Pong Traffic Light lets You Play Pong with Person on the Other Side
Posted in: UncategorizedTraffic light that lets you play Pong with person on the other side officially installed in..(Read…)
Traffic light that lets you play Pong with person on the other side officially installed in..(Read…)
A l’occasion du BAM Festival à Liège, la team créative française IF a réalisé une installation audiovisuelle de 16 lampes intitulée « Apophenia ». Grâce à un jeu d’ombres, de lumières et de volumes, notre oeil est conduit à percevoir des motifs. A découvrir en vidéo.
D’une manière très conceptuelle, l’artiste experimental San Pierre, basé à Londres, réalise de bien étranges tableaux en superposant des images telles que des silhouettes et des graphiques par des tissages tendus à des écrous. Il en résulte de superbes effets moirés, dont les détails et la précision sont à découvrir dans la suite.
Architect Jochen Specht has doubled the size of a 1960s house in rural Austria by encasing its stone walls behind a new facade made up of dark timber, concrete and plenty of windows (+ slideshow).
Located on a hill above the city of Dornbirn, the original 85-square-metre Haus Hohlen offered residents views of the Rhine Delta and Lake Constance.
However it had become too small for its four inhabitants, so they asked Jochen Specht to carry out substantial extension and reorganisation works to increase the living space.
The local architect gutted the original building, removing obsolete fixtures and extensions but preserving the original stone walls, which are now coated in a layer of clean white plaster. He then added a new facade, creating a house within a house.
“Given the need to increase the amount of space and renew the facade, the idea came up to construct a new building that envelopes a certain distance around the old house,” he said.
The span of the pitched roof structure was extended four metres to the front and rear to cover new bedrooms and living spaces, and 1.5 metres on either side to take circulation corridors and stairways outside the footprint of the original plan.
The new facade features a concrete base, above which an assortment of different windows are framed by aluminium and timber. Together, these conceal all of the original outer walls.
Inside the building, openings made through the white-rendered surfaces of the original stonework merge the existing rooms with the new spaces to create generous living areas.
“It was important to keep the old house’s structure recognisable within the new – old windows became passageways, an old kitchen window became a pass-through, another window became a niche for a basin,” said the architect.
A utility room, bathroom and hallway are housed in this central area at ground level, and a kitchen, bathroom and dining room on the upper level.
Pale wooden surfaces and joinery in the extension help to further differentiate these spaces from the older sections of the house.
“The wooden frame construction is intended as a spatial contrast to the existing solid structure,” said the architect. “The windows generate a sophisticated pattern facade which offers both open and more shielded spaces indoors.”
A new concrete screed was laid across the floors to facilitate underfloor heating and polished to create a homogenous flooring throughout the building.
The main entrance to the house is raised above ground level and accessed by a black metal staircase that passes through a cellar in the concrete base of the building. Inside, the steps transition to concrete and then to wood.
Bookshelves are located under the wooden staircase and metal mesh inserts overlook the stairwells from the upper floor.
Photography is by Adolf Bereuter.
The post Jochen Specht envelops a 1960s house
in a new timber and concrete facade appeared first on Dezeen.
Two designers from different sides of the globe have used a fictional design company to launch a new version of Comic Sans, with added spurs to lend it a “vintage, Mid-Western American aesthetic”.
New York-based design director Michael Kleinman and Sydney art director Declan Byrnes-Enoch have published Comic Spurs under the name James H Goldberg.
Comic Spurs is based on Comic Sans, the comic book-style typeface designers love to hate. Each letter has added barbs, some running through the middle and some sticking out from only one side. These are the spurs referred to in the title – a reference to the spikes worn by horse riders and cowboys on their boots.
The typeface is available from a bespoke website, which introduces Comic Spurs as a way to “fight back against the anti-establishment establishment”.
“These days it is getting harder and harder to be ironic,” it says. “Comic Sans used to be funny to designers, but it’s been corrupted by ‘The Man’.”
The designers said they created the typeface as a response to a growing trend for typography and branding “with a vintage, Mid-Western American aesthetic”.
“It’s usually accompanied by smaller words and slogans like ‘Artisanal’ or ‘Finest Quality’,” the designers told Dezeen. “Since those words require very little substantiation, it’s easy to perceive them as fake, almost ironic. How could something so weathered have been founded last Tuesday?”
“So the challenge was to authentically reproduce this style with the world’s most ironic font.”
Comic Spurs can be downloaded from the specially created website, and is available to use for free.
It is part of a wider collaboration under the name James H Goldberg, through which the designers work on “absurd” projects that poke fun at the design world.
“As creative professionals we usually work on more sincere projects and have both at times seen the absurdity in what we do, and how seriously people can take it,” they said. “James H Goldberg provides the perfect opportunity to reflect that absurdity, with the same techniques we use to create sincerity on a daily basis.”
Past projects have included Creative Promises, a range of 3D-printed promise rings – jewellery used to demonstrate commitment to a partner before or instead of marriage – designed to show the “special bond” between art director and copywriter.
