Punctured wall separates old from new at Westgarth House by Kennedy Nolan

This house extension in Melbourne by local studio Kennedy Nolan Architects is separated from the rest of the Edwardian property by a wall with a circular hole that children can climb through (+ slideshow).

Westgarth House by Kennedy Nolan Architects

The owners of a typical early 20th-century weatherboard-clad house in the inner-city district of Westgarth asked Kennedy Nolan to increase the floor area of the property, creating more space for their young family and improving the connection between the interior and the garden.



The architects rationalised the existing internal spaces to create a series of spacious bedrooms and a playroom, while the single-storey extension provides a new living area looking onto the garden.

Westgarth House by Kennedy Nolan Architects

The original entrance required the owners to follow a corridor between the bedrooms to reach the main living areas, so the architects relocated the front door to the centre of the property, where it opens directly into the new living space.

Westgarth House by Kennedy Nolan Architects

“By shifting the house’s entry onto the north boundary we managed to separate the private and public spaces,” project architect Adriana Hanna told Dezeen.

“Extending back from the existing house also makes the most of the north-facing site and creates a connection to the outdoors.”

Westgarth House by Kennedy Nolan Architects

The approach to the new entry is flanked on one side by the existing building’s facade and on the other by a masonry wall covered in a rough render, which was added by the architects to emphasise the transition between the street and the residence.

Westgarth House by Kennedy Nolan Architects

A hole punched into the wall close to the entrance allows views through to the garden and the glass sliding doors of the living room, providing a visual connection between the old and new parts of the house.

Westgarth House by Kennedy Nolan Architects

The new volume is constructed from masonry that has been painted white to complement the painted timber of the original building and to enhance the subtle differences in texture between the brick, render and wooden surfaces.

Westgarth House by Kennedy Nolan Architects

“The extension is sympathetic to the aesthetic of the Edwardian house because we used a very similar colour palette which we’ve stripped back as much as we can,” explained Hanna.

“We’re interested in craft and carpentry so we used simple construction techniques and materials to introduce texture and interesting surface details.”

Westgarth House by Kennedy Nolan Architects

The front of the flat roof’s thick fascia has a V-shaped profile that the architects designed to enliven this otherwise mundane surface.

Westgarth House by Kennedy Nolan Architects

A wooden deck outside the front door extends on the other side of the wall across the front of the lawn outside the living room, enhancing the relationship between the indoor and outdoor spaces.

Westgarth House by Kennedy Nolan Architects

A tall picket fence provides a contemporary counterpoint to the traditional fence outside the existing house, and also screens views in from the adjacent street.

Westgarth House by Kennedy Nolan Architects

Wooden finishes add warmth to a largely monochrome palette inside the home, while original details from the Edwardian property – including a decorative wooden doorway arch – are picked out in black to emphasise their presence.



Westgarth House by Kennedy Nolan Architects
Floor plan – click for larger image

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at Westgarth House by Kennedy Nolan
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Paul Rowan on Being Umbra's Vice President of Inspiration and Why His 1984 El Camino Is a Perfect Example of Risk-Taking Design

Umbra-PaulRowan-1.jpgLeft: Rowan with his El Camino. Right: Umbra’s Toronto headquarters and the Garbo trash can, designed by Karim Rashid

This is the latest installment of our Core77 Questionnaire. Previously, we talked to Todd St. John of the Brooklyn studio HunterGatherer.

Name: Paul Rowan

Occupation: VP Inspiration and Co-founder, Umbra

Location: Toronto

Current projects: At Umbra, a steady stream of new design collaborations. Outside of Umbra, I work with Imagination Catalyst, an incubator funded by the Ontario College of Art and Design University in Toronto. Each year, we work with emerging entrepreneurs to mentor and guide them with their inventions. One of my favorite new inventions is an eco-friendly washing machine that can be used without electricity.

Mission: To share my creativity

Umbra-PaulRowan-2.jpgLaunched last spring, Umbra Shift is a collection of everyday items by emerging designers. The Hanger Chair (above) is by Philippe Malouin.

Umbra-PaulRowan-3.jpgThe Cup Lamp by Paul Loebach (who previously answered the Core77 Questionnaire here)

When did you decide that you wanted to be a designer? When I was six years old, in my Dad’s hardware store. The store gave me an applied arts education.

Education: I studied graphic design at George Brown College, Toronto. And industrial design at the Umbra University of Life and Business.

First design job: A brochure for a boat-line company in the Thousand Islands. Wonder if they’re still using it?

