treated as such’. Developments have to take this cultural shift on board and allow not just for immediate requirements but for future growth.”

Developer Berkeley brought Foster + Partners on board for the project after buying the site and inheriting a previous design that it felt was not of high enough architectural merit.

An earlier version of Foster’s design was made public in 2013, forming part of an emerging cluster of tall buildings located between Angel and Old Street, which also features UNStudio’s almost-complete Canaletto tower. The twin-tower development also includes space for restaurants and cafes, retail units, three floors of office space and a 190-bedroom hotel.

250 City Road by Foster + Partners

Foster + Partners has a reputation for encouraging cycle culture. Last year Norman Foster unveiled a concept design for a network of elevated cycle paths above London’s railways. Called SkyCycle, the project was developed with landscape architects Exterior Architecture and transport consultant Space Syntax, and aimed to create a 220-kilometre “cycling utopia” of dedicated lanes.

“Low carbon transportation is always encouraged at Foster + Partners and we are proud that 21 per cent of our employees cycle to work, with a further 20 per cent walking,” said Robinson. “This compares to the London average where just three per cent of trips are completed by bike.”

Foster’s headquarters building at Battersea in west London is one of the most cycle-friendly in the city, Robinson added. “To encourage cycling we have expansive cycle storage facilities across our campus, a solar powered shower block, and drying rooms to be used by our staff. We offer regular free bike mechanic sessions, which sees over 160 employees having their bikes serviced and checked for safety. We also actively promote the cycle to work scheme within the practice.”

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Competition: five SQM The Quantified Home books to be won

Competition: Dezeen has teamed up with Lars Müller Publishers to give readers a chance to win one of five books presenting curator Joseph Grima‘s research into changing ideas of “home”.

SQM - The Quantified Home

SQM: The Quantified Home was originally published to accompany an exhibition of the same name that Grima and his studio Space Caviar curated at last year’s Biennale Interieur event.



Space Caviar took over an abandoned school in Kortrijk, Belgium, and used the building’s architectural elements to present the findings of its research into how perceptions of home have changed over time.

SQM - The Quantified Home

Like the exhibition, the publication examines how financial, environmental, technological, and geopolitical forces affect the way we live.

SQM - The Quantified Home

Data is presented as graphs and relevant architectural projects are illustrated as isometric drawings.

SQM - The Quantified Home

Dezeen columnists that have contributed original essays for the book include Justin McGuirk, who talks about the socialist dream of London’s doomed Robin Hood Gardens housing complex; Sam Jacob, who writes about the UK capital’s current trend for luxury basement extensions; and Dan Hill, who examines the commodification of services in Helsinki.

SQM - The Quantified Home

Other case studies include Osama bin Laden’s compound and the success of home rental website Airbnb.

SQM - The Quantified Home

The paperback book is available from the Lars Müller website in a range of cover styles, all designed to look like wallpaper patterns from different periods.

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Competition closes 23 February 2015. Five winners will be selected at random and notified by email. Winners’ names will be published in a future edition of our Dezeen Mail newsletter and at the top of this page. Dezeen competitions are international and entries are accepted from readers in any country.

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Adidas addresses the haters in new spot

A new ad for Adidas, created to promote the brand’s “shiny new boots”, takes a light-hearted swipe at all the haters out there on social media…

The spot, created by Iris, features footies stars including Luis Suárez, Gareth Bale, James Rodriguez and Karim Benzema, alongside a whole lot of negative hashtags, including #fail, #shutup and #cheat. After a flurry of abuse is flung at the players, it then ends with the classic riposte to shut up the haters: you’re just jealous.

The star that makes the ad’s theme particularly work is of course Suárez – while Bale et al may have received the odd attack on Twitter, the commentary around Suárez has been immense.

Adidas was drawn directly into the furore around the infamous Suárez World Cup bite when witty fans created ‘bite selfies’ using images of the player featured in an Adidas poster campaign (see below), which they then tweeted with the hashtag #suarezing. Despite this, no direct mention of the incident is made in the new ad, which opts instead to aim fire at trolls in general.