“From that, we realised one of the most enjoyable aspects was reading people’s interpretations of our work, good or bad, it’s fascinating,” they said. “So we wanted to make something that people would react to. Cue Comic Sans. And the fact that it’s probably the most overused joke in the design world only adds fuel to the fire.”
Kleinman and Byrnes-Enoch said that they hoped Comic Spurs would provoke a strong reaction but also show how design can be used to “manipulate people’s perception”.
“If a middle-class office worker with a neck tattoo looks like a badass, maybe Comic Sans with spurs can too,” they said.
Based on hand lettering found in comic books, Comic Sans was first distributed as a part of Microsoft’s standard font package in 1995.
Its availability on millions of desktop computers rapidly made it one of the most popular typefaces in the world, but designers who felt it was being used “inappropriately” began to campaign against it in 2000.
It is now described by the V&A Museum as “one of the most popular and despised typefaces in existence”.
Last month, creator Vincent Connare – who once said the typeface was “the best joke I ever told” – defended the typeface in an exclusive interview with Dezeen.
“I think people who don’t like Comic Sans don’t know anything about design,” Connare told Dezeen. “They don’t understand that in design you have a brief.”
“The timing couldn’t have been better because to us it kind of signified the very end of the Comic Sans joke,” said Kleinman and Byrnes-Enoch.
“You could say that one of the fundamental differences between art and design is a brief. Connare had a brief and he answered it so well that to use it for anything other than its original purpose is utterly ridiculous.”
“Like using Papyrus for a futuristic action sci-fi film; its misuse is the joke, not the font itself. Talking cartoon dog? Definitely. Extruded signage for an audiology clinic? Maybe not.”
The post Comic Spurs typeface is Comic Sans
with added irony appeared first on Dezeen.
For some, keeping the daily pocket essentials together is a struggle in and of itself. When traveling, however, even the most organized among us are prone to misplacing items when thrown out of our daily routines. Designed to keep one’s phone, cards……
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We are pretty kicked about the Carbon Flyer, which also happens to be the world’s first all carbon fiber personal drone that is controlled by Bluetooth and featuring an onboard video camera. The design boasts of a highly durable construction surpasses every other remotely controlled plane, easily surviving the inevitable crashes. Needless to say, this baby is fun to fly and easy to control; in short its a high tech toy that is perfect for the RC enthusiast, the gadget lover or the inner child in everyone!
The Carbon Flyer is all about its super tough carbon fiber airframe, it features an ultra-low drag delta-wing design, allowing for high speeds and superior control; it uses dual high power motors with differential thrust to steer, with no fragile moving parts; it is controlled via long range Bluetooth 4.0 and a smartphone app; it features hot-swappable, rechargeable lithium ion batteries, and it has an onboard camera for taking video while it is flying. In addition, the Carbon Flyer airframe is assembled using carbon nanotube enhanced epoxy, which creates bonds stronger than steel welds. It is, in fact, the world’s first mainstream product to utilize this amazing material technology.
Developed at Trident Design, LLC, an award winning product design and commercialization firm based in Columbus, Ohio, The Carbon Flyer is brought to us by the same folks who designed the Coolest Cooler (the most-funded product of all time, raising over $13.2 million), the Beluga Razor (raising almost $200K), and the Quickey (the most-funded multi-tool of all time exceeding 5,538% of its goal). They work with inventors, startups, and corporations to develop and market products ranging from housewares to consumer electronics to medical devices.
Serial entrepreneur and professional inventor, Chris Hawker, founded Trident with a simple philosophy: “When egos drop away, the best idea wins”. To date, his team of dedicated designers, engineers, videographers, and ping pong fanatics have brought more than 80 inventive products to the market. Iconic products like the PowerSquid and the Onion Goggles have also been designed by them.
Designer: Trident Design [ Buy it Here ]
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Yanko Design
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(Carbon Flyer: The Ultimate Crash Proof Video Drone was originally posted on Yanko Design)
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Basé en Croatie, Cerovski est un studio spécialisé dans l’impression. L’agence de design Bunch s’est chargé d’en créer la charte graphique en proposant une identité de marque très créative et colorée incluant un logo personnalisé, un web design et toute une série de prints. À découvrir en images et à travers une vidéo de présentation.
In 2010 George Lewis Jr released his first album as Twin Shadow. Seemingly pulled out of the ’80s New Wave scene with startling accuracy, Lewis captivated audiences with his 2012 follow-up Confess, along with a string of noteworthy, memorable performances……
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The latest in a trend of artistic cutlery, this cleverly crafted curved wood slice gives table settings an entirely new presentation. Made of stainless steel, filled with small magnets and covered in a walnut varnish, it has a mysterious quality as metal spoons, forks and knives are held firmly in place against the wood material. Elevated from the surface, it’s also a sanitary and safe way to keep cutlery in place.
Designers: Marc-André Roberge, Pierre-Luc Lussier, Michael Roy
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Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Shop CKIE – We are more than just concepts. See what’s hot at the CKIE store by Yanko Design!
(Cutlery Art was originally posted on Yanko Design)
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