Who is your design hero? After Mother Nature, it would have to be Matt Carr, design director for Umbra. The new line he created, Umbra Shift, demonstrates holistic design.

Umbra-PaulRowan-4.jpgAlso from Umbra Shift, the Nest Caddy by Umbra Studio, its in-house design team

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Interview: Almond Surfboards' Dave Allee: We chat with the founder of the Californian company about shaping and building their boards and their future

Interview: Almond Surfboards' Dave Allee


by Kohl Crecelius In a world obsessed with the idea of more, Almond Surfboards has been able to carve out a niche within surfing that is both meaningful and intentional. Located in Newport Beach, CA, Almond’s…

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LACMA to Honor Barbara Kruger, Quentin Tarantino

Any number of lines from the films of Quentin Tarantino (perhaps the Pulp Fictional: “Just because you are a character doesn’t mean that you have character” or “Personality goes a long way”?) would look swell sprawled out in Futura Bold Italic by Barbara Kruger. The artist and the filmmaker will come together on November 1 at the Los Angeles County Museum of Art as the honorees of its 2014 Art+Film Gala, the museum announced today. Further upping the Gucci-backed fete’s cinematic koan quotient will be Leonardo DiCaprio, who is chairing the event with LACMA trustee Eva Chow.

In other exciting film-related LACMA news, the museum is prepping the first major retrospective of the work of Pierre Huyghe. The exhibition, which is being “designed as a single, extraordinary environment,” opens November 23.

Pictured: Barbara Kruger, Untitled (You Are A Very Special Person), 1995

New Career Opportunities Daily: The best jobs in media.

Music video: Shiner

An ode to cheap beer and tacos. A music video for the title track off Mainland’s EP,..(Read…)

Retro Game Console Transformers

Sega Genesis (known as Mega Drive in Japan) and Sony‘s PlayStation One Transformers made by..(Read…)

Donal Colfer Architects adds concrete and glass extension to Dublin residence

Irish firm Donal Colfer Architects has renovated a Victorian terraced house in Dublin, adding an extension with a glazed ground floor and concrete mullions above (+ slideshow).

Martin Street Renovation by Donal Colfer Architects

The owners of the property on Martin Street had built an extension to the house in the 1980s, which blocked out much of the light to the existing rooms.

Martin Street Renovation by Donal Colfer Architects

Donal Colfer Architects was tasked with overhauling the home. “Our brief from the clients was to replace the existing extension while opening up and bringing more light into the house,” said the team.



Martin Street Renovation by Donal Colfer Architects

The new two-storey extension has been sunk two steps lower than the rest of the house to reduce the impact on surrounding buildings.

Martin Street Renovation by Donal Colfer Architects

Internal walls and floors that provided the previous layout were removed so the circulation could be relocated to the back of the new rectangular volume.

Martin Street Renovation by Donal Colfer Architects

The garden-facing facade of the top floor features a row of deep concrete mullions, which break up vertical panes of frosted glass.

Martin Street Renovation by Donal Colfer Architects

“Internally we have sought to exploit the heavy characteristics of daylight in Ireland along with the shadow it creates,” the architects said.

Martin Street Renovation by Donal Colfer Architects

Kitchen units run along the ground floor of the extension, facing a glazed wall that looks onto the garden and draws light into the adjacent living room that also opens onto the gravel patio.

Martin Street Renovation by Donal Colfer Architects

The staircase behind leads up to a hallway and bathroom – separated by a sliding partition – then a further two steps lead up into the main house to provide access to a pair of bedrooms.

Martin Street Renovation by Donal Colfer Architects

A small skylight above the stairs illuminates the windowless side of the extension. Walls throughout are finished in polished plaster, which subtly reflects the light.

Martin Street Renovation by Donal Colfer Architects

Grey Terrazzo tiles cover the floor of the lower level, while the walnut used for the kitchen, staircase and bookshelves is used for flooring on the upper storey.

Martin Street Renovation by Donal Colfer Architects

“The rich texture and reflective qualities of the internal stucco wall finish and Terrazzo floor combine to hold light that enters different spaces in the dwelling, while dark walnut fitted furniture elements and parquet flooring become part of a shadow as time passes,” said the architects.

Martin Street Renovation by Donal Colfer Architects

Photography is by Alice Clancy.