Credits:
Agency: Iris
Creative director: Adam Fish
Design director: Iain Robson
Production company: Frenzy Paris
Director: Ernest Desumbila

Artist INSA makes his latest animated gif… from space

UK street artist INSA is known for his animated Gif-iti wall pieces, but he has upped the scale for his latest project: it required a 14,000 square metre canvas and a pair of satellites to create the world’s largest animated gif…

For the third in whisky brand Ballantine’s series of collaborations with creatives, INSA and his team took to Brazil to lay the groundwork for the gif in a vacant parking lot in Rio de Janeiro. (The two previous ‘Stay True’ campaigns have seen musician Black Coffee conduct a human orchestra and skateboarder Kilian Martin perform an opera.)

INSA is known for his wall pieces that, when photographed using a special app, become animated works viewable online and via smartphones. A collection of his work to date is at gif-iti.tumblr.com while the project he completed with artist Stanley Donwood for XL Records’ offices was covered by CR here.

“[The] internet has changed our view on art,” INSA says in the film documenting his latest animated creation. “I wanted to cross both worlds and make work that existed in online space even more than it existed in real space.”

To make each of the four ‘images’ needed to create the final gif for the project, INSA and a team of painters marked out a pattern of twenty hearts using rope and spray cans attached to a trundle wheel, and then covered the area (14,000 square metres) in pink and yellow paint.

“This is way bigger than anything I’ve ever done before!,” INSA told CR. “It poses a whole other level of challenges: to sketch up an image this large, but with the help of a trusty trundle wheel, rope and some mathematical equations, I worked numerous techniques that were new for me for painting on this scale.

“Each heart alone is 24 metres across, and not being able to step back and see the work in progress meant I had to rely quite a lot on my calculations on scraps of papers. There was months of back and forth discussions, location scouting,” he adds. “The design and planning I did on my own, a logistics team were coordinating the satellite and filming, then my assistant along with a team of 20 people were on site to help get it done.”

Astrium, the commercial satellite division of Airbus, provided a pair of ‘Pleiades’ satellites for the project, along with technical calculations to determine orbit and suitable dates for when the painting needed to be undertaken over one continuous period. The satellites captured an ultra high-definition image once a day for four days, with INSA using the images to create the final looping gif, which is shown below.

“Once the work was done, we had to wait a week until the images were sent back to us from space,” INSA explains. “This was a very tense moment because we couldn’t be sure the project had worked until we overlaid all four days’ images together. Once the images were retrieved it was a simple process of overlaying them into a looping gif; for me the actual gif was made in space by the satellite – I just had to compress it fit for web viewing.”

It says something of INSA’s determination to see all this through – not to say Ballantine’s access to paint and satellites – that the end result after all the effort is a single gif file. But what’s interesting is that even in using some highly unusual high-tech equipment, the core of idea is the same as INSA’s other work – the images in the gif below are ‘in camera’ shots of some coloured paint on the ground. The camera just happened to be 431 miles up in the air.

“What I love about producing my gifs is the amount of effort – the scale and man power that has gone into this is huge – but ultimately it’s still just a 600 pixel wide gif to be shared online,” INSA said in the project’s news release. “In terms of scale and for the way this project attempts to illustrate time, it’s everything I’ve ever wanted my art to be.”

See insaland.com.

 

Here’s the film Ballantine’s produced of the project:

 

And a making-of film is below:

Predominant.ly lets you browse iTunes' library by colour

OpenWork – a design collective made up of Susana Carvalho, Kai Bernau, Elisabeth Malcolm and Daniel Powers – has created a new site allowing users to browse over 148,000 albums from iTunes’ music library by the colour of their artwork.

Predominant.ly displays iTunes albums in thumbnail format, allowing users to select from a drop down menu of colours and musical genres to refine results. There are 954 shades to choose from, based on the results of Randall Munroe’s XKCD Color Survey (an online experiment where users were shown colours and asked to type a name for it, resulting in over 5 million responses) and 17 musical genres from pop to punk, soul and reggae. Users can then click on a thumbnail to hear samples of tracks on the ample, or click on a link to view the album’s page in iTunes.

OpenWork says the site aims to encourage music lovers to discover new content in a fun and visually engaging way. “In the days of iTunes and Spotify, our primary interfaces to music look like spreadsheet apps – they make it less likely that we would find something that falls outside our normal musical tastes, something that lets us broaden our horizons, or expand our musical base,” reads a statement on the site. “We either have to search for new music (and how can you search for something that you don’t already know?) or software algorithms give helpful results that are often useless, or hilarious. The act of discovery makes our music more special to us: it’s the thrill of the hunt and the sense of discovery that we miss,” it adds.

Bernau says OpenWork has been developing the site part-time for around six months, categorising 148,632 releases. “There is a lot of things that we filter out, like classical music, because those covers are usually not as visually driven, and a number of keywords (such as ‘Karaoke’ in the album title) that are not likely to have nice cover art,” he explains.

“The categorisation was actually the easy part – it took some time to figure out which method of determining the dominant colour of an album worked, and developing a technique for processing all of the data into a form that was usable for us, but was also a technical challenge. Once those hurdles were cleared, it really became a design question: how can we make this a total delight to use, and can we make the interface as welcoming as possible,” he adds.

 

As well as being a great tool for procrastination, the site throws up some surprising and amusing results – a search simply by colour will place Ed Sheeran alongside Patsy Cline, for example, or Nirvana with Bruno Mars. It also offers a look at some of the colours favoured by different genres – a search for ‘purple’ and ‘electronica’ will unsurprisingly reveal dozens of covers, likewise ‘black’ and soul or metal, yet there are no results for blues albums with green covers, and just a handful of blue covers for country albums.

Bernau says he hopes the site will “elevate the experience” of looking for music on a screen, making it “as personal and delightful as stumbling across a long-forgotten favourite in a second-hand record store.”

 

CR February: Yum! It's the Food issue

Our February issue looks at how creativity is changing what and how we eat, with features on the story behind the Leon fast-food chain, apps for farmers in the developing world, the Disappearing Dining Club, trends in food photography and initiatives to tackle food wastage

 

The best way to ensure you never miss an issue of CR is to subscribe and save up to 30% off the cover price. Full details are here

Subscribers also receive a range of discounts plus exclusive access to members-only events via CR Club (currently you can get free tickets to the Leeds Print Festival and 20% off all Phaidon food books)

Rachael Steven meets the founders and design team at Leon, the restaurant chain with a fresh perspective on fast food

 

Mark Sinclair looks at how publisher Phaidon has applied its artistic heritage to its growing range of beautiful recipe books

 

Mark also reports on new initiatives that are being introduced to tackle the huge global food waste problem

 

Next, we take a look at the story behind the Haller app, one of a series of smart phone apps that are revolutionising farming and food production in developing countries

 

Eliza Williams meets Stuart Langley, founder of the Disappearing Dining Club, which serves up great food in unexpected locations to create memorable nights out

 

And Antonia Wilson reports on the current trends in photography and food styling, includng the importance of leaving in the crumbs, spills and smears to create deliciously authentic imagery

 

Amsterdam’s Bilder & De Clercq grocery stores offer a new approach to home cooking, with great design too. Eliza Williams reports

 

And Silas Amos picks out the major trends from the Pentawards annual

 

Of course, we also have our regular columnists: Daniel Benneworth-Gray attempts to make a list of new year’s resolutions; Michael Evamy bemoans the logos of the various UK political parties in advance of the general election in May and Paul Belford deconstructs a classic Big Issue poster

 

And Gemma Fletcher reviews the Guy Bourdin retrospective at Somerset House in London

 

 

Our cover this month was created and photographed by Massimo Gammacurta using a mixture of sugar, corn syrup and water to create the letterforms, which were then shot on glass. The logo was cast in sugar.

 

This is the second issue in what has been a change of strategy for CR. Over the next year, you will see us covering the creative industries from a wider perspective. Each issue will do this by exploiting a particular theme: in March, this will be Entertainment (including gaming, Film and TV) while our April theme will be Health

The best way to ensure you never miss an issue of CR is to subscribe and save up to 30% off the cover price. Full details are here

Subscribers also receive a range of discounts plus exclusive access to members-only events via CR Club (currently you can get free tickets to the Leeds Print Festival and 20% off all Phaidon food books)


Thanks to a new distribution deal, we are also available at WH Smith and other newsagents nationwide in the UK