Martin Street Renovation by Donal Colfer Architects
Axonometric diagram – click for larger image
Martin Street Renovation by Donal Colfer Architects
Ground floor plan – click for larger image
Martin Street Renovation by Donal Colfer Architects
First floor plan – click for larger image

The post Donal Colfer Architects adds concrete and
glass extension to Dublin residence
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Festool's Nifty CT Wings Product Design Provides an Extra Set of Hands

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[Image via Gary Katz]

As capable a builder as you might be, there are lots of building projects that simply require an extra set of hands. So I think tradesfolk and DIYers will always appreciate product designs that allow them to do something alone rather than having to pull in an extra body.

Along those lines, check out this clever little gizmo from Festool, called the CT Wings. It’s demonstrated below by the master finish carpenter Gary Katz, of the Katz Roadshow traveling training courses:

Pretty neat, no? I love the design of the fins and how they can be flipped out to accommodate different thicknesses.

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Wooden Bicycle Grips from Nisnas Industries: Built from hardwoods, brass and aluminum, a bike part and designed to improve with age and use

Wooden Bicycle Grips from Nisnas Industries


If you’re lucky, a solid commuter bike will last decades. A steel frame never goes out of style and a well-maintained machine can be passed down the next generation with few replaced parts. The sustainably minded team at Nisnas Industries is making sure…

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Core77 Design Awards 2014: The Best Packaging Designs of the Year

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We all know how important first impressions are. When it comes to the products we choose to incorporate into our lives, the packaging provides the first clue about its precious contents, whether its a bedecked box or a clever reveal. Thus, the honorees in the Packaging category of the 2014 Core77 Design Awards are designs that not only invite the user to open and experience them but also to keep and reuse them. Read on to see which entrants the jury team—led by Isabelle Dahlborg Lidström, Creative Director and Managing Partner of NINE AB—chose as the honorees:


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Student Winner: Fortune Pill, by Jeongdae Kim

Taking a daily dosage of medication typically isn’t the highlight of one’s day. University of the Arts Bremen student Jeongdae Kim designed a whimsical pill packaging that might change your mind. Every time you pull open a different pill package, you’ll be greeted by a daily fortune. “We loved this concept, so much insight and care,” says the jury. One jury member commented “My father would smile everyday and look forward to eating his pills.”

» Learn more about Fortune Pill


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Professional Runner Up: Budweiser Bowtie Can with Crown Tab, by Metaphase Design Group, Inc., Anheuser-Busch InBev and DCA

It’s safe to say that the beer can hasn’t changed much in terms of shape—you can always count on the classic can and the traditional tallboy. Metaphase Design Group, Inc., Anheuser-Busch InBev and DCA took a stab at innovating the can’s form and came back with a Budweiser pop-top that does more than just look good. Their bowtie-shaped can mirrors the logo, bringing the brand to a whole new level of marketing. “A real innovation in the beer can category, and superb graphic design to enhance the concept and shape,” says the jury.

» Learn more about Budweiser Bowtie Can with Crown Tab


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Professional Runner Up: Google Chromebook 11, by Uneka

Google looked to Uneka to develop a packaging design worthy of the clean, simple laptop it would house. The Google Chromebook 11 packaging design is just that—and eco-friendly to boot. The jury appreciated the container’s brand loyalty: “Super simple shape that says it all, the form and concept reflects the brand.”

» Learn more about Google Chromebook 11


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Student Runner Up: Spacklit—Smart Innovative Packaging Solution for Spackling Compound, by Muli Bazak

Bezalel Academy of Art and Design student Muli Bazak combined the power of minimal packaging and the efficiency of a built-in application tool with Spacklit. Spackling wall imperfections used to require multiple tools, but Bazak has simplified the process with an all-in-one solution. The base of the package is sandpaper, allowing the user to sand the wall area. By pulling the tab off of the back of the capsule, the repairer can squeeze the body and fill the hole with spackle and skip the mess. The jury team described it as “all you need,” “really brilliant” and “a ‘must have” feeling.'”

» Learn more about Spacklit—Smart Innovative Packaging Solution for Spackling Compound


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Professional Runner Up: Battement Cosmetics, by Lauren Hill

Lauren Hill’s cosmetic packaging offers more than meets the eye. The visual branding is based off of a ballet move called the battement, a maneuver where the dancer begins with both feet together and sweeps one leg up—which is shown in the curved packaging art. The designer poetically attributes the packaging as adding “intrigue to the dance of getting ready.” The jury’s thoughts: “Conceptual and beautifully visualized. The materials are selected carefully and with a strong sense of fashion.”

» Learn more about Battement Cosmetics


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